Resurgence of Bobby Deol: An overview into the actor’s second innings with a variety of characters, both in theatres and OTT

Starting with the 1995 movie Barsaat, Bobby Deol has acted in more than 50 movies, including thrillers, action movies, and love stories.

From a boy next door in the likes of Barsaat the actor has transformed into a gritty actor with a diverse portfolio of characters. He has been a leading man, a supporting actor and has now transformed into a wonderful character artiste.

In the 1990s and 2000s Bobby Deol was a popular leading man primarily known for his stylish looks. However, as the years have gone by he has also proved his acting talent. While Animal came across as a breakthrough performance, his performances on the OTT platforms with the web series Aashram and the two movies Love Hostel and Class of 83, also showcased his acting finesse.

Standout performances in late 90s

In the late 90s and early 2000s too, the actor had a slew of fine performances to his credit. Among Bobby Deol’s earlier performances, his act in Abbas Mustan’s Humraaz (2002) deserves special mention. Bobby Deol’s character in Humraaz goes through many emotions, particularly in the second half. There is a palpable sense of distraught when Bobby’s Raj Singhania finds out that his wife has double-crossed him.

Another impactful character in Bobby Deol’s early career includes the romantic thriller Gupt (1997). In this movie, Bobby plays a young man wrongfully accused of murder. He portrayed the different nuances of the role in an impactful manner. Talking about comedy roles, Bobby’s act in Jhoom Barabar Jhoom (2007) as a mama’s boy was endearing to watch.

At one point Bobby’s career saw a dead end with no solid work coming. There were sporadic appearances but nothing substantial.

However, he rose to fame with the Sandeep Reddy Vanga’s Animal, in which he plays a non-speaking person. The film released in 2023 December, opened many avenues for the actor— he is now the most sought-after villain.

In 2024, he once again played an antagonist in Suriya’s Kanguva. While the movie didn’t work as expected, Bobby Deol’s performance earned praise.

Now let’s get into a little more detail about Bobby Deol’s reinvention by expanding on the recent films and the web series mentioned above.

Animal

Bobby Deol in Animal
Bobby Deol in ‘Animal’. (X)

In Sandeep Reddy Vanga’s Animal, Bobby Deol makes a late entry in the second half but leaves a lasting impact. His introduction scene captures two contrasting emotions. In the song “Jamal Kudu,” he dances joyfully with an alcohol glass on his head, celebrating. This is immediately followed by a moment of intense rage upon hearing of his brother’s death.

With his chilling eyes, Bobby’s character becomes a formidable opponent to Ranbir. In the climax, his emotional intensity shines through as he battles Ranbir.

Despite having no dialogue, his fiery eyes and body language convey murderous rage, making him an intimidating and deadly presence.

Class of 83

Bobby Deol in Class of 83
Bobby Deol in ‘Class of 83’. (X)

Class of 83, directed by Atul Sabharwal, is based on the novel by acclaimed crime journalist Hussain Zaidi. The film follows a cop, Vijay Singh, who is demoted to the dean of a police academy as punishment. At the academy, Singh selects a group of rookies to restore justice through unethical means. His plan works for a while, but things eventually fall apart.

Bobby Deol’s portrayal of Vijay Singh is far from the traditional larger-than-life cops like Salman Khan in Dabangg or Ajay Devgn in Singham. Instead, he plays a brooding mentor, conveying much through silence and his intense eyes. Deol effectively captures Vijay Singh’s inner turmoil with a powerful, internalized performance.

Aashram (Web series)

Bobby Deol in Aashram
Bobby Deol in ‘Aashram’. (X)

In his web series debut, Bobby Deol played a charismatic godman in Aashram, directed by Prakash Jha. His character, Baba Nirala, is revered as a messiah for the downtrodden, but in reality, he harbours a dark past. The three seasons of Aashram tackle various social issues, such as the caste system and reservation, in typical Prakash Jha style.

