The Buckingham Murders: A well-crafted whodunit focusing on unresolved grief and repressed anger

Hansal Mehta raises many pertinent issues through this police procedural like the plight of immigrants, communal hatred, the queer community etc. The treatment of these topics does feel rushed, nevertheless he delivers an engrossing movie aided by the brilliant Kareena Kapoor Khan

  • Starcast: Kareena Kapoor Khan, Ash Tandon, Ranveer Brar, Keith Allen and others
  • Story and screenplay: Assem Arora
  • Additional screenplay: Raghav Raj Kakker and Kashyap Kapoor
  • Director: Hansal Mehta
  • Producers: Shobha Kapoor, Ekta Kapoor and Kareena Kapoor Khan
  • Music: Ketan Sodha
  • Cinematography: Emma Dalesman
  • Production Companies: Balaji Motion Pictures and Mahana Films
  • Running time: 1 hour and 50 minutes

The Buckingham Murders directed by Hansal Mehta and co-produced by Kareena Kapoor Khan perfectly fits the genre of a slow burn investigative drama. The story is set in the town of High Wycombe. High Wycombe is situated in Buckinghamshire just northwest of London. Beneath the town’s charming nature there are many secrets waiting to be unraveled. The film tapes into the underlying racial tensions echoing real life situations. In simple terms the story of The Buckingham Murders focuses on the emotional turmoil of detective Jasmeet Bhamra akka Jas (Kareena Kapoor Khan in a knockout performance). She is a witness to her son’s tragic death due to a reckless open firing incident in a foreign country. An attempt to escape from her scars results in a demotion to D S shortcut for Detective Seargent. Detective Seargent is a police rank in the UK. On her very first day of work, she reluctantly takes up the case of a missing Indian Child. It starts off as a straightforward investigation but soon a cane of secrets tumbles out. Jasmeet has huge doubts regarding the honesty of Diljeet (Ranveer Brar). Diljeet is the father of the missing child. As the plot progresses many questions crop up like why the boy is missing and who is responsible for it, running parallel to the investigation is the track of immigrants and the issue of communal violence.

Kareena Kapoor Khan in a knockout performance

A strong aspect of The Buckingham Murders is director’s exploration of unresolved grief and repressed anger. The struggles of Jass in dealing with her psychological state and how she emerges as a fighter has been well depicted. The professional and personal struggles of Jass run alongside the investigation, this enhances the drama at many places. There are occasions where we see the seniors being dismissive off her on the grounds of getting overtly involved, she is also treated in a condescending manner at work.

Stories of cops battling personal tragedies while investigating isn’t new but what makes this movie different is how the director has added the angles of Islamophobia and Homophobia among others. The communal tension between Sikhs and Muslim who form an important chunk of immigrants has been well explored too.

The movie also explores the trauma of a closeted Queer through an important character. There is an important conversation regarding this at a crucial juncture, it makes the viewers think about the plight of these people. The movie also dwells into the faulty idea of marriage where a woman is just treated as a servant with no salary.

Additionally, the movie also examines the changes brought by the pandemic. How it has influenced many aspects of our life both positively and negatively. Thankfully all these social aspects flow seamlessly rather than being force fitted. However, there are times where the viewers feel that these topics would have better off in a web series rather than a feature movie.

Just like Hansal Mehta’s previous movies here too there is ample psychological insight into the shortcomings of society. Emma Dalesman’s cinematography is top notch as well. His frames perfectly capture the eerie atmospherics.

As mentioned, in beginning the Buckingham Murders belongs to the genre of slow burn investigative dramas. This is not a thriller with twists and turns at every corner. Hansal Mehta takes his own sweet time to establish the various perspectives. At times the angle of immigrants even overpowers the mystery part of it but the conclusion more than makes up for it. It makes the viewers sit up about how this person turned out to be the real villain.

The Buckingham Murders has an equal mix of Hindi and English dialogues. This is doesn’t become jarring at any point. The English dialogues are equally poignant as the Hindi ones. Mention must also be made of Jasmeet’s wardrobe. Hansal uses the wardrobe in a smart manner to showcase the protagonist’s emotional journey. For most part of the movie Kareena is seen wearing black and dark purples. The only time the viewers see Jasmeet wearing a bright color is when she finally decides to stop running from the haunting past.

Performance wise it goes without saying that Kareena is an absolute treat to watch with her nuanced act. The actress has been aging like fine wine and this movie is the perfect testimony to it. The way she expresses emotions through subtle expressions is a treat to watch. A scene which deserves a particular mention is the one where Jass understands grief from her father’s perspective. It is highly emotional.

A scene which deserves a particular mention is the one where Jass understands grief from her father’s perspective.

