Horror to humour: Best Bollywood films of 2024

The year 2024 has seen a significant shift in terms of viewer choice. Tenth-pole action movies with macho men at the centre predominantly dominated 2023.

This year though there has been a clear fatigue towards the action genre. The horror space has given exciting storylines with sufficient thrills and a good dose of humour.

One of the major production houses Maddock Films scored a double whammy this year with Stree 2 and Munjya. Both these movies featured grotesque demons representing sinister thoughts.

In Stree 2 the headless demon kidnaps women with a modern outlook representing our sexist leaders. In the case of Munjya a young Brahmin boy resorts to black magic to win over a girl but this only results in self-destruction. Stree 2 and Munjya had impactful social commentary apart from the folklore touch.

Another film of the same genre is Anees Bazmee’s Bhool Bhulaiyaa 3, a horror thriller/comedy with an important message on inclusivity and acceptance. A poignant flashback connected to homosexuality made Bhool Bhulaiyaa 3 a notch above the second part.

Queen director Vikas Bahl also made a strong comeback this year with Shaitaan, a home invasion thriller with elements of horror.

While horror films ruled the box office, there were other films that made an impact irrespective of their box office numbers like Laapataa Ladies, Srikanth, Chandu Champion, CTRL, Kill, Amar Singh Chamkila, Crew and Jigra.

Following are some of the most impactful movies of this year.

Laapataa Ladies

A still from the film Laapataa Ladies
A still from the film ‘Laapataa Ladies’. (X)

Kiran Rao’s second directorial venture, Laapataa Ladies, is a well-crafted feminist tale that effectively uses humour to address serious issues. The absurd scenarios arising from the confusion surrounding the same ghoonghat have a Shakespearean touch.

The film tackles important themes such as the necessity of education, the burdensome customs imposed on women, and the need for self-reliance. The latter is explored through the character of Manju Maai, a feisty and independent older woman played delightfully by Chhaya Kadam.

A major highlight of Laapataa Ladies is Ravi Kishan’s incredible comic timing. As a bribe-loving cop with a conscience, he left a strong impact with his performance. Newcomers Nitanshi Goel, Pratibha Rana, and Sparsh Srivastava were also a joy to watch.

Stree 2

A poster of the film Stree 2
A poster of the film ‘Stree 2’. (X)

Aamir Kaushik’s follow-up to Stree (2018) was a rollicking sequel filled with equal parts scares and laughs. The film also featured impactful social commentary through the character of Sarkate, a headless demon. This grotesque creature kidnaps women with a modern outlook, such as those with big dreams or who marry outside their caste. Sarkate had previously burned Stree and her lover alive.

A key moment in the movie shows all the men in Chanderi becoming alpha males due to Sarkate’s spell. In the pre-climax, the women of Chanderi break out in unison, fully aware of the dangers.

What also made Stree 2 a blockbuster sequel was the camaraderie between Rajkummar Rao, Abhishek Banerjee, Aaparshakti Khurrana, and Pankaj Tripathi. Their comic timing and chemistry added depth to the film.

Apart from Stree 2, Rajkummar Rao had a remarkable year, showcasing his versatility in various roles. In Srikanth Bolla, he portrayed the visually impaired businessman with an exceptional performance, perfectly capturing the character’s mannerisms and insecurities.

In Mr and Mrs Mahi, he played Mahendra, a failed cricketer who manipulates his wife for fame. Despite Mahendra being selfish and unlikeable, Rajkummar’s layered performance made him impossible to fully hate. The film performed moderately at the box office.

Chandu Champion

Kartik Aaryan in Chandu Champion
Kartik Aaryan in ‘Chandu Champion’. (X)

Kabir Khan’s Chandu Champion took viewers on an emotional rollercoaster. Based on an incredible real-life story, the film is a must-watch tale of grit and determination.

Beyond being an underdog story, the movie addressed important themes, such as how people with disabilities seek empathy, not sympathy. It critiqued the “Bechara syndrome” and highlighted how their efforts often go unrecognized.

In the title role, Kartik Aaryan delivered a career-defining performance. Along with his impressive physical transformation, he shone in scenes portraying helplessness, frustration, resilience, and grit.

