Pushpa 2: The Rule: Watch it for Allu Arjun’s wildfire performance, Fahadh Faasil’s eccentric act

It goes without saying that Pushpa 2: The Rule is one of the most anticipated commercial films of 2024, after the first part Pushpa: The Rise became a huge success across India.

Allu Arjun’s swag and mannerisms, coupled with the rustic, atmosphere found many admirers despite the problematic aspects. With Allu Arjun winning the National Award, expectations have increased multifold.

Synopsis

Pushpa 2: The Rule is a definite improvement over its predecessor. The relationship between Allu Arjun’s Pushpa and Rashmika Mandanna’s Srivalli is far better etched in this one. The chemistry is very much spot on giving the movie some of its best moments. At the same time, there are deficiencies too which I will elaborate on later.

Pushpa 2: The Rule takes off from the first one’s dramatic finale involving Allu Arjun and Fahadh Faasil. From a daily wage worker, Allu Arjun’s Pushpa has now become a very influential person in the smuggling syndicate.

In the second part, the viewers see two shades of Pushpa: one as a doting husband, and two as a kingpin who has maintained his status amidst the return of Fahadh Faasil’s Bhanwar Singh Shekwat and some other old enemies. The second part primarily focuses on the rivalry and how Pushpa maintains his hold while being a perfect husband.

What works and what doesn’t

Allu Arjun and Rashmika Mandanna
Allu Arjun and Rashmika Mandanna. (X)

A strong aspect of Pushpa 2: The Rule is undoubtedly the husband and wife scenes. There is playfulness to their interactions making the scenes adorable. Apart from the light moments, there are also some well-written and enacted emotional ones.

A particular mention must be made of a hugely poignant moment after Allu Arjun’s intense dance in the Jathara episode.

Rashmika’s Srivalli is a strong emotional anchor for Pushpa, and this has come out well in numerous scenes like the lengthy monologue. The actor does a wonderful job of showcasing Srivalli’s different shades.

The rivalry between Allu Arjun and Fahadh Faasil is also entertaining to watch. A major reason for that is the crackling dialogues whether it is the intense portions or scenes underlined with humour. Fahadh in the first part got a raw deal but in this one, the actor gives a memorable act.

He perfectly portrays both the eccentric nature and also the simmering anger. Fahadh Fassil makes for a very worthy antagonist.
Another strong aspect of Pushpa 2: The Rule is the portions tying up Pushpa’s baggage of being an illegitimate child. Director Sukumar has given a touching closure to this angle.

An emotional breakdown featuring Ajay as the elder brother is wonderfully written and enacted.

Coming to the flaws, a major problem with Pushpa 2: The Rule is the portrayal of Allu Arjun as an invincible man someone who can defeat anyone and can never lose.

The action sequences by nature are very much over the top and this does become a hindrance more so for those who don’t enjoy larger-than-life heroes. Also, the movie’ wafer-thin storyline doesn’t warrant the huge running time. Editing needed to be much tighter, especially in the second half.

Performances

Allu Arjun in Pushpa 2 The Rule
Allu Arjun in ‘Pushpa 2 The Rule’. (X)

Coming to the main man Allu Arjun successfully takes off without any hiccups. It is clear that Allu Arjun has made Pushpa his own; his outstanding act is easily the strongest pillar of the movie. He not only sells the superhero nature of the role, but also shines equally in the emotionally charged moments.

Talking about his dance in the Jathara sequence, spellbinding would be an understatement. He brings so much depth with those eyes and overall body language. With this film, Allu Arjun once again shows why he is not just a star but also a powerhouse performer who deserves the national award bestowed on him.

Technical aspects

The cinematography of Miroslaw Kuba Brozek is of the highest order. The intensity of the action sequences along with the thrilling night scenes in the forest has been wonderfully captured by him.

Devi Sri Prasad’s music doesn’t completely match up to the first part, but the songs have their moments. Tracks like “Sooseki” and “Peelings” make for a good watch.

Final take

All said and done Pushpa 2: The Rule is a treat for die-hard Allu Arjun fans and action lovers.

(Views expressed here are personal, edited by Sumavarsha)

Sikandar Ka Muqaddar : Not Neeraj Pandey’s best still this heist thriller has its high points

The central performances of Avinash Tiwary and Jimmy Shergill majorly contribute in making the movie engaging even when things go astray.
Sikandar Ka Muqaddar (Hindi), 29-11-2024, Drama, Thriller, 2 hours 23 minutes, 16+, OTT
  • Main Cast: Jimmy Shergill, Avinash Tiwary, Tamannaah Bhatia, and Rajeev Mehta
  • Director: Neeraj Pandey
  • Producer: Shital Bhatia
  • Music Director: Payal Dev
  • Cinematography: Arvind Singh
  • Rating: 3/5

Neeraj Pandey’s latest work plays along the lines of Victor Hugo’s masterpiece Les Miserables. There are themes of moral ambiguity and the relentless persuasion of a cop spanning across years.

More than a thriller Sikandar Ka Muqaddar streaming on Netflix, works as an interesting character study of two individuals whose lives undergo a significant change in the backdrop of a heist.

Synopsis

Sikandar Ka Muqaddar begins off on a high note. A heist happens at a diamond exhibition in the year 2009. Jimmy Shergill’s Jaswinder Singh zeroes on three suspects based on his instincts, something that Jaswinder is very proud of.

The suspects are Sikandar Sharma (Avinash Tiwary), Kamini Singh (Tamannah Bhatia) and Mangesh Desai (Rajiv Mehta). As Jawinder Singh gets deeper into the case the pursuit turns into an endless obsession significantly affecting both his personal and professional life.

Eventually, no one is convicted and the case gradually slips away from people’s memory but Jaswinder is thoroughly convinced that one of the three has definitely stolen the diamond. His primary suspect is Sikandar Sharma. This is the story in brief.

