Tag: Om Raut

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Inspector Zende: A quirky cop versus criminal saga with an excellent Manoj Bajpayee

Unlike the usual larger than life Bollywood cop’s director Chinmay Mandlekar opts for a comic tone with a bumbling hero. He mixes crime with comedy, and the results are quite good. In spite of some uneven writing Inspector Zende makes for a fun watch and a good stress buster.

Starcast: Manoj Bajpayee, Jim Sarbh, Girija Oak, Harish Dudhade, Sachin Khedekar and others

Genre: Comedy/thriller

Director and writer: Chinmay Mandlekar

Producers: Om Raut and Jay Shewakramani

Production house: Northern Light Films

Cinematography: Vishal Sinha

Music: Sanket Sane

Running time: 1 hour and 52 minutes

Streaming site: Netflix

Inspector Zende streaming on Netflix is based on a real-life story set in the period of 1970&1980’s. Madhukar Zende’s pursuit of the noted criminal Charles Sobhraj and the eventual capture in Goa. The story makes for a good dramatic fodder with a larger-than-life protagonist. But the tone adopted by Chinmay Mandelkar is more goofy than a serious drama. This approach has its positives and negatives. The good thing is that the film makes for a welcome stress buster. At the same time those looking for more intensity will be disappointed.

Jim Sarbh as Charles Sobhraj

The one-line story of Inspector Zende focuses on Manoj Bajpayee’s Madhukar Bapurao Zande. He is no supercop with flexing muscles. He is a middle-class Maharashtrian officer with no distinct qualities as such. The movie focuses on his pursuit of Carl Bhojraj (a flamboyant Jim Sarbh). Bapurao Zande’s eventual capture of Carl forms the basic premise of Inspector Zende

A strong aspect of Inspector Zende is the retro atmospherics. Director Chinmay Mandlekar along with his cinematographer Vishal Sinha create a lived-in world. The streets of Bombay with the bustling lanes and the police force operating with no fancy technology has been recreated well. The detailing is on point, and this includes the chawl where Zende stays too.

A lot of movie’s humor is situational emerging from the messy situations and undercover names like “Rushi Kapoor” and “Om Raut”. For the modern audiences the ways of Zende and his tribe may feel dated but the way these men operate fits the time period.

Refreshingly the movie doesn’t opt for the mainstream slapstick approach like Rohit Shetty and David Dhawan. Instead, it finds laughs in the small errors and the sheer absurd nature of humans. Thankfully many jokes land.

A standout moment in Inspector Zende is the scene where Zende finally crosses paths with Carl Bhojraj. Instead of a brutal showdown their encounter feels like an odd dance. Every punch and push feels like choreographed number. The scene comes across like a bizarre Tango between a cop and criminal. It’s both thrilling and funny in perfect synch with the movie’s tonality.

Manoj Bajpayee and Jim Sarbh

Mention must also be made of the husband-and-wife scenes. Girija Oak as Zende’s wife plays her part with lot of warmth. Her interactions with Manoj Bajpayee and specially the segment involving puranpolis is adorable. As Zende’s collogues Both Harsh Dudhade and Bhalchandra Kadam bring strong comic timing. Sachin Khedekar too brings in the required authority as the no nonsense DGP. Jim Sarbh as Carl Sobhraj plays his part with the right amount of deception and flamboyant attitude. As Zende Manoj Bajpayee slips into the part with practiced ease nailing the goofball nature. He does a very fine job in capturing the grit of Zende while also making the viewers laugh.

Apart from the uneven writing in some patches the songs composed by Sanket Sane is also a minus point. The tunes are just about serviceable nowhere close to good.

Final word: Inspector Zende is worth watching if you are fans of stories mixing crime with comedy.

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Adipurush: Prabhas’s Latest Outing Is A Misfire Of Epic Proportions

In spite of all the resources available, Om Raut has delivered an absolutely subpar film that makes a mockery of the ‘Ramayana’.

Prabahs-starrer Adipurush was one of the most keenly anticipated movies of this year. It was expected to be a mega-comeback for the actor.