Despite sharing screen space with a strong actor like Vijay Raaz, Kartik held his own. Vijay Raaz, playing the coach and father figure, added significant emotional depth to the film.

Kartik also impressed in Bhool Bhulaiyaa 3, where he entertained as the fake Baba Rooh Baba, leaving viewers in fits of laughter. He also delivered a heartfelt performance in a small double role.

Kill

A still from the film Kill
A still from the film ‘Kill’. (X)

Nikhil Nagesh Bhatt’s Kill was a thrilling ride in spite of its visceral action. He elevated a standard action plot by merging the issue of class divide and blurring the lines between what we consider a hero and an anti-hero.

The humanization of dacoits particularly in the second half was very well done. On more than one occasion the armed robbers are seen venting out their vulnerabilities and fears.

The action sequences by nature are very violent with the titular character Amrit (a mighty impressive Lakshya) coming across as a bigger monster than the real armed robbers.

However, stunt directors Parvez Sheikh and Se-Yeong came up with very innovative combat sequences in confined spaces. Raghav Juyal best known for his dancing skills surprised one and all with his act of a cold-blooded villain.

CTRL (Netflix)

Ananya Pandey in CRTL
Ananya Pandey in ‘CRTL’. (X)

Vikramaditya Motwane’s CTRL, streaming on Netflix, is an engaging thriller/drama that explores the dangers of AI, including deepfakes and personal data breaches. The film raises important questions about how Gen Z increasingly relies on internet bots for genuine advice rather than consulting real people.

Ananya Panday plays the central role of Nella, a social media influencer. She and her husband, Joy (Vihaan Samrat), run a YouTube channel called NJoy. Their seemingly perfect relationship unravels, leading to a disturbing chain of events.

A key aspect of CTRL is how Motwane makes viewers reflect on the desire for validation through social media and the fine line between sharing and oversharing. These questions are raised in a thoughtful, non-preachy manner.

Ananya Panday delivers a stellar performance as Nella, perfectly capturing the character’s various shades. Special mention must also be made of Aaparshakti Khurrana, who voices the AI, adding depth to the story.

Do Patti (Netflix)

Kriti Sanon in Do Patti
Kriti Sanon in ‘Do Patti’. (X)

Shashanka Chaturvedi’s Do Patti shares some similarities with Jasmeet K Rheen’s Darlings, as both films depict women taking control of their lives when everything seems to have hit a dead end. However, Do Patti is very much its own story.

In addition to tackling domestic abuse, this Netflix film also explores sibling rivalry, post-traumatic stress, and childhood trauma. Kudos to Kriti Sanon for choosing to back such a project for her first production venture.

Kriti is outstanding, particularly in her role as the jealous twin, who eventually becomes a strong ally to her demure sister. Shaheer Sheikh, as the unpredictable husband, also gave a strong performance.

Jigra

Alia Bhatt in Jigra
Alia Bhatt in ‘Jigra’. (X)

Vasan Bala’s Jigra is a perfect blend of emotional drama and a prison break story. The film combines two distinct elements: on one hand, it tells the gritty tale of a young woman shaped by the emotional turmoil of witnessing her father jump from the roof. On the other, it explores themes of class divide and the brutalities faced by the common man in a police state.

The class divide is starkly portrayed through the way Satya’s wealthy relatives make her brother a scapegoat to protect their son, despite him being a habitual drug offender. Jigra is, for the most part, an engrossing film, and it was further enhanced by Alia Bhatt’s perfect portrayal of Satya’s tigress-like nature.

Vedang Raina, as the naïve young man caught in a complex web, also gave a strong performance. In supporting roles, both Manoj Pahwa and Rahul Ravindran made their presence strongly felt. The film features many memorable scenes, including one where Alia Bhatt’s Satya devours a large amount of food to calm her nerves.

Another impactful scene occurs when a helpless Satya asks a prison security guard if she looks sad. When he says yes, she tries to smile and asks the same question again. The sorrow in her eyes, as she struggles to stay mentally strong for her brother, was beautifully written and enacted.

The Buckingham Murders

Kareena Kapoor in The Buckingham Murders
Kareena Kapoor in ‘The Buckingham Murders’. (X)

Hansal Mehta’s The Buckingham Murders is a perfect example of a slow-burn investigative drama. While it may appear to be a police procedural on the surface, the film also delves into the lives of immigrants, communal hatred, and the struggles faced by the Queer community, among other themes.

