Tag: Vijay Raaz

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Fateh review: Sonu Sood’s directorial debut is a good mix of action and focus on cybercrime

On more than one occasion the movie feels like an extension of the actor’s real life messiah image. The best part of Fateh is how Sonu Sood presents the vast network of cyber crime targetting the lower section of the society which are more gullible.

Fateh (Hindi), 10-01-2025,Action, Drama,2 hours 10 minutes, U/ A, Theatre

  • Main Cast: Sonu Sood, Naseeruddin Shah, Vijay Raaz, and Jacqueline Fernandez
  • Director: Sonu Sood
  • Producer: Sonali Sood and Umesh KR Bhansal
  • Music Director: John Stewart Eduri
  • Cinematography: Vincenzo Condorelli
  • Rating: 3.5/5

Online scamming is a very prevalent issue in today’s times.  A major reason being the rapid growth of technology.

The advent of cell phones and the things related to them have had advantages and disadvantages in equal numbers. Sonu Sood’s directorial Fateh focuses on the huge network of cybercrime which is leading to many deaths and families falling apart.

This topic is presented in the form of a hardcore action movie, with elements of Hollywood action movies and Korean slashers. 

Synopsis

Sonu Sood plays the titular role of Fateh- a former agent who worked as a contract killer for the government.

Now he is leading a quiet life in a place called Monga set in Punjab. However, Fateh is forced to come out of retirement when a girl close to him goes missing.

This girl was trying to unravel some important truths about fake loans and people being harassed to pay back the money with huge interest.

Fateh Singh goes to Delhi to unravel the mystery but the web turns out to be much more complicated than what he had imagined. The main figure behind the dangerous global scam is Raza ( Naseeruddin Shah). Aiding Raza is Vijay Raaz’s Satya Prakash and Dibyendu Bhattacharya’s Nishit Biswas. 

What works and what doesn’t

Fateh is an action thriller
‘Fateh’ is an action thriller. (X)

The best part of Fateh is how Sonu Sood draws the viewers into the extremely dangerous network of cybercrime. How Raza and co make a certain section of people an easy target and how these end up believing these fake loans sends a chill. 

Apart from the fake loans angle the movie also touches upon hacking into other people’s systems and the current trend of deepfake. At one point Sonu Sood’s face is swapped giving the impression that he is the man behind the crimes going on. 

The movie also works because of the fast-paced narration with no unnecessary distractions. The love angle between Jacqueline’s Khushi is understated and more importantly, it has been smartly integrated. Jacqueline’s character is a hacker herself but an ethical one.

She plays an important role in aiding Fateh. In this process, you have some much-needed light moments.

Coming to the flaws, Fateh has a paper-thin story, and as viewers, you can guess where the proceedings are headed after a point. The overdose of blood is also not everyone’s cup of tea, and a section of the audience might feel a certain fatigue, too, given that last year’s Kill also belonged to the same terrain.

Technical aspects

The movie’s cinematography is also of a high standard. Vincenzo Condorelli does a wonderful job of contrasting the brutal violence with an almost serene backdrop. The interesting use of light and shadow is very striking. 

Among the songs, “Ruaa Ruaa Fateh” makes a major impact. This song plays out on more than one occasion giving an emotional depth to the proceedings. 

The action sequences by nature are very brutal; one particular scene feels like an extension of Animal’s explosive pre-interval sequence. Still, the fight sequences are a treat for those who like hard-core action involving a lot of bloodshed. 

Performances

Sonu Sood in Fateh
Sonu Sood in ‘Fateh’. (X)

As Fateh, Sonu Sood does a very fine job balancing the calm exterior with the brute force. His portrayal of a tortured hero both physically and emotionally strikes an emotional chord. What also works as an added advantage is Sonu Sood’s real image where the actor has been much appreciated for great work during the harrowing COVID. 

Jacqueline Fernandez’s presence works as a perfect contrast to Sonu Sood’s smouldering intensity.