As the cunning yet charming Baba Nirala, Bobby Deol brought immense charisma to the role. He skillfully portrayed the contrast between the god-loving persona he presents to his devotees and the darker side revealed once the curtain falls. Deol perfectly balanced the revered godman with subtle hints of his evil nature.

Love Hostel

Bobby Deol in Love Hostel
Bobby Deol in ‘Love Hostel’. (X)

In Love Hostel, Bobby Deol played a hitman named Dagar, who believes he is doing society a favour by killing young couples who try to break societal norms by marrying outside their caste or religion.

Deol portrayed the mostly emotionless Dagar with the perfect attitude, outstandingly capturing his self-righteousness. He also nailed the hinterland accent.

This is an overview of Bobby Deol’s resurgence. This list is by no means complete, as the actor’s second innings includes many more exciting projects.

These include Yash Raj Banner’s first female-led spy film, starring Alia Bhatt and promising new talent Sharvari Wagh. There is also Anurag Kashyap’s untitled thriller with Sanya Malhotra. In addition, Bobby Deol has Telugu films Daaku Maharaj and Hari Hara Veera Mallu, as well as the Tamil film Thalapathy 69. Here’s hoping Bobby continues to deliver solid work.

(Edited by Sumavarsha)

Nikhil Advani: From romantic dramas to gripping social thrillers

Starting from the romantic dramas Kal Ho Naa Hoo (2024) and Salaam-e-Ishq (2007) Nikhil Advani has created a distinct space for himself both on the big screen and also in the OTT space.

In a career spanning from 2003 to now, Nikhil Advani has donned various hats as a director, producer, writer and also creator for web series like the two seasons of Rocket Boys (2022, 2024) and The Empire (2021).

However, over the years, Nikhil Advani has moved from light-hearted romantic films to gritty tales about society, and history.

For example, the 2013 movie D-Day is a significant milestone in his career. At the box office, it was an average grosser but the critical reviews were very good.

Although an espionage thriller with all the nationalistic elements, the movie was nevertheless gripping showcasing a different facet of Nikhil Advani. The trials and tribulations faced by the four undercover agents in capturing the late Rishi Kapoor’s character modelled on Dawood Ibrahim packed an emotional punch.

Another TV show POW Bandi Yudk Ke was also directed by Nikhil Advani. The show based on two prisoners of war was taken off the air due to low viewership despite critical acclaim.

Nikhil Advani has aced many genres, including action thrillers like Batla House, sports dramas like Patiala House, and films on social issues like Vedaa. He has also dabbled in the OTT space, giving series like the recent Freedom At Midnight, and Mumbai Diaries Season 1 and 2.

Now let’s get into a little more detail about a few other projects that have been helmed by Nikhil Advani, showcasing how much he has grown as a director.

Batla House

John Abraham in Batla House
John Abraham in ‘Batla House’. (Instagram)

In 2019, Nikhil Advani directed the action thriller Batla House based on the real-life police officer Sanjeev Kumar Yadav. The film focused on the controversial encounter showcasing Sanjeev’s struggles in proving both the authenticity of it and also dealing with post-traumatic stress disorder.

The movie isn’t entirely objective in its approach more or less siding with Sanjeev Kumar. Still, it was a taut film keeping the viewers engaged. Also, Nikhil Advani’s depiction of PTSD deserves major appreciation.

Nikhil Advani also pushed John Abraham beyond his action star image. On numerous occasions, the viewers see John battling with his inner demons, a particular mention must be made of the portions reminiscent of William Shakespeare’s play Lady Macbeth. Much like that play, here too John’s character is often haunted giving a much-needed emotional heft.

Vedaa

Sharvari Wagh in Vedaa
Sharvari Wagh in ‘Vedaa’. (X)

Vedaa (2024) headlined by Sharvari Wagh is flawed yet a gritty social drama about caste-based violence and discrimination. The movie was based on real-life events and Nikhil Advani did a fantastic job in showcasing the struggles of Dalits in climbing up the social ladder even after so many years of independence.

