Bholaa: A Competent Action Thriller, But Lacks The Vulnerability Of Lokesh Kanagaraj’s ‘Kaithi’

Better not to compare with the original!

Bholaa (Hindi)

  • Cast: Ajay Devgn, Tabu, Sanjay Mishra, Deepak Dobriyal, Gajraj Rao, Kiran Kumar, Amala Paul, and Abhishek Bachchan
  • Writer-Director: Ajay Devgn
  • Producer: Ajay Devgn FFilms
  • Music: Ravi Basur
  • Runtime: 2 hours 24 minutes

Ajay Devgn made his directorial debut with the romantic drama U Me Aur Hum in 2008. The film did just average business at the box office but that didn’t stop the acclaimed actor from continuing to direct films.

So far, he directed four films and each of these films covered different genres.

The latest is Bholaa. This time around, Ajay takes inspiration from Lokesh Kanagaraj’s 2019 film Kaithi (Prisoner) starring Karthi.

Kaithi was a gripping thriller about a prisoner who is desperate to meet his daughter. The entire story took place in one night.

The mass masala elements were much there. But, at the same time, it was not just a mindless commercial entertainer.

There was enough tension in the protagonist’s journey that made you root for Karthik’s character Dilli. Audiences feel a certain connection when Dilli talks about his past in a lengthy shot.

On the other hand, Ajay Devgn’s Bholaa is more generic. The background score swells each time the actor gets into a fight with the baddies. A huge aura surrounds him and this is mixed with mythical undertones.

Synopsis

For those who haven’t seen KaithiBholaa revolves around an ex-convict of the same name (Ajay Devgn). Tabu plays IPS officer Diana Joseph. In the original, the same role was essayed by Narain.

The film begins by establishing the heroics of Diana. The intense chase sequence makes it clear that she isn’t a woman whom anyone would want to mess around with.

Bholaa is desperate to meet his daughter who stays in an orphanage and has no idea that she has a parent. He hasn’t seen his daughter till now due to some unfortunate circumstances.

In an unavoidable situation, Diana seeks Bholaa’s help. He initially doesn’t agree but is coaxed to help her after Diana promises to help him in meeting his daughter.

Pretty soon, Bholaa finds himself in the middle of a war between the police and the drug trafficking mafia. The rest of the story looks at how he fights off these menacing foes and manages to unite with his daughter.

Tabu wins the brownie points

The best thing about Bholaa is the inclusion of Tabu. We have seen Tabu playing a cop before as well in Drishyam and Kuttey. But still, there is something new that the actress brings to the table.

She commands the viewer’s attention right from her introduction scene. Tabu does a brilliant job of portraying determination of Diana.

The scenes between her and Ajay benefit immensely from the comfort level that both actors share. A scene that deserves a particular mention is when Tabu talks about how people forget that even cops are human beings at the end of the day.

The performances

Among the plethora of bad guys, Deepak Dobriyal is the only one who makes a solid impression. His Ashwathama is deliberately over the top and Deepak chews the scenery whenever he is on screen.

Vineet Kumar as Nihaari starts promisingly but suffers on the account of a half-baked character.

The subplot of Bholaa and the on-screen daughter has its high points but doesn’t have the impact of the original. This is major because of how Ajay presents himself.

However, Devgn does deserve praise for how he handles the track of Sanjay Mishra.

Sanjay Mishra is more known for his comic roles. But here, he plays a subdued officer who is forced to bring out his inner courage.

Too much super-heroic

The biggest issue with Bholaa is that the protagonist comes across as too much of a superhero.

The action sequences start getting tiresome after a point. As viewers, you know well that Devgn will slice off all the bad guys.

Interestingly, Karthik’s Dilli was someone who experiences a lot of physical pain while going about his job. There is a certain emotion that the viewers feel when Dilli talks about his past. But here, Devgn is an all-powerful deity from the start.

Hence Bholaa becomes an extension of the many intense avatars that the senior actor has done so far.

Ajay only shines in a couple of emotional moments.

The flashback sequence involving Amala Paul halts the proceedings significantly. Their love story comes across as rather hurried. The flashback leaves you with more questions than answers.

A sequel on cards

The film ends with a hint of a sequel but it would have been far better if Ajay Devgn had tied up the loose ends.
Some of the supporting characters also needed to be better established. The character of Gajraj Rao is one such example.

The motivations behind his character are rather sketchy. And as far as Abhishek Bachchan is concerned, he makes a tiny appearance at the end without any impact. Maybe he has a better role in the sequel if it happens.

Aseem Bajaj’s cinematography is appropriate for the scale of the film.

Ravi Basur’s music and background score is quite good. The “Nazar Lag Jaayegi” song is melodious. The title song has a powerful beat.

A special mention must be made of how Ajay Devgan uses the classic “Aaj Phir Jeene Ki Tamanna Hai” song in an important situation.

Verdict

The best way to watch Bholaa is by not comparing it with Kaithi.

Cirkus: This Rohit Shetty Directorial Is More A ‘Golmaal’ Than ‘Comedy Of Errors’

A massive letdown from Rohit Shetty!