Both Vijay Raaz and Naseeruddin Shah don’t have a lot of screen time nevertheless being the exceptional actors they are both make their presence amply felt. Naseerudin Shah brings in a nuanced menace making the viewers dread Raza whenever he comes on screen.

Vijay Raaz as the equally dangerous sidekick brings his own brand of dark humour. Talking about the humour part Sonu Sood’s character has shades of dry humour like the scenes where he offers tea to the villains before knocking them out.

Final take

To sum it up Fateh is a treat for fans of hardcore action and of course the many admirers of Sonu Sood thanks to his recent social work. 

(Views expressed here are personal, edited by Sumavarsha)

https://thesouthfirst.com/entertainment/fateh-movie-review/

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Bhool Bhulaiyaa 3: An entertaining Diwali package with a solid twist

The best part of Anees Bazmee’s direction is how he keeps the audiences guessing about who the real Manjulika is. Kartik Aaryan is hugely entertaining as the fake ghost buster.
  • Bhool Bhulaiyaa 3 (Hindi)
  • 31-10-2024, Comedy, Horror, 2 hours 38 minutes, U/A, Theatre
  • Main Cast:Vidya Balan, Kartik Aaryan, Madhuri Dixit, and Tripti Dimri
  • Director: Anees Bazmee
  • Producer: Bhushan Kumar and Krishan Kumar
  • Music Director: Tanishk Bagchi
  • Cinematography: Manu Anand

2024 has been the year of horror with most of the big grossers belonging to this genre. The best examples of this phenomenon are Stree 2 and Munjya of Maddock and Vikas Bahl’s comeback vehicle Shaitaan.

All these films have been very successful in scaring audiences and making huge profits for producers.

Anees Bazmee’s Bhool Bhulaiyaa 2 in 2022 was a massive hit giving the Hindi Film industry a much-needed respite, it skyrocketed Kartik Aaryan’s career making him one of the most bankable Gen- z actors. And now you have Bhool Bhulaiyaa 3.

Anees Bazmee has once again delivered a perfect festive entertainer. This time apart from the laughs and scares there is also a poignant message on inclusivity and acceptance.

Synopsis

The storyline of Bhool Bhulaiyaa 3 focuses on a con baba called Ruhaan Randhawa/Rooh Baba. In the 2022 Bhool Bhulaiyaa Kartik Aaryan had to put up an act of being a ghost expert due to certain circumstances, in this 2024 movie he becomes a full-fledged conman accompanied by a partner in crime.

Things are going smoothly, in fact too smooth. His life takes a major turn when approached by a girl called Meera (Tripti Dimri) and her uncle played by Rajesh Sharma. Both belong to a once-upon-a-time royal family of Bengal. Except, for now, the palace descendants of this dynasty are in utter poverty.

Meera asks him to do a false exorcism in order to save them from these circumstances. Ruhaan agrees to a payment of ₹1 crore. This is the story in brief.

Vidya Balan and Madhuri Dixit in Bhool Bhulaiyaa 3
Vidya Balan and Madhuri Dixit in ‘Bhool Bhulaiyaa 3’. (X)

The best part of Bhool Bhulaiyaa is how Anees Bazmee has integrated horror, comedy and mystery in equal measures. For a major chunk of the movie, the audiences feel that either Vidya Balan’s Malikka or Madhuri Dixit’s Mandira could be Manjulika.

A lot of suspense has been built around the identity of Manjulika, keeping the viewers constantly guessing.

The reveal however shocks the audience, like an unexpected googly which a batsman doesn’t see coming, which obviously cannot be revealed here. What also adds to this reveal is a poignant flashback connected to homosexuality.

The solution to the ghost problem is also different from what we generally come to expect in these movies. It is a brave climax, for which, both Anees Bazmee and writer Aakash Kaushik deserve a major appreciation.

Performances

Bhool Bhulaiyaa 3 is a comedy horror
‘Bhool Bhulaiyaa 3’ is a comedy horror. (X)

Kartik’s acting in the scenes where his character expresses hurt over the betrayal of close ones is splendid.