Vedaa deserved to be much more at the box office given its merits but unfortunately lost the box office battle with Amar Kaushik’s mega-blockbuster Stree 2.

A very strong point of Vedaa was how Nikhil Advani developed the character of its titular protagonist portrayed by the brilliant Sharvari Wagh. The character of Vedaa starts off as a timid girl but gradually she grows in confidence becoming a strong rebel refusing to bow down. This transition was wonderfully depicted by Nikhil Advani aided by Sharvari who didn’t miss a single beat.

Apart from Sharvari’s towering act, Nikhil Advani also created a strong antagonist in the form of Abhishek Banerjee’s Jitender Pratap Singh. As the man who firmly believes that one shouldn’t toy with the established caste system, Abhishek simply knocked it out of the park showcasing his immense range.

Mumbai Diaries Season 1 and 2

The two seasons of Mumbai Diaries directed and created by Nikhil Advani focused on two highly distressing real-life incidents.

A poster of the series Mumbai Diaries
A poster of the series ‘Mumbai Diaries’. (Instagram)

The first one was about the horrors of 26/11. Nikhil Advani along with Nikhil Gonsalves focused their lens on how medical professionals like doctors and nurses were pushed to their limits in a crowded hospital which is low on resources. The web series was also a tribute to the spirit of Mumbaikars.

A strong aspect of the first season was how it never portrayed the doctors as superheroes. All of them come with their own inner demons and have their backs to the wall both professionally and personally.

Nikhil Advani also did a very fine job in not pitting one religion or nation against one another. It was more about terror versus humanity. The strong acting performances led by Mohit Raina and Konkana Sen Sharma were another highlight of both seasons.

The second season of Mumbai Diaries focused on the rage of floods which had submerged the Mumbai city. Much like the first season this time too the focus was equally on both the doctors fighting against the unfavourable weather and their personal demons along with the fighting spirit of Mumbaikars.

A strong aspect of Season 2 was how Nikhil Advani along with his writers built a palpable sense of urgency. The viewers feel an emotional connection with the characters of Mohit Raina and Konkana Sharma among others.

The flood scenes were also authentically recreated, and the production design of Priya Suhass was simply top-notch.

Freedom At Midnight

Freedom At Might co-written by Dominique Lapierre and Larry Collins is a very difficult novel to adopt given the sheer vastness of the political turmoil.

A still from the series Freedom At Midnight
A still from the series ‘Freedom At Midnight’. (Instagram)

In today’s political environment numerous filmmakers are seen playing to the gallery to please the ruling party but Nikhil Advani’s adaptation of the vast novel stands out for not just the brilliant writing but also the way in which he never takes sides. He let the audiences make their own judgements by placing them amidst the powerful leaders who had fought for India’s independence.

The dynamics between Gandhi and Nehru were a treat to watch in particular. Gandhi’s unwavering idealism and Nehru’s internal struggle leading to discord were both wonderfully written and enacted. The series was also technically top-notch particularly the portions featuring the riot-torn neighbourhoods.

The show moves the viewers on many occasions like the scenes of religious discord leading to communal violence. Cannot wait to see how the second season unfolds.

Apart from the ones mentioned above a couple of other web series worth mentioning here are Rocket Boys and The Empire. Nikhil Advani didn’t direct either of them but he was still creatively involved. Both these shows further demonstrated Nikhil Advani’s versatility.

This is all about the evolution of Nikhil Advani as a filmmaker. Here’s hoping that he continues to do stellar work.

