Tag: Alia Bhatt

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Dear Alia… A Love Letter From Your Fan

I still vividly remember the day 19th October 2012

It was the release of Student of The year

At that point I had no idea that you will become a part of my world

In spite of not having a lot of screen time you stormed through my heart

Your cuteness mixed with beauty bowled me and many others too

With Highway you became one of my favorite actresses

I have never missed any of your films whether they are good or bad

It is almost ten years and each of them has been a loving memory.

I have watched most of your films on repeat mode and  never felt tired re watching them again and again.

One of the qualities that I admire in you is your mental strength.

I still remember the short film Genuis of the year after the debacle of Coffee with Karan

It was not just a short film but it was also a statement on how you can take a joke on yourself.

There are many times Kangana Ranaut has attacked you but you have always dealt with it in a dignified manner.

With Coexist you made me more interested in nature

The day when I got the Coexist cup it was one of the best moments in my life

It is my most treasured possession.

Due to Coexist influence I also brought home a hibiscus flowerpot

I also developed the habit of reading to trees and petting them like dogs and cats.

Your personality reflects not just in your films but also in Ads

I love Manyavar Ads particularly the last one on Kanyamaan

It questioned the practice of Kanyadaan in a simple but effective manner

You have conquered many hearts with characters that have had the right mixture of vulnerability and strength particularly the latest one Gangubai Kathiawadi.

 Thank you so much for noticing my videos on you

The profile video that I made on you will remain one of my best videos

My admiration for you is never ending

Cheers to many more years Alia.

https://www.primepost.in/a-love-letter-from-your-fan/

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Gangu Comes Alive Through Alia

In her short career so far Alia has done many memorable characters. There have been a few exceptions like Sadak 2 but most of them have hit the mark. Out of all the roles that she has done so far the one which is most recent and most appreciated is that of Gangubai.

The character of Gangubai is in many ways different from what we have seen Alia do earlier. Roles like Highway and Udta Punjab showed the actress playing a young girl but the graph of Gangubai is very different. Here we see the life of Gangubai in three stages. It starts off with her being sold to the brothel house at the age of 16 and goes until the character is in its mid-thirties. Though we don’t see much change in the facial features as it is glamorous throughout still it doesn’t distract you from the viewing experience. The main reason for that is her body language. By body language I mean her walk, voice and eyes. Throughout the film there are many instances where she conveys her various emotions like innocence, sadness, frustration, anger and pain just through her body language. Following are some scenes in the film which bear testimony to this.

Alia is an actress who has become synonymous with her breakdown scenes starting from Highway. There is a general pattern to these, however in this movie we see a very different side to her acting capabilities. There are scenes in the film where you don’t have any breakdown but you still feel her grief. For example in one of the initial scenes where she has to stand in front of a brothel house leaning on a wall calling out to men in whispers. There are no dialogues here but Alia conveys the pain of Ganga superbly just through her eyes. There is a certain emptiness in those eyes.

The song Meri Jaan in the back of the car is also another example of how much she has evolved as an actress. The song starts off as a blossoming romance between Alia and Shantanu’s characters but midway through it takes a different turn. Shantanu’s character tries to get intimate with Alia but she rebukes him, at one point she even gets angry with him. The reason for the anger is that she expects a different relationship with him, not the prostitute-customer relationship. She wants to be cared for, it is an emotion that she has missed for a long time. All this was mostly expressed through her eyes only.

Before the song Dholida there is a scene where Alia makes a trunk call to her father, without knowing that he died already. While her mother is telling her about it the trunk call operator keeps reminding her that there are only thirty seconds left. This frustrates her to no end and not surprisingly Alia expresses her anger in full measure. The summary of what she says is that my father is dead and there are plenty of things to talk, how can you expect me to cover all this in thirty seconds. The loss and pain are superbly brought out by the actor with just her voice.

The Dholida song starts off as a celebration track but soon it moves into a very different zone. In the second part of the song we see the character going into trance and in this again we can see the different emotions that Alia conveys through her body language. The trance state is related to the telephone conversation of the previous scene.

