Ghaati: An absolute abomination and Krish’s final nail in the coffin

Ghaati is one of those rare films with no striking qualities. Jagapati Babu playing a nonsensical police officer has some fun with his crass lines and shifting shades like a chameleon: however the movie is a tonal mess in spite of a gritty subject with much potential. Anuskha Shetty’s performance too lacks the required fire often coming across as monotonous.

Starcast: Anuskha Shetty, Vikram Prabhu, Jagapathi Babu, Chaitanya Rao, Ravindra Vijay and others

Genre: Action/drama

Direction and screenplay: Krish Jagarlamudi

Writer: Chintakindi Srinivasa Rao

Producers: Saibabu Jagarlamudi and Yeduguru Rajeev Reddy

Production Company: First Frame Entertainments

Music: Nagavelli Vidya Sagar

Cinematography: Manojh Reddy Katasani

Running time: 2 hours and 37 minutes

There was a point in time when Krish Jagarlamudi was a respected filmmaker, the director had a unique voice starting with movies like Gamyam, Vedam and Krishnam Vande Jagadguram. There was something different in the way he presented his heroes whether its Allu Arjun in Vedam, Allari Naresh in Gamyam and Rana Dagubbati in Krishnam Vande Jagadguram. These movies used to have a strong social core: however the last few years has been a very uneven ride for the director. The historical fantasy Manikarnika went through many tribulations with the director leaving the project midway, the ambitious NTR biopic Kathanayakudu and Mahanayukudu ended up as box office duds in spite of a solid Balakrishna.

His project with Pawan Kalyan Hari Hara Veera Mallu also suffered the same fate as Manikarnika becoming a bigger disaster than the former. Ghaati is also a film which has seen several delays leading to less pre release buzz which now is far more abysmal than many would have imagined. The film tries to be a social drama while having the masala of Pushpa and the end result is neither here nor there. The romance between Vikram Prabhu and Anuskha lacks the required soul and the highly irritating villains led by the Mayasabha actor Chaitanya Rao only makes things worse.

The one line story of Ghaati is a woman seeking revenge and wanting to uplift her community. The setting is eastern Ghats. The local porters carrying marijuana are called as ghaatis, they are stuck in the cycle of exploitation with little to no alternatives.

Its hard to point out any positives in an extreme train wreck like this but Manojh Reddy Katasani’s cinematography is visually striking at least in the beginning portions. The vast landscape with the drone shots are nice to watch. Jagapathi Babu as already mentioned has a colorful role though his crass lines and the personality traits don’t befit the role of a police officer. His antics does provide some entertainment in an otherwise drab film. He keeps the audiences guessing as a shape shifter.

The major problem with a movie like Ghaati is wanting to replicate the story of Allu Arjun’s Pushpa. There’s a major Pushpa hangover in the portions featuring the different cartel heads. Pushpa for all its flaws at least had some innovation and the character graph of Allu Arjun came with a strong emotional core. This is missing completely becoming a poor imitation in the process. The love story between Anuskha and Vikram Prabhu again lacks the ex factor whether its the staging or the performances. Vikram Prabhu tries to do a Dulquer Salmaan but ends up falling flat on his face: nowhere close to matching the charisma of Dulquer.

Anuskha Shetty too leaves a lot to be desired. The required fire in portraying the transformation of Sheelavathi is majorly missing. The actress has very static expressions with flat voice modulation. The villain gang are mere caricatures instilling no fear whatsoever. The worst casualty is Chaitanya Rao. After an impressive turn in Mayasabha the actor irritates you with exaggerated body language and dialogue delivery leading to unintentional funny moments.

The story’s graph is as predictable as it can get with zero surprises: logically too the villains atrocious behavior towards Sheelavathi doesn’t make any sense. The music composed by Nagavelli Vidya Sagar is another downer, the tunes fall flat adding to the tediousness.

Final word: Ghaati is easily Krish Jagarlamudi’s worst film, even for die hard Anuskha Shetty fans this is a tough slog.