Actress turned writer Huma Quereshi successfully breaks the stereotypes by creating a hijab wearing superhero. The novel has some nice feminist touches along with some social themes
Recently I read a novel called Zeba (An accidental Superhero). When we hear the word superhero what automatically comes to the reader’s word is a superman or batman or even a Krrish. The term superhero is generally associated with male characters, however with Zeba Huma Quereshi has successfully broken the mould. She has created an unusual superhero with strong feminist touches.
Yes the plot troupes aren’t particularly novel especially for those who have grown on western comics but Huma’s seamless integration of serious issues like PTSD, immigration and women empowerment give the novel its own flavor.
The storyline of Zeba focuses on a protagonist who is both rich and spoiled. It is set between 1992 and 2019. Zeba is living a very fancy life in America. As the story progresses Zeba stumbles upon many secrets, one of them is loosing her parents. The second one is she possesses many superpowers and has to save a fictional kingdom called Khudir. This place of Khudir is ruled by her father, he is a big tyrant. This is the story in brief.
A strong aspect of Zeba is undoubtedly the setting of the royal harem. Through the characters of the many royal women Huma Quereshi has broken the numerous stereotypes attached with Muslim women. Here it isn’t just about Zeba fighting against the bad. But the women in harem also play a significant part. They rise above the perception of being meek victims.
One of the most special characters in the novel is that of a royal hijra called Kherun. Through this character Huma Quereshi talks about the pivotal role played by this section of people in the royal kingdoms. Huma Quereshi has written the character in a strong way empowering the role with a strong voice of her own.
Although the novel is called Zeba Huma Quereshi gives equal importance to other woman too making it a wholesome novel.
The characterization of the main protagonist is another big plus. How Zeba goes from being a spoilt woman to finding about her past and the subsequent changes have been interestingly written. A particular mention must be made of her interactions with the tyrannical father.
Through this novel Huma Quereshi also talks about religious teachings being used as a tool to spread hate. The villain called Great Khan perfectly symbolizes this theme.
The ending of Zeba is also pretty interesting. After saving the world from destruction Zeba exclaims that “I’m so tired, man. I hope this is it. This s**t is exhausting,”. Through this dialogue Huma Quereshi brings up the theme of PTSD as Zeba is now looking for therapy.
To sum it up Zeba makes for a good read particularly if you are in the mood for a female superhero.
With the advent of OTT, the likes of Shefali Shah, Sushmita Sen, Manisha Koirala, and Sonakshi Sinha got their due.
The advent of OTT platforms has led to a significant change in more ways than one. One of the major changes has been to the narrative style.
Thanks to the longer runtime and long-form format, web shows have more scope for sustained storytelling.
Another major positive change is the space OTT has created for female actors to challenge themselves in mainstream and middle-of-the-road cinema.
With the longer runtime in web series, the actors have more time to build their characters and delve deeper into the nuances, which is often not possible in mainstream films with a limited run time.
They are also breaking the stereotypes of age and conventional roles.
Many female actors, despite talent, have been limited to supporting roles, with minimal scope of showing their acting prowess.
Of course, there have been phases where women-centric films have garnered both critical acclaim and commercial success. Some of these include The Dirty Picture (2011), Kahaani (2012), Queen (2014), Neerja (2016), Raazi (2018), etc.
However, the format of a web series offers more scope for the portrayal of powerful characters.
With the advent of OTT space, female actors got their due, especially in the case of Shefali Shah and Manisha Koirala, who have shone in Delhi Crime (2019 and 2022) and Heeramandi (2024) respectively.
Careers of Shefali Shah & Sushmita Sen revived
Shefali Shah in ‘Delhi Crime’. (X)
Among the firsts is the web series Delhi Crime(2019 and 2022), which revived the career of Shefali Shah.
She played the role of a DCP in the Delhi police. DCP Varthika helms the team which investigates the Nirbhaya case and also handles the public anger owing to the heinous crime.
She is a strong-willed officer who is also dealing with a rebellious daughter. The audiences had not seen Shefali previously in this kind of role and she surprised one and all with a rock-solid performance. Shefali Shah further surprised the spectators with her negative role in Human (2021).