Likewise there are plenty of instances in the film where she conveys emotions through her walk and voice. The tonality of the voice varies in many situations. For example in the school scene she talks in a teasing manner, on the other hand there is an authority that Alia brings to her voice in her scenes with Raziabai (Vijay Raaz). In the Azad Maidan speech we can see Gangubai’s empathy for sex workers. She also makes a strong case for the betterment of the sex workers lives.

In a nutshell Gangubai gives the audiences a whole new Alia.

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Meenakshi Sundareshwar: A Slice Of Life Entertainer Propelled By Its Leads

Meenakshi Sundareshwar directed by Vivek Soni rests on a thin plot but the director makes it work with his packaging. He is also aided by his two charming actors in the lead roles. The major theme that Vivek Soni touches upon is the perils of long distance marriage. There are certain other themes which are used as a plot device to build up the drama.

The story of Meenakshi Sundareshwar is set in Madurai. The film begins off by setting up the character traits. Sanya Malhotra’s Meenakshi is a huge movie buff; she has also got the habit of reading books every night before she goes to sleep. In addition, she is also a crazy fan of Rajinikanth. She sees all his films first day first show. Abhimanyu Dassini’s Sundareshwar is a polar opposite. Movies put him to sleep, his only interest is coding. In general he is an introvert who holds back.

In a scene straight out of Tarun Bhaskar’s Pelli Choopulu Sundareshwar’s family comes to the wrong house, the leads come to know about this after they have chatted for a while. This is not the only similarity that the film shares with Pelli Choopulu. Sundareshwar’s father has a very low opinion about his son and he feels that his son is wasting his time in trying to make a career out of coding. Instead, the father wants him to join the family business of sarees. On the first night Sundareshwar gets a message from a company that he has to join urgently. Initially the long distance marriage is all hunky dory as they keep chatting on Skype but the lack of communication soon catches up and cracks begin to appear. Sundareshwar’s problems are further compounded by the fact that he has to hide his marital status from the boss. The reason being the company only wants bachelors. The rest of the story is about how the couple makes their marriage work.

The success of Meenakshi Sundareshwar lies in how Vivek Soni deals with the conflicts between the lead characters. Many young married couples would be able to relate to those problems. There is an important message that the director delivers. The message is about the importance of communication in a relationship. The best thing is that this message is conveyed in a non-preachy manner.

The differences in the personalities also form an important part of the film. These differences are used by Vivek Soni to explain why they are making rash decisions or even holding back when they don’t need to.

The film is also visually stunning thanks to the cinematography by Debojeet Ray. It presents Madurai in a gorgeous way. The music by Justin Prabhakaran is soothing to the ears,

For any romantic film chemistry between the leads plays an extremely important part, fortunately Sanya Malhotra and Abhimanyu Dassani don’t disappoint. They make for a charming pair. Sanya Malhotra particularly shines as a smart, confident woman. Her imitation of Rajinikanth in certain scenes is also fun to watch. Abhimanyu Dassani has less to play with but he still shines with his understated portrayal. The patch up of Meenakshi and Sunderswar happens in a theater which is playing Rajinikanth’s Darbar, it is over the top but it goes well with the mood of the film. The supporting characters don’t have a lot to do but they are efficient in their respective parts.

There is a special thanks which is given to Alia Bhatt at the beginning of the film. The reason for the thank you card is that Vivek Soni had first given the script to her; he wanted to know her opinion about the plot. He was an assistant directors on the sets of Shaandar and Udta Punjab, there they become friends and continued to stay in touch.

Alia loved the innocence of the characters and was thoroughly impressed. She then connected Vivek Soni to Karan Johar. That was how Karan Johar came on board and produced the film under Dharmatic entertainment.

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Alia Bhatt: A Multi Faceted Queen

Today’s feature is a very special one as it is about one of my most favourite actresses. She is the very talented and a multifaceted personality Alia Bhatt. The reason for doing this feature is that Alia will be turning 28 on 15th of this month. Alia has captured the hearts of many ranging across different age groups from children, teenagers, adults and even old people. Apart from being a wonderful actress she has also sung some nice songs in Humpty Sharma Ki Dulhania, Badrinath Ki Dulhania, Highway, Udta Punjab etc. She also opened up a production house recently. The name of her production house is Eternal Sunshine productions. What makes this even more special is the fact that Alia is the youngest actress turned producer. The actress also set up an initiative called co Exist in 2017 which works towards animals and ecological welfare.

