Best of Hindi and Telugu web series (2025): A fantastic year for Applause Entertainment across genres

An overview into some of the best web series from Hindu and Telugu with different storylines

2025 can be easily categorized as the year of Applause Entertainment whose CEO is Sameer Nair. The year started with the fabulous Black Warrant based on a book of the same name. The web series was directed by numerous people including the fantastic Vikramaditya Motwane. The show presented a very gritty picture of the deeply horrifying situations in a jail making reforms difficult. Next came Criminal Justice Season 4. Directed by Rohan Sippy Criminal Justice Season 4 did an excellent job in exploring issues like mental health and grey areas in marriage: Pankaj Tripathi returning back as Madhav Mishra did an excellent job as always combining humor with empathy.

Last but not the least Nagesh Kukunoor’s The Hunt “The Rajiv Gandhi Assassination Case) also won many hearts. The series was a gripping manhunt with multiple perspectives. The famous quote of “One Man’s terrorist is another man’s freedom fighter”, was explored well. Apart from the above-mentioned web series the other noteworthy ones include Paatal Lok Season 2, Khauf, Kankhajura, Waking of a Nation, Aashram season 3 part 2 and lastly Aryan Khan’s stunning directorial debut The Ba***ds of Bollywood.

As far as Telugu web series is concerned the year was pretty dull with just a handful of impactful shows. Deva Katta’s Mayasabha easily tops the list. Mayasabha was a welcome return to form for the director. The series doesn’t shy away from wearing its politics on sleeves especially the dialogues related to caste disparities. The talented Aadi Pinishetty got a solid role. He was seen as the fictional Chandra babu Naidu and the actor absolutely nailed it. Among others Devika &Danny had a good message of women empowerment through a friendly ghost. Lastly Arabic Kadali though a rehash of Thandel had its highs too. Director VV Surya Kumar did a fine job in dealing with the socio-political aspects. Also, the Pakistani characters had more depth in comparison to Thandel.

Following is an overview into the best web series of 2025 Hindi and Telugu

Black Warrant: Black Warrant directed by Vikramaditya Motwane, Satyanshu Singh and others presents a very gritty picture of jail life. How bringing reforms is extremely difficult was presented well. This web series is based on the book of the same name. The show focuses on the notorious functioning of the Tihar jail set in the 80’s. The base is Tihar jailer Sunil Gupta. Sunil Gupta was known for doing some great work. One of his major achievements is starting Tihar’s first legal aid cell. In spite of getting a secure railway job Suni Gupta pursued his dream of wearing a khaki uniform. Young actor Zahaan Kapoor successfully entered into the shoes of Sunil Gupta.

The web series did an excellent job in capturing the soul of the novel especially the intricate power structure and the various hierarchies based on both caste and religion. The characterization of Zahaan as Sunil Gupta was also well done starting off as a vulnerable young man to becoming more confident. Apart from Zahaan’s performance the supporting characters were also written with nuance especially Rahul Bhatt. Rahul Bhatt’s character is mostly selfish with moments of genuine empathy for his fellow men. The actor did an excellent job in portraying the different shades. Sidhant Gupta as Charles Sobharaj also shined bright. The women characters though needed better writing. Only Rajshri Deshpande made some impact as a firebrand reporter. Nevertheless, Black Warrant is a gripping watch.

Paatal Lok Season 2: Avinash Arun Dhaware’s Paatal Lok Season 2 is a fantastic dive into Nagaland’s socio political landscape. Along with creator Sudip Sharma he made a web series notches above the first one. A strong aspect of Paatal Lok Season 2 was the depiction of Nagaland politics. The contrast between the beautiful landscapes and the immense turmoil of the local population was wonderfully captured. One of the major themes in Paatal Lok Season 2 is the insider versus outsider topic. A section of people coming from outside pay a certain amount of money to a local group in hope of ensuring their safety.

But that isn’t enough on some occasions. This especially comes out in a super conversation between Jaideep Ahlawat’s Hathiram and a businessman. Talking about Jaideep Ahlawat the actor was superlative once again. The way he portrays the strong determination while battling professional and personal issues was a delight to watch: mention must also be made of Tilotama Shome playing SP Meghana Baura. As a local police officer and the solo woman, the character brings in an interesting female perspective into what is generally considered a male bastion. Ishwak Singh too made his presence amply felt as once upon a time junior and now Hathiram’s boss. There is a palpable thread of friendship amidst the awkward scenarios.