Another similar example is Sushmita Sen, known for her glamorous roles, including that of lecturer Miss Chandini in Farah Khan’s masala potboiler Main Hoon Na (2004). While she was presented glamorously, the actor in Sushmita has mostly taken a backseat on the big screen.
Then comes Aarya (2020, 2021, 2023, and 2024) and Taali (2023)—the perfect examples of why Sushmita deserves better roles in mainstream cinema.
In Aarya— a crime thriller, she goes from being a single mother to eventually being sucked into the world of crime.
Taali, on the other hand, was a biopic of the transgender activist Shreegauri Sawant. In both these series, Sushmita was absolutely brilliant.
A realistic portrayal by Huma Qureshi
Huma Qureshi in ‘Maharani’. (X)
Huma Qureshi reinvented herself with the web series Maharani.
She has always been a competent actor starting from the Gangs of Wasseypur (2012) movies. She played important roles in movies like Badlapur (2015) but has never carried a film on her shoulders.
However, in the three seasons of Maharani, Huma showcased her larger bandwidth to play with. Her role of Rani Bharati (based on Rabri Devi) starts as a simple woman who is happy in her domestic life.
She is a school dropout much like the other women in her village. However, her life undergoes a huge change when her husband who is also the Bihar chief minister gets severely injured in a shootout.
From feeling like a fish out of water to becoming a fierce administrator, there is a huge canvas that Huma Qureshi got to play with and the actor absolutely nailed it.
In all three seasons, she got the nuances of the role spot on. She also did a good job of getting her dialect right.
Sonakshi Sinha & her acting prowess
Sonakshi Sinha in ‘Dahaad’. (X)
Then comes Sonakshi Sinha, who has shown that she is here to stay with Dahaad (2023) and Heeramandi (2024).
For a large part of her movie career, Sonakshi has played roles where she is restricted to just a song and dance routine, and being a damsel in distress waiting to be rescued.
These include Rowdy Rathore (2012), R Rajkumar (2013), the Dabbang films (2010, 2012, and 2019) and even the last theatrical release Bade Miyan Chote Miyan.
Yes, some of these movies have turned out to be money spinners but a sense of repetitiveness crept in.
However, the two-web series—Dahaad and Heeramandi—showed the actor in a very different light.
In Dahaad, Sonakshi Sinha was seen as a Dalit police officer (Anjali Bhaati).
On more than one occasion, she is insulted because of her gender and caste.
Sonakshi was adequately fierce and managed to capture the grittiness of a determined police officer well.
In Heeramandi, Sonakshi played an archrival to Manisha Koirala’s Mallikajaan; Sonakshi’s Fareedan is as ruthless and emotional as Mallikajaan.
Sonakshi Sinha chewed the scenery and more than held her own opposite the more accomplished Manisha Koirala. Fareedan was an absolute firebrand and Sonakshi did complete justice to her part.
A powerful comeback for Manisha Koirala
Manisha Koirala in ‘Heeramandi’. (X)
Heeramandi has also given a fresh lease of life to Manisha Koirala’s career.
In the films post her cancer recovery, the actor played a mother to heroes Ranbir Kapoor and Kartik Aryan respectively. There is a little depth in these characters for Manisha to chew into.
However, Heeramandi is a show that will give a major impetus to her second innings.
The role of Mallikajaan is far removed from all her previous roles; she never played a terrifying matriarch before. The body language along with dark shades is a completely new territory.
It is something that the viewers don’t expect from Manish Koirala, but the actor surprised everyone.
She portrayed both dark shades and emotional vulnerability with finesse.
Konkana Sen & Karishma Tanna
Konkona Sen, an actor par excellence, proved her talent over and over again in many shows and films. However, with Killer Soup (2024), the versatile actor proved she could play a negative character with equal finesse.
Konkona did play a negative role in Ek Thi Daayan (2013), but in that movie, she was just one of the three heroines. The Abhishek Chaubey directorial, though, had her as a major pivot.
