Best of Hindi and Telugu web series (2025): A fantastic year for Applause Entertainment across genres

An overview into some of the best web series from Hindu and Telugu with different storylines

2025 can be easily categorized as the year of Applause Entertainment whose CEO is Sameer Nair. The year started with the fabulous Black Warrant based on a book of the same name. The web series was directed by numerous people including the fantastic Vikramaditya Motwane. The show presented a very gritty picture of the deeply horrifying situations in a jail making reforms difficult. Next came Criminal Justice Season 4. Directed by Rohan Sippy Criminal Justice Season 4 did an excellent job in exploring issues like mental health and grey areas in marriage: Pankaj Tripathi returning back as Madhav Mishra did an excellent job as always combining humor with empathy.

Last but not the least Nagesh Kukunoor’s The Hunt “The Rajiv Gandhi Assassination Case) also won many hearts. The series was a gripping manhunt with multiple perspectives. The famous quote of “One Man’s terrorist is another man’s freedom fighter”, was explored well. Apart from the above-mentioned web series the other noteworthy ones include Paatal Lok Season 2, Khauf, Kankhajura, Waking of a Nation, Aashram season 3 part 2 and lastly Aryan Khan’s stunning directorial debut The Ba***ds of Bollywood.

As far as Telugu web series is concerned the year was pretty dull with just a handful of impactful shows. Deva Katta’s Mayasabha easily tops the list. Mayasabha was a welcome return to form for the director. The series doesn’t shy away from wearing its politics on sleeves especially the dialogues related to caste disparities. The talented Aadi Pinishetty got a solid role. He was seen as the fictional Chandra babu Naidu and the actor absolutely nailed it. Among others Devika &Danny had a good message of women empowerment through a friendly ghost. Lastly Arabic Kadali though a rehash of Thandel had its highs too. Director VV Surya Kumar did a fine job in dealing with the socio-political aspects. Also, the Pakistani characters had more depth in comparison to Thandel.

Following is an overview into the best web series of 2025 Hindi and Telugu

Black Warrant: Black Warrant directed by Vikramaditya Motwane, Satyanshu Singh and others presents a very gritty picture of jail life. How bringing reforms is extremely difficult was presented well. This web series is based on the book of the same name. The show focuses on the notorious functioning of the Tihar jail set in the 80’s. The base is Tihar jailer Sunil Gupta. Sunil Gupta was known for doing some great work. One of his major achievements is starting Tihar’s first legal aid cell. In spite of getting a secure railway job Suni Gupta pursued his dream of wearing a khaki uniform. Young actor Zahaan Kapoor successfully entered into the shoes of Sunil Gupta.

The web series did an excellent job in capturing the soul of the novel especially the intricate power structure and the various hierarchies based on both caste and religion. The characterization of Zahaan as Sunil Gupta was also well done starting off as a vulnerable young man to becoming more confident. Apart from Zahaan’s performance the supporting characters were also written with nuance especially Rahul Bhatt. Rahul Bhatt’s character is mostly selfish with moments of genuine empathy for his fellow men. The actor did an excellent job in portraying the different shades. Sidhant Gupta as Charles Sobharaj also shined bright. The women characters though needed better writing. Only Rajshri Deshpande made some impact as a firebrand reporter. Nevertheless, Black Warrant is a gripping watch.

Paatal Lok Season 2: Avinash Arun Dhaware’s Paatal Lok Season 2 is a fantastic dive into Nagaland’s socio political landscape. Along with creator Sudip Sharma he made a web series notches above the first one. A strong aspect of Paatal Lok Season 2 was the depiction of Nagaland politics. The contrast between the beautiful landscapes and the immense turmoil of the local population was wonderfully captured. One of the major themes in Paatal Lok Season 2 is the insider versus outsider topic. A section of people coming from outside pay a certain amount of money to a local group in hope of ensuring their safety.

But that isn’t enough on some occasions. This especially comes out in a super conversation between Jaideep Ahlawat’s Hathiram and a businessman. Talking about Jaideep Ahlawat the actor was superlative once again. The way he portrays the strong determination while battling professional and personal issues was a delight to watch: mention must also be made of Tilotama Shome playing SP Meghana Baura. As a local police officer and the solo woman, the character brings in an interesting female perspective into what is generally considered a male bastion. Ishwak Singh too made his presence amply felt as once upon a time junior and now Hathiram’s boss. There is a palpable thread of friendship amidst the awkward scenarios.

