Khauf: A slow burn paranormal thriller about the horrors of patriarchy

Khauf web series

Pankaj Kumar and Surya Balakrishnan’s Khauf juxtaposes the real world issues with the traditional jump scares. The series gives a strong message on how a certain kind of men are more dangerous than the supernatural entities. The show isn’t perfect by all means but there is a lot to like led by an explosive Monika Panwar. Rajat Kapoor and Geetanjali Kulkarni also make their presence amply felt.

Starcast: Monika Panwar. Rajat Kapoor, Geetanjali Kulkarni, Chum Darang and others

Genre: Horror

Directors: Pankaj Kumar and Surya Balakrishnan

Writer and creator: Smita Singh

Producers: Sarita Patil, Vipin Agnihotri etc

Production Company: Matchbox shots

Cinematography: Pankaj Kumar

No of episodes: 8

Streaming site: Amazon Prime

In the last few years the horror genre has undergone a major reinvention with stories that go beyond creaking doors, there has been a conscious effort to give these plots a social subtext whether it is the whacky Stree films directed by Aamir Kaushik or Tumbbad a psychological horror/thriller about the devastating consequences of unlimited greed. Vishal Furia’s Chhorii movies also dealt with societal aspects combining elements of horror. The web series Khauf is a good addition to this trend. The major victory of the two directors is how they perfectly merge the real world issues faced by modern young women and combining that with the usual spooky elements.

The story of Khauf primarily revolves around Madhu (Monika Panwar). She has moved from Gwalior to a women’s hostel in Delhi. She is looking to make a fresh start but the room that she has been assigned comes with a dark past. Running parallel to this is the hakim played by a creepy Rajat Kapoor. He preys on young vulnerable girls in order to prolong his life. Geetanjali Kulkarni plays Madhuri, she is an alcoholic cop in search of her missing son. This is the story in brief nothing more can be revealed.

A strong aspect of Khauf web series is the technical department led by a brilliant Pankaj Kumar. Pankaj Kumar is a very reputed cinematographer whose work in Tumbbaad is hugely admired. Here too he brings the same level of craft, the hostel in which the young women stay becomes a major character in itself. He does a very good job in capturing a certain sense of claustrophobia. The long silences and a certain kind of lighting add to the eerie atmosphere. The setting of the story also plays a significant part in building up the tension. Delhi city has some shameful scars in cases related to atrocities on women and this includes not just the gruesome Nirbhaya case. Grounding the show in Delhi makes the horror elements even more chilling.

The hostel becomes a major character in itself

The show also does a very fine job in addressing the different issues faced by modern females. The way Madhuri juggles between the haunting past of the room and the men who prey on women gives the show some of its best moments. Monika Pawar does a fantastic job in showcasing the different emotions like anxiety and rage. The young actress is also mighty impressive in the portions where Madhuri becomes more confident after being possessed by a certain thing. Rajat Kapoor is also fantastic as a man who has zero regret about the evil things that he does. He brings in the right amount of creepiness instilling fear in the viewers minds. Geetanjali Kulkarni is also top class in a grey shaded role. The way she oscillates between a tough police women and a worried mother of an erratic boy is a delight to watch. The hostel mates played by Chum Darang, Priyanka Setia and Aasheema Vardan also make their presence amply felt. Each of these character represent a different facet of the problems faced by an everyday women in today’s society. Through their tracks the director duo of Pankaj Kumar and Surya Balakrishnan have addressed the aspect of societal expectations among other things.

Chum Darang as one of the hostel mates

A major issue with Khauf is the use of trauma as the only way to give agency for a victim, It becomes both cliched and problematic. Also the show’s tonal shift from ghosts to internalized trauma could have been handled better, a sense of clumsiness creeps in. The etching of the romantic relationship also leaves something to be desired. Abhishek Chauhan as Arun renders an instant likeability as the sweet and reliable boyfriend but the love story would have been more heartwarming with better depth.

Watch Khauf if you are a fan of horror stories mixed with social commentary

Gullak Season 4: An engaging slice of life series that makes for good weekend watch

The conflict points of the 4th Season doesn’t quite hit the high notes of the previous one but still there is enough to joy

Starcast: Jameel Khan, Geetanjali Kulkarni, Vaibhav Raj Gupta, Harsh Mayar, Sunita Rajwar and others
Director and writer: Shreyansh Pandey
Additional writer: Vidit Tripathi
Production Company: The Viral Fever Media Labs
Genre: Comedy/drama
Streaming site: Sonyliv

The production house of The Viral Fever (TVF) has made a strong place in the streaming space. They have produced quality shows like the three seasons of Panchayat, Kota Factory and Gullak etc. Producer Arunabh Kumar has backed stories that have resonated with audiences of different age groups. The first three seasons of Gullak were hugely appreciated for how it depicted a typical middle-class family with their quirks and eccentricities. For those who haven’t seen the first three seasons the story revolves around the family of Mishras headed by Santosh Mishra (Jameel Khan) and the wife Shanti (Geetanjali Kulkarni).

Gullak web series has always had a format of a new problem in every episode, this time this time too the story is peppered with new conflicts of different nature. This time the focus is on adolescence and the challenges faced by Santosh Mishra and Shanti. This aspect is covered through the younger son Aman (Harsh Mayar). His equation with the elder brother Annu (Vaibhav Raj Gupta) has undergone a significant change too, there are no longer the inalienable siblings. There is also the nosy neighbor played by Sunita Rajwar who lands up in the house of Mishras on odd occasions.

A strong aspect of this season is the depiction of adolescence along with the challenges faced by the parents in trying to find a way on how to deal with the growing defiance of their off spring. The situations are portrayed in a lighter vein but at the same time the proceedings never get frivolous.

Director Shreyash Pandey does a wonderful job in showcasing the perspective of both Aman and the parents without getting into a judgmental mode. The banter between the siblings and their dynamics is a major highlight of season 4.

The scenes of affection between Santosh and Shanti are also wonderful to watch. The love is portrayed through just a few words and glances, but it still makes a huge impact.

Sunita Rajwar as the troublesome neighbor continues to bring the house down with her antics. This time though the character goes beyond just fun, there is also an impactful transition scene in the final episode.

The voiceover by Shivankit Singh Parihar is also filled with comic punches that leaves you in splits. His voice over at important junctures adds a lot to the fun quotient. Much like the previous season this time to the storytelling is crisp, but on occasions the conflict points seem rather hurried as well. The show could have benefited with more flesh in writing.

Fortunetly the universe of Gullak has been expanded with the addition of a love story. Helly Shah as a possible love interest of Aman though underutilized has a charming screen presence and their scenes are quite cute. Here’s hoping that the romantic angle is developed more in the coming seasons.

Actors Jammel Khan, Geetanjali Kulkarni, Vaibhav Raj Gupta and Harsh Mayar succeesfully take off from the previous seasons. They are all brilliant in their respective parts. Gullak Season 4 is a must watch who enjoy slice of life dramas.