Karishma Tanna in ‘Scoop’. (X)
In the Killer Soup web series, Konkona Sen played a housewife named Swati Shetty.
Swati dreams of opening a restaurant so she can have an identity of her own. But all she gets in the name of support from her husband are empty promises.
The role of Swati goes from a loving wife to a plotting woman. Konkona pulled off the different moods without fumbles.
Finally coming to the splendid performance of Karishma Tanna in Scoop (2023). The actor, too, has been part of known movies like GrandMasti (2013) and Sanju (2018). In these films, she was a mere glam doll.
But Scoop turned out to be a big game changer as the role was author-backed and Karishma made complete use of it.
In this web show, she played a journalist named Jagruti, who was falsely implicated in the murder of a fellow investigative journalist.
The role comes with many shades, starting as a confident woman who later becomes dejected yet maintains a fighting spirit in the harsh jail atmosphere.
Karishma Tanna was immensely successful in making the viewers root for Jagruti.
This is just a brief peek into how OTT has opened new doors for female actors. Many more women actors from mainstream and middle-of-the-road cinema are likely to join this list in the future.
Just like the previous two seasons, the web show shines the brightest when it focuses on the politics of Bihar.
Main Cast: Huma Qureshi, Sohum Shah, Amit Sial, and Dibyendu Bhattacharya
Director: Saurabh Bhave
Producer: Naren Kumar and Dimple Kharbanda
Music Director: Rohit Sharma
Cinematography: Anup Singh
Genre: Political Drama
Episodes: 8
Rating: 3.5/5
Published in: Southfirst
For those who haven’t seen the first two seasons, Maharani—created and written by Subhash Kapoor, is loosely inspired by the incidents in the 1990s Bihar.
It was when seasoned politician Lalu Prasad Yadav declared and made his homemaker-wife Rabri Devi his successor.
Season 1
The first season of Maharani was set from 1995 to 1999 and had characters inspired by Naxal and left-wing militants.
Rani Bharati (Huma Quereshi) is the wife of Bihar CM Bheema Bharti (Sohum Shah). In unforeseen circumstances, Bheema Bharti gets severely wounded and appoints his wife Rani as a technical CM until he recovers.
Rani Bharti is a simple woman who is happy with her domestic life. But now, she has to deal with government files, corruption and the caste massacres happening within the state.
In addition, she is not a literate woman.
Initially, Rani Bharti feels like a fish out of the water and wants to return to her simple life. But, eventually, she becomes a firm administrator and wins admirers.
As she grows more confident the inevitable clashes with her husband happen. Season 1 ended with Bheema Bharti going to jail on charges of corruption.
Season 2
In Season 2, Bheema runs a proxy government from jail. Bharti is facing opposition from her husband and the rival politician Naveen Kumar (Amit Sial).
Naveen and Bheema used to be friends. But now, they are big-time foes.
The issues dealt with this backdrop were the demand for a separate Jharkhand state along with the chilling death of Shilpi Jain and Gautam Singh that sent shock waves for both Rani and the state of Bihar.
In this scenario, some of Rani’s decisions don’t go well with her party members. Season 2 ended with Rani Bharti going to jail for a crime she did not commit, and the death of her husband Bheema.
Season 3
Now, you have Season 3, after a gap of one and a half years.
Maharani Season 3 begins with the life of Rani Bharti in prison. She utilises her time in jail to complete her education, which she left midway because of her father.
Rani Bharti also makes moves to strike back against her opponents. In simple terms, Season 3 focuses on how Rani Bharti proves her innocence and comes out of the complex web orchestrated by the cunning Navin Kumar.
The series plays out like an intense game of chess after a point.
Analysis
Huma Qureshi in ‘Maharani Season 3’. (X)
A strong point of Maharani Season 3 is the socio-political commentary.
Director Saurabh Bhave touches upon the illegal sale of liquor despite an alcohol ban in the state. He presents an authentic picture of how this illegal sale leads to the flourishing of illicit crimes.
Apart from the illegal sale of liquor the show also dwells on unauthorized dealings and the brutal electoral tactics.
