Tag: Pritam

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War 2: Watchable but doesn’t quite justify the tag of a popcorn entertainer

Hrithik Roshan and Junior NTR from War 2. The two stars lift the movie above the bumoy screenplay with their screen presence and performances

Ayan Mukherj’s War 2 is a significant improvement over the last spy installment Tiger 3 but the film relies heavily on gloss over substance. The absence of our neighbor and go to nation Pakistan is welcome but there is no escaping patriotism with the repletion of lines India first. Ayan’s direction shines best in the portions of high voltage clash between the two stars and also a poignant flashback in the second half

Starcast: Hrithik Roshan, Junior NTR, Kiara Advani, Anil Kapoor and others special appearance (Bobby Deol)

Genre: Action/thriller

Direction: Ayan Mukherji

Screenplay: Shridhar Raghavan

Story and Production: Aditya Chopra

Dialogues: Abbas Tyrewala

Cinematography: Benjamin Jasper

Music: Pritam

Production House: Yash Raj Films

Running time: 2 hours and 50 minutes

When EK Tha Tiger released in 2012 the movie was one of its kind, a love story between an Indian and Pakistani spy and how they have a happily ever after by crossing the various hurdles of both raw and ISI. There was a certain groundedness to the character of Salman while keeping the larger than life image intact. As the spy movies have increased with addition of new actors and larger set pieces the charm is somewhat reducing and the latest installment is a perfect example of this.

War 2’s director Ayan Mukherjee started his career with rom coms but Bramhastra Part 1 marked a significant shift with a larger than life scale and an ambitious plot. In spite of the striking visuals Ayan’s inability to handle a scale of that nature was very visible. In War 2 the director is more in control specifically in his handling of the two stars, but in terms of delivering a perfect popcorn movie Ayan still has miles to go.

The plot of War 2 focuses on Kabir (Hrithik Roshan) coming into contact with a deadly cartel called Kali. This syndicate consists of numerous individuals, they want to cause severe harm to the nation. In a shocking turn of events Kabir kills his father like figure and RAW chief Luthra (Ashutosh Rana). The assassination of Luthra leads to the introduction of Junior NTR’s Vikram. Vikram along with some more are assigned to bring Kabir down. This is the story in brief without giving away much of the twists and turns.

A strong aspect of War 2 are the twists and turns related to the characters of both Kabir and Vikram. In the beginning portions the audience have the feeling that Kabir has really gone rouge, an important dialogue featuring Ashutosh Rana and him spiting on Hrithik’s face saying that I had brought you up as a son and you turned into a betrayer raises the curiosity of the audiences.

Even in case of Junior NTR’s Vikram the role comes with different shades. He is shown to be a brave and a honest agent till the interval, at one point Kabir and Vikram team up as partners too after Kabir makes an important closure about why he is doing what he is doing.

The interval bang with a surprising reveal ends the first half on a high. The beginning portions of the second half featuring a key flashback has a strong emotional weight. This flashback establishes how Kabir and Vikram then known as Raghu came into contact developing a friendship bond. The two do stealing for a living, however one major incident in a remand home changes everything. The personalities of the two and how in the present they are up against each other has been well connected.

The film also benefits from the strong performances of both Hrithik and Junior NTR. As Kabir Hrithik combines his hunk like presence with emotional vulnerability. The actor specifically shines in the scenes of showcasing Kabir’s moral dilemmas and a certain loneliness from operating in the shadows. Junior NTR as Vikram/Raghu also does a fine job in his Bollywood Debut. He pulls off the grey shades convincingly, the actor clearly has a ball with the one liners chewing the scenery along with Hrithik. The high intense moments between the actors with the cat and mouse game leads to some engaging sequences.

A major problem with War 2 apart from the usual patriotism is the criminal underutilization of the supporting cast. Anil Kapoor replacing Girish Karnad from the Tiger movies has a strong beginning with just the right amount of mystery on whether he is good or bad, however as the movie progresses the character gets lost. The same applies to its leading Lady Kiara Advani. Kiara has shown her potential in a film like Satyaprem Ki Katha but here she is largely wasted except for the action sequences. She carries the required attitude of a tough woman but the role is too thinly written and the patchily written love story also doesn’t help matters.