What works and what doesn’t

Stills from the film Sikandar Ka Muqaddar
Stills from the film ‘Sikandar Ka Muqaddar’. (X)

Director Neeraj Pandey along with co-writer Vipul K Rawal waste no time in setting up the proceedings, Jaswinder Singh’s questioning of the three suspects and his strong belief in instincts pique the viewer’s interest in who stole the diamond.

Things are gripping till the point of no convictions being made and Jaswinder Singh losing his job. The movie starts stagnating once it gets into the mode of non-linear storytelling. The constant intercuts do more harm than good.

However, the flashback portion does have some good stretches too. The best is Sikandar’s character battling one major hardship after the other. Also, no character is completely good or evil here. Whether it is the suspects or the cop they come across as individuals driven by the circumstances around them.

Sikandar’s struggles have been shown in detail and it does strike an emotional chord. The film though could have done a little more exploration of Jaswinder’s life post his suspension. Having said that the scars left by the passage of time come across strongly.

Apart from the constant intercuts the movie does suffer from being a slow burn testing the viewer’s patience. The ending also lacks the punch that Neeraj Pandey is known for in his previous movies like Baby (2015) and Special Chabbis (2013).

Performances

Avinash Tiwary and Tamannaah Bhatia in Sikandar Ka Muqaddar
Avinash Tiwary and Tamannaah Bhatia in ‘Sikandar Ka Muqaddar’. (X)

A strong aspect of Sikandar Ka Muqaddar is undoubtedly the strong acting performances particularly that of Avinash Tiwary and Jimmy Shergill. Both the actors rise above the uneven material keeping the viewers invested. Jimmy Shergill who had played the role of a cop previously in films like A Wednesday, managed to bring freshness to this role too.

The character of Jaswinder starts as a cop with a perfect record but soon becomes a wreck in his relentless pursuit. Jimmy does a fantastic job of portraying the various nuances. The fall from grace could have been better explored, yet Jimmy makes the viewers feel the pain of Jaswinder.

Avinash Tiwary is also wonderful as the man who rebuilds his life amidst the constant harassment. He particularly shines in portraying the emotional turmoil of Sikandar.

Apart from these two, Tamannah Bhatia also makes a striking impact as a single mother with secrets of her own. Despite lesser screen time the actress does a very fine job in making the viewers empathize with Kamini’s problems.

Final take

To sum it up Sikandar Ka Muqaddar has good performances and some strong passages making it watchable.

(Views expressed here are personal, edited by Sumavarsha)

Vikkatakavi – The Chronicles of Amaragiri web series review: An engrossing, first of its kind Telangana detective show

In spite of some rough edges, director Pradeep immerses the viewers into the world of Amaragiri. The mixture of Telangana folk beliefs with the subplot of bio war enhances the narrative. Promising young talent Naresh Agastya delivers another solid act
Vikkatakavi: The Chronicles of Amaragiri (Telugu), 28-11-2024, Drama, 6 episodes, 16+, OTT
  • Main Cast: Naresh Agastya, Megha Akash, Shiju Menon, Tarak Ponnappa, Raghu Kunche, Mukthar Khan, and Amit Tiwari
  • Director: Pradeep Maddali
  • Producer: Rajani Talluri
  • Music Director: Ajay Arasada
  • Cinematography: Shoeb Siddiquie
  • Rating: 3.5/5

In the last few years, Telangana culture has had a major influx into mainstream Telugu cinema through stories or characters.

A major reason for that is the consistent portrayal and telling of Telangana by the likes of Priyadarshi Pulikonda, Vishwak Sen, Tharun Bhascker and Siddhu Jonnalagadda.

Vikkatakavi: The Chronicles of Amaragiri the new web series streaming on ZEE 5, directed by Pradeep Maddalli and written by Saitej Desheaj is a good addition to this trend. Through the six episodes, Pradeep and Saitej have effectively mixed the Telangana folklore with the detective genre.

The series also pays homage to the legendary Tenali Rama Krishnan, known for his wit and intellect in equal measure.

Synopsis

The story of Vikkatakavi: The Chronicles of Amaragiri is set in the 1970s, in a village called Amaragiri. In this village, people lose their memories as soon they visit the haunted Devathala Gutta.

The story then follows Naresh Agastya’s Ramakrishna aka Vikkatakavi. He is not just a brilliant student but is also known for his exceptional investigation skills. Ramakrishna embarks on a dangerous journey for an emotional reason.

A constant tussle between superstitions and rationalism enhances the plot. The show also has some attention-grabbing twists that keep the viewers guessing about the reasons behind these mysterious happenings. There is a strong connection between Ramakrishna’s past and the happenings in Amaragiri, which adds to the emotional quotient, in addition to the thrills.

Strong technical support

Naresh Agastya in Vikkatakavi
Naresh Agastya in ‘Vikkatakavi: The Chronicles of Amaragiri’. (X)

A strong aspect of Vikkatakavi: The Chronicles of Amaragiri is its world-building. Shoeb Siddiqui’s work, particularly, stands out among the technical aspects. The rustic village atmospherics along with the night sequences set in the forest draw the audiences into the world of Amaragiri.

The production design and costumes are mighty effective in transporting the viewers into a by gone era. Ajay Arsada’s background score is very effective in enhancing the tension-filled sequences.

Apart from the technical aspects Pradeep Malladi also deserves appreciation for how he has integrated the local beliefs of Telangana people with the subplot of a bio war.  Special mention must also be made of the actors playing the village people.

Performances

The romance between Naresh Agastya and Megha Akash is understated without hijacking the central theme. Megha Akash hasn’t got a lot to do but she does have a lovely presence.