Saurabh Bhave has also done a good job of showcasing the effect of power struggles and how nasty the political landscape can be. The cutthroat world of politics keeps the viewers thoroughly engaged even when the proceedings become predictable and slightly tedious.
The clinical way Rani Bharati goes about her revenge and completes her education has been well presented.
On the flipside, some twists suffer from weak writing and the middle portions could have done with more thrills.
Huma Quereshi steals the show
Huma Quereshi successfully takes off from where she left off in the first two seasons. She nails the accent and portrays the inner strength of a woman who has come a long way from being called a misfit.
Amit Sial continues to be wickedly charming showcasing the shrewd demeanour of Naveen Kumar perfectly.
The other supporting characters played by Vineet Kumar and Dibyendu Bhattacharya are also in fine form.
Rohit Sharma’s music and Mangesh Dhadke’s background score add another layer to the show.
The song “Kaun Bola Ban Hai” particularly deserves a mention for its satirical tone about the supposed alcohol ban.
Verdict
Maharani Season 3 is a must-watch for those who like political thrillers.
Vasan Bala is one of those directors who are known for a distinctive style of storytelling. For example in Mard Ko Dard Nahi Hota you had a protagonist who has a rare condition named Congenital insensitivity to pain. It was a whimsical ride that combined new age tropes with some old Bollywood elements. In the anthology segment Spotlight (the Satyajit Ray anthology) he made a social satire that combined religion and movies. His latest Monica O My Darling is a wonderful addition to the director’s repertoire. The film is based on the 1989 Japanese novel Burutasu No Shinzou.
Monica O My Darling follows the life of Jayant Arkhedkar (Rajkumar Rao). Jayant is a robotics genius who gets an opportunity to climb the social ladder after doing lot of hard work. A series of murders follow in the ‘Unicorn Group’, the workplace of Jayant. Huma Qureshi plays the titular character Monica. Monica is the secretary who serves the robotics company with great deal of zeal. Monica and Jayant are in secret relationship. But Jayant has no intention of marrying her as he is dating his boss’s daughter (Akansha Ranjan). ACP Naidu (Radhika Apte) is a quirky cop who is assigned to solve the case. There are a host of others too with special mention to Sikander Kher playing the entitled son of the boss. He is not very happy with the special attention that Jayant is getting. The film mainly talks about how being at the top of the social ladder isn’t always a great place to be.
The storytelling in Monica O My Darling will remind you of Sriram Raghavan’s thrillers at a few places in terms of how it explores the dark nature of human beings. Much like Sriram Raghavan films here too none of the characters are pure white, each of them come with their own shades of grey. However Vasan Bala gives his own touches to this tale of an ambitious outsider.
Every time Jayant considers himself as a winner or hero life cuts him to size as no wins are absolute.
Both Mard Ko Dard Nahi Hota and the short segment Spotlight had plenty of pop culture references which added to the story. And Monica O Darlings is no exception to that. The film’s title itself is taken from the iconic song sung by RD Burman. The title song keeps playing in the background at important junctures which adds to the immersive experience.
Monica O My Darling is filled with multiple characters and each of them are important, even the side characters. Vasan Bala does complete justice to each of them.
The dialogues co-written by Bala and Yogesh Chandekar have a lot of wit particularly those spoken by Radhika Apte. More importantly the film is an allegory to class struggle.
In this galaxy of actors Huma Qureshi stands out in the title role. She has to switch her mood from being frustrated, sad and maniac in a matter of minutes. And the actress does it splendidly. Huma does a commendable job of keeping Monica humane in spite of her grey areas.
Rajkumar Rao proves once again why he is one of the best actors that we have. The character of Jayant requires him to showcase a range of emotions and the actor nails it. Radhika Apte has a late entry but the actress is fun to watch with her cool demeanor. Sikandar Kher has a limited part but the actor is nevertheless good.
The film’s music and cinematography are also perfectly in sync with the film.
Final word: Monica O My Darling is a delicious watch particularly if you like Sriram Raghavan’s brand of cinema. The talented ensemble is the cherry on the cake.