Kareena Kapoor delivers an outstanding performance as a detective sergeant, grappling with deep emotional turmoil while investigating the case of a missing child.

In addition to these themes, Hansal Mehta also did an excellent job of addressing the changes brought about by the pandemic., both positive and negative. The film offers valuable psychological insight into the shortcomings of society. While the narrative occasionally digresses from the investigation, the conclusion more than makes up for these moments.

Apart from The Buckingham Murders, Kareena also played a hustler who is unapologetically greedy in Crew. 

(Edited by Sumavarsha)

Nikhil Advani: From romantic dramas to gripping social thrillers

Starting from the romantic dramas Kal Ho Naa Hoo (2024) and Salaam-e-Ishq (2007) Nikhil Advani has created a distinct space for himself both on the big screen and also in the OTT space.

In a career spanning from 2003 to now, Nikhil Advani has donned various hats as a director, producer, writer and also creator for web series like the two seasons of Rocket Boys (2022, 2024) and The Empire (2021).

However, over the years, Nikhil Advani has moved from light-hearted romantic films to gritty tales about society, and history.

For example, the 2013 movie D-Day is a significant milestone in his career. At the box office, it was an average grosser but the critical reviews were very good.

Although an espionage thriller with all the nationalistic elements, the movie was nevertheless gripping showcasing a different facet of Nikhil Advani. The trials and tribulations faced by the four undercover agents in capturing the late Rishi Kapoor’s character modelled on Dawood Ibrahim packed an emotional punch.

Another TV show POW Bandi Yudk Ke was also directed by Nikhil Advani. The show based on two prisoners of war was taken off the air due to low viewership despite critical acclaim.

Nikhil Advani has aced many genres, including action thrillers like Batla House, sports dramas like Patiala House, and films on social issues like Vedaa. He has also dabbled in the OTT space, giving series like the recent Freedom At Midnight, and Mumbai Diaries Season 1 and 2.

Now let’s get into a little more detail about a few other projects that have been helmed by Nikhil Advani, showcasing how much he has grown as a director.

Batla House

John Abraham in Batla House
John Abraham in ‘Batla House’. (Instagram)

In 2019, Nikhil Advani directed the action thriller Batla House based on the real-life police officer Sanjeev Kumar Yadav. The film focused on the controversial encounter showcasing Sanjeev’s struggles in proving both the authenticity of it and also dealing with post-traumatic stress disorder.

The movie isn’t entirely objective in its approach more or less siding with Sanjeev Kumar. Still, it was a taut film keeping the viewers engaged. Also, Nikhil Advani’s depiction of PTSD deserves major appreciation.

Nikhil Advani also pushed John Abraham beyond his action star image. On numerous occasions, the viewers see John battling with his inner demons, a particular mention must be made of the portions reminiscent of William Shakespeare’s play Lady Macbeth. Much like that play, here too John’s character is often haunted giving a much-needed emotional heft.

Vedaa

Sharvari Wagh in Vedaa
Sharvari Wagh in ‘Vedaa’. (X)

Vedaa (2024) headlined by Sharvari Wagh is flawed yet a gritty social drama about caste-based violence and discrimination. The movie was based on real-life events and Nikhil Advani did a fantastic job in showcasing the struggles of Dalits in climbing up the social ladder even after so many years of independence.

Vedaa deserved to be much more at the box office given its merits but unfortunately lost the box office battle with Amar Kaushik’s mega-blockbuster Stree 2.

A very strong point of Vedaa was how Nikhil Advani developed the character of its titular protagonist portrayed by the brilliant Sharvari Wagh. The character of Vedaa starts off as a timid girl but gradually she grows in confidence becoming a strong rebel refusing to bow down. This transition was wonderfully depicted by Nikhil Advani aided by Sharvari who didn’t miss a single beat.

Apart from Sharvari’s towering act, Nikhil Advani also created a strong antagonist in the form of Abhishek Banerjee’s Jitender Pratap Singh. As the man who firmly believes that one shouldn’t toy with the established caste system, Abhishek simply knocked it out of the park showcasing his immense range.