Naresh Agastya continues to showcase his versatility with an arresting portrayal of a detective. After this year’s Paruvu Naresh shows a different facet of him. The boyish charm coupled with intensity make him the perfect choice for the central character.

In the supporting cast, Raghu Kanche impresses the most with his terrific act. The way he conveys the negative traits with just expressions is a delight to watch. Tarak Ponnappa and Mukhtar Khan too are proficient in their roles.

Among the speed bumps, the final act needed a much better punch, given the intricate build-up. The final episodes feel lengthy as the viewers tend to form an idea of how things will ultimately go. The series also taps into nationalistic sentiments, but this aspect feels forced.

Final take

Keeping aside the rough edges Vikkatakavi: The Chronicles of Amaragiri is a solid addition to the evolving Telugu OTT space. Definitely worth watching for those like stories with elements of mysticism and thrills.

(Views expressed here are personal, edited by Sumavarsha)

I Want To Talk: Not Shoojit Sircar’s best, yet this tale of determination and resilience is worth watching

Abhishek Bachchan delivers an extraordinary performance rising above the uneven storytelling. The father and daughter dynamics are the movie’s strongest suit.
I Want To Talk (Hindi), 22-11-2024, Drama, 2 hours 2 minutes, U/A, Theatre
  • Main Cast:Abhishek Bachchan, Ahilya Bamroo, and Johny Lever
  • Director: Shoojit Sircar
  • Producer: Ronnie Lahiri, Sheel Kumar
  • Music Director: George Joseph, Koyna
  • Cinematography: Avik Mukhopadhayay
  • Rating: 3/5

Shoojit Sircar, known for his films like Piku (2015), October (2018) and Sardar Udham Singh (2021), focuses primarily on grief, death and hope.

His latest release I Want To Talk also dabbles with similar themes. In fact, it feels like an extension of his previous films, so much so that, some parts of Abhishek Bachchan’s characterization have a hangover of Amitabh Bachchan in the engrossing Piku.

Synopsis

Based on an incredible real-life story, I Want To Talk focuses on Abhishek Bachchan’s Arjun Sen. Arjun is a typical marketing man who can manipulate customers with ease.

He has given more importance to rising high in his career, and as a result, his personal relationships aren’t in the best shape.

The story takes a turn when Arjun’s professional career hits rock bottom when he is diagnosed with a particular type of cancer.

His doctor, Dr Deb played by Jayant Kriplani, gives him a timeline of just about 100 days leading to a major metamorphosis in Arjun Sen’s life.

This is the story in brief.

Abhishek as Arjun Sen

Abhishek Bachchan in I Want To Talk
Abhishek Bachchan in ‘I Want To Talk’. (X)

A story like I Want To Talk relies a lot on how well your central character showcases the gamut of emotions. And Abhishek Bachchan is easily the movie’s biggest strength. He gets into the skin of the role.

It is a character filled with many layers and Abhishek makes sure that the viewers root for him in spite of the fact that Arjun isn’t always likeable.

How he portrays the initial hopelessness to eventually transform himself into a fighter is simply outstanding.

Father daughter dynamics

The actor particularly shines in the scenes with the daughter played by the fantastic Ahilya Bamroo.

The way he portrays Arjun’s possessiveness and the attempts to reconnect with the daughter is heart-touching.

Ahilya Bamroo more than holds her own opposite Abhishek. She wonderfully conveys the emotional turmoil of a teenage daughter caught in a complex situation.

The intense scenes between her and Abhishek are a delight to watch. Underneath the anger, there is also a tenderness which comes out strong.

Apart from the father and daughter dynamics mention must also be made of the equation between Arjun and Dr Deb. The scenes between them have shades of humour particularly the portions of banter.

A scene which deserves a particular mention is when Arjun crashes into Dr Deb’s Sunday lunch and comes to know that most of his stomach has to be cut. Jayanth Kriplani as Dr Deb plays his part with a lot of warmth giving the movie some of its best moments.

What doesn’t work

A major issue with I Want To Talk is its way too languid pace. The movie feels way too slow with some repetitive shots. The film also needed a much better exploration of Arjun’s relationship with his ex-wife.

It comes across as a side note adding little heft. The portions featuring Johny Lever also drag down the movie significantly.

The attempt to infuse humour into a morbid subject like this doesn’t always land, unlike an October.

A movie like this hasn’t got much place for music, still, the tunes are lacklustre, to say the least.

On the other hand, Avik Mukhopadhyay’s cinematography is of a fine order. He does a fine job of capturing the various moods of the protagonist through his lens.

Final take

Overall I Want To Talk leaves something to be desired. Given the emotional core of the subject, the film could have been much more, yet Abhishek Bachchan’s stand-out act along with the main message of fighting against all odds make it worth watching.

(Views expressed here are personal.)

Freedom At Midnight web series review: A brilliant exploration of events leading up to the partition

Director Nikhil Advani skillfully captures the political turmoil of the time, which ideally should have been the celebration of free India but ended as a harrowing experience with the religious conflicts. 
Freedom At Midnight (Hindi), 14-11-2024, Historical drama ,7 episodes, 13+, OTT
  • Main Cast: Sidhant Gupta, Chirag Vohra, Rajendra Chawla, Luke McGibney, Cordelia Bugeja, Arif Zakaria, Ira Dubey, Malishka Mendonsa, and Rajesh Kumar
  • Director: Nikhil Advani
  • Producer: Monisha Advani and Madhu Bhojwani
  • Music Director: Ashutosh Patak
  • Cinematography: Malay Prakash
  • Rating: 4/5

Starting from Kal Ho Naa Ho (2003) and Salaam- E- Ishq (2007) director and producer Nikhil Advani has had a fascinating career so far.

