Citadel: Honey Bunny web series review: Slick action coupled with the solid performances makes this an engaging thriller

Raj and DK’s spin-off to Priyanka Chopra’s ‘Citadel’ is far superior to the American web series.
Citadel: Honey Bunny (Hindi); 06-11-2024, Action, Thriller, 6 episodes, 16+, OTT
  • Main Cast: Varun Dhawan, Samantha Ruth Prabhu, Kashavi Majumdar, Kay Kay Menon, Saqib Saleem, Sikander Kher, and Simran Bagga
  • Director: Raj and DK
  • Producer: Syed Zaid Ali and Alek Conic
  • Music Director: Sachin- Jigar
  • Cinematography:J ohn Heurlin Aidt
  • Rating :3/5

The American show Citadel (2023) is considered to be one of the most expensive web series produced. However, the response was quite lukewarm with not-so-great reviews from both the critics and the audiences. Despite that season two of Citadel has been announced.

Raj and DK’s Citadel: Honey and Bunny is a spin-off to this show. It doesn’t completely match up to the finesse of Raj and DK’s previous web shows— The Family Man (2019) and Farzi (2023)—but still it keeps you hooked.

The storyline of Citadel: Honey Bunny moves along two parallel timelines 1992 and 2000. Honey (Samantha) is an ambitious young woman who has run away from home with dreams of becoming an actress.

In pursuit of becoming an actor, her path crosses with that of Varun Dhawan’s Bunny a stunt coordinator. The friendship blossoms into love however Bunny is not what he appears to be. He is leading a double life as a spy for a secret agency.

Synopsis

Things take a turn when Honey, who first approaches Bunny to seek his help in becoming an actor, requests him to train her to be a spy.

Though Bunny initially hesitates, he soon agrees seeing her courage. Amidst this, enters another character Baba, played by Kay Kay Menon.

Kay Kay Menon is the leader of the spy group. He is also the one who has turned Bunny’s life around by picking him up from the orphanage and bringing him up with lots of love. Due to this, Bunny is devoted and loyal to Baba.

The aim of Kay Kay Menon and Co is to bring down “Operation Talwar” sabotaging a rival spy organization “Citadel” in the process.

As the mission progresses, big differences creep up between Honey and Bunny leading to a major cycle of events.

This is the story in brief, which is now available on Amazon Prime Video.

What works and what doesn’t

Samantha and Varun from Citadel Honey Bunny
Samantha and Varun from ‘Citadel: Honey Bunny’. (X)

A strong aspect of Citadel: Honey Bunny is how Raj and DK have crafted the love story of the two primary characters. From the initial meet-cute moments to them developing feelings for each other has been wonderfully written and enacted.

The chemistry between Varun and Samantha comes across as organic. Even the scene leading up to their first kiss in the middle of a fun moment doesn’t feel forced.

Another strong aspect of Citadel: Honey Bunny is the dynamics between Baba and Bunny. Kay Kay Menon’s Baba is someone who alternates between being a bad man and also a fatherly figure for not just Bunny but the other guys too.

He inspires both fear and respect. The conversations between Baba and Bunny have an emotional depth with a particular mention of an orphanage scene in the sixth episode. Kay Kay Menon as usual does a very fine job of capturing the various nuances of Baba.

The production design of Citadel: Honey Bunny is quite commendable. Raj and DK along with the technical crew do a fine job in transporting the viewers back to the 90s and early 2000s.

One major problem with Citadel: Honey Bunny is the constant back-and-forth exploring the motivations of the various characters. This back-and-forth does help in giving a psychological insight into how the various struggles have shaped up the protagonists but it also slows down the show.

Another problem with Citadel: Honey Bunny is the underdevelopment of Simran’s character. Her character of Zooni needed better etching to have a stronger impact.

Performances

Samantha with Kashavi in Citadel Honey Bunny
Samantha with Kashavi in ‘Citadel: Honey Bunny’. (X)

Child actor Kashavi Majumdar playing Honey and Bunny’s daughter Nadia proves to be a major ace of this web series. Nadia has had to grow up well before time. She is thrust into the dark underbelly of the spy world.

Kashavi does a terrific job of portraying the internal conflict of a young girl whose carefree childhood has gone for a toss. She more than holds her own opposite Samantha brilliantly conveying resilience. The mother-and-daughter scenes give the show some of its best moments.

Samantha as Honey is successful in bringing out both the inner strength and vulnerability of her role. She simply aces the action sequences bringing in the intensity of a mother who is also a deadly spy.

A particular scene where she takes on a group of assassins while gently closing her daughter’s eyes to shield her from the bloodshed is brilliantly written and executed. Action is one of the mainstays of Citadel: Honey Bunny and the fight sequences are indeed a treat to watch particularly for those who like raw action.

Varun Dhawan as Bunny also shines particularly in the emotional scenes. A special mention must be made of his few scenes with Kashavi Majumdar. Saqib Saleem as the menacing KD also makes a striking impact. He proves to be a worthy opponent for Samantha and Varun.

Final take

To sum it up Citadel: Honey Bunny is worth a watch for those who are into gritty action and the spy world.

(Views expressed here are personal, edited by Sumavarsha Kandula.)

