Modern Love Hyderbad: An Anthology That Leaves You With A Warm And Fuzzy Feeling

Anthologies have fast become a trend that everyone wants to make. It is not surprising given that you don’t need big budgets and a huge star cast. Many of the anthologies have had mixed results. The stories in these anthologies have generally tilted towards dark ones. For example the Tamil anthology Pava Kadhaigal had four stories of extremely dark nature.

Hyderabad basks in Modern Love
Actors with Charminar in the background

In that respect Modern Love Hyderabad is of a different type, and in a good way. For those who are not aware the source material of Modern Love Hyderabad is Modern Love. There is also another anthology called Modern Love Mumbai based on Modern Love.

Coming back to Modern Love Hyderabad, this anthology looks at the universal feeling of love through different set of age groups. For example you have a mother and daughter trying to reconnect in the pandemic. There is a couple who have understanding issues etc. Out of the six three have been directed by Nagesh Kukunoor. Venketash Maha of K for Kancharapalam has also directed one of the episodes.

Let’s look at the six stories one by one, along with a brief analysis.

  1. 1. My Unlikely Pandemic Dream Partner– This episode is set during the COVID lockdown. Mehrunissa (Revathy) is stuck with her daughter Noori (Nithya Menon). There are some unresolved issues which need to be sorted. There is a quiet resentment that both of them have towards each other.

Director Nagesh Kukunoor uses food as a character in itself. The delicious Biryani, Haleem etc are used as a device for the characters to unpack their baggage.

It is a simple plot but what makes it click is the treatment of the director. Both Revathy and Nithya Menon convey the required emotions with ease. The analogy of food has also been smartly integrated.

Modern Love Hyderabad's Nagesh Kukunoor: 'One language isn't better than  other' | Web Series - Hindustan Times
Director Nagesh Kukunoor uses food as a character
  •  Fuzzy, Purple and Full of Thorns– As the title suggests this one is about a thorny relationship between Uday (Aadhi Pineshetty) and Renuka (Ritu Varma). Both of them fall in love after a chance meet up but a pair of purple slippers creates a havoc in their love life.

The best thing about this segment is the character of Ritu Varma. Ritu Varma is delightful as the imperfect protagonist. She has her own insecurities but you don’t dislike her completely. Her fixation with the slippers raises many chuckles.

This segment also looks at the modern day life through a live-in-relationship. Aadhi Pinishetty and Ritu Varma share a wonderful chemistry.

Modern Love: Hyderabad Review: Suhasini Maniratnam, Revathy & Nithya ...
Suhasini Maniratnam tugs at your heartstrings
  •  Why Did She Leave Me- Why Did She Leave Me begins on a slow note. This episode starts with a CEO giving a speech to booster his colleagues. The CEO is Ramulu (Naresh Agastya). This episode is mostly about the relation between Ramulu and his grandmother Rangamma (Suhasini). Rangamma left Ramulu in an orphanage at a young age due to certain circumstances and never came back.

The flashback portions between Rangamma and the young Ramulu is the best thing about this segment, Suhansini tugs at your heartstrings as a grandmother raising her two grandchildren alone. Advitej Reddy plays the younger version of Ramulu with ease.

Partly mediocre, partly predictable—Modern love Hyderabad is pleasing, but  fails the city
Revathy and Nitya Menon in an emotional scene
  •  What Clown Wrote the Script- What Clown Wrote The Script is an interesting satire on the ridiculous nature of the serials. This story is about a television producer (Abhijeet Duddla) who collaborates with a standup comedian to create something different.

Malavika Nair plays the standup comedian here. It is a simplistic story but still there is a lot to enjoy here. Both Malavika and Abhijeet deliver earnest performances, the references to the legendary Jandhyala brings a smile to the face of the audience.

  •  About the rustle in Bushes- This segment reminds you of Prakash Raj’s Akashamanta. Much like that one here too Naresh plays an overprotective father.
Modern Love Hyderabad series review: Flashes of charm in an anthology  series set in Charminar City
Aadhi Pineshetty and Ritu Varma share a wonderful chemistry

Sneha (Ulka Gupte) is looking for love and finds it when she least expects it, along the way she meets a host of different people. Keeping a secret watch on her is Naresh.