Aashram season three part 2: Prakash Jha’s Aashram season 3 part 2 was a satisfying conclusion. In spite of some elongated stretches the series makes the viewers ponder about the power held by these fake babas.

The strong determination of Aaditi Pohankar’s Pammi in bringing down the empire of Bobby Deol’s Niral Baba was a treat to watch. A major part of this plan is turning Niral Baba and Chandan Roy Sanyal’s Bhopa against each other. Pammi’s game of seduction though slow paced gave the show some of its best moments. Aaditi Pohankar did an excellent job in capturing the transformation from a victim to an avenger.

The web series also has some fantastic dialogues on aspects related to power and faith. In a very explicit manner Prakash Jha shows devotion being a double-edged sword. How playing with someone’s faith through numerous lies can take you down came out in an excellent manner. Bobby Deol as Nirala Baba was first rate especially in the scenes where the tables are turned against him. There is an important dramatic breakdown featuring the actor and Bobby did an excellent job. Chandan Roy Sanyal had a bigger canvas to play around with compared to the last seasons and the actor did a terrific job too.

Khauf: Khauf directed by Pankaj Kumar and Surya Balakrishnan is a slow burn horror thriller with real word issues. A strong aspect of Khauf is the technical department headed by a fantastic Pankaj Kumar himself. The hostel in which most of the story takes place became a major character in itself:  A sense of claustrophobia is palpable creating the right amount of tension. The setting of Delhi is also a masterstroke given the shameful scares associated beyond the gruesome Nirbaya case.

The different issues faced by modern female came out in an impactful manner especially with the main protagonist. Monika Pawar as Madhuri was absolutely fantastic in showcasing the varied emotions. A special mention must be made of the portions where the protagonist becomes more confident after being possessed by a certain thing. Rajat Kapoor in a terrifying negative role was first rate as well. He brought in the right amount of creepiness instilling fear in audiences minds.

Geetanjali Kulkarni in a grey shaded role was wonderful too. The way she oscillates between a worried mother and a tough police woman gave the show some of its best moments. The subplots connected to Madhuri’s hostel mates was also done well with each representing different kinds of issues faced by everyday women in society. One big problem with Khauf is the clichéd use of trauma as a way to give agency to a woman. Also, the show suffered from some abrupt tonal shifts. Nevertheless, Khauf was an excellent show for most part.

Kankhajura: Kankhajura is a gripping psychological drama about flawed humans. Director and writer Chandan Arora did a fine job in exploring the impact of childhood traumas specially bullying and how need for validification leads to manipulative behaviour. This show is based on a series called Magpie from Israel. A strong aspect of Kankhajura is the gradual building of tension. The aspects of past traumas, sibling rivalry and unresolved guilt were integrated well. The cinematography of Rajeev Rai and Vinod Illampally also added to the thrills. Though shot in Goa the web series presents the place in a very different way unlike the usual mainstream route.

Mention must also be made of how the women characters came out. Though a Roshan Mathew and Mohit Raina show reel the female protagonists have an important role too. Sarah Jane Dias and Trinetra Halder had a strong individuality especially the former. There are numerous portions in the series where Sarah Jane Dias is seen giving back to Mohit Raina’s Max about his unlimited greed. This strongness is maintained throughout and as a result the viewers cheer for her when she walks out of marriage. Trinetra Halder as a transgender also played her part with lots of grace successfully bringing out the inner strength.

Waking of a Nation: Ram Madhavani’s Waking of a Nation is a patience tester with the constant back and forth: nevertheless for history buffs especially the series is worth watching. This web series focuses on the events leading up to the horrific Jallianwala Bagh massacre through the eyes of a young lawyer Kantilal Saahani (a fantastic Taaruk Raina).

Kantilal Saahani is a beneficiary of western education making him an outsider amongst his group of friends. This character is apparently based on Sri Chamanlal Harilal Setalvad a man known for cross examining General Dyer.

A strong aspect of this Ram Madhvani directorial is the depiction of the political events leading up to the massacre. Ram Madhavani along his writers were especially good in shedding light on the controversial Rowlett act. The depiction of the massacre with just sound design and panic stricken reactions of the people gives a haunting experience too.

An important subplot in Waking of a Nation is the themes related to racial discrimination not just by the British; it’s also about the discrimination followed by fellow Indian on the basis of caste and religion. The underlying message is about the need to stay united irrespective of caste and religion. This is an important message keeping in mind today’s divisive political environment.