Khushi: Love, God And Marriage

The film takes some time to get going but director Shiva Nirvana eventually finds his footing particularly in the second half

Khushi (Telugu)           

Starcast: Vijay Devarakonda, Samantha, Murali Sharma, Sachin Khedekar, Saranya, Vennela Kishore and others

Director and writer: Shiva Nirvana

Producers: Naveen Yemeni and Yalamanchili Ravi Shankar

Production Company: Mythri Movie Makers

Music: Hesham Abdul Wahab

Production Company: Mythri Movie makers

Running time: 2 hours and 45 minutes

Genre: Romantic comedy/drama

Shiva Nirvana’s Khushi doesn’t particularly boast of a novel plot. There are certain similarities that the viewers will find with Mani Ratnam’s Sakhi. However,  there are some interesting things also that the director does. Chief among them is the background of his two protagonists. The hero’s father is a renowned atheist with an absolute distaste for god and astrology. On the other hand the heroine’s father is a staunch believer in god who is also known for his religious lectures. This adds a lot to the story, more so when the drama part kicks in. These two characters are played by Sachin Khedekar and Murali Sharma respectively. 

Samantha and Vijay Devarakonda

In brief it is a usual love story with a happy ending via many twists and turns. The conflict point in this movie is faith versus non faith. Viplav Devarakonda’s (Vijay Devarakonda) family represents non faith while Samantha’s family represents faith. Vijay’s father is Lenin Sathyam (Sachin Khedekar) and Samantha’s father is Chadarangam Srinivasa Rao (Murali Sharma). Previously a huge debate on TV had happened between them. Understandably both Chadarangam and Lenin aren’t too happy with their children’s choices. Yet they agree to meet to discuss their marriage. But Chadarangam declares that Viplav will have to do a homam along with his father before marriage; otherwise Aradhya cannot become a mother. Lenin Sathyam is enraged and tells his son to forget about Aradhya. But the two rebellious lovers decide to follow their hearts. In Sakhi style they make their own home. The rest of the story is about the issues that crop up given the two vastly different family backgrounds and how they resolve them.  

For any romantic film to work two aspects are of prime importance. One is having a likeable lead pair and the other is having hit music. Khushi scores in both these departments. Vijay Devarakonda and Samantha are in fine form both individually and together. They share a good chemistry.

Vijay devarakonda, Sumantha and Shiv Nirvana

It is refreshing to see Vijay Devarakonda shed his mass avatar and do an urban character. Vijay does a terrific job in portraying the various shades of Viplav; whether it is his lover boy act in Kashmir or the dramatic portions of the second half. Vijay’s comic timing also leaves viewers in splits. In the Kashmir portions Viplav speaks in broken Hindi and this leads to many amusing moments. Maybe a revenge on SRK’s broken Tamil in Chennai Express.

Vijay also takes a jibe at his own hugely successful yet hugely controversial Arjun Reddy in an interesting scene. There is a bit where a lady maid gets scared on seeing Viplav. He assures her that people have unnecessarily created a bad image of him in the market but he is actually a feminist. This leads to many laughs in the theatre.

Samantha is also in fine form complementing Vijay well. She is particularly effective in the more intense scenes.

Sachin Khadekar

The music of Hesham Abdul Wahab is another major winner. My favorite songs in the album are Na Roja Nuvve and Aradhya. Except for one number the rest of them are rich in melody.

The second half of Khushi is more engaging as it deals with the marital problems that the couple faces. For example there is an episode of Aradhya’s miscarriage. Aradhya believes that the miscarriage happened because of Viplav not doing the homam leading to some arguments. There is certain realisticness to the way Shiva Nirvana has staged these scenes.

 Murali Sharma and Sachin Khedekar shine the brightest among the supporting cast as two men who firmly believe in their respective ideologies. There is a touching scene in the pre- climax where both the fathers have an emotional moment.

Murali Sharma

What doesn’t work for Khushi is the stretched first half. The Kashmir portions needed to be trimmed down. Aradhya’s façade of being a Pakistani Muslim comes across as stretching things too far just to prove viplav’s broadmindedness.

Also there are some characters which could have been better developed like the ones of Rohini and Jayaram. Rahul Ramakrishna as Vijay’s buddy is underutilized as always but Vennela Kishore does raise some laughs in the first half.

Overall Khushi is an enjoyable romantic drama as the title suggests. The message of love triumphing over everything is something that all of us could imbibe given the politically troubled times we are living in.

The Family Man Season 2: A Scintillating Sequel

The expectations from The Family Man Season 2 have been huge ever since its announcement. Fortunately the show turned out to be a worthy one. It not only matches up to the first part but it also goes a step ahead. Through the second season director duo Raj and DK continue to showcase their ability in dealing with conflicts both global and domestic through humanist lens. There are no simplistic heroes and villains here. Both sides come with their own shades of grey.

By the start of Season 2 Manoj Bajpai’s Srikant Tiwari had quit his task force job and joined an IT company. The reason for it is his guilt about certain events that happened at the end of the first season. He also wanted to make his family life work. But both were not working well for him. In fact things became worse.

The backdrop of Family Man Seaason 2 is Northern Sri Lanka. You have a Tamil government in exile who wants to take revenge on PM Basu ( Seema Biswas). Manoj Bajpai’s Srikant who is already vexed with his IT job decides to return back to where he belongs. This time around Srikant is dealing with a hardened LTTE militant Raji ( Samantha Akkineni).

In addition the old enemies have also made a comeback lead by Darshan Kumar. As part of the plan Darshan Kumar’s character along with another person Sajid uses a boy to trap Srikant’s daughter. This is only one side of the story but many other things are happening simultaneously.

