Director Sriram Raghavan and his unique casting choices…

Apart from creating deliciously dark characters, filmmaker Sriram Raghavan’s speciality lies in presenting his actors in different roles.

For example, much before Saif Ali Khan did a negative role in Omkara (2006), he was cast in the role of a smooth charmer who wreaks havoc in the life of Urmila Matondkar’s Sarika in Ek Hasina Thi (2004).

Saif handled this role — his very first negative character — like a pro by showcasing his versatility in a big way.

In Johnny Gaddaar (2007), Sriram Raghavan trusted a complete newcomer like Neil Nitin Mukesh with a challenging role. His role of Vikram comes across as a calculating and cold person who does not hesitate to sacrifice even his friends.

Neil’s performance in Johnny Gaddaar remains his best to date.

Sriram Raghavan also tapped a different side of the veteran actor Dharmendra in this film. Dharmendra played a ring leader. Though the duration of his scenes was less, his role was well-written and enacted.

Now, I will primarily focus on Sriram Raghavan’s last three films Badlapur (2015),  Andhadhun (2018), and Merry Christmas (2024).

Interestingly, in these movies, the director has pushed his lead actors to do something different from what they have done previously.

Badlapur

Sriram Raghavan and Varun Dhawan on the sets of ‘Badlapur’. 

Sriram Raghavan and Varun Dhawan on the sets of ‘Badlapur’. (Facebook)

Before BadlapurVarun Dhawan only did romantic and comic roles; he was absolutely charming in Main Tera Hero (2014) and Humpty Sharma Ki Dulhania (2014).

But with Badlapur, the actor stepped into a new zone.

The film is based on a real-life event where Varun’s character goes through many stages — physically and emotionally. Varun Dhawan played Raghu, whose life changed drastically after the death of his wife and son.

Raghu is consumed by revenge, and in the process of retribution, he does some questionable things. Even after succeeding in his mission, Raghu does not find complete peace.

In Badlapur, the viewers saw a new Varun Dhawan. The actor completely submitted to the vision of Sriram Raghavan and delivered one of his best performances so far.

Despite sharing screen space with Nawazuddin Siddiqui, there was not a moment where Varun Dhawan came across as anything less.

Andhadhun

Ayishmann Khurrana in a poster of ‘Andhadhun’. 

Ayishmann Khurrana in a poster of ‘Andhadhun’. (X)

Like Varun Dhawan, Ayushmann Khurrana also delivered a career-defining performance in Andhadhun (2018).

Ayushmann never did thrillers before, but director Sriram Raghavan trusted the actor with the role of a supposed blind pianist.

Even at the end, the viewers don’t know if he is blind. Ayushmann shared a lot of scenes with the veteran actor Tabu, but still, he more than stood his own.

Sriram Raghavan etched the character brilliantly with many shades, and Ayushmann Khurrana did complete justice to the director’s vision.

Merry Christmas

Katrina Kaif in ‘Merry Christmas’.

Lastly, you have the recent Merry Christmas starring Katrina Kaif and Vijay Sethupathi. The film does not match the brilliance of Badlapur and Andhadhun, but there is no denying Sriram Raghavan’s uniqueness in bringing two actors who belong to vastly different worlds.

Vijay Sethupati is a proven actor with a brilliant repertoire of roles as diverse as Super Deluxe (2019) and Master (2021).On the other hand, Katrina Kaif is known more for her dancing skills than her acting.

Not many directors would have thought of bringing them together but Sriram proved his penchant for taking risks.

A big USP of Merry Christmas is how Vijay Sethupati and Katrina Kaif feed off each other as two strangers in the beginning and develop a bond during a Christmas night.

They shared a wonderful chemistry, which helped the film tide over the speed bumps.

In Merry Christmas, Sriram successfully explored a different side of Katrina.

Her character goes from an alluring and vulnerable single mom to a hurt and revengeful wife. Katrina Kaif was proficient in her part managing to pull off both the shades.

Her role as Maria is a new beginning for Katrina even though the film has not done great business.

It is interesting to see Sriram Raghavan’s unique casting choices, which bring out something different from them every time. Hoping to see more such experimenting.

Bhamakalapam: An Engaging Thriller

Abhimanyu Tadimeti’s Bhamakalapam is an interesting mix of ingredients such as crime, greed and religion. The director pivots his plot on a Faberge egg that is worth 200 cores. This valuable egg has been stolen and later on gets lost again. Apart from making an engrossing thriller the director also makes a statement on how to find god within. The underlying message here is that not to be misled by anyone who uses religion as a weapon. The film also benefits from Priyamani’s spot on performance.

Bhamakalapam begins with an incident that is eerily similar to 2018’s Andhadhun. Instead of the Rabbit you have a lamb that crosses the path and the car meets with an accident. This of course leads to many things. However the similarities with Andhadhun end here. Anupama Mohan (Priyamani) is a homemaker and also a well known Youtuber. She is famous for her videos on cooking.

But Anupama is more than just a YouTuber, she also keeps an eye on what is happening in neighborhood. You can say that Anupama is her ‘apartments Sherlock Homes’. We get evidence of this early on when she tries to expose the extramarital affair of her neighbour. Her detective work backfires and she is thoroughly embarrassed by her apartment people. She also promises her husband that she wouldn’t peek out of the window again; however fate has different plans for her.

Other important members of the apartment include a pastor who is waiting for divine events to happen. There is also a woman called Saira who is a survivor of domestic abuse. Sharanya of Fida fame plays the domestic help of Anupama called Shilpa.

The biggest reason why Bhamakalapam works is due to the intrigue that the director is able to maintain. He builds up the mystery around the egg really well.

https://www.youtube.com/embed/sbrrlQzaezY?feature=oembed Another major highlight of the film is the scenes between Priyamani and Sharanya. Their scenes are filled with comedy and also tension. The duo is particularly good when the characters become unwilling partners in crime.

The religious aspect is also brought out well by Abhimanyu. The theme of certain men misleading people by using religion isn’t really particularly new but the message is still an important one.

The cinematography by Viplav Nyshadam and music by Justin Prabhakaran also add to the comic thriller mood. For example there is a scene where Anupama finds herself dragged into a situation wishing that she had never taken that step. The sound of the violin has been very well used.

Priyamani as I earlier said is spot on with her performance. She gets the nuances of the character spot on starting from Anupama’s inquisitiveness. Saranya as Shilpa is another ace in the story. The actress is good in both the comic bits and also the ones where she needs to show tension. The rest of the cast are appropriate in their respective roles.

Bhamakalapam is an interesting experiment that deserves to be seen.