Talking about the humour portions a special mention must be made of Vijay Raaz as the impoverished head of the royal family. He raises many chuckles with his deadpan humour.

His scenes with Kartik are a delight to watch, their dynamics raise many laughs. The track involving Sanjay Mishra, Ashwini Kaleskar and Rajpal Yadav could have been done with better dialogues but still, it delivers some laughs.

Both Vidya Balan and Madhuri Dixit lend a mysterious aura and are mighty effective in making the movie more suspenseful. Both have their dramatic moments as well, which they make complete use of.

Kartik Aaryan successfully takes off from where he left off in the second part. He brings the house down on many occasions with his comic timing.

His reaction shots to numerous jump scares are a delight to watch. In the second role too he is equally poignant.

What brings down the film somewhat is a half-baked love story between Ruhaan and Meera. In the last couple of years, Tripti has been trying to actively transition into a mainstream glamorous heroine and this has been pretty awkward to watch. Here too the actress looks out of place in the song and dance routine.

As far as the soundtrack goes “Ami Je Tomar 3.0” is easily the best of the lot. This song appears in various junctures apart from the faceoff between Vidya and Madhuri. Shreya Ghoshal’s singing coupled with the placement makes it a hugely enjoyable number.

Final take

To sum it up Bhool Bhulaiyaa 3 is a perfect festive entertainer, particularly for those not so keen on logic and of course Kartik Aryan fans as well.

https://thesouthfirst.com/entertainment/bhool-bhulaiyaa-3-movie-review/

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Chandu Champion: This true story of grit and determination takes the viewers on a roller coaster of emotions

This Kabir Khan directorial begins off hazily but soon finds its grove. Kartik Aryan delivers a knockout performance putting his blood and soul. He doesn’t miss a single beat
  • Starcast: Kartik Aryan, Vijay Raaz, Bhuvan Arora, Rajpal Yadav, Yashpal Sharma, Shreyas Talpade and others
  • Director and writer: Kabir Khan
  • Additional writers: Sumit Arora and Sudipto Sarkar
  • Producers: Sajid Nadiadwala and Kabir Khan
  • Music: Pritam
  • Production Companies: Naiadwala Grandson Entertainment and Kabir Khan Films
  • Cinematography: Sudeep Chatterjee
  • Running time: 2 hours and 30 minutes
  • Genre: Biographical drama

There was a period in Hindi cinema when the on-screen portrayal of disabled/ differently enabled people used to be all about the Bechara syndrome. They were often portrayed as objects of pity or to evoke comedy. But this depiction has undergone a significant change in the recent past. Case in point being Sanjay Leela Bhansali’s Black featuring Rani Mukherjee. In this movie Rani Mukherjee played a visually impaired girl Michelle based on Helen Keller’s life. Michelle is never reduced to a stock caricature, there is a strong determination to prove herself. In Guzaarish Hrithik Roshan played a popular magician Ethan who suffers paralysis and turns into a radio jockey. Although Guzaarish is a grim story that focuses on Euthanasia/ mercy killing yet it is also a tale of resilience. The scenes of Ethan as a Radio jockey and how he spreads hope through his wit are in particular were compelling.

This year you have had the biopic of the visually impaired businessman Srikant Bolla starring Rajkummar Rao. In this movie director Tushar Hiranandani made some scathing remarks on how some people think that the best way to help the blind is only through making them cross the road. Now you have Kabir Khan’s Chandu Champion based on an incredible true story of Muralikant Petkar. India’s first paralympic gold specialist.