The biggest take way from this season is how Raj and DK deal with the character of Samantha’s Raji and the entire LTTE thing in general. Samantha has said in various interviews that she doesn’t look at her character as a villain and you understand the reasons behind it when you see the show. Raji is someone who has faced brutality not only at the hands of the Sri Lankan soldiers but has also been abused by men in day to day life.

There are scenes where we see men trying to get into bed with her, you also have a random stranger trying to touch her inappropriately on a local bus. So her anger is not just about the governments but it is also about the patriarchy and the society at large.

Initially we see her as a very silent person with no expressions but as the story goes along we are introduced to the darker side of her life. Samantha embodies all these aspects of her character superbly and delivers a performance which pushes boundaries. Her performance in the action scenes is also top notch.

The scenes where the paths of Manoj Bajpai and Samantha cross keep you on your toes. One of my favourite scenes in the series is when Manoj Bajpai’s character question’s Samantha’s about their plans. Can’t give too much away as it will be spoilers but the scene works very well. In simple terms Raj and DK touch upon about how a freedom fighter is a terrorist for a person who is on the other side.  

The treatment of Samantha’s character also extends to the other LTTE ones. Raj and DK along with co writer Supan Varma show that although the path they have chosen is wrong we shouldn’t ignore the struggles and the sufferings that they have undergone.

Another important thing about the show is how Tamil characters speak. It comes across as very natural without sounding caricaturist (for example Chennai Express).

The moral dilemmas of Srikant Tiwari has also been explored well. This particularly comes out in a scene where he and his boss played by Dalip Tahil talk about a mishap related to the first season. This is regarding a Muslim student who gets branded as a terrorist because of Srikant’s mistake.

The friendship between Srikant and Sharib Hashmi’s JK also grows stronger in this one. There is a strong thread of emotion that comes out.

The family portions don’t get the same weightage as the first one but they still work. The character which gets the most growth in the family is the daughter Dhriti played by Ashlesha Thakur. Her character goes through a major transformation in this one. She gets into a relationship with Kalyan AKA Salman. One thing leads to another and eventually it is shown that Salman is not what he appears to be. He kidnaps her on his bosses’ command. In the eighth episode she saves herself from Salman and also from Sajid. She shows that she has inherited her father’s genes and can make for a great agent herself. After that incident we see a more mature Dhriti. Ashlesha Thakur is particularly good in the scenes where she saves herself.

The comedy bits work perfectly and come across as a major relief when the drama gets dark. The scenes which will make you chuckle the most are the ones where Srikant is struggling to adjust with his IT life. There are also some humorous scenes when the action shifts to South India. Most of the humour in these scenes comes from the stereotypes that north and south people have about each other. These include food and other things.

Manoj Bajpai as Srikant continues his good form and shows why he is the perfect actor to play this character. This time around there are more scenes which portray Srikant’s vulnerability and Manoj faces it. Sharib Hashmi continues his impressive form, out of the old nemeses Darshan Kumar looks very dashing and fits the part of the stylish villain perfectly.

The Family Man Season 2 is well worth the wait and it will be interesting to watch how Raj and DK take the franchise forward. Can’t wait for the third season!

Shaakuntalam: An Epic Story That Doesn’t Match Up To The Expectations

Gunasekhar is successful in creating a fantasy forest world but is unable to sustain the audience’s interest till the end.

Watch it for Samantha & Arha!
Shaakuntalam (Telugu)
  • Cast: Samantha Ruth Prabhu, Dev Mohan, Sachin Khedekar, Mohan Babu, Aditi Balan, Ananya Nagalla, Prakash Raj, Gautami, Madhoo, Kabir Bedi, Jisshu Sengupta, Allu Arha, Harish Uthaman, and Subbaraju
  • Director: Gunasekhar
  • Producer: Neelima Guna
  • Music: Mani Sharma
  • Runtime : 2 hours 36 minutes

Gunasekhar’s Shaakuntalam is an adaptation of Kalidasa’s “Abhignana Sakuntalam”.

It is a significant piece of literature that has relevance even in today’s times. Some galore men ditch women on various pretexts and leave them to their fate.

Shakuntala is a woman who had not seen any world outside the ashram where she is born. But all that changed with the entry of King Dushyant.

The trials and tribulations of Shakuntala are something that resonates with women even to this day like Sita. The love story of Dushyant and Shakuntala is, of course, familiar to everyone.

The play has also seen its share of onscreen adaptions. Hence, Gunasekhar should have put in more effort to make it more engaging for contemporary audiences.

Before Shaakuntalam, he made Rudramadevi — starring Anushka Shetty — ­which was also meant to be an epic tale but the director wasn’t completely successful in his endeavour.

This is despite Anuskha’s committed performance and also Allu Arjun’s thundering presence. Unfortunately, the same is the case with Shaakuntalam.

Much like Rudramadevi, this is also an ambitious attempt but Gunasekhar hasn’t got the technical finesse or storytelling craft needed for a film of this scale.

Synopsis

Shaakuntalam begins with a brief introduction regarding the birth of Shakuntala (Samantha). She is brought up in a tapovanam (a forest of spiritual practices). It is love at first sight for both Shakuntala and King Dushyant (Dev Mohan).

Their conversations are filled with poetic dialogues written by Sai Madhav Burra. Love leads to marriage but in Gandharva style (consensual acceptance without any rituals) with the animals and Nature as witnesses.

The king gifts Shakuntala his ring as a symbol of his love and leaves for his kingdom promising to take her later. However, Shakuntala’s happiness doesn’t last for long, thanks to sage Durvasa (Mohan Babu in a short but impactful role). He condemns Shakuntala to a life of unrequited love in his anger.

