Jolly LLB 3: A plea for saving farmers and the journey of social consciousness

Director and writer Subhash Kapoor takes a familiar route particularly in how the protagonists evolve. The third part lacks the freshness of the last two, still it remains a compelling watch for the issues explored and the performances of the core cast. Akshay Kumar and Arshad Warsi as the bumbling Jolly’s undergoing a change do a fine job: But Saurabh Shukla is the show stealer raising laughs as well as lending gravity in the serious moments.

Starcast: Akshay Kumar, Arshad Warsi, Saurabh Shukla, Seema Biswas, Gajaraj Rao, Seema Biswas and others

Genre: Comedy/drama

Director and writer: Subhash Kapoor

Producers: Alok Jain and Ajith Andhare

Music: Anurag Saikia, Vikram Montrose etc

Cinematography: Rajarajan Ramabadran

Production Companies: Star studio 18 and Kangara Talkies

Running time: 2 hours and 37 minutes

The Jolly LLB series is one of its kind franchise. Generally, movies related to comedy and action are developed into a series of films. But Jolly LLB movies are an exception as the stories dwell into the different types of problems effecting a common man. The heroes in these films aren’t the usual idealistic ones. They are grey shaded characters undergoing a gradual change.

Jolly LLB 3 pretty much sticks to this formula. This time around its corporates usurping farmers land in the name of globalization. Arshad Warsi and Akshay reprising their roles from the previous movies are at constant loggerheads. Both of them suffer from lack of substantial clients. This results in constant tussle with each trying to outwit one another in search of fame. However, things take a major dramatic turn with the entry of Seema Biswa’s Janaki. Saurabh Shukla continues to be the adorable judge often exasperated with the two central lawyers but at the same time being considerate too.

A strong aspect of Jolly LLB 3 are the courtroom portions. The series of dramatic exchanges between Akshay Kumar and Ram Kapoor who represents the industrialist Haribai (Gajraj Rao) have the right amount of spark. They are often intense making the viewers ponder on the pitiable condition of farmers. At times the movie slips into a melodramatic space with the district magistrate having a change of heart: this particular portion is wobbly. But the core relevance helps it tide over.

Saurabh Shukla as the Judge Sundar Lal Tripathi continues to be a major highlight. The veteran actor raises ample chuckles specially in a conversation with the two Jolly’s. He tells them in detail about the high stress caused by the two. The third part also gives a peek into the romantic side of Sundar Lal and Saurabh Shukla aces it.

Apart from the chuckles he also lends in a certain seriousness whenever required. For example, there is a scene involving constitutional values and respecting its spirit. In simple terms Saurabh Shukla is the major ace of this franchise.

Seema Biswas as the widow Janaki rallying for justice is the only female character with some weight. As expected, Seema Biswas nails the role with her piercing gaze. She communicates a lot with her eyes. Gajraj Rao as the typical industrialist also makes for a suitably despicable villain. The character graph isn’t the most innovative, but he brings in an understated menace. Ram Kapoor also makes his presence amply felt as a rich advocate fighting for a wealthy industrialist.

As the two Jolly’s Arshad Warsi and Akshay Kumar play their parts with practiced ease. Akshay gets the bigger arc though with some fiery arguments. The scene where he talks about farmers subsidies being dismissed as Khairat (charity) deserves a particular mention. Arshad Warsi comes alive in the final monologue where he talks about farmers always being the scapegoats in the name of economic progress. An expectation that they should give their lands without any complaints.

Amrita Rao and Huma Quereshi as the respective wives have a lovely presence but in the larger scheme of things they don’t have much to do. The personal lives of both Jolly has zero noticeable moments. The music is another sore point specially an emotional song meant to stir the viewers. Some scenes like the two heroes coming on a camel disturbing a racing competition is also clumsily staged.

Final word: Jolly LLB 3 is a worthy addition to this growing franchise in spite of some lags.