He has dabbled in various genres whether it is the action dramas Batla House (2019) and D-Day (2013) or the two seasons of Mumbai Diaries— a medical thriller.

This year Nikhil further proved his versatility with the movie Vedaa—a gritty social drama with hardcore action.

Synopsis

The web series Freedom At Midnight, streaming on Sony Liv, though has to be the biggest risk taken by the director. Given the complexity of the events and also the probability of being accused of aligning to a particular political spectrum.

The series is based on the book “Freedom at Midnight” by Dominique Lapierre and Larry Collins.

Fortunately, Nikhil has passed the test with flying colours. He has succeeded in not only making a gripping series but at no point does the show take sides blaming a particular person or party. Instead, it places the viewers amidst the powerful leaders who have fought for India’s independence letting the audiences make their own judgments.

At the heart of Freedom At Midnight are the complex political scenarios represented by the numerous leaders. The main ones are Pandit Jawaharlal Nehru (Sidhant Gupta), Sardar Vallabhai Patel (Rajendra Chawla), Mahatma Gandhi (Chirag Vohra), Mohammad Ali Jinnah (Arif Zakaria) and Lord Louis Mountbatten (Luke Mc Gibney).

Through the seven episodes, Nikhil Advani along with writers Gundeep Kaur, Ethan Taylor, Divy Nidhi Sharma, and Revantha Sarabai, gives a strong insight into the political machinations and the numerous differences of opinions leading to clashes.

Analysis

A still from the series Freedom At Midnight
A still from the series ‘Freedom At Midnight’. (X)

As already mentioned, Freedom At Midnight doesn’t take sides at any point, instead, it presents the viewers with various perspectives.

Whether it is Gandhiji’s unwavering idealism in spite of the clash of opinions between Nehru and Sardar Vallabhai Patel, or Jinnah’s uncompromising attitude on wanting Pakistan among others.

The series presents the leaders with their flaws, fears and contradictions. The best examples of this are the portions involving Jinnah’s calculated decisions or Nehru’s quiet torment.

The scenes of religious discord leading to incidents of communal violence give the show some of its best emotional scenes. Although these scenes are set in a particular time period, there is contemporariness to them, as religious discord, is still a major issue in the present time.

Technical brilliance

Freedom At Midnight is a historical drama
‘Freedom At Midnight’ is a historical drama. (X)

Freedom At Midnight immerses the viewers from the first frame and a major reason for this is Malay Prakash’s cinematography.

The close-up shots of the emotional upheavals faced by Nehru, and Gandhi in particular transports the viewers into those turbulent times making them feel that they are watching the happenings from up close.

Both the cinematography and the production design are the main pillars of this web show.

Talking about the production design, the scenes of the Viceroy’s house along with the portions showcasing the riot-torn neighbourhoods serve as a perfect masterclass in creating an authentic world in an era where VFX is dominating mainstream cinema.

Ashutosh Patak’s music is equally poignant enhancing the series’ emotional scenes significantly. There is a haunting quality to the tunes in perfect sync with the nature of the show.

Performances

Sidhant Gupta as Nehru in ‘Freedom At Midnight’. (X)

The performances of the entire cast are brilliant starting from Sidhant Gupta. The young actor successfully takes off from his fantastic performance in Jubilee (2023).

As Jawaharlal Nehru, he perfectly portrays the inner conflicts of a leader who is torn between his ideals and the grim pragmatism that was the need of the hour, his scenes with Chirag Vohra’s Gandhi in particular are very impressive.

The scenes of the unfortunate discord and how he portrays a quiet resolve are truly brilliant.

Arif Zakaria is also terrific making sure that Mohammad Ali Jinnah never becomes a caricature. He portrays him as a complex personality with shades of frailty, ambition and conviction.

Jinnah is someone who is both formidable and tragically flawed. Both the writing and Arif Zakaria’s performance bring out these nuances wonderfully.

Chirag Vohra as Gandhi plays his part with lots of grace. His performance particularly in the scenes of anguish is praiseworthy.

Rajendra Chawla as Sardar Patel portrays both the grit and the gentleness of the leader in a perfect manner. Special mention must also be made of Rajesh Kumar playing Liaquat Ali Khan. The actor makes for a perfect partner in crime for Jinnah.

The women characters though needed better etching. Both Ira Dubey’s Fatima and also the actress playing Lady Mountbatten are introduced with great promise but end up mostly relegated to the background.

Final take

Keeping aside this small niggle, Freedom At Midnight is a moving emotional tale of how freedom came at a heavy price.

(Views expressed here are personal, edited by Sumavarsha Kandula)

Matka: Karuna Kumar’s gamble is a weak game marred by predictable scenarios and flat storytelling

‘Matka’ is technically proficient with special mention to the cinematography department but suffers from the regular clichés of a gangster movie. Varun Tej does his level best managing to rise above the ordinary material but it isn’t enough to salvage the movie.
Matka (Telugu), 13-11-2024, Action, Period, Thriller, 2 hours 39 minutes, U/A, Theatre
  • Main Cast: Varun Tej, Meenakshi Chaudhary, Nora Fatehi, and Naveen Chandra
  • Director: Karuna Kumar
  • Producer: Vijender Reddy Teegala and Rajani Talluri
  • Music Director: GV Prakash Kumar
  • Cinematography: Kishor Kumar
  • Rating: 2/5

Four films old, director Karuna Kumar has created a niche with Palasa 1978 (2020) and Sridevi Soda Centre (2021). Both dealt with the themes of caste and class in a hard-hitting manner.

With Matka, the director has moved out of his usual space making a gangster movie based on a real-life Matka gambler Ratan Khetri.

The attempt to get mainstream acceptance is clearly visible. However, the movie feels like a stale leftover of other films in the same space.