The movie begins in the present with an older Muralikant Petkar (An outstanding Kartik Aryan). He is narrating his tale of glorious days to a bunch of cops. From his younger days itself Murali had a huge dream of winning an Olympic gold medal for India inspired by KD Jadhav an Olympic medalist. He openly says that his dream is to win an Olympic gold medal only to get ridiculed and bullied by his fellow classmates. At one point Murali also runs away from his village. He joins the Indian army and finds a strong ally in the form of Karnail Singh (Bhuvan Arora) who gives Murali hope that he can become the next Milkha. Vijay Raaz plays Tiger Ali. He is a coach cum father-like figure who trains Murali for the boxing championship. He reaches the finals but only ends up with a silver medal leading to a strained relationship with the coach. In the life altering 1965 Kashmir war Murali faces many wounds in the process of trying to save his colleagues. Murali ends up in a prolonged coma becoming paralyzed waist down. At one point he even tries to commit suicide by having excess pills, but destiny has other plans for him. The rest of the story is about how Petekar manages to overcome all the odds fulfilling his dream of winning gold along with why he is narrating his life story to a bunch of policemen.

There is no denying that Chandu Champion has a hazy start. The scenes of Murali in the military camp has a distinct hangover of Bhaag Milkha Bhaag. The humor at places is also reminiscent of that however the movie finds its grip soon. The scenes of Murali preparing for the boxing championship and how he pummels down his opponents only to lose in the finals has been brilliantly written and enacted. The Pre interval block of the 1965 war and the life altering event sets a solid base for the second half.

The second half becomes even more engaging. The portions of Murali’s despair touches a strong emotional chord. As viewers you root for him to succeed in life. The return of Tiger Ali and the way he motivates Murali to dream big again is wonderful to watch. This time the sport is swimming with the aim of winning gold in the 1972 Summer Paralympics. But here again the path is far from easy as the sports committee is not too keen on funding a player for the Paralympics event. The way Murali overcomes all these challenges and sets a world record by clinching the gold medal in 37.33 seconds is exhilarating to watch.

An aspect of Chandu Champion that elevates the movie from just a template underdog drama is the message that it conveys regarding disability and differently abled people. There is a powerful monologue where Murali talks about how differently abled are not looking for sympathy. It critiques the Bechara syndrome and how sometimes even their best efforts are not given due recognition.

Chandu Champion is also technically strong. Sudeep Chatterjee’s cinematography coupled with Juluis Packam’s background score elevates the movie’s emotional core further. The cinematography of the boxing and the paralympic sequences in particular deserve a special mention.

Pritam’s music is not of the blockbuster type but the songs Tu Hai Champion and Sarphira make a strong impact.

Coming to the man of the moment Kartik delivers a career defining performance. His physical transformation is of course beyond commendable but beyond the physicality the actor also shines bright in the scenes of showing helplessness, frustration, resilience and grit. He more than holds his own opposite the veteran Vijay Raaz. The hunger to be taken seriously as an actor is very much visible. Even as an older man he is pretty good.

Vijay Raaz as the coach has an interesting arc and is not just used for comic relief. He brings in a lot of emotional depth. His emotional moments with Kartik Aryan give the movie some of its best moments. Bhuvan Arora also makes a strong impact in his limited screen time. The camaraderie between him and Kartik is very much on point.

Shreyas Talpade as the funny cop and Sonali Kulkarni as a journalist could have been used better though.

Chandu Champion is an inspiring story that needs to be watched on the big screen. Muralikant Petkar, Kabir Khan and Kartik Aryan take a bow.

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Dream Girl 2: Ayushmann Khurrana Entertains As Pooja In This Comedy Of Errors

Ayushmann Khurrana effortlessly switches between the roles of Karam and Pooja. He is particularly impressive in the female avatar.

Falters in the second half
Dream Girl 2 (Hindi)
  • Cast: Ayushmann Khurrana, Ananya Panday, Paresh Rawal. Seema Pahwa, Abhishek Banerjee, and Asrani
  • Director: Raj Shaandilyaa
  • Producer: Ektaa R Kapoor, Shobha Kapoor
  • Music: Meet Bros, Tanishk Bagchi, and Arko
  • Runtime: 2 hours 2 minutes

Starting from Vicky Donor (2012), Ayushmann Khurrana has always tried to push the envelope with his on-screen characters. There has always been an effort to do something different, even when he has done films in the slapstick zone.