(Edited by Sumavarsha)

Kartik Aryan: From a comic actor to a versatile star

A rundown of Kartik’s journey from Pyaar Ka Punchnama to Chandu Champion

Starting with Pyaar Ka Punchnama Kartik has done 17 movies so far. He  started out with lighter roles that have shades of comedy and romance but with movies like Dhamaka, Freddy and the latest Chandu Champion Kartik has proved that he has got good range. He also tried his hand at an out and out commercial movie Shehzada, a remake of Telugu smash hit Ala Vaikuntapurramulo, though the movie ended up being a disaster because of the weak direction. However to Kartik’s credit he did make for a credible all-round hero.

In Pyaar Ka Punchnama Kartik played one of the frustrated boyfriends; there is a particular scene where Kartik vents outs his anger in a lengthy monologue about issues that men face in contemporary relationships. It struck a huge chord with young boys making Kartik an instant hit.  The sequel of Pyaar Ka Punchnama had an even bigger monologue that Kartik aced. For a long period Pyaar Ka Punchnama image stayed with the actor but thankfully Kartik managed to come out of those shadows.

Singing Ami Je Tomar in Bhool Bhulaiyaa 2

One of Kartik’s biggest strengths has been his charming nature and an endearing goofiness. A good example of this is Anees Bazmee’s Bhool Bhulaiyaa 2 (2022); in this movie he played the role of Ruhan Randhawa. In the process of helping a girl he pretends to be a fake Baba convincing people that he has the ability to communicate with the spirits of dead people.

Kartik generated a lot of humor with his dialogue delivery and expressions. He brought the house down on many occasions particularly when he pretends to be an expert Baba.

At the same time he was equally intense in the song Ami Je Tomar where he pretends to be possessed by the devil. Apart from his goofiness what also makes Kartik a success is his ability to experiment and work in genres that people don’t associate him with.

Kartik Aryan as the disgrunted man in Dhamaka

Much before Chandu Champion there was Ram Madhvani’s Dhamaka released in the year 2021. In Dhamaka Kartik played the role of a former prime time anchor Arjun Pathak now demoted to a radio jockey. On the personal front too his life isn’t going well. In short he is a disgruntled man. The character is far away from the usual boy next door roles and Kartik did a wonderful job in portraying the different shades.

In the year of Bhool Bhulaiyaa 2 there was also Shashanka Ghosh’s Freddy a dark psychological romantic thriller about an introvert dentist who craves for companionship. Often times Kartik’s character of Dr Freddy Ginwala is mocked for his social awkwardness. In the title role Kartik aced the many aspects starting from desperation to the eventual dark turn.

kartik-aaryan Freddy showing the simmering rage within the calmness

The best part of Kartik’s performance was how he showcased the simmering rage beneath the calmness. Even in terms of body language one can see the big variation.  In spite of similarities to Joaquin Phoenix’s Joker Kartik made sure that his performance has its own individuality.

Now to the latest Chandu Champion directed by Kabir Khan. The role of Muralikanth Petkar, a Paralympics champion is a tough one to portray both emotionally and physically.

Kartik in this movie also appeared as an older man for the first time in his career. Before the movie there was lot of chatter about how he went from 39 percent body fat to just 7 percent.  

Kartik-Aaryan in Chandu Champion

The physical transformation was definitely extraordinary getting the perfect look to portray an athlete. But more than the physical transformation what stood out was how Kartik showcased the despair of Muralikanth after getting paralyzed waist down. There is a deep sadness including a suicide attempt. Kartik made sure that the audience’s heart went out for Muralikanth, because of which audiences feel happy for Muralikanth when he creates a world record in the sport of swimming.

Kartik Aaryan Sattu (Satyaprem Ki Katha) from a simpleton to standing up for his wife

Talking about romantic dramas Kartik’s best performance in this genre is Satyaprem Ki Katha (2023). Directed by Sameer Vidwan  Satyaprem Ki Katha was an impactful romantic drama focusing on the issue of date rape. Kartik’s Sattu starts off as a goofy guy but there is a solid emotional graph too as the movie takes a serious turn. The performance is particularly good in the high emotional moments. The evolution of Sattu from a simpleton to someone who stands for his wife was very well showcased by the actor.