As a result, Dushyant forgets all about Shakuntala on his return to the kingdom. The result is something that the audiences are well aware of.

Samantha’s show all the way

Before going into the negatives, it is necessary to talk about the positives.

The trope of love, at first sight, is one of the most overused things in cinema. Yet, Samantha and Dev Mohan make it work with their chemistry. Both actors are successful in bringing out sensuousness. The passion is very much visible.

Before Shaakuntalam, Samantha did back-to-back action roles in The Family Man Season 2 and Yashoda. Here, the actress is seen in a vastly different avatar.

She does a good job of bringing out both the naivety of an ashram girl and the stoic strength of a wronged woman. A scene that deserves particular mention is when she questions Dushyant about his inability to recognise her. Samantha is simply terrific at that moment.

Dev Mohan as Dushyant also shows a wide range of emotions. He has also got the physicality required to portray the king. He is very convincing in all his shades.

Gunasekhar deserves appreciation for how he treats the reunion of Shakuntala and Dushyant. She doesn’t run into his arms after meeting him in the end. Dushyant pleads and begs for forgiveness. The entire scene has come out well.

Shaakuntalam has a huge plethora of supporting characters but there are only a few who make an impression. Mohan Babu as Durvasa has a short role but the senior actor commands your attention whenever he is onscreen. His modulation of voice is bang-on.

Madhoo (Roja fame) as Menaka comes in the second half. Again, she doesn’t get a lot of screen time but the actress makes a solid impression.

Last but not least, Allu Arha proves to be a worthy successor to her father Allu Arjun. She is an absolute dynamite with an undeniable screen presence.

Here’s hoping that Arha continues to do films and Shaakuntalam isn’t a one-off. Her interactions with Dev Mohan’s Dushyant do bring a smile to the audience’s face.

By its very nature, Shaakuntalam is heavily dependent on VFX. The special effects are not perfect but still, they are not a complete write-off either.

The portions involving ashram life and animals have been beautifully done. It successfully transports the audience to a fantasy world.

The costumes by Neeta Lulla are absolutely eye catchy. There is nothing expensive about them but Samantha looks gorgeous.

What doesn’t work?

The biggest problem with Shaakuntalam is the TV serial treatment of Gunasekhar. His narrative style hasn’t got the brevity that is needed for a film of this nature.

The director could and should have worked more on the tribulations of Shakuntala in the second half. But instead, the film becomes more about Dushyant’s redemption.

There are some comic bits in the second half that are meant to bring a smile to the audience’s face. But instead, the viewers feel more frustration than happiness.

The demon gang led by Kabir Singh Duban does not come across as a powerful villain at any point. They end up being caricatures.

The battle scenes have zero intensity. Except for increasing the run time they do not give any thrills to the viewers.

Mani Sharma’s music and background score is good but needed to be far more impactful for a movie of this nature. “Maliika Maliika” is easily the best among all the numbers though.

Final take

Gunasekhar needs to take a break from these period dramas. Watch Shaakuntalam if you want to see some good acting by Samantha and Arha and also enjoy yourselves in a fantasy world.

(Views expressed are personal.)

Yashoda: An Overstuffed Thriller That Bites More Than It Can Chew

Yashoda directed by Hari-Harish is an attempt at exposing the underbelly of surrogacy through the lens of good versus evil. Generally it is the male protagonist who takes on the baddies and saves the day but here the director has a female protagonist who is entrusted with this responsibility. Yashoda’s battle is both personal and professional.

Fans love Samantha Ruth

The film begins off interestingly enough with the murder mystery of a Hollywood starlet; there is also a business tycoon and a supermodel who are also bumped off in the film’s initial bits. Sampath Raj & Co are given the task of catching the murderers. Yashoda (Samantha) becomes a surrogate who is in desperate need of money. She is urged by the basti doctor to continue her pregnancy in a high-end facility called Eva. Eva is owned by Madhu (Varalakshmi Sarathkumar). There is also Dr Gowtham (Unni Mukandan). This facility is luxurious in every sense of the word. It is a dream come true for any pregnant woman; however things are not what they appeared to be. Yashoda is also not the helpless woman that she appears to be in the beginning. She has been sent by someone to bust Eva. Additionally her young sister is also trapped in Eva. Yashoda soon starts her secret investigation and this leads to tumbling of several secrets.

Samantha and Unni Mukundan who makes solid impression

The murder mystery and the track of Samantha go side by side leading to some unexpected twists which are quite engaging. But the missing aspect is a tight screenplay to bind things together.

Yashoda starts off on a high until Samantha reaches Eva but soon starts stagnating. The major reason for that are her Eva inmates and a forced attempt to show a bond between Samantha and them. These inmates have their own reasons to become surrogate mothers; however the problem is that audiences don’t feel anything for them. The humor also comes across as rather unwanted.

Varalakdhmi Sarathkumar with Samantha

Things take a turn for good when Samantha gets into her investigative mode. Of course, suspension of belief is needed here in terms of how easily Yashoda investigates in spite of the secret cameras and the tight security. The interval bang is very exciting indeed.

The second half starts off promisingly with the back-story of Varalakshmi Sarathkumar. Her back-story looks at the concept of beauty consciousness and the society’s obsession with the outer exterior. Madhu is a woman who never wanted pregnancy as it would ruin her beauty. However, there is a major issue in terms of how she has been portrayed. Through her character the director duo reinforces the stereotypes of how a woman who doesn’t want to become a mother must invariably be an abnormal psychopath. This hardly leaves space for any nuance.