Maharani Season 3: A Gripping Tale Of Politics And Revenge

Just like the previous two seasons, the web show shines the brightest when it focuses on the politics of Bihar.
  • Main Cast: Huma Qureshi, Sohum Shah, Amit Sial, and Dibyendu Bhattacharya
  • Director: Saurabh Bhave
  • Producer: Naren Kumar and Dimple Kharbanda
  • Music Director: Rohit Sharma
  • Cinematography: Anup Singh
  • Genre: Political Drama
  • Episodes: 8
  • Rating: 3.5/5
  • Published in: Southfirst

For those who haven’t seen the first two seasons, Maharani—created and written by Subhash Kapoor, is loosely inspired by the incidents in the 1990s Bihar.

It was when seasoned politician Lalu Prasad Yadav declared and made his homemaker-wife Rabri Devi his successor.

Season 1

The first season of Maharani was set from 1995 to 1999 and had characters inspired by Naxal and left-wing militants.

Rani Bharati (Huma Quereshi) is the wife of Bihar CM Bheema Bharti (Sohum Shah). In unforeseen circumstances, Bheema Bharti gets severely wounded and appoints his wife Rani as a technical CM until he recovers.

Rani Bharti is a simple woman who is happy with her domestic life. But now, she has to deal with government files, corruption and the caste massacres happening within the state.

In addition, she is not a literate woman.

Initially, Rani Bharti feels like a fish out of the water and wants to return to her simple life. But, eventually, she becomes a firm administrator and wins admirers.

As she grows more confident the inevitable clashes with her husband happen. Season 1 ended with Bheema Bharti going to jail on charges of corruption.

Season 2

In Season 2, Bheema runs a proxy government from jail. Bharti is facing opposition from her husband and the rival politician Naveen Kumar (Amit Sial).

Naveen and Bheema used to be friends. But now, they are big-time foes.

The issues dealt with this backdrop were the demand for a separate Jharkhand state along with the chilling death of Shilpi Jain and Gautam Singh that sent shock waves for both Rani and the state of Bihar.

In this scenario, some of Rani’s decisions don’t go well with her party members. Season 2 ended with Rani Bharti going to jail for a crime she did not commit, and the death of her husband Bheema.

Season 3

Now, you have Season 3, after a gap of one and a half years.

Maharani Season 3 begins with the life of Rani Bharti in prison. She utilises her time in jail to complete her education, which she left midway because of her father.

Rani Bharti also makes moves to strike back against her opponents. In simple terms, Season 3 focuses on how Rani Bharti proves her innocence and comes out of the complex web orchestrated by the cunning Navin Kumar.

The series plays out like an intense game of chess after a point.

Analysis

Huma Qureshi in ‘Maharani Season 3’. (X)

A strong point of Maharani Season 3 is the socio-political commentary.

Director Saurabh Bhave touches upon the illegal sale of liquor despite an alcohol ban in the state. He presents an authentic picture of how this illegal sale leads to the flourishing of illicit crimes.

Apart from the illegal sale of liquor the show also dwells on unauthorized dealings and the brutal electoral tactics.

Saurabh Bhave has also done a good job of showcasing the effect of power struggles and how nasty the political landscape can be. The cutthroat world of politics keeps the viewers thoroughly engaged even when the proceedings become predictable and slightly tedious.

The clinical way Rani Bharati goes about her revenge and completes her education has been well presented.

On the flipside, some twists suffer from weak writing and the middle portions could have done with more thrills.

Huma Quereshi steals the show

Huma Quereshi successfully takes off from where she left off in the first two seasons. She nails the accent and portrays the inner strength of a woman who has come a long way from being called a misfit.

Amit Sial continues to be wickedly charming showcasing the shrewd demeanour of Naveen Kumar perfectly.

The other supporting characters played by Vineet Kumar and Dibyendu Bhattacharya are also in fine form.

Rohit Sharma’s music and Mangesh Dhadke’s background score add another layer to the show.

The song “Kaun Bola Ban Hai” particularly deserves a mention for its satirical tone about the supposed alcohol ban.

Verdict

Maharani Season 3 is a must-watch for those who like political thrillers.

It is streaming on Sony Liv.