Shabana Azmi in one of her interviews had called Alia a wonderful actress with the perfect mixture of vulnerability and strength which is very attractive. When you look at the characters in films like Highway and Udta Punjab you feel that Shabana ji is right. For example, in Highway you see lot of vulnerability as she is scared of her kidnapper but gradually you see the character finding strength and by the end strength replaces vulnerability. A good example of that is the scene when she confronts her uncle in front of entire family. She yells at her father about not warning her about the dangers posed by insiders. The film ends with her going to the mountains and setting up her own factory. In Udta Punjab the character goes through multiple scenes of physical abuse but she never gives up, in fact she becomes a victor at the end. This combination makes her very endearing to the audiences particularly the younger generation both male and female. Males want to have a girlfriend like her while females find themselves in the characters.

Now I will talk about some of my favourite Alia Bhatt performances. Since I have already mentioned Highway and Udta Punjab I will be talking about three more.

1 Raazi – Raazi is based on the book written by Harinder Sikka. It is set in 1971 when India and Pakistan were at the brink of the war and Information is the key for both the nations. Alias character Sehmat gets married to a respectable Pakistani family. Her job is deliver information to Indian government through Mars code. It is a part which isn’t particularly likeable since she has to choose between nation and family. Honestly some of the actions which the character does are questionable but Sehmat never comes across as a villain because of Alias performance.

2 Dear Zindagi – Dear Zindagi was an attempt to normalize Psychiatry through the troubled personal life of a teenage girl. The character in this one is very different from Udta Punjab. The reason being it comes from an upper middle class family and her issues aren’t exactly first world war ones. You have friends to fall upon and also a glamorous profession but Alia still made it work with her spontaneous performance. Her scenes with the therapist played by SRK were one of the chief reasons why the film worked.

3 Gully Boy – As the title suggests the story is about a boy from the gully played by Ranveer Singh but Alia shined in all her scenes with a spirited act. In this film also you can see vulnerability and strength in many scenes. Alias performance worked as a perfect contrast to the understatedness of Ranveer. Through her performance she showed that good actors don’t need a whole of screen time in order to make an impression.

Apart from the above mentioned ones you have also got the Dulhania Franchise, Humpty Sharma and Badrinath Ki Dulhania along with 2 states, Kalank etc. Although these films are more commercial in nature the actress has played strong parts in these films as well. For example, in Badrinath Ki Dulhania Alia plays a girl called Vaidehi who is very clear about wanting to become an air hostess. She is someone who will go to any lengths in order to achieve the dream. Keeping all this in mind it is not surprising that apart from Shabana you have also had acclaimed actors Irrfran and Pankaj Tripati  also praising her. Irrfran had called her a gifted actress with the potential of being an international star. Pankaj Tripati who was the dialect coach of Udta Punjab had called her a hardworking actress.

As I earlier said the actress is a singer too. Her singing journey started with a bit version of Sooha Saaha in Highway however the first major song that she sung was the unplugged version of Samjhawaan in Humpty Sharma Ki Dulhania. This song is not there in the film but is available in Youtube. The actress won lot of appreciation for the song. This was followed by two songs in Dear Zindagi and one of the songs was the club version of Love You Zindagi. After Dear Zindagi you had the song Ik Kudi which she sung with Diljit Dosanjh. In Badrinath Ki dulhania she sang the female version of Humsafar. The last one was Sadak 2. Just like her acting Alia also left a mark with her singing skills.

Now let’s move to Coexist which I mentioned in the beginning. As I earlier said Co Exist works towards animals and ecological welfare. As part of coexist you have the initiative my wardrobe is Su wardrobe. It is a philanthropic initiative where people get to choose outfits from the personal closet of Alia and other celebrities as a part of charity. The entire amount goes to some charity or the other. From one of the proceeds eco friendly solar lamps were sent to economically backward districts in Kikkeri, Karnataka. 