Pritam’s music is another sore point for the movie, whether its the love ballad featuring Hrithik and Kiara or the dance face off between Hrithik and Junior NTR. The songs come across as major spreedbreakers. The VFX is also a mixed bag, it comes across as too shoddy for a film of this scale, sometimes the shoddy VFX becomes a major deterrent in enjoying the action set pieces too. The stunts of Bea Arreugui does provide some thrills more so in the climatic face off. Benjamin Jasper’s cinematography is also efficient. He does a fine job in capturing the large scale through his lens making it a good theatrical experience specially for the die hard fans of Hrithik and Junior NTR.

War 2 ends with an introduction to the world of Alpha through a deadly Bobby Deol. Here’s hoping the female centric spy movie later this year becomes a much needed game changer.

Final word: War 2 is a major mixed bag and personally quite a bummer after the mega success of YRF last production Saiyaara. Watch it if you are in the mood for some large scale action or want to see how Junior NTR fares in his Hindi debut.

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Metro In Dino: A solid spiritual sequel exploring the complexities of love and marriage

Metro In Dino movie image

Anurag Basu’s Metro in Dino holds a mirror to today’s society much like the first movie Life in A Metro. Metro In Dino is a mostly gripping concoction of emotions and humor making you laugh as well as reflect. Pankaj Tripathi as Monty successfully takes over the mantle from the late Irrfran Khan. As a flawed husband he is both charming and also heartfelt in the emotional sequences. Sara Ali Khan’s track turns out to be the weak link partly salvaged by a charming Aditya Roy Kapoor

Starcast: Pankaj Tripathi, Konkana Sen Sharma, Fatima Sana Sheikh, Ali Fazal, Aditya Roy Kapoor, Sara Ali Khan, Neena Gupta, Anupam Kher, Saswata Chatterjee and others

Genre: Romance

Story, screenplay and direction: Anurag Basu

Dialogues: Sandeep Shrivastava and Samrat Chakravarthy

Producers: Bhushan Kumar, Krishan Kumar, Taani Basu and Anurag Basu

Production Companies: T-Series Films and Anurag Basu Productions

Music: Pritam Chakraborty

Cinematography: Abhishek Basu and Anurag Basu

Running time: 2 hours and 42 minutes

Life In A Metro released in 2007 was a romantic drama exploring different topics like extramarital affairs, the sanctity of love etc. The city of Mumbai where the different tracks take place simultaneously was also a character in itself reflecting the hustle and bustle along with the ambitions of making it big. The movie received widespread acclaim for the gripping narration, music and fantastic performances. Life In A Metro is widely considered to be one of late Irrfran Khan’s best work and rightly so, the actor was a sheer delight to watch with his wackiness, his track with an equally good Konkana Sen Sharma was the highlight of the movie.

Late Irrfran Khan and Konkana Sen Sharma

After a huge gap of 18 years Anurag Basu returns back with a spiritual sequel with similar strands and new additions. Like Life in a Metro the locations in this movie also become a character in itself perfectly reflecting the various moods and the emotional upheavals which the characters go through. The story of Metro in Dino focuses on numerous individuals spanning different age groups and cities. Pankaj Tripathi and Konkana Sen Sharma are Monty and Kajol respectively. The two are going through a major midlife crisis, the marriage has lost the spark. In order to escape from the boredom Monty takes the aid of a dating app leading to a lot of chaos. Ali Fazal’s Akash and Fatima Sana Sheikh’s Sruthi on the other hand are a young couple dealing with a major conflict of ambitions and a secured life. Neena Gupta and Anupam Kher play two lonely souls Shivani and Parimal respectively. For most part of her life Shivani has been stuck in a family rut not thinking about what she enjoys. All this changes during a college reunion. Lastly Sara Ali Khan’s Chumki and Aditya Roy Kapoor’s Parth are your typical gen z with issues commitment phobia and clash of ideas regarding the institution of marriage and what love really is. This is the story in brief.