The pre-climax twist of Yashoda being policewoman and also Murali Sharma being a negative character does come as a surprise. The ending has an emotional high. However the elongated fight scenes test the patience of the viewers.

Hari Shankar and Harish Narayan, the directors, duo bite more than they can chew?

Samantha in the title role gives her blood and sweat and is easily the biggest reason why you stay with the film. She pummels the bad guys with conviction and also adds a certain gravitas to the emotional scenes. Varalakshmi Sarathkumar makes for a great antagonist; however she comes across as rather helpless in the climatic portions of the film. Unni Mukundan also makes a solid impression as Madhu’s partner in crime. Sampath Raj, Murali Sharma and others are good in the space that they have been given.

Music by Mani Sharma is just functional but the background score is good. The cinematography by M. Sukumar deserves distinction marks for a job very well done.

Final word: Yashoda is a treat for Samantha fans and an interesting experiment but that is not enough for this to sail through.

Some Of My Favorite Web Series Across Languages (2021)

Firstly advanced happy New Year and here’s hoping that we will finally get rid of this COVID in 2022. Following is a list of the web series that I have liked most this year. Out of the eight web series that I have chosen there are two Telugu, four Hindi, one English and one Pakistani.

Pakistani

Dhoop Ki Deewar– Director Haseeb Hasan’s Dhoop Ki Deewar is a show which is much needed for today’s times. Through a heart wrenching love story the director conveyed a strong anti- war message. The series begins off with an intense India and Pakistan cricket match. You have two families cheering for their respective nations. One family is from Amritsar and the other one is from Lahore.

The first episode gives you a basic idea about these two families. The audiences soon come to know that they are army ones. The main characters are Sara Sher Ali (Sajal Ally) and Vishal Malhotra (Ahad Raza). The fathers of these two are fighting in the Indian- Pakistan border in Jammu & Kashmir. Sara and Vishal don’t know that their lives are going to change forever.

Haseeb Hasan gets many things right with the show. One of those things is the consumption of entertainment across the nations. For example Vishal is shown to be a fan of Atif Aslam songs. The Indian family on one hand is shown to be fond of Pakistani dramas; on the other hand the Pakistani family is shown to be fond of Indian dramas. All these things are narrated in an entertaining way.

The love story between the leads keeps you guessing regarding where it is going to end. At one point it looks like they may have a happily ever after but that is soon drowned with the twists towards the final few episodes. The climax is a highly emotional one; it is very difficult not to be moved. Sajal Ally and Ahad Raza bring the characters to life with their terrific performances. Both of them are equally good and that also helps the audiences in making them root for the characters.

English

1. Sex Education Season 3– There is a major reason why the sex education series is hugely popular. It is a series which had juggled many delicate issues like teen sexuality, gender identity etc. All this was done in such a way that you never feel like being lectured. Sex education season 3 was a worthy successor as it goes a step further. This time the focus was on women’s rights, patriarchy and loving oneself.

Sex education season 3

For those who haven’t seen the first two seasons the plot primarily followed the journey of Otis Milburn (Asa Butterfield). He is a student at Moordale Secondary school. Otis is slightly ambivalent toward sex. The reason for that is his divorced mother Jean (Gillian Anderson). She is a sex therapist who has frequent affairs but is unable to maintain relationships.

Another major character is that of Maeve Wiley (Emma Mackey).  Otis and Maeve set up a sex therapy business in school in order to help the students who have sexual problems. Season 2 was majorly about an outbreak called Chlamydia that causes students to question and struggle against topical issues.

Coming to Season 3 a major highlight of this one was how it dealt with the female characters. They were written with lot of insight. This insight can be particularly seen with Maeve and also the pregnancy of Otis mother Jean Melbourn. The writing of these characters was also strong in the first two ones but this time it went a notch higher. Emma Mackey and Gilan Anderson were the best out of the ensemble cast.

Telugu

1. Kudi Yedamaithe– Pawan Kumar’s Kudi Yedamaithe was based on an interesting premise of two people having already lived through a particular day. In the hands of a less competent director this premise would have fallen flat but Pawan Kumar did an extremely good job in making the audiences engrossed throughout.

The series comprised of eight episodes and it never deviated from its core plot. Thankfully, there were no forceful insertions like comedy track or songs. The two characters in question here are Adi (Rahul Vijay) and cop Durga (Amala Paul). Durga has her hands full as she is busy trying to catch the child kidnappers. Adi on the other hand is a delivery boy with aspirations of becoming an actor. The core plot is about whether these two can change the turn of events since they are aware of what the rest of the day holds.

One of the major strengths of the series is the subtle variations that the director brings to the table in terms of how he presents the events. This can be particularly seen with Adi’s character. The director also makes sure that the concept of time loop never gets into a boring zone. While Amala Paul is in good form as Durga it is Rahul Vijay who surprises you. He gets equal footage to show his potential.

2.  Unheard– Aditya KV’s Unheard is a series which packs in a lot. There are multiple themes going on. For example you have the ideological stand offs between the revolutionaries. It is a lot to focus on but the director does a good job of keeping you invested.

The series starts off with an idealistic young Gandhian Padma (Chandini Chowdary). She seeks help for an injured comrade played by Priyadarshini. The doctor who helps her is Chalapati (Bala Aditya). The night passes with Padma and Chalapati having heated arguments on the benefits and banes of Nizam rule along with the price of freedom. The next episode is about two revolutionaries with different ideologies, along with Priyadarshini this episode also features Ajay. The rest of the episodes mostly bring back the familiar characters.