Synopsis

The slight freshness in Matka only comes from the gambling background and the huge dent it left on the Indian economy. However, this aspect isn’t enough to save the film as the movie lacks the major highs needed for this genre.

In simple terms, the story of Matka is set in the background of Visakhapatnam between 1958 and 1962. It traces the journey of Varun Tej’s Vasu, coming to the city as a refugee and how the tough circumstances shaped his journey as a gambler and gangster.

One of the very few positive aspects of Matka is the recreation of the bygone era. Cinematographer A Kishore Kumar does a wonderful job of capturing both the retro vibe and also the various timelines through his lens. Special mention must be made of the scenes in the market yard.

Analysis

Matka is written and directed by Karuna Kumar
‘Matka’ is written and directed by Karuna Kumar. (Instagram)

The first half is mostly a slog given the predictable scenarios and not much effort being made in showcasing the graph of the protagonist. It is just a series of moments to establish Vasu’s heroism. At regular intervals, slides flash indicating a change in the passage of time but this technique comes across as superficial trying to hide the lack of depth.

The movie only gets interesting when it showcases the network of Matka gambling. How much money was made out of this and the consequences of this dangerous game engage the audiences for a while. The addiction of people towards gambling though set in 60’s feels contemporary.

The CBI investigation headed by an earnest Naveen Chandra has its moments too. But this also doesn’t last for long as the movie gets back to being a formulaic fare.

The love story between Varun Tej’s Vasu and Meenakshi Chaudhary’s Sujatha should have been the emotional backbone of the movie; unfortunately, the drab writing plays a spoilsport. There is no proper build-up to how both of them fall for each other.

As a result of this, the distance in their marriage because of Vasu’s greed doesn’t register strongly.

Performances

Varun Tej in Matka
Varun Tej in ‘Matka’. (X)

Meenakshi Chaudhary suffers on account of a sketchy characterization after her wonderful performance in Lucky Baskhar (2024).

Varun Tej in the title role has given it his all; he does a fine job of portraying Vasu’s transition from a normal young man to a Matka king.

The role of Vasu gives Varun space to explore grey areas and he does go full throttle. But on some occasions, his gangster act feels repetitive lacking the nuances to bring out some variation.

The supporting cast comprising of Naveen Chandra, Kishore, and Satyam Rajesh are competent but none of them stand out.

GV Prakash’s music isn’t great but two songs “Le Le Raja” and “Tassadiya” are visually fine. The background music also leaves a lot to be desired.

Final take

To sum it up Matka is strictly for those who enjoy conventional gangster films.

(Views expressed here are personal, edited by Sumavarsha Kandula)

Vijay 69 review: An endearing slice of life movie with a brilliant Anupam Kher

Director Akshay Roy delivers a strong message on how it is never too late to chase your dreams. The core point of ‘Vijay 69’ is age is just a number and it should never come in the way of achieving your ambitions
Vijay 69 (Hindi); 08-11-2024, Dramedy, 1 hour 52 minutes, 16+, OTT
  • Main Cast: Anupam Kher, Chunkey Pandey, and Mihir Ahuja
  • Director: Akshay Roy
  • Producer: Maneesh Sharma
  • Music Director:Gaurav Chatterji
  • Cinematography: Sahil Bhardwaj
  • Rating: 3/5

Akshay Roy’s Vijay 69 perfectly fits the genre of a slice-of-life film, something which has become rare in the increasing pan-Indian cinema. The film released on Netflix, does drag in some portions, particularly the starting scenes but after the initial stumbles, the movie grows on you. The central plot of Vijay 69 plot focuses on Anupam Kher’s Vijay Mathew. Vijay Mathew is a former athlete apart from being a swimming coach. He sacrifices his once-promising athletic career to take care of his terminally ill wife.

Synopsis

The movie begins with Vijay Mathew presumed to be dead. His best friend Fali (caricaturish yet entertaining Chunkey Pandey) mentions Vijay only as a garba king and a rummy champion.

This leads Vijay to reflect on his life, he decides to participate in a triathlon despite little support from his daughter and the general society.

A strong aspect of Vijay 69 is the strong friendship between Vijay and Fali. The witty banter between them is thoroughly entertaining. Their scenes together have the perfect blend of humour and also some heart-touching moments.

Another track worth mentioning here is the unexpected friendship between Anupam Kher’s Vijay and a rival athlete Aditya Jaiswal played by Mihir Ahuja. It lends an interesting angle to the story. The light scenes between them in spite of the significant age gap are a delight to watch.

Through this subplot, director Akshay Roy also emphasises how the age gap is not a barrier to friendship. It only becomes a barrier if you let it be.

As already mentioned, the movie begins on a tacky note. The production design in the initial bits makes it look more like a TV Serial and some of the forced humour does irritate the viewers, however, the movie soon becomes gripping when Vijay decides to start life afresh.

Performances

Anupam Kher in Vijay 69
Anupam Kher in ‘Vijay 69’. (X)

Anupam Kher in the titular role is simply fantastic. He does a terrific job of portraying the emotional turmoil and never-say-die attitude.

Special mention must be made of his acting in the triathlon sequences. The way he conveys determination despite obvious tiredness is a master class in acting. He is the movie’s main stay making the viewers root for Vijay even though the plot meanders in some places.

Chunkey Pandey’s accent does border on far on being farcical, still, the actor delivers a charismatic performance.

Sahil Bhardwaj’s cinematography in the triathlon sequences deserves distinction marks. The way he captures the excitement and the tension through his lens is wonderful to watch. The finale does border on being overdramatic; still, it leaves you with a happy feeling.

There isn’t much place for music in this kind of narrative nevertheless the song “Aage bhii Jaane na tuu” from the 1965 movie Waqt works as a poignant number on seizing the day.