A strong aspect of Metro In Dino is Anurag Basu’s handling of the various strands. The director has done a very good job in reflecting the contemporary society. The fast lifestyles of today and the sometimes-fickle nature of marriages has been brought out beautifully. The city audiences in particular will relate to the multi layered narrative and most would see a bit of themselves in the characters.

The use of music with Pritam and his band performing the songs has also been wonderfully integrated by Anurag Basu. It doesn’t feel jarring at any point. Much like Life In A Metro here too it enhances the various emotions which the characters go through at different points. There are also some occasions in the beginning where the main cast sing songs in the musical style of Anurag Basu’s Jagga Jasoos. This adds an interesting touch too giving a context into the background and the situations.

Among the four tracks specific mention must be made of two. The first one being Monty and Kajol. Both Pankaj Tripathi and Konkana Sen Sharma feed off each other wonderfully, whether it’s the comic situations of Monty unknowingly chatting with Kajol on the dating app or the second half portions where Monty is desperate to make amends. It’s an absolute delight to watch the two in one frame. As a flawed husband Pankaj Tripati delivers a knockout act perfectly capturing the different shades of Monty. A specific mention must be made of the scene in the pre climax where Monty expresses his anguish about how many more times should he say sorry. Konkana Sen Sharma is also delightful as Kajol. She brings out the fierce nature as well as the vulnerability brilliantly, there is a wonderful moment in the second half where Kajol questions about her mother’s passive acceptance of the father’s infidelity and how she doesn’t want to become like that.

Through the track of Ali Fazal and Fatima Sana Sheikh Anurag Basu is successful in bringing out the clash between ambition and practicalities. Ali Fazal plays an aspiring musician with big dreams, his father also had aspirations of making it big in music however things didn’t plan out that way due to family responsibilities. The fear of unfilled dreams and insecurity takes a toll on the marriage of Ali Fazal and Fatima Sana Sheikh. The emotional upheavals of the couple have a rawness to them without trying to sugar coat. Both the actors do a first-rate job in portraying the different nuances.

The story of Shivani and Parimal also has some interesting touches. Through this track Anurag Basu tells a liberating story of an older woman breaking out of a self-created rut. The transformation of Neena Gupta’s Shivani from a doormat to becoming more independent is wonderful to watch. The conversations between her and Anupam Kher have a philosophical touch to them as well regarding how love eventually happens in most marriages. The senior actors play their parts with the right amount of gravity.

Anupam Kher and Neena Gupta

In comparison to the three mentioned above Sara Ali Khan and Aditya Roy Kapoor’s one sticks out a sore thumb. This is mostly because of a Yeh Jaawani Hai Deewani and Ludo hangover. Aditya Roy Kapoor’s character feels like a mixture of Ranbir Kapoor’s Bunny and his own Akash, nevertheless Aditya plays the role with a certain charm salvaging the proceedings to some extent, the actor seems to be having a lot of fun with the quirky nature of Akash and that clearly shows in his scenes. His dialogue about how whether the so called happily married couples are really happy does work as a reflection of most relationships. Sara Ali Khan though is a major let down with her squeaky voice and poor voice modulation. There is an important scene where Chumki has to let out her inner anguish similar to the one in Life In A Metro involving Konkana Sen Sharma, but the way Sara portrays it makes the viewers feel zero emotion.

Coming to the music the songs of Metro In Dino has their own pluses, tracks like Zammana Lage sung by Arjit Singh and Dil Ka Kye by Raghav Chaitanya make for a soulful listen and a good watch. The cinematography by Abhishek Basu and Anurag Basu has a lived-in feel too. The two do a very fine job in capturing both the bustling nature of the cities as well as a certain inner loneliness.

Final word: Metro In Dino is a must watch for fans of intimate cinema.