Alias sense of humour is another thing which is worth appreciating. Everyone knows how she became the butt of the jokes after getting the name of India president wrong. She was never offended with the jokes and took it in her stride. She also talked about her favourite Alia Bhatt jokes. In fact Alia also featured in Genuis of the year which was a funny take on the aftermath of Koffe with Karan debacle.

Although Alia is only 27 you can see lot of maturity in her which shows both off and on screen. The biggest example of that is the way she dealt with all the trolling post Sushant Singh Rajput’s death last year. A Koffe with Karan episode was unnecessarily blown out of proportion and a picture was painted of them as enemies. Add to that Sonam’s statement of who is Sushant was attributed to her. The actress took the controversy in her stride and focused on her work. We can see the result in the teaser of Gangubai.

It is a well known fact that Kangana has been attacking her since 2019 just because Alia didn’t promote her film Manikarnika. But Alia never resorted to Kangana’s language and has always given a dignified answer. One reason for that could be that she understands the background from which Kangana comes from.

Alia’s compassionate nature can also be seen with her sister. In We The Women event she broke down about not understanding what her sister was going through in spite of living with her for a long time. It was a very heart-warming event. Similarly when Rishi Kappor was admitted due to cancer Alia made sure to visit her future father in law. She was there for all the family things and balanced the personal life and professional life very well. After Rishi Kapoor’s death it is said that Alia Bhatt called Neetu Kapoor regularly and not Ranbir. 

Alia’s chemistry with all her co stars has always been good but my favourite pairing is with Varun Dhawan. They have acted together in four films starting from Student of the year to 2019’s Kalank. You can see the comfort level and the understanding that they have got. Even in the disaster that Kalank was their scenes were good to watch. My second favourite pairing of Alia is with Ranveer Singh. Before acting together in Gully Boy they acted in the make my trip ads and their pairing was liked by the audience. You can see the respect that they have for each other’s work and that clearly reflected in Gully Boy. It also helps that both of them are passionate actors and love to take on challenging roles.

Although Alia is not someone who is politically very active but there have been times where the actress has taken a stand. For example during the JNU and CAE protests the actress expressed her solidarity for the students through social media.

I will end this feature by talking about the teaser of Gangubai which has been trending for all the right reasons unlike Sadak 2. The dialogues in the teaser have particularly become very popular and have been quoted by fans. A good example of this is the line Kunwari apne Chhoda Nahi, shrimati kisi ne banaya nahi. While the transformation of Alia in the teaser has largely been appreciated there has also been discussion about alternate casting. Now this isn’t really surprising since Hrithik Roshan’s Super 30 also went through similar issues. But we all know what happened after the release of the film. Hrithik impressed everyone with his committed performance and the film went on to do very well. Coming back to this controversy it is necessary that the people wait until the release of the film. The reason being we don’t know which part of the life story Sanjay Leela Bhansali has taken. Since we are talking about Hrithik it is necessary to mention that both Hrithik and Alia have been invited to join the Oscar academy where they might be given voting rights.

I will finally end by wishing her all the best for the future projects which include Bramhastra and her Telugu debut RRR. An interesting thing about RRR is that Alia will be dubbing in her own voice. It will be interesting to see the actress speak Telugu.

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Gangubai Kathiawadi: A Solid Spectacle With A Beating Heart

Over the years Sanjay Leela Bhansali has become synonymous with telling stories on a larger than life canvas. His last three films Ram Leela, Bajirao Mastani and Padmavat are good examples of that. This larger than life canvas has also backfired in films like Ranbir Kapoor’s Saawariya but there is no denying the artisticness of Bhansali irrespective of whether you agree with his storytelling or not.

In Gangubai the director takes up a gritty real life story and narrates it with his trademark dramatic touch. The result is a largely satisfying film which touches upon a very important topic. He is also aided by the supremely talented cast led by his formidable leading lady. Alia Bhatt sinks her teeth into the role and comes up with the best performance of her career but more on that later.