Mumbai Diaries Season 1 and 2

The two seasons of Mumbai Diaries directed and created by Nikhil Advani focused on two highly distressing real-life incidents.

A poster of the series Mumbai Diaries
A poster of the series ‘Mumbai Diaries’. (Instagram)

The first one was about the horrors of 26/11. Nikhil Advani along with Nikhil Gonsalves focused their lens on how medical professionals like doctors and nurses were pushed to their limits in a crowded hospital which is low on resources. The web series was also a tribute to the spirit of Mumbaikars.

A strong aspect of the first season was how it never portrayed the doctors as superheroes. All of them come with their own inner demons and have their backs to the wall both professionally and personally.

Nikhil Advani also did a very fine job in not pitting one religion or nation against one another. It was more about terror versus humanity. The strong acting performances led by Mohit Raina and Konkana Sen Sharma were another highlight of both seasons.

The second season of Mumbai Diaries focused on the rage of floods which had submerged the Mumbai city. Much like the first season this time too the focus was equally on both the doctors fighting against the unfavourable weather and their personal demons along with the fighting spirit of Mumbaikars.

A strong aspect of Season 2 was how Nikhil Advani along with his writers built a palpable sense of urgency. The viewers feel an emotional connection with the characters of Mohit Raina and Konkana Sharma among others.

The flood scenes were also authentically recreated, and the production design of Priya Suhass was simply top-notch.

Freedom At Midnight

Freedom At Might co-written by Dominique Lapierre and Larry Collins is a very difficult novel to adopt given the sheer vastness of the political turmoil.

A still from the series Freedom At Midnight
A still from the series ‘Freedom At Midnight’. (Instagram)

In today’s political environment numerous filmmakers are seen playing to the gallery to please the ruling party but Nikhil Advani’s adaptation of the vast novel stands out for not just the brilliant writing but also the way in which he never takes sides. He let the audiences make their own judgements by placing them amidst the powerful leaders who had fought for India’s independence.

The dynamics between Gandhi and Nehru were a treat to watch in particular. Gandhi’s unwavering idealism and Nehru’s internal struggle leading to discord were both wonderfully written and enacted. The series was also technically top-notch particularly the portions featuring the riot-torn neighbourhoods.

The show moves the viewers on many occasions like the scenes of religious discord leading to communal violence. Cannot wait to see how the second season unfolds.

Apart from the ones mentioned above a couple of other web series worth mentioning here are Rocket Boys and The Empire. Nikhil Advani didn’t direct either of them but he was still creatively involved. Both these shows further demonstrated Nikhil Advani’s versatility.

This is all about the evolution of Nikhil Advani as a filmmaker. Here’s hoping that he continues to do stellar work.

(Edited by Sumavarsha)

Mismatched Season 3 (Hindi web series) : A compelling portrait of love and identity in the age of digital paradox

Directors Akarsh Khurana and Nipun Dharmadhikari dig deeper than the previous two instalments looking the dangers of the online personas that we create.
Mismatched Season 3 (Hindi), 13-12-2024, Romance, Comedy, Drama, 8 episodes, A, OTT
  • Main Cast: Rohit Saraf, Prajakta Koli, Muskkaan Jaferi, Taaruk Raina, Laurena Robinson and Rannvijay Singha
  • Director: Akarsh Khurana and Nipun Dharmadhikari
  • Producer: Ronnie Screwvala
  • Music Director: Jasleen Royal and Anurag Saikia
  • Cinematography: Sudip Sengupta
  • Rating: 3.5/5

For those who haven’t seen the first two seasons of Mismatched, the plot revolves around two diametrically different personalities.

Rohit Saraf’s Rishi is a young man with traditional notions of romance. Prajakta Koli’s Dimple is a tech-savvy girl with contrastingly different views on love and marriage. The series is based on the book titled When Dimple Met Rishi by Sandhya Menon

Her perception regarding marriage has zero similarities with Rishi’s filmy ideas. The two have a disastrous first meeting but a summer program brings them together despite the contrasting personalities.

The first two seasons primarily explored the themes of love, coming of age and societal expectations. All this resonated well with the younger audiences making it a popular show.