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Chandu Champion: This true story of grit and determination takes the viewers on a roller coaster of emotions

This Kabir Khan directorial begins off hazily but soon finds its grove. Kartik Aryan delivers a knockout performance putting his blood and soul. He doesn’t miss a single beat
  • Starcast: Kartik Aryan, Vijay Raaz, Bhuvan Arora, Rajpal Yadav, Yashpal Sharma, Shreyas Talpade and others
  • Director and writer: Kabir Khan
  • Additional writers: Sumit Arora and Sudipto Sarkar
  • Producers: Sajid Nadiadwala and Kabir Khan
  • Music: Pritam
  • Production Companies: Naiadwala Grandson Entertainment and Kabir Khan Films
  • Cinematography: Sudeep Chatterjee
  • Running time: 2 hours and 30 minutes
  • Genre: Biographical drama

There was a period in Hindi cinema when the on-screen portrayal of disabled/ differently enabled people used to be all about the Bechara syndrome. They were often portrayed as objects of pity or to evoke comedy. But this depiction has undergone a significant change in the recent past. Case in point being Sanjay Leela Bhansali’s Black featuring Rani Mukherjee. In this movie Rani Mukherjee played a visually impaired girl Michelle based on Helen Keller’s life. Michelle is never reduced to a stock caricature, there is a strong determination to prove herself. In Guzaarish Hrithik Roshan played a popular magician Ethan who suffers paralysis and turns into a radio jockey. Although Guzaarish is a grim story that focuses on Euthanasia/ mercy killing yet it is also a tale of resilience. The scenes of Ethan as a Radio jockey and how he spreads hope through his wit are in particular were compelling.

This year you have had the biopic of the visually impaired businessman Srikant Bolla starring Rajkummar Rao. In this movie director Tushar Hiranandani made some scathing remarks on how some people think that the best way to help the blind is only through making them cross the road. Now you have Kabir Khan’s Chandu Champion based on an incredible true story of Muralikant Petkar. India’s first paralympic gold specialist.

The movie begins in the present with an older Muralikant Petkar (An outstanding Kartik Aryan). He is narrating his tale of glorious days to a bunch of cops. From his younger days itself Murali had a huge dream of winning an Olympic gold medal for India inspired by KD Jadhav an Olympic medalist. He openly says that his dream is to win an Olympic gold medal only to get ridiculed and bullied by his fellow classmates. At one point Murali also runs away from his village. He joins the Indian army and finds a strong ally in the form of Karnail Singh (Bhuvan Arora) who gives Murali hope that he can become the next Milkha. Vijay Raaz plays Tiger Ali. He is a coach cum father-like figure who trains Murali for the boxing championship. He reaches the finals but only ends up with a silver medal leading to a strained relationship with the coach. In the life altering 1965 Kashmir war Murali faces many wounds in the process of trying to save his colleagues. Murali ends up in a prolonged coma becoming paralyzed waist down. At one point he even tries to commit suicide by having excess pills, but destiny has other plans for him. The rest of the story is about how Petekar manages to overcome all the odds fulfilling his dream of winning gold along with why he is narrating his life story to a bunch of policemen.

There is no denying that Chandu Champion has a hazy start. The scenes of Murali in the military camp has a distinct hangover of Bhaag Milkha Bhaag. The humor at places is also reminiscent of that however the movie finds its grip soon. The scenes of Murali preparing for the boxing championship and how he pummels down his opponents only to lose in the finals has been brilliantly written and enacted. The Pre interval block of the 1965 war and the life altering event sets a solid base for the second half.

The second half becomes even more engaging. The portions of Murali’s despair touches a strong emotional chord. As viewers you root for him to succeed in life. The return of Tiger Ali and the way he motivates Murali to dream big again is wonderful to watch. This time the sport is swimming with the aim of winning gold in the 1972 Summer Paralympics. But here again the path is far from easy as the sports committee is not too keen on funding a player for the Paralympics event. The way Murali overcomes all these challenges and sets a world record by clinching the gold medal in 37.33 seconds is exhilarating to watch.