This is a brief rundown of Kartik’s roles that showcase his versatility. Here’s hoping that this younger star goes from strength to strength and does many more versatile roles.  

Akshay Kumar and the need for reinvention

A rundown on how Akshay Kumar went from being a bankable star with numerous hit films to an actor struggling to get good openings.

Starting from the year 1991, Akshay Kumar aka “Khiladi Kumar” acted in over 100 films.

At the beginning of his career, Akshay was primarily known as an “Action Star” because of his physicality and fitness levels. The “Khiladi” tag was the result of the action sequences and this image has stayed with the actor to date.

However, thanks to acclaimed South Indian director Priyadarshan, the actor’s image took a huge turn with the film Hera Pheri (2000). In Hera Pheri, Akshay Kumar played a street-smart guy called Raju.

The film gave him ample scope to display his comic skills. The movie also had a couple of emotional scenes which he pulled off with ease.

Hera Pheri opened new doors for Akshay Kumar. The film did not get a good opening but emerged as a box-office success gradually.

It is considered to be one of the best comic films made in Hindi cinema. It was a remake of the Malayalam movie Ramji Rao Speaking (1989).

The combo of Akshay Kumar and Priyadarshan entertained the audiences further in the likes of Garam Masala (2006) and Bhagam Bhag (2005) — also a remake of the Malayalam classic Manichitrathazhu (1993).

In these films, Akshay Kumar raised many chuckles with his comic timing.

A special mention must be made of the scenes in Garam Masala, where his character juggles multiple girlfriends.

However, it wouldn’t be fair to categorise Akshay as just a comic actor.

More than a comedy actor

Akshay Kumar and Amitabh Bachchan in ‘Waqt: The Race Against Time’. (X)

There are the likes of Aankhen (2002) and Waqt: The Race Against Time (2005), among others, where Akshay Kumar proved himself as a versatile actor.

In Aankhen, he played one of the blind men whom Amitabh Bachchan uses as a pawn to take revenge against the bank where he was working and humiliated.

The Bollywood actor got the nuances of the role spot on and was very impressive, particularly in the face-off with Bachchan.

In Waqt: The Race Against Time, the actor played a spoilt son who undergoes a metamorphosis the hard way. He was both goofy and also intense in equal portions.

Akshay Kumar as a social commentator

Akshay Kumar in ‘Padman’. (X)

There was also a period when Akshay Kumar found success with films dealing with social issues but with commercial ingredients. Case in point being Toilet: EK Prem Katha (2017), and Padman (2018).

What made Akshay’s performance in Toilet: Ek Prem Katha commendable is how he transforms himself from a son, who is scared of his orthodox father, to bringing a change in the mindset of an entire village. There is a visible effort in getting into the skin of the role.

Another movie worth mentioning in this category is R Balki’s Padman. It was about an entrepreneur Arunachalam Muruganatham who made low-cost sanitary pads for women in rural areas.

The actor did a wonderful job of conveying the determination of a man who is mocked constantly and considered a madman by the people around him.

There are scenes in Padman that not many leading stars would have attempted. A case in point is the portion where Akshay’s character tests a sanitary pad on himself with disastrous results.

You also have a speech in the pre-climax at the United Nations, which is very moving.

An impressive Airlift

Akshay Kumar in ‘Airlift’. (X)

Apart from the above-mentioned ones, Akshay Kumar was also hugely impressive in the thriller drama Airlift (2016).

He was seen as a businessman who helped in the evacuation of Indians in Kuwait during the invasion of that country by Iraq’s supremo Saddam Hussain. This invasion is the beginning of the Gulf War.

Akshay’s character Ranjit Katyal starts as an arrogant businessman for whom profit is the only thing that matters. But soon, we see him vulnerable and helpful.

There are occasions where Ranjit is down and out but he still keeps going. Airlift is easily one of Akshay’s best performances.