What also made the first two seasons popular was its supporting cast led by Taaruk Raina and Muskkaan Jafferi.

Taaruk Raina’s character Ammol represents the struggles of disabled people in finding normalcy. To cover up his emotional vulnerabilities he behaves like a bully pretending to be a tough guy. Muskkaan Jafferi’s Celina on the other hand is also someone who pretends to be brave but has secrets of her own.

Synopsis

Rohit Saraf and Prajakta Koli
Rohit Saraf and Prajakta Koli. (X)

Coming to Mismatched Season 3 the plot shifts from Jaipur to Hyderabad. The beginning episodes focus on their long-distance relationship.

Rishi is doing very well in NNIT run by Nandini Nahata (Dipannita Sharma). Dimple on the other hand is grappling with a lack of self-confidence, the reason being she couldn’t secure a place for herself in NNIT.

Their long-distance relationship soon starts cracking leading to a major strain. Dimple eventually makes an important decision to join Siddarth, Nandini’s rival’s (Rannvijay Singha) new institute which is conveniently located right next to NNIT. This move of Dimple isn’t just about beginning her career afresh but it’s also about staying close to Rishi.

The rest of the story focuses on the complexities of career ambitions and relationships coupled with the evolving dynamics of a fresh batch.

Strong points

Akarsh Khurana directorial Mismatched Season 3
Akarsh Khurana’s directorial ‘Mismatched Season 3’. (X)

A strong aspect of Mismatched Season 3 is the exploration of digital paradox through a project called Betterverse. This Betterverse, also called metaverse is a virtual reality space where the users can live out all their wildest fantasies, has been created by Rishi and Co. The central conflict of Mismatched Season 3 is this digital utopia.

On paper, this project looks very exciting as the players can live out their hidden fantasies but as the story progresses the characters find difficulty in drawing a much-needed line between the real and the virtual world.

Directors Akarsh Khurana and Nipun Dharmadikiri have done a terrific job in exploring this theme. Many youngsters and also extremely tech-savvy people would definitely relate to this.

Among the flaws, the characterization of Dipannita Sharma’s Miss Nandini could have been done with more nuances. She is mostly seen shouting at the top of her voice. This gets jarring after a point.

Also, the students aren’t seen attending much of theory and practical classes, also the atmosphere of the college often comes across as more of a corporate world than a tech college.

Strong characterisation 

A still from the series Mismatched Season 3
A still from the series ‘Mismatched Season 3’. (X)

Mismatched Season 3 deals with the new challenges faced by Dimple and Rishi. Before starting this project Betterverse Rishi was introspective and slightly insecure but post becoming the leader his personality undergoes a significant change.

He somewhat drifts away from his original persona leading to some cracks in the relationship with Dimple. He finds a lot of success in Betterverse but this success comes with a certain cost too.

Dimple on the other hand is facing the dual pressure of wanting to carve a space for herself in the world of coding and technology and having a solid love life. The colliding worlds of real and virtual have been wonderfully written and enacted.

The complexities here go beyond navigating romantic feelings; they also involve figuring out your true self and staying true to it. This is a difficult task, given the challenges of the digital age. All of this has been presented in a raw and unfiltered manner, without beating around the bush or trying to sugarcoat it.

Supporting characters

Ahsaas Channa and Taaruk Raina in Mismatched Season 3
Ahsaas Channa and Taaruk Raina in ‘Mismatched Season 3’. (X)

What also adds to the impact of the third season are its supporting characters both the older ones and the fresh entrants. A particular mention must be made of the track involving Lauren Robinson’s Rith.

Rith is assigned female at birth and wants to transition and come out of the closet. The romantic track between Rith and Muskkann Jaferi is wonderful to watch. Through the track of Rith, the directors have touched upon the difficulties faced by the transgender community in embracing their real identity.

Talking about the older characters both Muskkann and Taaruk Raina successfully take off from the previous ones providing solid support to Rohit Saraf and Prajakta Koli.

Performances

Talking about the leads, both Rohit Saraf and Prajakta are in wonderful form perfectly imbibing the fresh nuances. The chemistry between them in both the light and emotional scenes is a delight to watch.