Ba***ds of Bollywood: Aryan Khan could have easily chosen to be a leading man with his background of badshah Shah Rukh’s Khan son. Instead, Aryan chose to be a director showcasing his uniqueness. Ba***ds of Bollywood is a wonderful whimsical ride with strong satire. Much like Zoya Akhtar’s Luck By Chance the Ba***ds of Bollywood too is a percipient take on the starry world of movies. But this one goes a step ahead in dealing with the insider and outsider debate along with exploitative producers coupled with the uncertain nature of fame etc.

Lakshya Lalwani’s Aasman is an outsider going through a roller coaster ride of different emotions. The series features a number of cameos from Ranveer Singh, Karan Johar and Emraan Hashmi among others. Emraan Hashmi as an intimacy coach works the best among the extended cameos. Raghav Juyal’s reaction on seeing Emraan is priceless. The character goes into a complete fan mode singing Emraan Hashmi’s famous songs. Emraan’s absolute bewilderment on how to deal with the fan boy moment coupled with Raghav Juyal’s acting is simply fantastic. Apart from the glossy packing the show also has some strong emotional moments. A specific mention must be made of Anya Singh in the role of Aasman’s manager. She lends in certain gravity as a trusted ally making the viewers wish that they also had a loyal manager like her. Mona Singh and Vijyant Kohli in the role of parents were wonderful too like the sequence where the father gives an important advice on never backing down. The friendship between Lakshya and Raghav also gave the show some of its best moments. It was wonderful to see the different dynamics after last year’s Kill.

Lakshya as Aasman showed that Kill was no fluke coming up with a solid act. He brought alive the determination of Aasman as well as a certain cheeky nature. Bobby Deol as one of the primary villains continued his golden form bringing in both a starry aura as well as solid acting chops. Overall Aryan established himself as a promising masala director especially the climatic twist. He definitely made his father proud.

Best Telugu web series (2025)

Mayasabha: Mayasabha directed by Deva Katta is an excellent socio-political drama. The web series as earlier said doesn’t shy away from wearing politics on its sleeves especially the dialogues related to caste prejudices. In simple terms the story is based on Chandra Babu Naidu and late Rajasekhar Reddy.  The fictional names are Karakala Krishnama Naidu and Dr MS Rami Reddy. Aadi Pinishetty and Chaitanya Rao did an excellent job in their respective parts.

The dynamics between the two principal actors was one of the shows biggest strengths. How they start as idealists with a common aim of transcending social divisions and their differing responses to societal pressures were written with nuance. The portions of two disagreeing offers a fresh take on political rivalries by never getting venomous. Maysabha also deserves credit for the way it gives voice to the marginalized. There are disturbing scenes of people caught in a major crossfire due to power hungry politicians. The character of Ravindra Vijay wanting to shield his family from violence is a perfect representation of this theme.

The supporting cast were also excellent especially Divya Dutta and Sai Kumar. Divya Dutta playing the role of Indira Gandhi had a commanding presence. The track of emergency has a contemporary touch especially in the dialogue “You will give birth to a line of dictators who will use your method, impose emergency and not even call it one.” Sai Kumar as the legendary NT Rama Rao shined with his strong voice modulation and a powerful presence.

Devika &Danny: B Kishore Devika &Danny is an interesting mix of supernatural elements and a young woman breaking out of self-imposed shackles. The web series has simple but effective storytelling. The show starts off as an anthesis to one of Ritu Varma’s hit movie Pelli Choopulu. Devika lacks a certain agency unlike Chitra from that movie at least in the initial portions. This is established in a very effective manner setting the tone for the subsequent transformation. How a ghost played by Surya Vashishta becomes a medium for this gives the show some of its best moments. There’s nothing unpredictable here but the small nuances make a big difference.

B Kishore also did a good job in addressing generational through the roles of Gopuraja Ramana as Devika’s prospective father in law. Subbaraju played the role of Devika’s fiancée. Both the actors did justice to their parts especially Subbaraju with his serious expressions and a certain exasperation.

In the role of Devika Ritu Varma delivered an assured performance with the right mixture of vulnerability and inner strength. Surya Vashishta as the friendly ghost was charming too making the viewers wish that the two had met in different circumstances. 

Arabic Kadali: Arabic Kadali directed by VV Surya Kumar had a major hangover of Thandel with its themes. Nevertheless the show is worth watching for its handling of socio-political aspects. A special mention must be of the Pakistani characters who are presented in a much more layered manner. A good example of this is the scene where a judge is seen defending Indian fishermen in front of Pakistani officials. Even Amit Tiwari as the evil warden gets a credible redemption arc too.