Before the COVID-19 pandemic, Akshay Kumar was having a mostly dream run with hits upon hits.

In fact, the actor’s box office figures were much superior to Shah Rukh Khan who was going through a lean patch at that time. But all that changed drastically post-pandemic.

Malfunction of formula

Akshay Kumar in ‘Samrat Prithviraj’. (X)

The formula that worked so well for Akshay all those years has now come crashing down.

It is a well-known fact that the actor hops from one film set to another in a stipulated time. He likes having many releases in a year and method acting has never been his forte.

Akshay’s co-stars have often joked about it openly during movie promotions. Sure this strategy paid big dividends in the past, but now, it backfired with the actor becoming the butt of many jokes.

Certain jadedness came both in terms of script selection and also the actor’s attitude.

A good example of this is the movie Samrat Prithviraj (2022). It was clear while watching the film that the actor looked upon the project as just another film instead of getting into the skin of a very important historical character.

What he ought to have done was something like Hrithik Roshan in Jodha Akbar (2008).

The rumour has it that producer Aditya Chopra asked Akshay to grow a real moustache but Akshay refused to do it.

Even if you look at the movie Mission Raniganj (2023), there is no effort in getting into the headspace of Jaswanth Singh Gill — an engineer who risks his life getting the trapped miners out.

Even the Punjabi accent is more put on than anything else.

Latest failure

Akshay Kumar in ‘Bade Miyan Chote Miyan’. (X)

But the most shocking of all is the recent Ali Abbas Zafar’s Bade Miyan Chote Miyan (2024). In fact, the genre of Bade Miyan Chote Miyan fits perfectly on the radar of Akshay Kumar — a combination of action and comedy.

However, the Bollywood actor appears as a pale version of his Khiladi avatar.

In fact, Tiger Shroff was in much better form with some genuinely funny one-liners. At least he appeared to be enjoying himself, unlike Akshay, who was literally sleepwalking through the role.

This is a sad scenario because Akshay is a capable actor who has shown that he can deliver good performances.

It is high time that Akshay Kumar does some serious introspection both about the kind of films he is choosing and also his working pattern.

Kareena Kapoor Khan: An actor who stays relevant and is a strong force to reckon with

An overview of how Kareena Kapoor Khan is flourishing with author-backed roles and spreading joy among her fans.
Published in: Southfirst

Starting from her debut film Refugee in 2000, Bollywood actor Kareena Kapoor Khan has been part of over 60 movies, including special appearances and dance numbers.

The special appearances include Zoya Akhtar’s Luck by Chance (2009), Priyadarshan’s Billu (2009), and Lovely Singh’s Kya Love Story (2007).

In a career spanning well over two decades, Kareena Kapoor has carved a niche for herself — as a glamorous heroine and a good performer.

In Refugee, she was offered a performance-oriented role which she pulled off with finesse.

Of course, there are films where Kareena came across as too over the top in pitching her performances, like Kabhi Khushi Kabhie Gham (2001) and Prem Ki Diwani Hoon (2003).

Karan Johar once commented that Kareena was not even aware of for whom she was crying in one scene. But having said that, the actor also proved herself to be a versatile performer in many movies.

Kareena Kapoor, a versatile actor

Kareena Kapoor and Shahid Kapoor in a still from ‘Jab We Met’. (X)

A good example of this is Sudhir Mishra’s Chameli (2003). In the movie, Kareena Kapoor Khan played the role of a sex worker who speaks a rustic language.

It was a brave choice, particularly considering the glamorous image of the actor, but Kareena sunk her teeth into the role playing her part with empathy and conviction.

In the film Dev (2004), directed by Govind Nihlani, the Bollywood actor played a deglamorised role. She shared screen space with the likes of Amitabh Bachchan and more than stood her own.

A scene that deserves a particular mention is when Kareena’s character comes forward to expose the powerful men responsible for the riots before the police commissioner.