The self-discovery of Muskkann’s character runs parallel to that of Dimple and the actress does a fantastic job in showcasing the different nuances. Taaruk Raina is also equally good bringing in both humour and solid emotions.

Special mention must also be made of Laurena Robinson. Laurena is first-rate in portraying the identity struggle of Rith.

The music much like the first two seasons plays an important role in enhancing the story. Tracks like “Ishq Hai”, “Do Din Ke Bad” and “Pyaar Hai” perfectly capture the joys and the internal struggles faced by the characters at different junctures.

Final take

Keeping aside these niggles Mismatched Season 3 streaming on Netflix makes for a good watch, particularly for those who like soothing love stories with a dash of technology.

(Views expressed here are personal, edited by Sumavarsha)

Viduthalai Part 2: Powerful conclusion but this political tale isn’t everyone’s cup of tea

P A Ranjith and Vetrimaaran are two of the most politically charged filmmakers in mainstream Tamil Cinema. Their movies always feature the suppression of the poor. A very good example of this is Vetrimaaran’s Asuran. It was a powerful take on the caste system making the viewers root for the quest of the central protagonist in protecting his family. The first part of Viduthalai was also a good addition to Vetrimaaran’s filmography. The plot focused on a new joined police personnel Kumeresan played by Soori. As the story progresses he gets caught in the tussle between the police department and the local activist group.

Viduthalai part 1

The movie was highly engrossing engaging the viewers from the first frame with its conflict points. The scenes of police brutality had a very raw nature to it disturbing the audiences. Vijay Sethupati as the leader of the activist group didn’t have a lot of screen time but the national award winner brought in a lot of conviction. Viduthalai part 2 focuses on the events following the arrest of Vijay Sethupati’s Vaathiyar. While the first part was majorly about Soori’s Kumeresan, this time around the narrative focuses on the backstory of Vaathiyar. Before becoming a social crusader Perumal aka Vaathiyar was a normal school teacher. His journey and eventually what happens in the present time forms the core plot of Viduthalai Part 2.

Just like Vetrimaaran’s previous movies here too the major highlight is the hard hitting presentation. The movie focuses on a number of issues taking back the viewers to the times of monstrous zamindars for whom the poor were just meant to be muscled away. A hugely disturbing scene in the first half includes the portion where an evil zamindar rapes a woman who serves him. The events following the heinous incident changes the life of a normal teacher forever.

Similarly the struggles of peasants and how they are exploited touches a raw nerve. The movie also gets into the origin of communism and the movements related to it. The first half also has a romantic subplot between Vijay Sethupati and Manju Warrier. The love story between them has some adorable moments bringing a smile to the viewers face. Manju Warrier’s character is not confined to only romantic scenes, she is also a key member of the party with an agency of her own. In the beginning portions she is seen sporting short hair for a particular reason which can’t be revealed here.

Vijay Sethupathi and Manju Warrier in Viduthalai part 2

The movie also talks about how the activists can also go the wrong way with violence never being a permanent solution. Mention must also be made of the scenes in which the authorities are seen trying to cover up their failures or trying to give a new spin.

What pulls down the movie though is a certain sense of repetition. At times the movie keeps circling around similar themes with heavy sermonizing. This results in a certain fatigue particularly for those who aren’t into politically charged storytelling. More brevity was needed, also Kumaresan’s coming of age would have had more impact with better writing.

Soori is largely relegated to the sidelines making the viewers miss his presence. Soori does make his presence amply felt in spite of the limited screen time but the impact of the first part is diluted here. The movie could also have done with crisper dialogues at some points.

As Vaathiyar Vijay Sethupati pulls the characters transformation with his trademark finesse. He captures the simmering anger, empathy and certain remorse too in an impactful manner. Manju Warrier is suitably feisty proving to be a worthy comrade. She also brings a certain softness to the romantic scenes. Among the rest Rajiv Menon plays a powerful bureaucrat in an authoritative manner.

Vijay Sethupati as Vaathiyar in Viduthalai part 2

R Velaraj’ds cinematography is of the highest order. Particular mention must be made of the battles between the police personnel and the extremist groups in the dense forests. The music of the legendary Illaiyaraja is quite soulful with songs of different nature whether it is the tender love song between Vijay Sethupati and Manju Warrier or the more intense one perfectly capturing the resistance.