The story of Gangubai is set in the 60’s and is inspired by a chapter from S Hussain Zaidi’s book Mafia Queens of Mumbai. With the help of the cinematographer Sudeep Chatterjee Bhansali immediately transports you into the area of Kamatipura. The plot is divided into three chapters. First you have Ganga being brought into the streets of Kamathipura and sold by her lover Ramnik. Ganga had aspirations of becoming a Bollywood heroine and Ramnik used that to his advantage and coaxed her to run away from home under false pretences. Seema Pahwa plays the brothel owner Sheela Masi. It is good to see the actress taking a break from her usual mother roles and doing something different, she is delightfully evil.

Much like the other four thousand woman of Kamatipura Ganga has no other option other than to make a living there. She gives up all hope and in a heartbreaking scene we see her standing in the front of a brothel, leaning on its door and seducing men by calling out to them in whispers. From here we see the character transforming into a fire brand go getter who gradually climbs up the ladder. She wears her past proudly on her sleeve, for example there is a scene in the later half where she introduces herself to Jim Sarbh’s character as Gangubai the prostitute. The interactions of Gangu with the supporting characters and how that shapes up her life also form an important part of the story. One of the most important supporting characters is that of Ajay Devgan’s Rahim Lala. He is a Muslim gangster who is a huge pillar of support for Gangu along with being her rakhi brother. Ajay is in smashing form and brings his trademark swagger.

There is a line in a film which says Gangubai wasn’t Mahaan but she wasn’t a devil either. This perfectly sums up the approach that Sanjay Leela Bhansali has taken. Early on in the film we see Gangubai freeing a girl from a prostitute house and sending her back home. This is done with a certain political purpose as we get to know later. There is also a scene where she sets up the marriage of a prostitute daughter with a son of a Muslim Tailor Afshan ( Shantanu Maheshwari); here also there is a reason why she does that. In these scenes we can see the shrewdness that Gangubai has learnt from the harsh circumstances that she has gone through. At the same time there is a genuine empathy that she has for sex workers, there is a reason why she wants to become to become the madam of Kamathipura. The reason is she wants to improve the lives of the sex workers. This comes out perfectly in her stunning speech at Azad Maidaan. Bhansali does a splendid job in bringing out these two shades.

Gangubai’s love story with Afshan also gives the film some of its best moments. Their romance is subtle but yet heartwarming. The two love songs Jab Saiyaan and Meri Jaan have been perfectly used by the director. They don’t come across as speed breakers. Out of the two my favorite one is Meri Jaan. You wish that Gangubai had a happy ending with Afshan.

Another track worth mentioning here is the friendship between Gangubai and Kamili played by Indira Tiwari. Their on screen bond is a treat to watch. There is a strong emotional scene between Gangubai and Kamili when the latter is on the verge of dying. It is a scene which is highly moving.

The scenes between Ajay Devgan and Alia are also good to watch but you wish there was little more of Ajay. The same goes to Vijay Raazi’s Rajyabhai. He plays an opponent to Gangu. Their rivalry is fun to watch but Vijay Raaz comes across as underutilized after a point.

As I earlier said Alia sinks her teeth into the role. Since the release of the teaser there has been a certain talk about alternate casting but once you see the film you realize why Sanjay Leela Bhansali stuck to her.

The best thing about Alia’s performance is the authority that she brings in her voice when the character makes the transition from being a helpless prostitute worker to the madam of Kamathipura. Her comic timing in the lighter bits is also too good. In short this is truly an award winning performance. Out of the supporting cast Indira Tiwari and Shantnu stand out the most.

The music of Gangubai mostly works but the one featuring Huma Qureshi could have been done away with. The song Dholida isn’t too high on lyrics but it still highly watchable thanks to Energetic performance of Alia. The second part of the song makes more of an impression.

The one area where the movie falters is its pre-climax and climax, Gangubai’s conversation with Jawaharlal Nehru could have been more impactful, in the sense she should have been talking to him with more humility. Also the climax where a swarm of people are cheering Gangubai stretches a little too much.

Watch Gangubai for its leading lady and the importance of its real life story.