Aashram season three part 2: Prakash Jha’s Aashram season 3 part 2 was a satisfying conclusion. In spite of some elongated stretches the series makes the viewers ponder about the power held by these fake babas.

The strong determination of Aaditi Pohankar’s Pammi in bringing down the empire of Bobby Deol’s Niral Baba was a treat to watch. A major part of this plan is turning Niral Baba and Chandan Roy Sanyal’s Bhopa against each other. Pammi’s game of seduction though slow paced gave the show some of its best moments. Aaditi Pohankar did an excellent job in capturing the transformation from a victim to an avenger.

The web series also has some fantastic dialogues on aspects related to power and faith. In a very explicit manner Prakash Jha shows devotion being a double-edged sword. How playing with someone’s faith through numerous lies can take you down came out in an excellent manner. Bobby Deol as Nirala Baba was first rate especially in the scenes where the tables are turned against him. There is an important dramatic breakdown featuring the actor and Bobby did an excellent job. Chandan Roy Sanyal had a bigger canvas to play around with compared to the last seasons and the actor did a terrific job too.

Khauf: Khauf directed by Pankaj Kumar and Surya Balakrishnan is a slow burn horror thriller with real word issues. A strong aspect of Khauf is the technical department headed by a fantastic Pankaj Kumar himself. The hostel in which most of the story takes place became a major character in itself:  A sense of claustrophobia is palpable creating the right amount of tension. The setting of Delhi is also a masterstroke given the shameful scares associated beyond the gruesome Nirbaya case.

The different issues faced by modern female came out in an impactful manner especially with the main protagonist. Monika Pawar as Madhuri was absolutely fantastic in showcasing the varied emotions. A special mention must be made of the portions where the protagonist becomes more confident after being possessed by a certain thing. Rajat Kapoor in a terrifying negative role was first rate as well. He brought in the right amount of creepiness instilling fear in audiences minds.

Geetanjali Kulkarni in a grey shaded role was wonderful too. The way she oscillates between a worried mother and a tough police woman gave the show some of its best moments. The subplots connected to Madhuri’s hostel mates was also done well with each representing different kinds of issues faced by everyday women in society. One big problem with Khauf is the clichéd use of trauma as a way to give agency to a woman. Also, the show suffered from some abrupt tonal shifts. Nevertheless, Khauf was an excellent show for most part.

Kankhajura: Kankhajura is a gripping psychological drama about flawed humans. Director and writer Chandan Arora did a fine job in exploring the impact of childhood traumas specially bullying and how need for validification leads to manipulative behaviour. This show is based on a series called Magpie from Israel. A strong aspect of Kankhajura is the gradual building of tension. The aspects of past traumas, sibling rivalry and unresolved guilt were integrated well. The cinematography of Rajeev Rai and Vinod Illampally also added to the thrills. Though shot in Goa the web series presents the place in a very different way unlike the usual mainstream route.

Mention must also be made of how the women characters came out. Though a Roshan Mathew and Mohit Raina show reel the female protagonists have an important role too. Sarah Jane Dias and Trinetra Halder had a strong individuality especially the former. There are numerous portions in the series where Sarah Jane Dias is seen giving back to Mohit Raina’s Max about his unlimited greed. This strongness is maintained throughout and as a result the viewers cheer for her when she walks out of marriage. Trinetra Halder as a transgender also played her part with lots of grace successfully bringing out the inner strength.

Waking of a Nation: Ram Madhavani’s Waking of a Nation is a patience tester with the constant back and forth: nevertheless for history buffs especially the series is worth watching. This web series focuses on the events leading up to the horrific Jallianwala Bagh massacre through the eyes of a young lawyer Kantilal Saahani (a fantastic Taaruk Raina).

Kantilal Saahani is a beneficiary of western education making him an outsider amongst his group of friends. This character is apparently based on Sri Chamanlal Harilal Setalvad a man known for cross examining General Dyer.

A strong aspect of this Ram Madhvani directorial is the depiction of the political events leading up to the massacre. Ram Madhavani along his writers were especially good in shedding light on the controversial Rowlett act. The depiction of the massacre with just sound design and panic stricken reactions of the people gives a haunting experience too.

An important subplot in Waking of a Nation is the themes related to racial discrimination not just by the British; it’s also about the discrimination followed by fellow Indian on the basis of caste and religion. The underlying message is about the need to stay united irrespective of caste and religion. This is an important message keeping in mind today’s divisive political environment.