An aspect of Chandu Champion that elevates the movie from just a template underdog drama is the message that it conveys regarding disability and differently abled people. There is a powerful monologue where Murali talks about how differently abled are not looking for sympathy. It critiques the Bechara syndrome and how sometimes even their best efforts are not given due recognition.

Chandu Champion is also technically strong. Sudeep Chatterjee’s cinematography coupled with Juluis Packam’s background score elevates the movie’s emotional core further. The cinematography of the boxing and the paralympic sequences in particular deserve a special mention.

Pritam’s music is not of the blockbuster type but the songs Tu Hai Champion and Sarphira make a strong impact.

Coming to the man of the moment Kartik delivers a career defining performance. His physical transformation is of course beyond commendable but beyond the physicality the actor also shines bright in the scenes of showing helplessness, frustration, resilience and grit. He more than holds his own opposite the veteran Vijay Raaz. The hunger to be taken seriously as an actor is very much visible. Even as an older man he is pretty good.

Vijay Raaz as the coach has an interesting arc and is not just used for comic relief. He brings in a lot of emotional depth. His emotional moments with Kartik Aryan give the movie some of its best moments. Bhuvan Arora also makes a strong impact in his limited screen time. The camaraderie between him and Kartik is very much on point.

Shreyas Talpade as the funny cop and Sonali Kulkarni as a journalist could have been used better though.

Chandu Champion is an inspiring story that needs to be watched on the big screen. Muralikant Petkar, Kabir Khan and Kartik Aryan take a bow.

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Rocky Aur Rani Ki Prem Kahaani: Inclusivity In Karan Johar Style

The director subverts some of his own themes from his previous films; a case in point being how fear is looked upon as respect in our culture.

Karan Johar’s Rocky Aur Rani Ki Prem Kahaani is everything that you expect from the filmmaker. There are larger-than-life sets and exquisite costumes among other things.

At the same time, the director subverts some of his own themes from his previous films; a case in point being how fear is looked upon as respect in our culture.

The film also makes a strong case for inclusivity through Tota Roy Chowdhury’s character who loves Kathak which is looked upon as a female dance form. It also makes a strong case for inclusivity between two vastly different cultures — Punjabi and Bengali.

Synopsis

Rocky Aur Rani ki Prem Kahaani begins with the introduction of Rocky and Rani (Ranveer Singh and Alia Bhatt respectively).

Rocky is introduced through a dance number where he is surrounded by many women, including Janhvi Kapoor, Sara Ali Khan, and Ananya Pandey (in special appearances).

He is dancing his heart out; but as soon as his grandmother Dhanalakshmi (Jaya Bachchan) appears, he scampers away because he is afraid of her and also his father.

Dhanalakshmi is the owner of a sweet shop — Dhanalakshmi Group. Rocky is the future heir to this business venture.

After the introduction of Ranveer, we move to Alia Bhatt’s Rani Chatterjee. She is introduced as this firebrand journalist who isn’t afraid to take on the Jugular.

The viewers see her grilling a minister about the rising rape cases by uttering a powerful dialogue: “Nazare Kharab Aapki Parde Kare Hum” (You ever tease us and we have to hide behind the curtains).

This sets the base for the drama to follow.

Rocky’s grandfather Kanwal (Dharmendra) is bedridden most of the time because of paralysis. He suffers from memory loss, too.

He has half picture of a woman in one of his books and Rocky believes that this woman might be the key to his grandfather regaining his memory.

The woman turns out to be Rani Chatterjee’s grandmother Jamini Chatterjee (Shabana Azmi). She is a cultural icon known among her intellectual gatherings.

Rocky arranges a meeting between his grandfather and Jamini through Rani.

Real kahaani

Rani initially treats him in a patronising way. But after some flirtation and through some old Hindi songs, they both fall for each other.