One of the most striking aspects of the series is the conversations between the revolutionaries. The series by nature is heavy on dialogues as the characters are frequently saying their point of views. Thankfully the dialogues also written by Aditya KV are just as powerful. These dialogues along with the performances of the actors also aided the script.

Hindi

1. Family Man Season 2– The expectations from Family Man Season 2 was immense, fortunately season 2 more than lived up to the expectations. In fact it was better than the first one. Just like the first season director duo Raj and DK continued to showcase their ability in dealing with conflicts both global and domestic through humanist lens. You don’t come across simplistic heroes and villains here. There are shades of grey on both sides.

By the end of Season 1 Manoj Bajpai’s Srikant Tiwari had quit his task force job and joined an IT company. The reason for that is his guilt about certain events that had happened at the end of the first season. He also wanted to make his family life work but his attempts at neither are working. He is getting fed up of the IT job and the family life has become worse.

The backdrop of Season 2 is Northern Sri Lanka. Samantha’s character Raji is a hardened LTTE militant. The basic storyline is Srikant Tiwari deciding that he has had enough and returning back to where he belongs. The task of Srikant Tiwari this time is to save PM Basu (Seema Biswas) from the hands of LTTE. In addition the old nemeses have also made a comeback.

The biggest triumph of Family Man Season 2 is how Raj and DK deal with the characters of Samantha’s Raji and the entire LTTE thing in general. Samantha had said in various interviews that she doesn’t look at her character as a villain. You understand why she said like that when you see the show. Raji is someone who has faced brutality at the hands of both Sri lankan soldiers and also men in day to day life. Her anger is not just about the governments but it is also about patriarchy.

Samantha embodied all these aspects of her character and delivered a performance that pushes boundaries. The way she did the action scenes was also first rate. Manoj Bajpai as Srikant Tiwari started off from where he left off in the season. Sharab Hasmi in his supporting was equally impressive just like the first part.

2. Grahan– Rajesh Chandel’s Grahan was based on the novel  Chaurasi written by Satya Vyas. The eight episodes covers a story that is set three decades from each other, however there is a commonality that binds them.

Zoya Hussain plays the righteous police officer Amrita Singh. She firmly believes in using her position for the betterment of society. Pawan Malhotra plays the father. When Amrita tries to solve a case of an honest journalist she faces opposition from top politicians. Frustrated she decides to resign, but things take a turn when an old case regarding the Sikh riots in a place called Bokaro comes up. Her world comes crashing down as she finds that her father is the prime suspect in this case.

The most striking aspect of Grahan is the parallels that the director draws between 1984 India and today’s one. There are some sharp observations on how people can be quickly incited by What’sApp forwards and political manipulation. There are some scenes in the present timeline which show how easily people believe in these rumors and turn against each other in spite of living with them for a long time. The underlying message is that the issues are the same whether it is 1984 India or today’s one.

The emotional scenes between Zoya and Pavan Malhotra also struck a chord with the audiences.

3. Mumbai Diaries– Mumbai Diaries directed by Nikhil Advani and Nikhil Gonsalves is a gripping drama that is both emotional and intriguing. The directors took the real life incidents of 26//11 and penned down a fictional story.

The director duo set their story in a crowded, chaotic and low- on resources government hospital. The doctors and nurses are pushed to their limits as victims of gunshots are wheeled in one after another on the night of November 26th.

Although the medical professionals are the centre of the story they are not the only ones under the spotlight. In essence Mumbai Diaries is about the spirit of the people. It was a night where everyone had to be on their toes to fight this unexpected attack.

The biggest success of Mumbai Diaries lies in how they made a thriller that is both heartbreaking and heart stopping. The series makes you applaud the courage and the determination that both men and women showed in the face of death. It also avoided the cliché route of pitting one nation against another, or one religion against another.

Out of the huge ensemble the ones who stood out were Mohit Raina, Konkana Sen Sharma and Satyajit Dubey.

4. The Empire– Mitakshara Kumar’s The Empire was based on Alex Rutherford’s novel The Raiders from the north. It was the first in the series written by Alex Rutherford. The book essentially covered the journey of Babur from Fergana to setting up the Mughal Empire. Apart from Kunal Kapoor as Babur the ensemble cast also included Dino Morea, Shabana Azmi, Drashti Dhami etc.

The Empire wasn’t exactly as engaging as the book but it was still consistently watchable on the account of several factors.

The scale of the series was undoubtedly very striking. The camerawork by Nigam Bomzan and the production design by Priya Suhas was successful in transporting the audience. Mitakshara Kumar worked as an assistant director for several years under Sanjay Leela Bhansali, you can clearly see the influence of her mentor.

Just like Ranveer’s Khilji Dino Morea also had a more of an impactful role compared to Kunal Kapoor who played Babur. Initially we see Dino’s character as a ruthless villain but slowly a psychological insight is also given. His scenes with Drashti Dhami’s Khanzada Begum showed a different side to the character.

The female characters of Dhrasti Dhami and Shabana Azmi were another good aspect of the series. Drashti Dhami in particular molded herself well in a character that requires her to be bold yet restrained and impactful. Both the women characters play an important role in the politics of the kingdom and aren’t mere bystanders.

This is all about the year ender web series, once again advanced Happy New Year.