Ba***ds of Bollywood: Aryan Khan could have easily chosen to be a leading man with his background of badshah Shah Rukh’s Khan son. Instead, Aryan chose to be a director showcasing his uniqueness. Ba***ds of Bollywood is a wonderful whimsical ride with strong satire. Much like Zoya Akhtar’s Luck By Chance the Ba***ds of Bollywood too is a percipient take on the starry world of movies. But this one goes a step ahead in dealing with the insider and outsider debate along with exploitative producers coupled with the uncertain nature of fame etc.

Lakshya Lalwani’s Aasman is an outsider going through a roller coaster ride of different emotions. The series features a number of cameos from Ranveer Singh, Karan Johar and Emraan Hashmi among others. Emraan Hashmi as an intimacy coach works the best among the extended cameos. Raghav Juyal’s reaction on seeing Emraan is priceless. The character goes into a complete fan mode singing Emraan Hashmi’s famous songs. Emraan’s absolute bewilderment on how to deal with the fan boy moment coupled with Raghav Juyal’s acting is simply fantastic. Apart from the glossy packing the show also has some strong emotional moments. A specific mention must be made of Anya Singh in the role of Aasman’s manager. She lends in certain gravity as a trusted ally making the viewers wish that they also had a loyal manager like her. Mona Singh and Vijyant Kohli in the role of parents were wonderful too like the sequence where the father gives an important advice on never backing down. The friendship between Lakshya and Raghav also gave the show some of its best moments. It was wonderful to see the different dynamics after last year’s Kill.

Lakshya as Aasman showed that Kill was no fluke coming up with a solid act. He brought alive the determination of Aasman as well as a certain cheeky nature. Bobby Deol as one of the primary villains continued his golden form bringing in both a starry aura as well as solid acting chops. Overall Aryan established himself as a promising masala director especially the climatic twist. He definitely made his father proud.

Best Telugu web series (2025)

Mayasabha: Mayasabha directed by Deva Katta is an excellent socio-political drama. The web series as earlier said doesn’t shy away from wearing politics on its sleeves especially the dialogues related to caste prejudices. In simple terms the story is based on Chandra Babu Naidu and late Rajasekhar Reddy.  The fictional names are Karakala Krishnama Naidu and Dr MS Rami Reddy. Aadi Pinishetty and Chaitanya Rao did an excellent job in their respective parts.

The dynamics between the two principal actors was one of the shows biggest strengths. How they start as idealists with a common aim of transcending social divisions and their differing responses to societal pressures were written with nuance. The portions of two disagreeing offers a fresh take on political rivalries by never getting venomous. Maysabha also deserves credit for the way it gives voice to the marginalized. There are disturbing scenes of people caught in a major crossfire due to power hungry politicians. The character of Ravindra Vijay wanting to shield his family from violence is a perfect representation of this theme.

The supporting cast were also excellent especially Divya Dutta and Sai Kumar. Divya Dutta playing the role of Indira Gandhi had a commanding presence. The track of emergency has a contemporary touch especially in the dialogue “You will give birth to a line of dictators who will use your method, impose emergency and not even call it one.” Sai Kumar as the legendary NT Rama Rao shined with his strong voice modulation and a powerful presence.

Devika &Danny: B Kishore Devika &Danny is an interesting mix of supernatural elements and a young woman breaking out of self-imposed shackles. The web series has simple but effective storytelling. The show starts off as an anthesis to one of Ritu Varma’s hit movie Pelli Choopulu. Devika lacks a certain agency unlike Chitra from that movie at least in the initial portions. This is established in a very effective manner setting the tone for the subsequent transformation. How a ghost played by Surya Vashishta becomes a medium for this gives the show some of its best moments. There’s nothing unpredictable here but the small nuances make a big difference.

B Kishore also did a good job in addressing generational through the roles of Gopuraja Ramana as Devika’s prospective father in law. Subbaraju played the role of Devika’s fiancée. Both the actors did justice to their parts especially Subbaraju with his serious expressions and a certain exasperation.

In the role of Devika Ritu Varma delivered an assured performance with the right mixture of vulnerability and inner strength. Surya Vashishta as the friendly ghost was charming too making the viewers wish that the two had met in different circumstances. 