Lastly Poonam Bajwa playing Dr Fatima isn’t afraid to express her opinions. The actress played the role with the right amount of warmth and authority. Arabic Kadali though doesn’t just confine itself to Indian Prisoners languishing in Pakistani jails; it also talks about the Pakistani ones in a similar situation. The underlining message is the need for humanity across borders.

Satyadev in the role of Badri makes sure that the character’s saint like nature never comes across as irritating. The actor is especially impressive in the scenes of emotional vulnerability. Anandhi as Ganga also did a good job in portraying the inner strength. Much like Sai Pallavi in Thandel she too is a woman of steel not letting cynicism get to her. Yes the love story could have done with more intensity still the viewers root for Badri and Ganga to get together.  

Stolen: A taut social thriller

Abhishek Banerjee in Stolen

Inspired from a true incident director Karan Tejpal presents a largely gripping and harrowing tale of the huge divide between the privileged and the poor. Stree and Vedaa actor Abhishek Banerjee once again proves his chameleon like ability in adapting to different roles, he knocks it out of the park as usual.

Starcast: Abhishek Banerjee, Shubham Vardan, Mia Mazeler and others

Genre: Thriller

Director: Karan Tejpal

Writer and producer: Gaurav Dhingra

Executive Producers: Kiran Rao, Anurag Kashyap and Vikramaditya Motwane

Production house: Jungle Book Studio

Running time: 1 hour and 55 minutes

Cinematography: Ishaan Ghosh

Streaming site: Amazon Prime

In structure Karan Tejpal’s Stolen shares more than one similarity with Navadeep Singh’s NH10. Just like that movie here too the urbane characters find themselves in a huge tangle, a world far removed from their comfortable lives. The two protagonists become the medium to explore a world which is far away from high rise buildings and the glittery urbane space. However Karan Tejpal gives Stolen its own distinct identity through two brothers who are as different as chalk and cheese. In spite of some rough edges Stolen for most part is largely engrossing drawing the viewers in.

Stolen begins at a small town railway station in Rajasthan. Gautam (Abhishek Banerjee) is waiting for his younger brother Raman (Shubam Vardan). Raman is coming in a train since he missed the flight. Next day there is an important family event, Gautam is desperate to return back home. However things don’t go according to plan and the reason for this is Jhumpa (Mia Mazeler). Jhumpa’s daughter is missing and Raman is briefly suspected by the police. Raman is cleared of the charges but the police ask the brothers to wait leading to several things. This is the story in brief.

A strong aspect of Stolen is the cinematography of Ishaan Ghosh. Ishaan Ghosh is very successful in capturing the gritty tone, the visuals have a lived in feel with the rusty atmospherics. Through his lens he presents an India that we don’t see in big budget mainstream movies. A major divide between the privileged and oppressed, a deep cynicism and an agony of those who aren’t blessed with the safety net. Ishaan Ghosh’s work also stands out in the tense chase sequences. Sure at times they do get repetitive still he does a first rate job in capturing the dreadful scenarios which both the brothers find themselves in.

Mention must also be made of the sibling dynamics. Abhishek Banerjee’s Gautam is the more corporate guy among the two trying to dissuade his brother from helping Jhumpa. Shubham Vardan’s Raman is the more considerate guy leading to an interesting clash of ideologies. At one point the contrast may across as too jarring but Karan Tejpal along with Gaurav Dhingra give a slight insight into why Raman connects with Jhumpa. In spite of different view points there is an undercurrent of love and affection too. The sibling dynamics makes the movie stand out from NH 1O also set in the same space.

Abhishek Banerjee and Shubham Vardan

Stolen is stuffed with numerous social issues like illegal surrogacy and the absolute lack of law and order. However at no point Stolen feels preachy, this is because of the thriller format. As viewers you are constantly tensed about what would be the fate of the three protagonists. It also helps that the movie has no unnecessary detours, no comic or romantic angle to slow down the proceedings.

Stolen also benefits immensely from its lead actors. Abhishek Banerjee shows a masterclass in acting. The way he portrays the different shades of Gautam effortlessly showcasing the eventual transformation is a sheer delight to watch. With this movie he once proves his capability in adapting to different roles. Shubham Vardan as Raman also lends solid support proving to be a perfect foil for Abhishek Banerjee, both the actors feed of each other wonderfully. As Jhumpa Mia Maezeler is very effective too bringing in a raw intensity without going melodramatic.