However, since the release of its teaser, it has been hitting the headlines for the wrong reasons more often than for the right ones.

Only the songs have managed to create some buzz. Unfortunately for Prabhas, Adipurush is going to be another severe setback after Saaho (2019) and Radhe Shyam (2022).

A subpar film

In spite of all the resources available, director Om Raut has delivered an absolutely subpar film that makes a mockery of the Ramayana.

Om Raut made a smashing Bollywood debut with his first film Tanhaji: The Unsung Warrior (2020). Ajay Devgn played the title role in it.

Saif Ali Khan was the chief antagonist, playing Aurangzeb’s trusted guard Udaybhan Singh Rathore.

In spite of its hyper-nationalism, Tanhaji still worked primarily because of the performances, and also the scale on which Om Raut mounted the film.

I won’t go into the story of Adipurush as Ramayana is an epic that needs no introduction. So, let’s delve straight into the analysis.

Before getting into the negatives, it is necessary to mention the few positives that Adipurush has.

To give credit where it is due, the music and the background score do manage to pump in the much-required emotions.

The movie begins with the wonderful song “Ram Siya Ram“. Manoj Muntashir’s lyrics coupled with his singing make the track an absolute winner.

“Jai Shri Ram” has a robust energy which makes the audience sit up.

The background score done by Ajay-Atul and Sachet-Parampara is rousing.

A particular mention must be made of the background score whenever Saif Ali Khan’s Raavan comes on screen.

Saif as Raavan

Saif Ali Khan clearly has a ball playing Raavan and it shows in every scene. Thanks to his strong screen presence, the actor brings a certain energy that uplifts the film considerably.

Yes, the part does remind you of Ranveer Singh’s Allauddin Khilji in Padmaavat (2018) and also Saif’s own Udaybhan Singh Rathore. But still, there is no denying the impact of Saif.

Saif has always been at his best when not playing the typical hero and this thunderous performance is proof of that.

Vatsal Seth as Indrajeet deserves a mention. He makes a striking impact in spite of his limited screen time.

Too many flaws

Coming to the shortcomings, Prabhas and Kriti Sanon are easily the weakest links of Adipurush.

The success of the Baahubali films (2015 & 2017) has changed the fortunes of Prabhas, both positively and negatively.

On one hand, it has opened new doors for the actor. But the expectations have also risen many folds.

An important part of his success has always been his magnetic screen presence but that charisma was nowhere visible in both Saaho and Radhe Shyam, particularly the former.

Here, too, Prabhas comes across as rather dull. At no point does he succeed in making the audiences feel that he is Rama, the Ideal Man/God that crores of people in this country worship.

It is very clear that the actor has treated this role as any other mainstream character. At no point does he get into the headspace of Rama.

Kriti Sanon as Sita

Kriti Sanon, on the other hand, does suffer from a sketchy characterisation. She is largely absent in the second half. Even when she is there, she comes across as bland.

Much like Prabhas, Kriti has also failed to internalise her character.

The chemistry required between Prabhas and Kriti Sanon is completely absent.

Weak characterisation

The characterisations of the “Vanar Sena” also leave a lot to be desired. The accent of Devdatta Nage’s Hanuman, in particular, is rather jarring.

Om Raut has tried to give Hanuman a modern touch, but the dialogues are completely out of sync with what viewers generally expect from Hanuman.

Poor VFX

The VFX is another big disaster. Adipurush is a film that is supposed to have been made on a budget of ₹600 crore. But as viewers, you wonder where the budget went.

In spite of the flaws in the story, Brahmastra (2022) was at least a visual spectacle. But the graphics in Adipurush seems to have been designed by amateurs.

The battle scenes, in particular, are both laughable and exhausting. They test the viewers’ patience to the optimum. One wishes to see the end as quickly as possible.

Final take

A runtime of almost three hours makes things worse for Adipurush. Instead of being an epic tale, it turns out to be an epic bore.

(Views expressed are personal.)