Rani isn’t sure about getting into a relationship with Rocky, given the many differences. But she eventually gives in.

However, things are far from easy as both families are contrastingly different from each other.

While the Chatterjees are woke, the Randhawas are as rigid as you get.

Taking the Telugu film Bommarillu (2006) route, the couple decides to go for a swap. Rani starts living with the Randhawas and Rocky with the Chatterjees.

Rani initially treats him in a patronising way. But after some flirtation and through some old Hindi songs, they both fall for each other.

Rani isn’t sure about getting into a relationship with Rocky, given the many differences. But she eventually gives in.

However, things are far from easy as both families are contrastingly different from each other.

While the Chatterjees are woke, the Randhawas are as rigid as you get.

Taking the Telugu film Bommarillu (2006) route, the couple decides to go for a swap. Rani starts living with the Randhawas and Rocky with the Chatterjees.

Rani faces severe opposition from Dhanalakshmi as she doesn’t like her firebrand nature. on the other hand, Rocky faces cultural issues. In a hilarious scene, he thinks that Rabindranath Tagore is Rani’s grandfather because of his long beard.

Whiff of nostalgia

The best part of Rocky Aur Rani Ki Prem Kahaani is how the director uses old Hindi songs at important junctures.

For example, Dharmendra sings “Abhi Na Jao Chod Ke” for the first time when his character regains his memory.

Some of the other songs include “Yeh Shaam Mastani“, “O Saathi Chal“, and “Do Dil Mil Rahe Hai“. These old songs are a character in itself.

However, the best usage has to be “Dola Re Dola” from Sanjay Leela Bhansali’s Devdas (2002). The song starts off with Tota Roy Chowdhury performing in Durga Puja.

Ranveer’s Rocky joins him much to the delight of Alia Bhatt’s Rani and to the horror of Jaya Bachchan. Here the director is clearly subverting gender stereotypes.

Alia and Ranveer hold the fort

What also works for Rocky Aur Rani Ki Prem Kahaani is how Ranveer and Alia play off each other’s energies. Their contrasting personalities work for the film.

Ranveer Singh as Rocky brings the house down with his faulty English and uninhibited performance. The actor equally shines in the scenes showcasing Rocky’s fragile side.

The best example is the emotional moment that he shares with Alia’s father Chandon Chatterjee (Tota Roy Chowdary).

Alia Bhatt plays the firebrand journalist with the finesse that you expect from her. She more than holds her own opposite the veteran actors. She is first-rate in the dramatic bits like the showdown that happens between her and Rocky post the “Dhindora” song.

Veterans steal the show

Another thing that works for the film is the bonding between Dharmendra and Shabana Azmi. Their scenes bring a smile to the viewer’s face.

Dharmendra doesn’t have many dialogues, but the actor is still quite good. Shabana Azmi is a picture of grace and poise. Some of her dialogues are truly wonderful.

For instance, there is a scene where Jamini opens up about why she fell in love with Kanwal and how she doesn’t regret it.

Jamini also adds that she got more love from Kanwal in just seven days than she got from her husband in their entire marriage. Further, she talks about how her grandfather wasn’t as polished as Rani thinks him to be.

Tota Roy Chowdhury is in a wonderful form as the man who loves Kathak and takes pride in being a dancer. There is a heart-touching scene where he talks about how he was the only male student in his dance class.

Jaya Bachchan as Dhanalakshmi is more or less a personification of all patriarchal characters, including her husband. She seems to have taken revenge on behalf of all the women characters who have been subjugated by them — Sweet Vengence.

Technical crafts

Pritam’s music isn’t exactly a blockbuster but still, it works on the big screen. “Dhindora Baje Re” and “Ve Kamleya” are easily the best of the lot.

“Dhindora Baje Re” is further enhanced by the intense scene which precedes the song.

“What Jhumka” makes for a perfect Sangeet number. Alia’s dance moves in sarees particularly stand out.

The cinematography by Manush Nandan is appropriately glossy. He captures the wide canvas of the film well through his lens. Having said that, for some, the canvas may come across as too glossy.