Mia Maezeler as Jhumpa

Although tight for most part Stolen does suffer from a couple of mishaps. One of them is a slightly repetitive nature of the brothers being chased. Also towards the end the movie does stray somewhat, a tighter edit in some portions would have definitely helped.

Final word: Stolen is a must watch for those seeking stories beyond entertainment.

Black Warrant (Confessions of a Tihar Jailer novel): A brilliant insider account

Co written by Sunil Gupta who worked as a jailer in Tihar the novel is both a crisp read and at the same time draws the readers into the notorious world

Black Warrant streaming on Netflix is easily one of the best shows in Hindi language. Vikramaditya Motwane along with Satyanshu Singh and others presented a very gritty picture of the deeply horrifying situations where it’s very difficult for a prisoner to reform. After reading the novel on which the web series is based it must be said that the directors have done absolute justice to the novel’s theme.

For those who haven’t read the book or seen the web series the novel is a memoir of Sunil Gupta who worked in the Tihar jail for a very long time. Sunil Gupta is known for his fantastic work in the field of prison reforms and overall administration. One of Sunil Gupta’s major achievements is starting Tihar’s first legal aid cell. Sunil Gupta is a recipient of India vision award for his contribution in the field of prison reforms. Sunil Gupta actually got a stable job in Indian Railways but he left the safety of that, instead he pursued his dream of donning the khaki uniform. In this process he became a jailer in the notorious place of Tihar.

Real and reel life Sunil Gupta

A strong aspect of the book is how Sunil Gupta along with Sunetra Choudhary presents the world of Tihar in a raw and gritty manner. There is no sense of artificially in the way Sunil Gupta has written about his encounters with controversial prisoners of various kinds. This includes Charles Sobhraj, Afzal Guru, Manu Sharma and some more.

A special mention must be made of how he describes the charisma and the power of Charles Sobharaj. The big reason for Sunil Gupta getting the job of a jailer was the recommendation of Charles Sobhraj. The huge influence that Charles Sobhraj wielded comes across strongly through the writings of both the authors.

Charles Sobhraj

Sunil Gupta’s description of both Afzal Guru and Maqbool Bhatt is also very engaging. Talking about Maqbool Bhatt Mr Gupta says that he was highly educated and also pious. In fact Sunil Gupta used to practice English language skills with him. Following is a passage from the novel on Maqbool Bhatt.

 “It was very clear that Maqbool was a political prisoner and he was treated as one. Unlike others who would spend their time gossiping or trying to make trouble, all he did was read,” Mr Gupta writes in a chapter “The anatomy of hanging” (p.72). He described Bhatt as a victim of circumstances.

About Afzal Guru Sunil Gupta talks about how his attitude was different from the other prisoners regarding how they took execution. He writes that Afzal Guru began singing a Bollywood song while being informed about his execution. The song is ‘ Apne liye Jiye Toh Kya jiye, tu ji ae dil zamane ke liye’ (if you lived for yourself, you’ve hardly lived, live for the world). Afzal Guru claimed that he wasn’t a terrorist but had been labeled one. He added, ‘If I were a terrorist, I wouldn’t have ensured my child became a doctor.’

Sunil Gupta talking about Afzal Guru

Both the writers have presented the prisoners from a humanistic point of view. This is very visible in Sunil Gupta’s interactions with them. Another aspect of the novel is the message Sunil Gupta gives to jailers. He says they have a very important responsibility in bringing reforms and for that it’s important to have an empathetic attitude towards prisoners.

How the economic status of a prisoner plays a pivotal role in the jail has also come out well. If the prisoners are wealthy and have strong connections he can buy most things and these include air conditioners, food from hotels, women and more.

How the corruption is deep rooted across all levels of the prison has come out starkly. A good example of this is the case involving Kohli and his employer Pandher. They both were found guilty of rape and murder of a 14 year old girl. While Pandher was acquitted because of his rich background. Kohli a poor housekeeper on the other hand was hanged. This gives a very stark picture on how the rich can get away.

Final word: Black Warrant (Confessions of a Tihar Jailer Novel) is a must read just like the web series.

Black Warrant web series review: A gritty insider account into the functioning of Asia’s biggest prison— Tihar

For those who are not aware Vikramaditya Motwane’s latest work is based on the novel of the same name Black Warrant.

It was written by a jailer about the notorious functioning of the Tihar Jail set in the 80’s.

The novel explores the intricate power structure and the various hierarchies based on both caste and religion.

Synopsis

In this web series adaption of the novel Zahan Kapoor plays Sunil Gupta, a shy and confused man starting off as a meek person who eventually grows in confidence and becomes a determined jailer wanting to bring reform. And he eventually does succeed as well.