Cirkus (Hindi)

  • Cast: Ranveer Singh, Varun Sharma, Pooja Hedge, Jacqueline Fernandez, Murali Sharma, Sanjay Mishra, Mukesh Tiwari, Siddarth Jadhav, Johnny Lever, and Deepika Padukone (special appearance)
  • Director: Rohit Shetty
  • Producers: Rohit Shetty and T series
  • Music: Devi Sri Prasad, Badshah, and Lijo George-DJ Chetas
  • Runtime: 2 hours and 18 minutes

William Shakespeare’s Comedy of Errors is a play that naturally lends itself to a delicious comedy. The play has seen several movie adaptions in different languages.

For example, in 1982, Gulzar made Angoor with Sanjeev Kumar and Devan Verma. It was much appreciated for its subtlety and clever humour. The performances, led by Sanjeev Kumar, were the icing on the cake.

There is also the Kannada film Ulta Palta which was remade in Telugu by the same name.

Cirkus, directed by Rohit Shetty, is the latest addition to the movies inspired by Comedy of Errors. But the sensibilities of Rohit are vastly different from that of a filmmaker like Gulzar.

Rohit primarily specialises in two kinds of films: First is the Golmaal franchise which runs on slapstick comedy, and the other is the macho cops seen in Singham and Simbaa, among others.

Although slapstick in nature, the Golmaal films were fun to watch because there was a method to the madness. However, Rohit Shetty’s Cirkus comes across as a hurried project where the director took the audience for granted.

Here, Rohit Shetty tries to incorporate a social message: How a person’s nurturing is more important than his bloodline. It is a noble idea. However, it is something which comes across as more of an afterthought.

An experiment with twins

The film begins with the introduction of Dr Roy (Murali Sharma) who is hell-bent on proving that nurture always trumps nature.

To prove that he is right, Dr Roy separates two sets of identical twins who have been set up for adoption. The first pair of boys are adopted by a circus owner and are named Roy and Joy. Strangely, the other couple also names the twins with the same names!

The first Roy (Ranveer Singh) and Joy (Varun Sharma) run the circus of their late father. Roy’s wife Mala (Pooja Hedge) writes thrillers under a mysterious pen name.

The second Roy (Ranveer Singh) and Joy (Varun Sharma) are raised in Bangalore by a rich businessman. The second Roy has a girlfriend Bindu (Jacqueline Fernandez) whose father Rai Sahab (Sanjay Mishra) and his secretary Prem (Anil Charanjeet) are always spying on them.

There is a unique connection that both the Roys share. The first Roy, who lives in Ooty, can handle live electricity without getting harmed. Whenever current flows through him, the other Roy who lives in Bangalore, feels the shock.

Murali Sharma acts as a doctor-cum-narrator who monitors both sets of twins while not letting the secret out.

Things take a comic turn when the second Roy and Joy have to go to Ooty. From here on, we move to mistaken identities and deliberately over-the-top situations.

The rest of the story is about how all the mess is cleared up and what happens at the end.

The positives

Before getting into the negatives, it is necessary to get done with the few positives.

Cirkus is majorly set in the 1960s and, to give credit where it is due, the retro music has been smartly integrated.

Particular mention has to be made of the situations where the characters mimic signature steps of that era while they are under electric shock. It becomes repetitive after a point. But still, it brings in some laughs.

The movie has a huge ensemble but the actor who stands out is Sanjay Mishra.

The senior actor embraces the overtop tone and somehow manages to make his lines funny. His interactions with both the Ranveers are fun to watch.

Anil Charanjeet as the secretary is also pitch-perfect in his portrayal.

Ranveer gives it his all to the double role. He is more effective than the first Roy. It is refreshing to see the actor playing a family man. There is also some physical comedy which Ranveer pulls off convincingly.

Out of the two heroines, Pooja Hedge fares better, although her being a writer could have been better explored.

The negatives

The biggest issue with Rohit Shetty’s Cirkus is the lack of connective tissue. Many of the jokes feel recycled from the Golmaal films and this becomes bothersome pretty fast.

Also, the angle of nature versus nurture gets buried under the slapstick humour. It resurfaces towards the end but it is too late by then.

Rohit Shetty handled multiple characters with success in the past. But here, the characterisations are mostly sketchy.

The sketchiness becomes even more glaring with how Varun Sharma has been portrayed. The actor becomes more of a sidekick. As a result, neither of the Joys leaves an impact.

Further, the much-needed comic camaraderie between Ranveer and Varun Sharma is sorely missing.

In keeping with Rohit Shetty’s previous films, Cirkus is also colourful to look at. However, the colours feel too statured after a point.

The music composed by Devi Sri Prasad, Badshah and Lijo-George DJ Chetas is pleasant to hear.

Sun Zara” sung by Shreya Ghosal and Papon is soothing. On the other hand, “Current Laga Re” has an energetic beat. Ranveer’s dance with his real-life partner adds some masti.

Verdict

Cirkus is a massive letdown from a director who has been successful in entertaining the masses. It is time for Rohit Shetty to rethink his strategy!