Final take

Rocky Aur Rani Ki Prem Kahaani does remind you of 2 States (2014) and Bommarillu. However, this cultural and family clash is hugely enjoyable if you buy into Karan Johar’s world.

(Views expressed here are personal.)

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LUDO: An Engaging Game & A Typical Anurag Basu Film

Ludo directed by Anurag Basu is a good comeback by the director after a slightly underwhelming Jagga Jasoos. The director returns to his familiar terrain of multi narrative earlier seen in Life In A Metro and delivers a film which entertains you along with exploring the different facets of society. The film has also got a philosophical touch as it deals with the perception of Karma and Dharma. 

The film begins off with two characters contemplating the purposefulness of life and death while playing a game of Ludo. One of them is played by Anurag Basu himself. They are not just narrators but they are also gods of destiny in writing the fate of the principal characters. The dice which unites the individual stories is Sattu Bhaiya played by Pankaj Tripati. Sattu wants to settle scores with his once right hand man Bittu played by Abhishek Bachchan. Bittu just comes out of jail and is dealing with scars of his past. He gets a redemptive arc when he finds a young girl Minni who is of his daughter’s age played by the charming Inyat Varma. She restores the moral balance in his life. 

Another part of the story involves Akash and his once girlfriend Shruti. These characters are played by Aditya Roy Kapoor and  Sanya Malhotra respectively. They are dealing with a problematic situation of their sex video coming out on a adult website prior to her marriage with someone else. Rajkumar Rao and Fatima Sana Sheikh form another important part of this game. Rajkumar Rao plays a quintessential hero who is in love with his childhood sweetheart Pinky but now Pinky is a wife and mother to someone else. The portion involving these two is both bizzare and entertaining. Rounding off the cast there are also Rohit Saraf, actor in Dear Zindagi and Sky is Pink  and for once  he is not playing a brother here, and Pearle Maaney. They are trying to run away with the unexpected money they got hold of.  

The most important thing for any multi starrer movie is the intersection of the subplots. This is not easy to do but Anurag Basu does a very good job in establishing a coherent narrative. You get the connections quite easily without having to scratch your brains. The film has a smooth flow and the character links have been well established. 

The best thing about the film is the circumstances in which all these characters find themselves in and the humor that Basu evokes from their helplessness. It often seesaws between a black comedy and a musical drama. 

The best example of this are the scenes involving a very animated Rajkumar Rao. We see him venting out his frustration in such a way that we can’t help but chuckle while at the same time feeling for him. The entire track of Rajkumar Rao is quite filmy and it is very clear that he had a blast playing this one. 

Just like Life in A Metro Anurag Basu explores many facets of society through different characters. The most significant one being faithlessness and empty values in both marriage and love. There is also the crime angle which is explored through Pankaj Tripati and Abhishesk’s characters. 

Out of all the tracks two tracks work better. The first one is Abhishek Bachchan and the little girl Inyat Varma’s heartwarming scenes. Their story is the soul of the film. Basu does a very good job in establishing their bond. Another track was the one between Aditya Roy Kapoor and Sanya. It is good to see Aditya in a very relaxed avatar. He is particularly good in his voice artist avatar. Here we get some sharp political comments on BJP and Republic TV. Both of them share a good chemistry and Sanya as a woman who is desperate to marry a rich man embodies the current aspirations of youth in general. 

Pritam’s music isn’t of the chartbuster type but it still works. The main songs have been used well and the climax song where we see a full blown action sequence is a fitting finale for this tragi- comedy. 

The one issue that I had with the film is the character of Pankaj Tripati. Although the actor is very good as usual his character arc could have been better, as promised in the beginning.  

In this crowded film the actors who stand out are Rajkumar Rao, Abhishek Bachchan, Aditya Roy Kapoor and Fatima Sana Sheikh.  In totality, Ludo keeps you thoroughly engaged and gives you the satisfaction of understanding our current value system a little more.