Sunil Gupta is credited with starting Tihar’s first legal aid cell. The series showcases the various experiences of Sunil starting from his meeting with the enigmatic Charles Sobharaj (a charming Siddhant Gupta).

Then you have also got the killers of PM Indira Gandhi among many others. Rahul Bhatt plays the morally grey deputy jailer Tomar. The other important characters are played by Paramveer Cheema and Anurag Thakur.

Strengths of the series

Zahan Kapoor in Black Warrant
Zahan Kapoor in ‘Black Warrant’. (X)

A strong aspect of Black Warrant is the authentic depiction of the prison world with no artificiality. The division of the prisoners based on their caste, religion and money has come out strongly in numerous scenes.

The operation of the numerous gangs within the prison makes the viewers think about the flawed system where there isn’t much scope for reform. The web series also touches upon the plight of innocent prisoners, the category who are a victim of some malicious police officers.

Black Warrant also dwells on how the prisoners are often viewed as inhuman by the jail authorities. There is a brilliant scene involving a research scholar. This person comes to Tihar jail to get a psychological insight into the minds of prisoners. As a response an inmate says “Why do you want to do research on people like us struck in a cage are we animals?”

To this, the character says, “I am researching to prove you people are not animals.” This perfectly sums up the general attitude of the jail authorities. There is a deeply disturbing portion when Sunil along with his colleagues finds out about a senior jailor making money by depriving the prisoners of their basic needs.

Strong characterisation

Another big strength of Black Warrant is the characterization of Zahan Kapoor. The character of Sunil starts off as a vulnerable young man who in no way looks like a tough jailor capable of controlling the prison inmates but as the series progresses we see Sunil getting more confident.

Black Warrant is a jail drama
‘Black Warrant’ is a jail drama. (X)

There is a palpable determination in the way he wants to bring out prison reforms. Zahan does a very good job of bringing out these nuances. The young actor proves that he is truly worthy of the illustrious Kapoor lineage.

The web series also dwells on how the lives of Jailers aren’t very glamorous at least back in the 80’s. There is an important scene where Sunil’s father tells his son to not reveal his profession while seeing a prospective bride, however, Sunil doesn’t follow his father’s advice, instead, he talks about his profession with absolute honesty.

Black Warrant also works due to the way the other important characters have been written with utmost care. Both Anurag Thakur and Paramveer Cheema also have solid graphs. The camaraderie shared between the characters isn’t hammered in; still, it works strong when required.

Many of the subplots in the web series are inspired by real-life incidents from the times of Indira Gandhi’s government. Certain capital punishments reflect deeply entranced class and casteist biases.

Then you also have the prisoners belonging to a more affluent part of the prison. A serial killer is seen roaming free; there is also an instigator of murder getting plenty of time to have romantic meetings. Apart from these you also have the arrest of JNU Students. There is a hilarious scene exposing the incompetent nature of jail staff.

Technical aspects and performances

Saumyananda Sahi’s cinematography is another major plus. He does a very good in recreating both the 80’s atmosphere and also the grittiness of the prison portions.

Apart from Zahan Kapoor’s breakthrough performance the show also benefits from Rahul Bhatt’s stellar turn. As a mostly self-serving boss with moments of genuine empathy for his fellow men Rahul Bhatt is simply fantastic.

Sidhant Gupta in the role of Charles Sobhraj has brief screen time but the young actor makes his presence amply felt. He perfectly captures the body language starting from the accented dialogue delivery.

The women characters in Black Warrant are mostly relegated to the background except for Rajshri Deshpande— as the firebrand reporter. This is only the slight flaw of the web series.

Final take

Overall Black Warrant is a must-watch for those who like gritty stories based on real-life incidents.

(Views expressed here are personal, edited by Sumavarsha)

CTRL: Ananya Pandey leads a gripping thriller/drama on the side effects of AL which includes deep fakes and breach of personal data

Vikramaditya Motwane delivers a racy movie keeping things crisp for the most part. He does a fantastic job in showcasing how Gen Z rely more on an internet bot for seeking genuine advice rather than a living person.