The supporting cast also make their presence amply felt. Ranveer Brar deserves a special mention for the way he brings out the different nuances. Whether it is the frustration of a father whose child is missing, the false bravado of someone who is failing in business and finally a misogynist husband taking his wife for granted. Prabhleen Sandhu as the unassuming Preeti Kohli is also a delight to watch. The foreign actors like Keith Allen and Charles Craddock are also efficient in their respective parts.

The supporting cast also make their presence amply felt.

The Buckingham Murders is a skillful exploration of the complex human relationships under the guise of a police procedural. How certain social structures suffocate human beings, for fans of layered stories and Kareena Kapoor Khan this is a must watch.

Crew : A much-needed female buddy film in mainstream Hindi cinema

Despite the implausible heist portions of the second half, Rajesh A Krishnan delivers a fun movie aided by the trio.
Crew (Hindi); 29-03-2024, Comedy-Thriller, 2 hours 4 minutes, U/A, Theatre
  • Main Cast: Kareena Kapoor, Tabu, Kriti Sanon, Diljit Dosanjh, and Kapil Sharma
  • Director: Rajesh Krishnan
  • Producer: Ektaa R Kapoor and Rhea Kapoor
  • Music Director: Badshah, Diljit Dosanjh, Vishal Mishra
  • Cinematography: Anuj Rakesh Dhawan
  • Rating: 3.5/5
  • Published in: Southfirst

The number of movies with well-known female actors playing buddies can be counted on fingers, particularly in mainstream Hindi cinema.

Sure, there have been the likes of Parched (2015) and Dhak Dhak (2023). Both movies celebrated sisterhood in their own way. But, as far as mainstream cinema goes, male bonding has always been more in number.

Rhea Kapoor went against the tide when she produced Veere Di Wedding (2018), starring Kareena Kapoor Khan, Sonam Kapoor, Swara Bhaskar, and Shikha Talsania.

Veere Di Wedding had its problems in terms of storytelling. But it still did strike a chord with the target audiences.

And now, Rhea Kapoor is back with another female buddy film starring actors from different schools of acting — Tabu, Kareena Kapoor Khan, and Kriti Sanon.

Writers Nidhi Mehra and Mehul Suri have taken inspiration from the real Kingfisher Airlines and the fugitive Vijay Mallya.

Nidhi Mehra and Mehul Suri along with Rajesh A Krishnan have combined elements of heist and comedy and have made a movie that engages the viewers for the most part.

Synopsis

Tabu in ‘Crew’. (X)

The story of Crew is about three air hostesses — Geetha Sethi (Tabu), Jasmine (Kareena Kapoor Khan), and Divya Rana (Kriti Sanon).

On the surface, the three appear to be leading a glamorous life, but in reality, they struggle to keep themselves afloat.

For example, Geetha wants to use her provident fund to start her own business with her husband (Kapil Sharma), while Jessica is looking for someone to fund her start-up.

On the other hand, Divya has loans to repay. Additionally, she has given a picture of being a pilot to her parents when she actually is an air hostess.

The three work for Kohinoor Airlines, which is on the verge of bankruptcy. They have been facing a salary crisis for the last six months.

Crew begins with three of them being detained on suspicion of smuggling gold, but that is only a part of the movie.

In simple terms, the story of Crew is about how the trio is pushed to a corner and takes a route that isn’t ethically right to survive.

The film also gets into a heist mode in the later half when the three decide to take revenge on the fictional Vijay Mallya when he flees from the country.

Sisterhood and chemistry

Kriti Sanon in ‘Crew’. (X)

For a film of this nature, the female actors must have a crackling chemistry and a genuine sense of sisterhood.

Fortunately, both the sisterhood and the chemistry are very much on point.

The jokes, the fights, and the eventual patch-up feel authentic.

Rajesh A Krishnan also deserves credit for never getting into a judgmental mode about the things the trio do.

All three come with their share of flaws, and this makes the movie more endearing.

The brilliant performances, particularly of Kareena Kapoor Khan and Tabu, make Crew hugely enjoyable.

After an intense performance in last year’s Jaane Jaan, Kareena lets her hair down in a complete contrast role.

Her Jasmine is a hustler who is unapologetically greedy and doesn’t mind showing off. However, there is also a deep loneliness.

Kareena does a terrific job of portraying the different facets of Jasmine.

Tabu’s Geetha is someone who is torn between her responsibilities and desires. The accomplished actor is her usual brilliant self. Some of her comic exchanges with Kareena are an absolute riot.

The two also have a delightful action scene in a private jet.

Kriti Sanon is fairly good and holds her own, particularly in the scenes portraying Divya’s moral dilemmas.

Other characters

Kareena Kapoor Khan in ‘Crew’. (X)

Despite their limited screen time, the male characters are also fun to watch. The husband and wife scenes between Kapil Sharma and Tabu have a lot of warmth.