The trope of the overprotective parent isn’t a new one by any means, but what makes this segment tick is the casting. Ulka as Sneha in particular delivers a wonderful performance. Through her character the director talks about how guilt manifests in irrational ways, particularly when it comes to love and family.

  •  Finding Your Penguin- Finding your Penguin is a hilarious tale about a young woman in Hyderabad. Indu (Komalle Prasad) tries a different approach to dating by comparing her dates with the way animals mate.

Indu’s interactions with her friends are laugh out loud. They have an authentic feel to them. This segment ends the anthology on a high.

Modern Love Hyderabad is not for those looking for depth, however if you are in the mood for some warmth and fuzziness then this one is for you. 

Bheemla Nayak: A Boisterous Second Half And Rana Saves The Day

Saagar K Chandra’s Bheemla Nayak tries to be a mix of retaining the spirit of the original Ayyappanum Koshiyum, but at the same time there is lot of fan appeasement particularly in the second half. The director has taken the Adivasi background with Pawan Kalyan’s character being a demi god for the locals. However, the Adivasi background doesn’t really add much value to the story except for the climax. The Adivasi characters are purely there to worship Bheemla and to sing praises of him.

For most part of the first half Pawan Kalyan is subdued. Rana Daggubati’s Daniel Shekhar provokes him multiple times but Bheemla doesn’t give in. Honestly nothing much happens in the first half, it is more like a filler for what is to follow in the second one. But it isn’t a complete bore either thanks to Nithya Menon’s Sugana. It is fun to watch her in her firebrand character. The second half is definitely much better but more on that once we are done discussing the story.

This Ayyappanum Koshiyum remake is set in the forest region connecting Telangana and Andhra Pradesh. In the opening minute we see Bheemla Nayak paying his obeisance to the forest, the next shot is Rana Daggubati’s introduction. We see him resting in a car; he tells his driver that the tiger is resting after a few drinks. A folk number by S Thaman leads the audiences through the terrain. Daniel Shekhar does not think it is a crime to have a stash of alcohol when his car is going through the forest zone. Expectedly a clash happens between Daniel and the cops, this leads to something bigger. There is also a back-story to Bheemla which all the villagers know but they won’t discuss it. It is considered a ‘sacred’ oath. Murali Sharma plays Kodandram. He desperately tries to bring some peace. While Ayyapum Koshiyam tackled class divisions among other aspects here those are downplayed significantly. Also while there is a certain restrained approach in the first half still there is no getting away from the hero elevation. The best example of that is the title song where you have ample slow mo shots and hundreds of junior artists.

Rana Daggubati promises epic clash with Pawan Kalyan's Bheemla Nayak in new  teaser | Entertainment News,The Indian Express
Rana Daggubati : Ample scope to showcase his towering personality

The movie gets more into the zone after Bheemla is stripped of his official duties. The scenes between Pawan and Rana are more powerful in the second half. It is fun to watch the actors taking on each other. One of the good things here is that Rana isn’t reduced to a junior artist; he gets ample scope to showcase his towering personality. He perfectly carries the attitude of the character from scene 1, his scenes with Samyukhta who plays the wife is quite good to watch. In these scenes we see a softer side to him. Also there is certain decency to his role; this comes through when Rao Ramesh’s character suggests Daniel to use Bheemla’s wife Sugana as a bait in his battle with Bheemla. Daniel scolds him saying that don’t you have shame in suggesting a thing like this.

Bheemla Nayak Movie News: Samyuktha Menon confirms she will be part of 'Bheemla  Nayak'
Samyukta Menon, debut in Telugu films

The romance between Pawan Kalyan and Nitya Menon is also interesting because Nitya Menon’s character is no push over. She is appropriately spunky.

The climax fight is too elongated but it still makes an impact. The emotional touch at the end of the fight is quite good.

Pawan Kalyan as Bheemla is suitably restrained and also explosive when required. But his performance comes across as indifferent. The energy levels that you associate with the actor are missing for the most part.

The supporting cast hasn’t got much to do. They are mostly there to watch the show from the sidelines.

The first half as I said is quite a bore. One major reason for that is the mishmash of sensibilities and not knowing what approach to take. Also the music is one big letdown. There is an attempt to give it an earthy touch but it comes across as more artificial. This can be particularly seen in the title song.

Watch Bheemla Nayak for the confrontation scenes between Pawan Kalyan and Rana Daggubati