  • Starcast: Ananya Pandey, Vihaan Samrat, Aparshakti Khurana (as the AL voice) and others
  • Director and writer: Vikramaditya Motwane
  • Additional writers: Avinash Sampat and Sumukhi Suresh
  • Producers: Nikhil Dwivedi and Arya Menon
  • Production companies: Saffron Magicworks and Andolan Films
  • Music: Sneha Khanwalkar
  • Cinematography: Pratik Shah
  • Running time: 1 hour and 39 minutes
  • Streaming site: Netflix

In certain ways Vikramaditya Motwane’s CTRL feels like an extension to last year’s Kho Gaye Hum Kahan which also dealt with the younger generation. Kho Gaye Hum Kahan skillfully explored the aspect of loneliness in digital age, the need of validification from complete strangers. Easily one of Ananya Pandey’s better performances in her short career so far. Vikramaditya Motwane in CTRL also explores the side effects of social media, but this is darker in tonality. CTRL is more of a cyber thriller leaving the viewers disturbed

In certain ways CTRL feels like an extension to last year’s Kho Gaye Hum Kahan

CTRL focuses on two social influencers Nella (Ananya Pandey) and Joe (Vihaan Samraat). They run a YouTube channel called NJoy. Their seemingly perfect relationship goes totally downhill when Nella catches Joe with another woman. Her plan was to surprise Joe by celebrating their fifth wedding anniversary in a live stream unfortunately for Nella things go completely downhill. A lot of chaos happens leaving Nella’s professional and personal life in shatters. In an attempt to resurrect her social media presence Nella comes across an AL platform featuring a digital bot, Allen. Allen becomes a big help for Nella in erasing Joe completely from her digital life and also planning her big comeback. Slowly this AL platform becomes a major influence behind every decision of Nella. He starts taking over her personal chats along with manipulating her into signing more brand deals. Things take a very dark turn when Joe goes inexplicably missing. Soon Nella finds herself in a lethal web of manipulation as she starts investigating the misuse of AL. This is the story in brief.

As already mentioned, CTRL is a racy thriller, Vikramaditya Motwane doesn’t waste any time in immersing the viewers into the world of Nella and Joe. The viewers see them curate every moment of their personal lives giving their followers the impression of them being the perfect couple. Motwane has used the technique of alternating between the real world and the digital landscape. This mood shift doesn’t come across as jarring thanks to the director’s handling of the subject and also Pratik Shah’s fantastic cinematography. Yashika Gor’s production design also adds to this seamlessness. Sneha Khanwalkar’s experimental score adds to the movie’s edgy atmosphere.

Nella and Joe give the impression of them being the perfect couple

A strong aspect of CTRL is how Vikramaditya Motwane makes the viewers ponder on certain things without becoming preachy. For example, whether sharing a glimpse of our personal life is more about seeking validation and in process gaining more followers and how much sharing on social media becomes too much sharing. There is no preachiness in the way these questions are asked but still the impact is hammer strong. There is an important scene when Joe questions Nella about whether her reasons for wanting to surprise him came from genuine love or the need to make a statement on social media. This scene perfectly captures the essence of the movie.

The movie is also successful in creating a sense of personal connect particularly for those who are heavily into AL. The personal harm that AL apps are capable of doing leave the viewers disturbed. Having said that the thriller aspect of CTRL could have done more exploration. The underlying conspiracies of AL in controlling our lives feel a little rushed as the movie focuses more on Nella’s personal struggles in regaining control of her life.

It goes without saying that CTRL is primarily an Ananya Pandey showcase, and the young actress doesn’t disappoint. She delivers a first-rate performance perfectly capturing the journey of Nella from a happy college student to a social media star and ultimately a broken soul. As a social media influencer, she goes over the top on occasions, but it goes perfectly with the tonality of those portions. Apart from Ananya’s performance the character sketch is also a big winner.

Ananya Pandey delivers a first-rate performance perfectly capturing the journey of Nella from a happy college student to a social media star and ultimately a broken soul

Vihaan Samrat as Joe also makes his presence felt more so in the monologue scenes at a critical juncture. Aparshakti Khurrana as the AL voice is also efficient in bringing a certain amount of eeriness.

To sum it up CTRL holds a perfect mirror to the Genz’s obsession over social media. The thriller aspects needed sharper writing but still there is a lot to enjoy.

Jubilee: A Gripping Saga That Transports Viewers To The 1940s

Incredible performances by actors and strong technical aspects add to the immersive experience of the audience in director Vikramaditya Motwane’s latest offering.

The show shines the brightest in the technical aspects.
Jubilee (Hindi)
  • Cast: Aditi Rao Hydari, Aparshakti Khurana, Prosenjit Chatterjee, Ram Kapoor Wamiqa Gabbi, and Sidhant Gupta
  • Director: Vikramaditya Motwane
  • Producer: Dipa De Motwane
  • Music: Amit Trivedi
  • Episodes: Midseason 1 to 5
  • OTT platform: Amazon Prime Video

Filmmaker Vikramaditya Motwane’s web series Jubliee is out on Amazon Prime Video. The ace director has once again proved his directorial capabilities with this complex historical saga.