The Family Man Season 2 : Curtain Raiser

For those who haven’t seen the first season the plot is about Srikant Tiwari who lives a double life. On one hand he appears to be a regular middle- class man who works in a government office pushing files for a living but he is actually an agent at the threat analysis and Surveillance cell (TASC). Srikant’s job consists of going after terrorists and looking for clues while bombs are being defused by the experts. The terrorists here are a bunch of people with links to ISIS and Pakistan. The job of Srikant and his team is to uncover the plot and make sure that the plans of the extremists don’t work.

While all this going on there is also the track of Srikant’s family life crumbling. His wife played by Priyamani is on the brink of an affair. His daughter on the other hand is covering up for a boy who’s is pushing pills in their class. To top it the son is a little brat of his own.

What made this plot work was the treatment of the director duo Raj and DK. This can be particularly seen in how they handled the main character. While we are used to seeing spys as larger than life characters Raj and Dk gave a different spin to this character. Some of the best scenes in the series involve Srikant juggling between his personal and professional life. This juggling act makes the character of Srikanth and his world more relatable.

The series also worked for the jugalbandi of Manoj Bajpai and Sharib Hashmi who plays Srikant’s trusted aid. The friendship that the characters share appeared very real thanks to both the actors. Every scene that both of them appeared brings a smile to your face.

The series also deserved appreciation for how it dealt with some of the issues affecting our country. Yes, the treatment could have been better at places but both Raj and DK deserve appreciation for what they have done.

For example there are scenes where we see the Muslim students being rounded up by the policemen for no fault of theirs. You also have videos of mob lynching that are circulated among the students.

You also have a segment on Kashmir when Srikant gets transferred to that place. There is a scene where Gul Panang’s character talks about how common people are the worst effected in the crossfire between Indian army and militants. She almost suggests that there is no difference between army and militants in this matter. Not surprisingly these dialogues didn’t go down too well with the RSS.

Last but not the least, the series gave the opportunity for Manoj Bajpai to lead from the front which is something that we don’t see in commercial Hindi films.

As a result of all these factors the second season has become one of the most awaited web series of this year. Family Man Season 2 was supposed to release in February but it is releasing now due to the controversy that Abbas Ali Zafar’s Tandav faced.

From the trailer of the second season it is very evident that Srikanth is still juggling between his dual duty of being a middle class family man and world class spy. There are witty one liners delivered by Manoj and the camaraderie between him and Sharib Hashmi looks crackling just like the first season.

The thing which I am looking forward most is watching Samantha. It looks like an edgy character with grey shades. Given the talent that Samantha has we can look forward for a powerful performance.

There has also been some controversy regarding Samantha’s character as some people feel that her character of LTTE militant has been shown in an objectionable manner. However, it wouldn’t be appropriate to judge the character based on the teaser. Raj and DK are sensitive directors and in all probability they would have dealt with the story in a responsible way. 

Some Of My Favorite Films Of The Year Across Hindi, Telugu And Tamil

Belated Merry Christmas and advanced Happy New Year to everyone. Since 2020 has been a truncated year for obvious reasons it is difficult to make a comprehensive list of the movies which came in that year.  Within the choices that we had following are the movies I liked best in the three languages I saw.

Hindi Films

1. AK VS AK – Directed by Vikramaditya Motwane AK VS AK is easily one of the most experimental films that you have had this year. It is a perfect example of a well made Meta film with Anil Kapoor and Anurag Kashyap bearing their souls. Both Anil and Anurag were excellent in their portrayal. The plot of the film revolves around Anurag kidnapping Anil Kapoor’s daughter Sonam Kapoor after a public spat between the two. This film has plenty of inside jokes which will make you chuckle like the scene in which Abhinav Kashyap’s successful film Dabbang is mentioned in comparison. However the scene which brings most laughs is when Harshvardhan Kapoor tries to impress Anurag Kashyap and blames Vikramaditya Motwane for sabotaging Bhavesh Joshi.

It is a clever joke because that film was also directed by Vikramaditya Motwane and co produced by Anurag Kashyap. But the film is much more than just a series of inside jokes. It also looks at the paradoxes of a Bollywood star’s life and how they are expected to act even during tragic times. The scene where Anil Kapoor has to dance for the audience amidst his frantic search for Sonam is an example for this. It is a scene which reminds you of Chaplin and Anil’s acting in that scene deserves a particular mention. In short don’t miss this one, it is streaming on Netflix.

2. Thappad – After Mulk and Article 15 director Anubhav Sinha delivered another socially relevant film called Thappad. It was a film which convinced many of us that a slap could lead to a divorce. Pavail Gulati plays the husband who slaps his wife played by Tapsee Pannu in a fit of anger. For him it is something which has happened at the heat of the moment but for the wife it dismantles her married life completely.

Although this is the central plot you have other things happening simultaneously like the track of a poor domestic help who suffers beatings from her husband. It is not an easy film to pull off but Anubhav Sinha was in control for most part. The performances of the cast particularly the supporting players were very good. My favorite ones are Kumud Mishra, Pavail Gulati and Dia Mirza. Pavail Gulati in particular was very good as the husband who is clueless to his own shortcomings.

3. Chhapaak – Meghana Gulzar’s Chhapaak was a sensitive take on the real life acid attack survivor. The film also raised some important questions like the legal system which doesn’t treat acid attacks as grave a crime as rape. Is 10 years of imprisonment enough for scarring someone’s face/life and very importantly why acid is easily available across the counter are some of the questions that this movie raises. The film also had its share of light hearted moments like the conversations between Deepika and fellow acid attack survivors in a shop. Deepika in the title role slipped convincingly into the character making it the best performance of her career. The relationship of Deepika and Vikrant Massey’s Amol was also handled very nicely.