Arabic Kadali: Arabic Kadali directed by VV Surya Kumar had a major hangover of Thandel with its themes. Nevertheless the show is worth watching for its handling of socio-political aspects. A special mention must be of the Pakistani characters who are presented in a much more layered manner. A good example of this is the scene where a judge is seen defending Indian fishermen in front of Pakistani officials. Even Amit Tiwari as the evil warden gets a credible redemption arc too.

Lastly Poonam Bajwa playing Dr Fatima isn’t afraid to express her opinions. The actress played the role with the right amount of warmth and authority. Arabic Kadali though doesn’t just confine itself to Indian Prisoners languishing in Pakistani jails; it also talks about the Pakistani ones in a similar situation. The underlining message is the need for humanity across borders.

Satyadev in the role of Badri makes sure that the character’s saint like nature never comes across as irritating. The actor is especially impressive in the scenes of emotional vulnerability. Anandhi as Ganga also did a good job in portraying the inner strength. Much like Sai Pallavi in Thandel she too is a woman of steel not letting cynicism get to her. Yes the love story could have done with more intensity still the viewers root for Badri and Ganga to get together.  

Resurgence of Bobby Deol: An overview into the actor’s second innings with a variety of characters, both in theatres and OTT

Starting with the 1995 movie Barsaat, Bobby Deol has acted in more than 50 movies, including thrillers, action movies, and love stories.

From a boy next door in the likes of Barsaat the actor has transformed into a gritty actor with a diverse portfolio of characters. He has been a leading man, a supporting actor and has now transformed into a wonderful character artiste.

In the 1990s and 2000s Bobby Deol was a popular leading man primarily known for his stylish looks. However, as the years have gone by he has also proved his acting talent. While Animal came across as a breakthrough performance, his performances on the OTT platforms with the web series Aashram and the two movies Love Hostel and Class of 83, also showcased his acting finesse.

Standout performances in late 90s

In the late 90s and early 2000s too, the actor had a slew of fine performances to his credit. Among Bobby Deol’s earlier performances, his act in Abbas Mustan’s Humraaz (2002) deserves special mention. Bobby Deol’s character in Humraaz goes through many emotions, particularly in the second half. There is a palpable sense of distraught when Bobby’s Raj Singhania finds out that his wife has double-crossed him.

Another impactful character in Bobby Deol’s early career includes the romantic thriller Gupt (1997). In this movie, Bobby plays a young man wrongfully accused of murder. He portrayed the different nuances of the role in an impactful manner. Talking about comedy roles, Bobby’s act in Jhoom Barabar Jhoom (2007) as a mama’s boy was endearing to watch.

At one point Bobby’s career saw a dead end with no solid work coming. There were sporadic appearances but nothing substantial.

However, he rose to fame with the Sandeep Reddy Vanga’s Animal, in which he plays a non-speaking person. The film released in 2023 December, opened many avenues for the actor— he is now the most sought-after villain.

In 2024, he once again played an antagonist in Suriya’s Kanguva. While the movie didn’t work as expected, Bobby Deol’s performance earned praise.

Now let’s get into a little more detail about Bobby Deol’s reinvention by expanding on the recent films and the web series mentioned above.

Animal

Bobby Deol in Animal
Bobby Deol in ‘Animal’. (X)

In Sandeep Reddy Vanga’s Animal, Bobby Deol makes a late entry in the second half but leaves a lasting impact. His introduction scene captures two contrasting emotions. In the song “Jamal Kudu,” he dances joyfully with an alcohol glass on his head, celebrating. This is immediately followed by a moment of intense rage upon hearing of his brother’s death.

With his chilling eyes, Bobby’s character becomes a formidable opponent to Ranbir. In the climax, his emotional intensity shines through as he battles Ranbir.

Despite having no dialogue, his fiery eyes and body language convey murderous rage, making him an intimidating and deadly presence.

Class of 83

Bobby Deol in Class of 83
Bobby Deol in ‘Class of 83’. (X)

Class of 83, directed by Atul Sabharwal, is based on the novel by acclaimed crime journalist Hussain Zaidi. The film follows a cop, Vijay Singh, who is demoted to the dean of a police academy as punishment. At the academy, Singh selects a group of rookies to restore justice through unethical means. His plan works for a while, but things eventually fall apart.

Bobby Deol’s portrayal of Vijay Singh is far from the traditional larger-than-life cops like Salman Khan in Dabangg or Ajay Devgn in Singham. Instead, he plays a brooding mentor, conveying much through silence and his intense eyes. Deol effectively captures Vijay Singh’s inner turmoil with a powerful, internalized performance.