Period dramas have always been a safe bet to draw in the audience, primarily because of the curiosity of the viewers, as they know very vaguely of the periods which these dramas deal with.

The viewing experience becomes greater when a director like Vikramaditya Motwane helms the project. He already proved his capability with the likes of Udaan (Flight) in 2010 and Lootera (Robber) in 2013. He also co-directed the first season of Sacred Games (2018-19).

The show is set in the 1940s with the main focus on the film industry (Bollywood) with the backdrop of the independence movement and the partition.

For example, you have a refugee from Pakistan who wants to make it big in cinemas. It is a complex plot filled with several themes.

The director does a good job of sustaining the audience’s interest. As a viewer, you look forward to the next set of episodes.

The web series is broadly inspired by the lives of yesteryear film personalities like Himanshu Rai and Devika Rani.

Synopsis

Srikant Roy (Himanshu Rai’s role played by Prosenjit Chatterjee) is a filmmaker and also the head of a studio called Roy Talkies in this fictionalised version.

Sumitra Devi, also a star (Devika Rani’s role played by Aditi Rao Hydari), is the wife and co-owner of his production company.

he plot revolves around Srikant Roy who is on the hunt to launch a new face for his next film. After numerous auditions, he narrows upon a Muslim boy by name of Jehangir Khan (Nandish Singh Sandhu).

But conflict arises when Sumitra has an affair with Jehangir Khan. They even make plans to escape to Karachi.

Binod Das (Aparshakti Khurana) is the most trusted aid of Srikant. He is given the responsibility of making sure that Jehangir Khan doesn’t elope with Sumitra.

The situation takes a drastic turn when Jehangir Khan completely disappears and no one is aware of whether he is dead or alive.

There is also the parallel track of Jay Khanna (Sidhant Gupta), a Pakistani refugee who is desperately searching for work in Bombay. Courtesan Niloufer Qureshi (Wamiqa Gabbi) is also in the same city hoping to land a film role.

They both are street-smart and end up striking a friendship. They want to find their footing in the city as well as in Roy Talkies.

Performances

Most of the characters have been written with many layers and this makes the web series more nuanced. Particular mention must be made of the characters essayed by Sidhant Gupta, Wamiqa Gabbi, and Aparshakti Khurana.

The interaction between Niloufer Qureshi and Jay Khanna and the progress of their relationship gives the show some of its best moments.

Niloufer is a courtesan who has big aspirations. To fulfil those dreams, she takes all the possible routes. Some of it is questionable as well but at no point, Niloufer comes across as compromising.

Wamiqa Gabbi as Niloufer effortlessly portrays all the shades of her character. Her dances are also wonderful to watch. The best example of her dancing skills comes in the mujra titled “Woh Tere Mera Ishq Ka”.

Jay Khanna as Sidhant Gupta gets the best character of his career so far. Sidhant perfectly portrays the pain and also the spirit of a young man who has suddenly become a refugee in what recently was his own country. As viewers, you root for Jay.

Till now, Aparshakti Khurana has been seen in light-hearted roles. But here, he does a complete U-turn.

Binod Das who starts as a spot boy lands up in an unexpected new situation. It is a role that is filled with grey shades and the actor aces it.

Prosenjit Chatterjee also deserves a mention for his performance as the head of the studio. He plays his part with a certain panache.

Technical crafts

The show shines the brightest in the technical aspects — the sets are authentic, and Vikramaditya Motwane does a great job of recreating the 1940s. He has assembled a first-rate technical team and has drawn some solid work from them.

The art direction by Priti Gole and Yogesh Bansod is top-notch.

Similarly, Pratik Shah’s cinematography adds to the immersive experience of the viewers.

Amit Trivedi’s music is also in perfect sync as his tunes instantly take you back to those times.

The flaws

Jubilee has also got its share of flaws. One of them is the not-so-powerful characterisation of Aditi Rao Hydari’s character. Her interactions with Nandish Singh Nandu needed to be written far better.

The character of Jehangir Khan also comes across as mostly flat. As a result, his disappearance doesn’t register strongly.

Some cuss words don’t gel with the show.

Verdict

Above all this, Jubliee is worth a trip down memory lane.

(Views expressed are personal.)