4. Shakuntala Devi – Generally Indian biopics glorify its protagonists, the best example of this is Narendra Modi film which was purely made with the intention of projecting Modi as a superman who can do no mistakes. Even Neeraj Pandey’s MS Dhoni didn’t offer any real insight into Dhoni’s life apart from showing things that people already knew. Anu Menon’s Shakuntala Devi was different as it portrayed the famous mathematician Shakuntala Devi with all her faults.

In fact at a certain point you begin to resent this woman who lies to the media that her husband played by Jisshu Sengupta is a homosexual. She is so overbearing that you feel complete pity for both the husband and the daughter played by Sanya Malhotra. The film did have its share of loose ends but it was largely an engaging film on a woman who had a very strong personality. Vidya Balan’s uninhibited performance was an icing on the cake.

5. Ludo – After a disastrous Jagga Jasoos Anurag Basu made a strong comeback with this multi layered narrative. Much like Life in a Metro this one also looked at different aspects of the society through multiple characters. It also had a philosophical touch as it dealt with the concepts of Dharma and Adharma through the two narrators one of which is Basu himself. The only thing which could have been better is the character of Pankaj Tripati who starts off as an important character but after a point is sidelined. You also had some bold jokes on BJP and Republic Channel through the voice artist character of Aditya Roy Kapoor. The actors who stood out in the ensemble were Rajkumar Rao, Fatima Sana Sheikh, Aditya Roy Kapoor and Abhishek Bachchan.

Telugu films

1. Jaanu – Jaanu is the remake of Tamil film 96 which starred Vijay Sethupati and Trisha. This one starred Sharwanand and Samantha. For those who haven’t seen the original, the story is about two silent lovers Ram and Jaanu meeting at a school reunion after many years and exploring their past. It is one of those rare love stories where you root for the couple and want them to have a happy ending which isn’t possible.

The contrasting characters of the two also made it interesting. Ram is someone who is too shy while Jaanu on the other hand is more expressive. The one complaint with the film though is its pace. It takes time to get used to it and you get the feeling that the initial portions could have been a little crisper. While Sharwanand was good, it is Samantha who is the driving force of the film. The supporting cast comprising of Vennela Kishore, Saranya etc were also good in their brief parts.

2. Ala Vaikuntapuramlo – Story of this film isn’t new by any stretch of imagination. You have two babies who are swapped at their birth like in the book Midnight Children by Salman Rushdie. The rich one grows up in a poor family and the poor one grows up in a rich family. But what made Ala Vaikuntapuramlo entertaining is the treatment of Trivikram Srinivas and the performances of Allu Arjun and Murali Sharma. The best part of the film was the cat and mouse relationship between the characters of Allu Arjun and Murali Sharma, son and father. Trivikram Srinivas invested plenty of time to build their relationship which is why the scenes between them work most in this film. Murali Sharma got very good footage as the greedy father and he was impeccable in his portrayal. Tabu who should have been an important character in this film was totally wasted.

3. – It is not always that you have an action thriller which has repeat value but Indraganti Mohan Krishna’s V got its masala elements in a perfect order. The story of is about a mystery man who tries to take revenge for his wife’s brutal murder without getting caught by the police officer who is determined to catch him.

It is a straight forward premise elevated by the treatment of the director and particularly the performance of Nani as the villain fighting for a cause. There is also lot of black humor and the scenes of Nani with his fellow travelers were hilarious. After playing the hero for a long time it looked as though Nani completely unburdened himself in this one.

Tamil Films

1. Putham Pudu Kaalai – Set during the lockdown Putham Pudu Kaalai was a well made anthology by directors Sudha Kongara, Gautam Menon, Suhasini, Rajiv Menon and Karthik Subbaraj. The first four stories were set in the upper middle class milieu while the last one was about two thieves and a typical Karthik Subbaraj film. My favorite story of the lot is Gautam Menon’s ‘You and me’. This segment was about a reluctant granddaughter who has to stay at her grandfather’s place due to lockdown. She is waiting for the stay to get over. Director Gautam Menon built up the different stages of the relationship well. A scene which deserves a particular mention is an emotional conversation between the two and through that the director tells you what a good conversation can do. MS Bhaskar is riveting as the grandfather and gets able support from Ritu Varma, the granddaughter. Another segment which deserves mention is Karthik Subbaraj’s Miracle. The black humor makes you chuckle and the background music is also done well. But it has to be said that this segment works as a single unit more than a part of anthology. Bobby Simha as the main thief appears to have had lot of fun playing the character.

2. Dharala Prabhu – A remake of Ayushmann Khurrana’s Vicky Donor, Dharala Prabhu was a well made film where the makers retained the soul apart from adding a certain freshness of their own. For those who haven’t seen the original the plot revolves around a young man who takes up the job of sperm donor to earn some quick money and the wife’s reaction when she comes to know of it. The best part of Dharala Prabhu was how it dealt with a number of sex and reproductive issues without making them feel like moral Issues. A particular mention must be made of how it dealt with the topic of adoption from a female perspective. Harsh Kalyan is no Ayushmann but the actor did a good job nevertheless. Vivek is over the top but still his character works well as the fertility specialist Kannadasan.

These films are by no means representative of the films of 2020 but within the limitations of availability these are the films that I chose. I would end by wishing advanced Happy New Year to everyone and hoping 2021 turns out to be a better year regarding movies. If you haven’t seen some of these films I would definitely recommend you watch them.