To sum it up Vidhulathai is a must watch for those who like Vetrimaaran’s storytelling and have an inclination towards intense political dramas.

Mufasa The Lion King: An engaging origin story with darker themes

An image from Musafa The Lion King

The entertainment quotient takes a back seat in this prequel but director Barry Jenkins does a very fine job in exploring the back story of how Mufasa became a king. The film also has stunning visuals particularly the shots of flood. The prequel also gets into a more political zone through the angle of a ferocious pride called outsiders

Voice cast: Aaron Pierre, Tiffany Boone, John Kani, Kelvin Harrison and others

Director: Barry Jenkins

Screenplay: Jeff Nathanson

Based on: The Disney’s Lion King by Irene Mecchi, Jonathon Roberts and Linda Woolverton

Producers; Adele Romanski and Mark Ceryak

Cinematography: James Laxton

Production Company: Disney Walt Productions

Running time: 1 hour and 58 minutes

The 2019 musical drama the Lion King was an entertaining update of the much beloved 1998 animated film. The musical format with the photorealistic animation made it a worthy big screen watch. The humor provided by the characters of Pumbaa and Timon voiced by Seth Rogen and Billy Eichner also gave some chuckle worthy moments. After a gap of 4 years you have the prequel exploring the origin story of Mufasa, how as a young cub he was separated from his parents. Mufasa never wanted the throne, he always wanted to be free of responsibility but destiny had other plans.

The 2019 Lion King was an entertaining update of the much beloved 1998 animated film

In simple terms story of Mufasa The Lion King recounts the tale of the titular character through a wise monkey also called as Mandrill. This wise Mandrill is voiced by John Kani as Rafiki. The plot follows the journey of Mufasa as an orphaned cub to a king. Intermingled in this tale is a friend turned foe Taka/Scar (voiced by Kelvin Harrison jr. )

A strong aspect of Mufasa the Lion King is its CGI department. The work of cinematographer James Laxton deserves a major appreciation. The shots are simply breathtaking particularly the portion where Mufasa gets lost in the flood. Even the battle scenes with a ferocious pride called outsiders keeps the viewers tensed on how Mufasa would come out safe. As already mentioned the prequel comes with a political angle.

This pride called outsiders seem to represent the white colonizers of Africa. It comes out starkly in the attitude of the deadly Kiros (voiced by Mikkelsen). Kiros has a clear goal of conquering everything, he rules the land with an iron fist. There is a strong undercurrent of anti – colonialism underlying the invasion of Africans by Europeans. The underlying message is that more unity would have changed the course of history.

The characterization of Mufasa coupled with the acting of Aaron Pierre is another big plus for the movie. Musafa started off as a carefree cub with no intention of becoming the king in spite of having all the traits but all this changes when Mufasa along with Taka have to run for their life due to this ferocious and deadly pack of outsiders. Mufasa personality has to undergo a significant change, he eventually becomes a leader for the animals in a place called Milele. All these nuances have come out well both in the writing and the voice acting of Aaron Pierre. He does a fine job in conveying both the inner strength and the emotional turmoil of Mufasa.

Aaron Pierre as the voice of Mufasa. He does a very fine job in conveying both the inner strength and emotional turmoil of Mufasa

Also praiseworthy is how the director has built up the rivalry between Taka/Scar and Mufasa. It adds a sense of intrigue on how their relations soured considering that for Taka Mufasa was both a friend and a brother. Kelvin Harrison does a very fine job in showcasing the different nuances going from I am always there for Mufasa, then to an insecure sibling and eventually a bitter antagonist.

Mufasa and Taka

The humor in Mufasa The Lion King doesn’t completely match up to the first part still the prequel has its share of chuckle worthy moments. Billy Eichener and Seth Rogen returning as Timon and Pumbaa respectively have wonderful chemistry in spite of less screen time. Mention must also be made of John Kani. He brings in a lot of warmth.

The music of Mufasa The Lion does fall significantly short in comparison to the 2019 movie. However the song Think “I Always Wanted A Brother perfectly establishes the initial brotherhood between Taka and Mufasa.

To sum it up Mufasa The Lion King is a worthy big screen spectacle for both kids and adults.