Bharateeyudu 2: A bloated sequel which doesn’t have the emotional complexities of the 1996 blockbuster

Director S. Shankar does a better job in the second half when he touches upon the consequences of cleaning corruption in your home. The ostracization that Siddarth’s Chitra Aravindan faces does touch the viewer’s heart, but the movie doesn’t come across as a whole

  • Starcast: Kamal Haasan, Siddarth, Samuthirakani, Kalidas Jayaram, Bobby Simha, Rakul Preet Singh and others
  • Direction, dialogues, story and screenplay: S Shankar
  • Producers: Subaskaran Allirajah and Udhayanidhi Stalin
  • Production Companies: Lyca Productions and Red Giant movies
  • Running time: 3 hours
  • Music director: Anirudh Ravichander
  • Cinematography: Ravi Varman

The genre of vigilante movies owes a lot to Shankar. Many of his movies have tackled corruption and featured crusaders of different natures. For example, in Gentleman and Aparichitudu (Anniyan) in Tamil, the protagonists took extreme measures to wipe out the rot in the system. On the other hand, there was Mudhalvan, where a television presenter ended up becoming a Chief Minister. In Mudhalvan, it was about repairing the system while staying within it.

Coming to the 1996 movie Bharateeyudu, it was one of its kind for those times. Apart from Shankar’s typical vigilante tropes, the movie also had some solid emotional drama with the vastly different viewpoints between Senapathy and his son Chandru, both played by Kamal Haasan. The writing and direction had shades of nuance, with Chandru not being painted as an all-out villain.

After a long gap of 28 years, the sequel is here, and the typical elements of Shankar, like long-drawn speeches and rants on corruption, have clearly worn out. It is high time that he finds a new cinematic language while talking about the same issues.

Indian 1 and 2. Shankar needs to change his cinematic language while talking about the same issues.

Indian 2 begins with the introduction of Siddarth’s Chitra Aravindan and his three friends. They run a YouTube channel called ‘Barking Dogs’. This channel makes political satires using the comic strips of R.K. Laxman. They can be called digital media activists. The channel receives a lot of views, but there isn’t much of a ground impact. In this situation, Aravindan believes that only Senapathy, aka Indian Thatha, can clean the rotten system. They start a campaign with the name ‘Come Back Indian’. Aravindan firmly believes that Senapathy is alive even after all these years, and his hunch turns out to be true. In a Facebook Live video, Senapathy tells all the youngsters to focus on exposing the corrupt individuals within their families while he would wipe out corruption through extrajudicial methods. However, this two-way route comes with its own dire consequences that severely affect both Senapathy and Siddarth and his friends. Running parallel to this is the track of Bobby Simha, a CBI officer hot on the trail of Senapathy. He is the son of the inspector Krishnaswamy from the 1996 film, played by the late Nedumudi Venu.

Siddarth runs a YouTube channel Barking Dogs

The first half of Bharateeyudu 2 is a slog in more ways than one. The typical elements of Shankar are dialed up 100 notches. There are excessive dialogues on corruption, and the way Senapathy comes back to India appears very convoluted. The tweets of Come Back Indian trending so fast feel comical, to say the least. The rich businessmen that Senapathy kills seem to be an amalgamation of Vijay Mallya and Nirav Modi. All of them are North Indians with a big appetite for wearing bling clothes. Senapathy uses different martial art techniques.

All of them come across as irritating caricatures rather than flesh-and-blood characters. The conversations of Kamal Haasan with these men play out way longer than needed and border on utter ridiculousness. For instance, a rich man gallops like a horse for a long distance after Senapathy strikes him. As audiences, you are completely unmoved because of the flat writing and staging.

However, Shankar does redeem himself in the second half, particularly in the scenes that showcase the aftereffects of Senapathy’s advice. Chitra Aravindan exposes his own father, resulting in severe discord with his mother, who eventually ends up committing suicide. Chitra Aravindan isn’t even allowed to perform the last rites, facing severe ostracization. Siddarth’s showdown with Kamal Haasan has some powerful dialogues where the character questions Senapathy on how his advice of first cleaning up corruption in your own house may look like a great idea but in reality has dire consequences. He further adds that what is the point of having a corrupt-free society when you don’t have a happy home. From being loved by youngsters, Senapathy goes to being the most hated. Senapathy also briefly faces public ire; they throw stones at him. This portion comes late in the second half but saves the movie from being a complete washout.

Siddarth’s showdown with Kamal Haasan

Mention must also be made of the few scenes between Siddarth and Samuthirakani. The emotional scene where Samuthirakani’s character asks his son why he did this, and the subsequent dialogues make a powerful impact. Siddarth scores as an actor, particularly in these scenes.

As Senapathy, Kamal Haasan makes the viewers believe in the superhero qualities of his role. Yes, the role doesn’t pack the same emotional resonance as it did in 1996, but to Kamal Haasan’s credit, he does sell the big speeches.

The music of Bharateeyudu 2 is nowhere close to the first one; however, the background score by Anirudh Ravichander is impactful in a few scenes. The action sequences are way too prolonged and quickly become tedious. Shankar’s eye for grandeur does make the movie a visual feast, but the storyteller Shankar is absent for the most part.

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