Among the other supporting cast, Vrajesh Hirjee makes his presence amply felt as Vijay’s initially reluctant coach.

Final take

In conclusion, Vijay 69 has a relevant message at its core making it a heart-warming watch in spite of the flaws.

(Views expressed here are personal, edited by Sumavarsha Kandula)

Citadel: Honey Bunny web series review: Slick action coupled with the solid performances makes this an engaging thriller

Raj and DK’s spin-off to Priyanka Chopra’s ‘Citadel’ is far superior to the American web series.
Citadel: Honey Bunny (Hindi); 06-11-2024, Action, Thriller, 6 episodes, 16+, OTT
  • Main Cast: Varun Dhawan, Samantha Ruth Prabhu, Kashavi Majumdar, Kay Kay Menon, Saqib Saleem, Sikander Kher, and Simran Bagga
  • Director: Raj and DK
  • Producer: Syed Zaid Ali and Alek Conic
  • Music Director: Sachin- Jigar
  • Cinematography:J ohn Heurlin Aidt
  • Rating :3/5

The American show Citadel (2023) is considered to be one of the most expensive web series produced. However, the response was quite lukewarm with not-so-great reviews from both the critics and the audiences. Despite that season two of Citadel has been announced.

Raj and DK’s Citadel: Honey and Bunny is a spin-off to this show. It doesn’t completely match up to the finesse of Raj and DK’s previous web shows— The Family Man (2019) and Farzi (2023)—but still it keeps you hooked.

The storyline of Citadel: Honey Bunny moves along two parallel timelines 1992 and 2000. Honey (Samantha) is an ambitious young woman who has run away from home with dreams of becoming an actress.

In pursuit of becoming an actor, her path crosses with that of Varun Dhawan’s Bunny a stunt coordinator. The friendship blossoms into love however Bunny is not what he appears to be. He is leading a double life as a spy for a secret agency.

Synopsis

Things take a turn when Honey, who first approaches Bunny to seek his help in becoming an actor, requests him to train her to be a spy.

Though Bunny initially hesitates, he soon agrees seeing her courage. Amidst this, enters another character Baba, played by Kay Kay Menon.

Kay Kay Menon is the leader of the spy group. He is also the one who has turned Bunny’s life around by picking him up from the orphanage and bringing him up with lots of love. Due to this, Bunny is devoted and loyal to Baba.

The aim of Kay Kay Menon and Co is to bring down “Operation Talwar” sabotaging a rival spy organization “Citadel” in the process.

As the mission progresses, big differences creep up between Honey and Bunny leading to a major cycle of events.

This is the story in brief, which is now available on Amazon Prime Video.

What works and what doesn’t

Samantha and Varun from Citadel Honey Bunny
Samantha and Varun from ‘Citadel: Honey Bunny’. (X)

A strong aspect of Citadel: Honey Bunny is how Raj and DK have crafted the love story of the two primary characters. From the initial meet-cute moments to them developing feelings for each other has been wonderfully written and enacted.

The chemistry between Varun and Samantha comes across as organic. Even the scene leading up to their first kiss in the middle of a fun moment doesn’t feel forced.

Another strong aspect of Citadel: Honey Bunny is the dynamics between Baba and Bunny. Kay Kay Menon’s Baba is someone who alternates between being a bad man and also a fatherly figure for not just Bunny but the other guys too.

He inspires both fear and respect. The conversations between Baba and Bunny have an emotional depth with a particular mention of an orphanage scene in the sixth episode. Kay Kay Menon as usual does a very fine job of capturing the various nuances of Baba.

The production design of Citadel: Honey Bunny is quite commendable. Raj and DK along with the technical crew do a fine job in transporting the viewers back to the 90s and early 2000s.

One major problem with Citadel: Honey Bunny is the constant back-and-forth exploring the motivations of the various characters. This back-and-forth does help in giving a psychological insight into how the various struggles have shaped up the protagonists but it also slows down the show.

Another problem with Citadel: Honey Bunny is the underdevelopment of Simran’s character. Her character of Zooni needed better etching to have a stronger impact.

Performances

Samantha with Kashavi in Citadel Honey Bunny
Samantha with Kashavi in ‘Citadel: Honey Bunny’. (X)

Child actor Kashavi Majumdar playing Honey and Bunny’s daughter Nadia proves to be a major ace of this web series. Nadia has had to grow up well before time. She is thrust into the dark underbelly of the spy world.

Kashavi does a terrific job of portraying the internal conflict of a young girl whose carefree childhood has gone for a toss. She more than holds her own opposite Samantha brilliantly conveying resilience. The mother-and-daughter scenes give the show some of its best moments.

Samantha as Honey is successful in bringing out both the inner strength and vulnerability of her role. She simply aces the action sequences bringing in the intensity of a mother who is also a deadly spy.

A particular scene where she takes on a group of assassins while gently closing her daughter’s eyes to shield her from the bloodshed is brilliantly written and executed. Action is one of the mainstays of Citadel: Honey Bunny and the fight sequences are indeed a treat to watch particularly for those who like raw action.

Varun Dhawan as Bunny also shines particularly in the emotional scenes. A special mention must be made of his few scenes with Kashavi Majumdar. Saqib Saleem as the menacing KD also makes a striking impact. He proves to be a worthy opponent for Samantha and Varun.

Final take

To sum it up Citadel: Honey Bunny is worth a watch for those who are into gritty action and the spy world.

(Views expressed here are personal, edited by Sumavarsha Kandula.)