For example, in Dream Girl (2019), Ayushmann’s Karam has an impressive ability to imitate a female voice. This comes from his experience of playing female characters in plays. In his desperation to find a job, he starts working at a call centre with the name of Pooja.

In Dream Girl 2, writer and director Raaj Shaandiliyaa goes one step ahead with Ayushmann becoming Pooja to the extent of wearing sexy sarees as well.

Synopsis

Dream Girl 2 is none other than Karamveer aka Karam (Ayushmann Khurrana). He and Pari (Ananya Pandey) are deeply in love and want to get married as soon as possible. However, there is a loan that Karam has to clear.

This loan is his father Jagit Singh’s (Annu Kapoor). Karam doesn’t have a stable job. In his desperation to earn money, Karam transforms himself into a bar dancer by the name of Pooja with some persuasion from his dad and best friend Smiley (Manjot Singh).

Pooja impresses everyone with her dance moves. Running parallel to this is the track of a Muslim patriarch, Abbu Saleem (Paresh Rawal). Smiley loves Abbu Saleem’s daughter, and she also reciprocates, but there is a hurdle in the form of Abhishek Banerjee’s Shah Rukh.

Shah Rukh is the son of Abbu Saleem, who has depression problems. Abbu Saleem tells the loving couple that he will agree to their marriage only after his son comes out of depression. Smiley convinces Karam to become a female psychiatrist. However, this only ends up in further complications which can’t be elaborated here.

What follows is an assemblage of funny situations with one thing leading to another.

On the shoulders of Ayushmann Khurrana

Not surprisingly the biggest strength of Dream Girl 2 is Ayushmann Khurrana. The actor effortlessly switches between the roles of Karam and Pooja. He is particularly impressive in the female avatar.

The actor leaves you thoroughly charmed with his body language, make-up and dance moves. The actor’s comic timing also leaves the audience in splits throughout. For example, there is a scene where Abhishek Banerjee tries to seduce Pooja, and the latter’s wig comes off.

Pooja starts shrieking, “Hairfall, hairfall.” The humour in Dream Girl 2 isn’t of the intelligent type but Ayushmann along with the supporting cast keeps the proceedings engaging.

Other performances

Out of the numerous subplots my favorite is the one involving Seema Pahwa’s Jumani. She has been through multiple marriages and is absolutely unapologetic about her desire to find true love. At one point she falls head over heels in love with Karam. Seema Pahwa aces the part with her uninhibited act.

The scenes between Abhishek Banerjee and Ayushmann are also good to watch. Abhishek Banerjee’s role doesn’t have much scope for comedy, but still, both the actors feed off each other well.

The music composed by Meet Bros, Tanishk Bagchi and Arko has a good variety. Special mention must be made of the songs picturised on Ayushmann in the role of Pooja.

Final take

What pulls Dream Girl 2 down is the elongated second half. The comedy of errors runs out of steam as there isn’t much meat left by then.

In the pre-climax, Karam has a monologue with undertones of social commentary about middle-class angst, but this doesn’t gel well with the overall tonality.

(Views expressed here are personal.)

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Gangubai Kathiawadi: A Solid Spectacle With A Beating Heart

Over the years Sanjay Leela Bhansali has become synonymous with telling stories on a larger than life canvas. His last three films Ram Leela, Bajirao Mastani and Padmavat are good examples of that. This larger than life canvas has also backfired in films like Ranbir Kapoor’s Saawariya but there is no denying the artisticness of Bhansali irrespective of whether you agree with his storytelling or not.

In Gangubai the director takes up a gritty real life story and narrates it with his trademark dramatic touch. The result is a largely satisfying film which touches upon a very important topic. He is also aided by the supremely talented cast led by his formidable leading lady. Alia Bhatt sinks her teeth into the role and comes up with the best performance of her career but more on that later.