The same applies to Diljit Dosanjh as Jasveer. The actor is his usual charming self and the way he flirts with Divya is adorable.

The viewers feel bad for Jasveer when Divvya deceives him for her needs.

Khulbhushan Kharbanda is Jasmine’s grandfather and an important pillar of support.

Again, the scenes they share are few. But still, Khulbhushan Kharbanda makes for an adorable grandfather.

Implausible heist drama

A couple of aspects come across as stumbling blocks in Crew. One is the heist portions, which border on being quite silly.

The landing portions of the film could have been done with better writing.

Also, the styling of the characters in some scenes leaves a lot to be desired.

They come across as too stylish, which doesn’t gel with the protagonists’ backgrounds.

Verdict

Keeping aside these small niggles, Crew is a breath of fresh air in many ways. It is a definite respite from the regular propaganda and the mass-heavy films we have been seeing in Hindi cinema of late.

Dream Girl 2: Ayushmann Khurrana Entertains As Pooja In This Comedy Of Errors

Ayushmann Khurrana effortlessly switches between the roles of Karam and Pooja. He is particularly impressive in the female avatar.

Falters in the second half
Dream Girl 2 (Hindi)
  • Cast: Ayushmann Khurrana, Ananya Panday, Paresh Rawal. Seema Pahwa, Abhishek Banerjee, and Asrani
  • Director: Raj Shaandilyaa
  • Producer: Ektaa R Kapoor, Shobha Kapoor
  • Music: Meet Bros, Tanishk Bagchi, and Arko
  • Runtime: 2 hours 2 minutes

Starting from Vicky Donor (2012), Ayushmann Khurrana has always tried to push the envelope with his on-screen characters. There has always been an effort to do something different, even when he has done films in the slapstick zone.

For example, in Dream Girl (2019), Ayushmann’s Karam has an impressive ability to imitate a female voice. This comes from his experience of playing female characters in plays. In his desperation to find a job, he starts working at a call centre with the name of Pooja.

In Dream Girl 2, writer and director Raaj Shaandiliyaa goes one step ahead with Ayushmann becoming Pooja to the extent of wearing sexy sarees as well.

Synopsis

Dream Girl 2 is none other than Karamveer aka Karam (Ayushmann Khurrana). He and Pari (Ananya Pandey) are deeply in love and want to get married as soon as possible. However, there is a loan that Karam has to clear.

This loan is his father Jagit Singh’s (Annu Kapoor). Karam doesn’t have a stable job. In his desperation to earn money, Karam transforms himself into a bar dancer by the name of Pooja with some persuasion from his dad and best friend Smiley (Manjot Singh).

Pooja impresses everyone with her dance moves. Running parallel to this is the track of a Muslim patriarch, Abbu Saleem (Paresh Rawal). Smiley loves Abbu Saleem’s daughter, and she also reciprocates, but there is a hurdle in the form of Abhishek Banerjee’s Shah Rukh.

Shah Rukh is the son of Abbu Saleem, who has depression problems. Abbu Saleem tells the loving couple that he will agree to their marriage only after his son comes out of depression. Smiley convinces Karam to become a female psychiatrist. However, this only ends up in further complications which can’t be elaborated here.

What follows is an assemblage of funny situations with one thing leading to another.

On the shoulders of Ayushmann Khurrana

Not surprisingly the biggest strength of Dream Girl 2 is Ayushmann Khurrana. The actor effortlessly switches between the roles of Karam and Pooja. He is particularly impressive in the female avatar.

The actor leaves you thoroughly charmed with his body language, make-up and dance moves. The actor’s comic timing also leaves the audience in splits throughout. For example, there is a scene where Abhishek Banerjee tries to seduce Pooja, and the latter’s wig comes off.

Pooja starts shrieking, “Hairfall, hairfall.” The humour in Dream Girl 2 isn’t of the intelligent type but Ayushmann along with the supporting cast keeps the proceedings engaging.

Other performances

Out of the numerous subplots my favorite is the one involving Seema Pahwa’s Jumani. She has been through multiple marriages and is absolutely unapologetic about her desire to find true love. At one point she falls head over heels in love with Karam. Seema Pahwa aces the part with her uninhibited act.

The scenes between Abhishek Banerjee and Ayushmann are also good to watch. Abhishek Banerjee’s role doesn’t have much scope for comedy, but still, both the actors feed off each other well.

The music composed by Meet Bros, Tanishk Bagchi and Arko has a good variety. Special mention must be made of the songs picturised on Ayushmann in the role of Pooja.

Final take

What pulls Dream Girl 2 down is the elongated second half. The comedy of errors runs out of steam as there isn’t much meat left by then.

In the pre-climax, Karam has a monologue with undertones of social commentary about middle-class angst, but this doesn’t gel well with the overall tonality.

(Views expressed here are personal.)