Srikanth: Rajkummar Rao leads a gripping tale of self-determination that feels like a warm hug

Director Tushar Hiranandani deserves huge appreciation for not using the blindness of Srikanth Bolla as a tool of self-pity.
Srikanth (Hindi), 10-05-2024, Biography , Drama, 2 hours 14 minutes, U, Theatre
  • Main Cast: Rajkummar Rao, Alaya F, Jyothika and Sharad Kelkar
  • Director: Tushar Hiranandani
  • Producer: Bhushan Kumar and Krishan Kumar
  • Music Director: Anand Milind, Tanishk Bagchi, Sachet Parampara, Ved Sharma
  • Cinematography: Pratham Mehta
  • Rating: 3.5/5
  • Published in: Southfirst

There was a time when biopics on different personalities used to sell like hotcakes. Cases in point are Farhan Akhtar’s Bhaag Milkha Bhaag (2013), Vidya Balan’s The Dirty Picture (2012), and Sonam Kapoor’s Neerja  (2015).

These movies raked up both critical acclaim and commercial success.

However, the genre has somewhere lost its sheen in the last few years, particularly the ones related to sports like Taapsee Pannu’s Shabhaash Mithu (2023) or even this year Maidaan (2024). The box office numbers of the Ajay Devgn-starrer are still far away from the producer’s investment.

A major reason for Indian biopics losing its sheen is the overt melodrama along with the predictable beats.

Nevertheless, director Tushar Hiranandani’s Srikanth, based on the visually impaired businessman named Srikanth Bolla, is a welcome change in more ways than one.

Sure, there is a fairytale-like structure in how Srikanth overcomes his obstacles. But, at the same time, the movie does throw light on some important things.

How we should not view differently-abled persons through the lens of pity, instead we should engage with him or her as equals.

Synopsis

‘Srikanth’ is a biography. (X)

The movie begins with the birth of a boy. The father is initially ecstatic about a son being born and rushes home.

He names him Srikanth after the famous batsman Krishnama Chari Srikanth. However, all this changes once the fact of his son being blind comes out.

In the beginning, both parents have a hard time worrying constantly about the child. Things are further compounded by neighbours and relatives who think that Srikanth has no future.

At one point, the father almost buries him alive. But better sense prevails with the wife stopping him.

The rest of the plot looks at the journey of Srikanth from just another village boy to an inspiration for many people like him.

Analysis

Generally, Indian biopics do shy away from showcasing the grey areas of their protagonists. Here too, Tushar Hiranandi surprises big time.

In the second half of the movie, Srikanth has a downfall in business because of his overconfidence and also a bitter attitude towards his business partner-cum-friend Ravi (Sharad Kelkar).

There is a scene where a media person talks about how Srikanth wouldn’t be successful if Ravi hadn’t backed him up.

This does not go down too well with Srikanth; he believes he is wholly and solely responsible for his victory.

Writers Jagadeep Siddhu and Sumit Purohit have written some crackling dialogues that stay with the viewers long after the movie has ended.

A good example of this is the sequence where Srikanth is not allowed to board the plane on account of being visually challenged. The officials insist on someone accompanying him.

How Srikanth turns the situation around with some crackling dialogues not only brings a wide smile but the lines also provide a reality check on how persons with disabilities are not treated as equals.

The monologue at the end also deserves a big thumbs up.

There are scathing remarks on how some people think that the best way to help the blind is only by making them cross the road.

Takeaways

Jyothika at ‘Srikanth’ press meet. (X)

A strong aspect of Srikanth is how the director has projected the stark contrast between India and the West regarding the education facilities for the differently abled.

There are scenes where Srikanth faces rejection for wanting to choose science, though he tops the 12th board exams. The challenges of the protagonist with the Indian educational system have been presented poignantly.

Tushar Hiranandani also does a wonderful job of showcasing the bond between Rajkummar Rao’s Srikanth and Jyothika’s Devika.

Devika was a teacher of businessman Srikanth when he studied at a special school for the visually impaired in Hyderabad.

However, her association with Srikanth goes much beyond school. She is his friend, philosopher and guide.

Devika supports him in every step that he takes but at the same time, she also gives him a reality check when needed.

The best example of this is the portion where she lambasts him for becoming insecure and bitter in the second half.

A speedbump

Rajkummar Rao in ‘Srikanth’. (X)

The love story between Rajkummar and Alaya F though comes across as a major speedbump.

Alaya F has a charming presence but her character of Swathi appears and disappears at the whim of the writers.

The blossoming of love between the two feels rather hurried. Also, there are times when the all-round abilities of Srikanth become a little difficult to digest; like the scenes where he plays basketball and cricket without any hiccups.

The romantic songs of Sachet Parampara “Tu Mil Gaya” and “Tumhe Hi Apna Maana Hai” are soothing in nature. However, the recreation of “Papa Kehte Hain” from Qayamat Se Qayamat Tak  (1988) is the major highlight of the soundtrack.

Rajkummar and Jyothika excel

In the title role, Rajkummar Rao delivers an exceptional performance. The actor just disappears into the role starting from the mannerisms.

He particularly shines in the scenes of Srikanth grappling with insecurities. There is also a goofiness to Srikanth which Rajkummar brings out expertly.

Jyothika also makes a big impact bringing the right mixture of warmth and fierceness.

Sharad Kelkar plays the business partner-cum-friend with a lot of empathy.

Final take

Srikanth makes you think about how differently-abled persons should be treated as mainstream and deserve equal opportunities, just like anyone.

Emerging stars: Telugu cinema’s new wave of actors takes center stage

An overview of how a handful of Telugu actors broke through the dynastic ‘herodom’ and carved a niche for themselves.
Published in: Southfirst

Many new-age actors from outside the film industry have made their mark as heroes in Telugu cinema in the last few years. Their success augurs well for the industry.

They might not be ‘mass’ heroes but they played roles that resonated with different types of audiences. They also endeared themselves to the audiences with their multiple skills.

Actors like Naveen Polishetty and Siddhu Jonnalagadda would never enjoy the mass patronage of an Allu Arjun or a Jr NTR.