Aashram (Web series)

Bobby Deol in Aashram
Bobby Deol in ‘Aashram’. (X)

In his web series debut, Bobby Deol played a charismatic godman in Aashram, directed by Prakash Jha. His character, Baba Nirala, is revered as a messiah for the downtrodden, but in reality, he harbours a dark past. The three seasons of Aashram tackle various social issues, such as the caste system and reservation, in typical Prakash Jha style.

As the cunning yet charming Baba Nirala, Bobby Deol brought immense charisma to the role. He skillfully portrayed the contrast between the god-loving persona he presents to his devotees and the darker side revealed once the curtain falls. Deol perfectly balanced the revered godman with subtle hints of his evil nature.

Love Hostel

Bobby Deol in Love Hostel
Bobby Deol in ‘Love Hostel’. (X)

In Love Hostel, Bobby Deol played a hitman named Dagar, who believes he is doing society a favour by killing young couples who try to break societal norms by marrying outside their caste or religion.

Deol portrayed the mostly emotionless Dagar with the perfect attitude, outstandingly capturing his self-righteousness. He also nailed the hinterland accent.

This is an overview of Bobby Deol’s resurgence. This list is by no means complete, as the actor’s second innings includes many more exciting projects.

These include Yash Raj Banner’s first female-led spy film, starring Alia Bhatt and promising new talent Sharvari Wagh. There is also Anurag Kashyap’s untitled thriller with Sanya Malhotra. In addition, Bobby Deol has Telugu films Daaku Maharaj and Hari Hara Veera Mallu, as well as the Tamil film Thalapathy 69. Here’s hoping Bobby continues to deliver solid work.

(Edited by Sumavarsha)

A rundown of the best political films made in Bollywood

An overview into how Hindi Cinema used to make good political films that had coherence and didn’t pander to the ruling party

The state of the recent political movies in Bollywood cuts a very sorry figure. Movies like the Accidental Prime Minister and PM Narendra Modi are woeful products in more ways than one. Yes they are incoherently staged both in terms of acting and storytelling, but apart from these aspects the movies have been used as tools for negative political propaganda. In the case of The Accidental Prime Minister it was clearly made to malign the former Prime Minister of India Manmohan Singh along with the entire Congress party. PM Narendra Modi on the other hand was meant to absolve Modi from all crimes and put him on a pedestal.

On the other hand both Kashmir Files and the Kerala Story are hugely islamophobic in nature. There is no denying the sufferings of the Kashmiri pundits but director Vivek Agnihotri presented a rather one sided pictures with all the Hindus being sufferers and Muslims being monsters. The Kerala Story on the other hand hugely exaggerated story of Hindu women being radicalized by the ISIS. Much like Kashmir Files here too you won’t find any positive Muslim character. This hate against Muslims represents the attitude of the BJP government. The success of both these movies is a byproduct of the times we live in.

Then there are the likes of Uri: The Surgical Strike, Tejas and this year’s Fighter. Uri: The Surgical strike was a highly dramatized account of Indian army retaliating to the URI Attacks. The movie was clearly meant to establish that the surgical strike had taken place in real. Not surprisingly the BJP party used the movie as a tool of propaganda particularly the dialogue “How’s the josh”. Hrithik Roshan’s Fighter was on the other hand was inspired by the Balakot strike. The climax of Fighter is straight out of a single screen universe with patriotic dialogues and ample dose of jingoism.

This year the team of The Kerala Story returned with Bastar: The Naxal Story which made a mockery of the Naxal movement, it didn’t find audiences even with those who like propaganda movies. Article 370 on the other hand directed by Aditya Suhas Jambhale did fairly well primarily due to the performances of the two leading ladies Yami Gautam and Priya Mani. However the characterizations of the Kashmiri locals which include the politicians was highly laughable. The director made it look like only Prime Minister Modi and BJP are concerned about the welfare of Kashmiri population.

Not surprisingly Narendra Modi mentioned about the movie urging the viewers to watch it a few before the movie’s release. Even you look at Kashmir Files the party workers played a significant role in promoting the movie. But it has to be said that political movies in Bollywood has not always been like this and following is an overview into some of the well crafted political ones.