The story of Gangubai is set in the 60’s and is inspired by a chapter from S Hussain Zaidi’s book Mafia Queens of Mumbai. With the help of the cinematographer Sudeep Chatterjee Bhansali immediately transports you into the area of Kamatipura. The plot is divided into three chapters. First you have Ganga being brought into the streets of Kamathipura and sold by her lover Ramnik. Ganga had aspirations of becoming a Bollywood heroine and Ramnik used that to his advantage and coaxed her to run away from home under false pretences. Seema Pahwa plays the brothel owner Sheela Masi. It is good to see the actress taking a break from her usual mother roles and doing something different, she is delightfully evil.

Much like the other four thousand woman of Kamatipura Ganga has no other option other than to make a living there. She gives up all hope and in a heartbreaking scene we see her standing in the front of a brothel, leaning on its door and seducing men by calling out to them in whispers. From here we see the character transforming into a fire brand go getter who gradually climbs up the ladder. She wears her past proudly on her sleeve, for example there is a scene in the later half where she introduces herself to Jim Sarbh’s character as Gangubai the prostitute. The interactions of Gangu with the supporting characters and how that shapes up her life also form an important part of the story. One of the most important supporting characters is that of Ajay Devgan’s Rahim Lala. He is a Muslim gangster who is a huge pillar of support for Gangu along with being her rakhi brother. Ajay is in smashing form and brings his trademark swagger.

There is a line in a film which says Gangubai wasn’t Mahaan but she wasn’t a devil either. This perfectly sums up the approach that Sanjay Leela Bhansali has taken. Early on in the film we see Gangubai freeing a girl from a prostitute house and sending her back home. This is done with a certain political purpose as we get to know later. There is also a scene where she sets up the marriage of a prostitute daughter with a son of a Muslim Tailor Afshan ( Shantanu Maheshwari); here also there is a reason why she does that. In these scenes we can see the shrewdness that Gangubai has learnt from the harsh circumstances that she has gone through. At the same time there is a genuine empathy that she has for sex workers, there is a reason why she wants to become to become the madam of Kamathipura. The reason is she wants to improve the lives of the sex workers. This comes out perfectly in her stunning speech at Azad Maidaan. Bhansali does a splendid job in bringing out these two shades.

Gangubai’s love story with Afshan also gives the film some of its best moments. Their romance is subtle but yet heartwarming. The two love songs Jab Saiyaan and Meri Jaan have been perfectly used by the director. They don’t come across as speed breakers. Out of the two my favorite one is Meri Jaan. You wish that Gangubai had a happy ending with Afshan.

Another track worth mentioning here is the friendship between Gangubai and Kamili played by Indira Tiwari. Their on screen bond is a treat to watch. There is a strong emotional scene between Gangubai and Kamili when the latter is on the verge of dying. It is a scene which is highly moving.

The scenes between Ajay Devgan and Alia are also good to watch but you wish there was little more of Ajay. The same goes to Vijay Raazi’s Rajyabhai. He plays an opponent to Gangu. Their rivalry is fun to watch but Vijay Raaz comes across as underutilized after a point.

As I earlier said Alia sinks her teeth into the role. Since the release of the teaser there has been a certain talk about alternate casting but once you see the film you realize why Sanjay Leela Bhansali stuck to her.

The best thing about Alia’s performance is the authority that she brings in her voice when the character makes the transition from being a helpless prostitute worker to the madam of Kamathipura. Her comic timing in the lighter bits is also too good. In short this is truly an award winning performance. Out of the supporting cast Indira Tiwari and Shantnu stand out the most.

The music of Gangubai mostly works but the one featuring Huma Qureshi could have been done away with. The song Dholida isn’t too high on lyrics but it still highly watchable thanks to Energetic performance of Alia. The second part of the song makes more of an impression.

The one area where the movie falters is its pre-climax and climax, Gangubai’s conversation with Jawaharlal Nehru could have been more impactful, in the sense she should have been talking to him with more humility. Also the climax where a swarm of people are cheering Gangubai stretches a little too much.

Watch Gangubai for its leading lady and the importance of its real life story.