The reason is the market dynamics coupled with their backgrounds. So, they have chosen a different path for themselves by playing underdog characters in the case of Suhas. Or doing movies where both comedy and thrills are intermingled.

There is also a certain sense of self-depreciation in the roles. Let’s go one by one:

Naveen Polishetty

Naveen Polishetty’s ‘Miss Shetty Mr Polishetty’ won audiences’ hearts. (X)

Naveen Polishetty started his career with Shekar Kammula’s film Life is Beautiful (2012), where he played a negative role.

This was followed by D for Dopidi (2013) and Sukumar’s 1: Nenokkadine (2014).

However, Agent Sai Srinivasa Athreya (2019) gave him a much-needed break in his career. Naveen was the leading man in the film and also the co-writer.

The movie minted money at the box office and also won critical acclaim; a promising new talent was born.

Naveen further consolidated his status as a hero with the nonsensical comedy Jathi Ratnalu (2021).

The flick also featured Rahul Ramakrishna and Priyadarshi, but Naveen was the star of the show. He embraced the tonality of the film with zero inhibitions.

What additionally made Jathi Ratnalu special was the backing of Nag Ashwin, the director of Yevade Subramanyam (2015) and Mahanati (2018). It was a big promotion for Naveen.

Though the film was released at a tricky time, right after COVID-19, it became a huge success.

Naveen Polishetty scored a third consecutive hit with the romedy drama Miss Shetty Mr Polishetty (2023), directed by Mahesh Babu P. His role demonstrated that he was also an emotionally intelligent actor.

Naveen has a striking screen presence and an energy that makes him endearing. He has impeccable comic timing that can lift the most bizarre of situations, as we already witnessed in Jathi Ratnalu.

Siddhu Jonnalagadda

Siddhu Jonnalagadda delivered a blockbuster with ‘Tillu Square’. (X)

Siddhu Jonnalagadda is another new-age Telugu actor who proved himself as a writer and a hero, too.

He wrote both DJ Tillu (2022) and the superhit sequel Tillu Square (2024).

Siddhu thoroughly entertained the viewers with his antics. His comic punches often left the viewers in splits.

But what made DJ Tillu and the sequel a big success was how the actor-writer integrated the elements of comedy and thriller.

Apart from the above-mentioned film, Siddhu Konnalagadda was also the co-writer of Krishna and his Leela (2020). It was a breezy romantic film that dealt with contemporary relationships.

Siddu’s strength as an actor majorly comes from his ease in front of the camera and a certain style with which he delivers his dialogues.

Sure, his dramatic skills have not been tested yet, but characters like Tillu are a perfect fit for him.

Adivi Sesh

Adivi Sesh will next be seen in ‘Goodachari 2’. (X)

Unlike Naveen and Siddhu, Adivi Sesh is someone who comes with the looks of a dashing mainstream hero.

He also has a literary family background. His grand-uncle Adivi Bapiraju is a famous novelist and a playwright. However, that does not mean he had it easy in the industry.

It has taken a while for him to establish his space after playing small roles in big films; a case in point is SS Rajamouli’s Baahubali: The Beginning (2015).

Sesh’s good looks and strong physicality helped him gain a strong base. But, apart from his looks, the actor impressed everyone with his acting and writing skills.

He became a thriller specialist with the likes of Kshanam (2016) and Goodachari (2018).

The actor‘s speciality is strong characterisations. For example, Anasuya Bhardhwaj and Satyam Rajesh in Kshanam or Vennela Kishore in Goodachari.

Adivi Sesh made the well-known story of Sandeep Unnikrishnan a hugely engrossing film both with his acting and writing abilities in Major (2022).

As a director, he has done only one movie — Karma (2010), which unfortunately was a big dud.

Hope he proves himself a good director, too, one day!

Suhas

Suhas is on a film signing spree and has become a bankable actor. (X)

The physical structure of Colour Photo (2020) and Ambajipeta Marriage Band (2024) actor Suhas is very similar to Tamil actor Dhanush.

Of course, the young Telugu actor does not have the mass image of the latter, but still, there are certain similarities in the underdog roles he has chosen.

Suhas also started with supporting roles in Agent Sai Srinivas Athreya and Prathi Roju Pandage (2019), among others.

However, he got his first break as a leading man in Colour Photo.

In the National Award-winning film, he played the role of a milkman’s son and won appreciation for his awe-inspiring performance.

This was followed by Writer Padmabhushan (2023) and Ambajipeta Marriage Band. Both these movies also had Suhas as an underdog.

But, in Ambajipeta Marriage Band, his character is fierier in comparison to Colour Photo, which belongs to the same terrain. In the second half, the actor pulled off scenes of aggression proficiently.

Priyadarshi Pulikonda

Priyadarshi is coming up with ‘Save The Tigers 3’ web series. (X)

Priyadarshi Pulikonda is another bright talent in Telugu cinema who has proved himself beyond comedy.

His performances in Mallesham (2019) and Venu’s Balagam (2022) are solid examples.

The actor also proved his mettle in the digital space with both seasons of Save the Tigers (2023 & 2024). The makers are soon coming up with the third season.

Priyadarshi was seen in the role of a dairy farm owner Ghanta Ravi in this web series. He was spot-on in capturing the nuances of the Telangana dialect.

The second season of Save the Tigers had some good father-and-daughter scenes.

What made the new-age Telugu actor successful is his imbibing the body language of the roles he portrays — in Mallesham or Save the Tigers web series.

Well, this is a brief account of some of the new-age Telugu actors who found success despite not having a filmy background.

There are also the likes of Raj Tarun, who started promisingly but could not sustain due to poor choice of roles.

Let’s hope many more actors outside the dynasties will try their luck in the Telugu film industry!