Rang De Basanti directed by Rakesh Om Prakash Mehra was about the corruption in the defense department that leads to the death of a pilot played by R Madhavan. The movie did not shy away from showing the deep rooted corruption and the cynical attitude of the youth who believe that no good change can come.

What also added to the impact of Rang De Basanti was the way it intertwined the sacrifices made by our revolutionaries Bhagat Singh and Chandrasekhar Azad among others and today’s youth who think thoughts of revolution and sacrificing for the country is an outdated thought. The gradual change in the protagonists played by Aamir Khan, Siddarth, Kunal Kapoor, Sharman Joshi etc was wonderfully written and directed.

Prakash Jha is someone who is well known for directing movies that have an undercurrent of socio political aspects. For example his 2010 film Rajneeti was modeled on the epic Mahabharata while looking at the dark underbelly of the political scenario in our country. Through the huge ensemble of actors Director Prakash Jha cooked a gripping cocktail of complex relationships, an uncontrollable lust for power and rivalry of the siblings among other things.

A major highlight of Rajneeti was the strong characterizations of all the actors.  For example Ranbir Kapoor’s character Samar starts off as a young man leading a quiet life in the US. But getting sucked into the family politics brings out the monster in him. There is a hugely poignant scene towards the end where Samar decides that he has had enough and politics is not for him. Apart from the strong characterizations Rajneeti also had some powerful scenes showcasing the political circus that takes place when candidates meet ordinary people.

Aarakshan on the other hand directed by the same man took up with the burning topic of reservation, special benefits being given to people belonging to a particular caste. There are some powerful scenes in Aarakshan particularly the first half which depicts the class and caste conflict. Case in point being Pratik Babbar and Saif Ali Khan’s characters expressing their contrasting views about reservation, Pratik’s Sushant is a typical rich brat who thinks that Dalits should not be given any special privileges and are afraid of working hard.

Tamil Director S. Shankar is well known for making movies featuring vigilante protagonists. Through his protagonists the director has covered issues that are important to the common man. S. Shankar’s Nayak: The Real hero is the remake of his own Tamil movie Mudhalvan.  Unlike the vigilante protagonists of his previous movies who have an inbuilt social consciousness Anil Kapoor’s Shivaji Rao Gaekwad is more of a reluctant hero who wants to lead to peaceful life. Shivaji starts off as a cameraman in a popular television channel; from there he eventually becomes a reporter. One day his life takes a dramatic turn while interviewing the chief Minister of Maharashtra, Shivaji questions the chief minister on certain things like choosing to not control a violent riot that causes a lot of damage. In a very filmy turn of events Shivaji ends up being the Chief Minister of Maharashtra for a day and does a lot of good,  eventually he replaces Amrish Puri’s Balraj Chauhan.

Of course there is nothing subtle in the way Shankar goes about depicting the issues plaguing the society. Every point feels hammered in but at the same time there is no denying the relevancy of what Shankar addresses. There are scenes in the movie that mirror the real life corruption that we read about everyday from grassroot to national level. Through the character of Amrish Puri director Shankar also explored the harmful affects of vote bank politics and appeasing a certain community to just win the elections.

Nayak: The Hero is a movie that has aged well. Sure it was not a hit movie at the time of its release but over the years it has made a certain place in the viewer’s hearts.

Anurag Kashyap’s  Gulaal is also a noteworthy political movie. The plot of Gulaal is set in Rajasthan focusing on the community of the former royalty who want to restore both the Rajputana province and the kingship.

The central protagonist of this tale is Dilip Singh (Raj Singh Chaudhary), Dilip Singh starts off as an unconfident guy but soon gets involved in local politics after the death of his roommate cum friend Rananjay Singh (Abhimanyu Singh). Rananjay Singh was contesting in college elections, a local commander Dukey Bana (Kay Kay Menon) insists Dilip to contest in place of his slain roommate and he makes sure that Dilip does win on the behalf of the Rajputana party. Running side by side are multiple subplots.

Anurag Kashyap’s depiction of student politics and the violence is hard to stomach; nevertheless the movie makes a strong impact. Gulaal also works as a critique of some movements that talk about how a particular community or a region is superior to the rest.

Sometimes the movie also plays out like a Shakespearean tragedy combing elements of jealousy, greed and corruption. At other times you have the Quentin Tarantino touch in the staging of the scenes that show the lawlessness.

Here’s hoping that Bollywood gets back to making solid political movies. The current trend of propaganda political movies have reached a saturation point which is evident in the lackluster response of the recent ones.