The actor effortlessly conveyed the grit of a determined young woman.

Ken Ghosh’s Fida (2004) is another important film in her career. In the flick, Kareena appears as a girl next door with a lot of tenderness. But in the second half, the character takes a huge turn and she is the villain who dupes Shahid Kapoor’s character.

Another noteworthy performance in Kareena Kapoor’s filmography is Vishal Bharadwaj’s Omkara (2006). Her role (Dolly) goes through many emotions from love, awe, fear and bewilderment.

The Hindi actor does not have many lines but she made a big impact with her expressions.

Imtiaz Ali’s Jab We Met (2007) is, of course, a monumental film in her career. Kareena’s Geet has many shades. From a bubbly and overtly talkative young woman, the character goes through heartbreak in the second half.

But still, there is an inner resilience. Kareena Kapoor delivered an award-worthy performance.

A strong screen presence

Kareena Kapoor Khan and Aamir Khan on the sets of ‘Laal Singh Chaddha’. (X)

When it comes to married female actors, there is a tendency to slow down post-motherhood and have long breaks. But Kareena Kapoor Khan’s speciality lies in maintaining her glamorous image even after two children and getting author-backed roles in different genres.

These films include Laal Singh Chaddha (2022), Good Newwz (2019), Jaane Jaan (2023), and the latest Crew (2024).

In spite of Aamir Khan playing the title role, Kareena registered a strong impact in Laal Singh Chaddha. Her Roop is a conflicted woman who loves Laal Singh and dreams big for herself.

Kareena Kapoor played her part with a lot of compassion, additionally, she also looked stunning.

In Raj Mehta’s Good Newwz (2019), the Bollywood actor appeared as a working woman named Deepti Batra, who has been trying to get pregnant for a long time.

She had a meaty role and she did a swell job. The actor was particularly good in a dramatic monologue with Akshay Kumar.

In Sujay Ghosh’s Jaane Jaan, Kareena played a single mother, who escaped an abusive marriage. Things take a dramatic turn when the past catches up in the form of her abusive husband played by Saurabh Sachdeva.

Kareena’s Maya D’Souza was a mixture of steely resilience, vulnerability and charm, among other things. She delivered a knock-out performance.

Crew, an absolute riot

Kareena Kapoor in ‘Crew’. (X)

Now, to her last release Crew. In this film, Kareena Kapoor Khan plays an air hostess who is unapologetically greedy and doesn’t mind taking a shortcut to get rich. At the same time, there is also a deep loneliness.

The Hindi actor did a wonderful job of portraying the different facets of Jasmine. Additionally, her scenes with Tabu were an absolute riot.

Kareena Kapoor also got into production with Hansal Mehta’s directorial The Buckingham Murders (2023), which premiered at the London Film Festival on 14 October last year. Her performance has been much appreciated.

This is a brief outline of Kareena Kapoor’s past and recent roles. Here’s hoping that the senior actor continues to shine bright and spread joy among her fans with varied roles.

Mammootty : An actor who constantly reinvents himself and pushes the barriers of a traditional superstar

Mammootty’s brilliance lies in the fact that even at 72, he has a burning passion to excel and challenge himself as an artiste.

Mammootty has acted in over 400 movies so far, mainly in Malayalam but a few in Tamil, Telugu, Hindi, English, and Kannada as well. He left a solid imprint in all the languages.

The actor won three National Awards for Best Actor and nine Kerala State Film Awards. He also has a record of 13 South Filmfare Awards.

It is easy for an actor to get complacent and play safe when you are in the industry as long as Mammootty. But his brilliance lies in the fact that even at 72, he has a burning passion to excel and challenge himself as an artist.

The passion to challenge himself as an artist is visible in the subjects he chooses.

In Peranbu (2018), he played a father to a daughter suffering from cerebral Palsy. The character goes through many emotions and there are times when Mammootty’s Amudhvan comes across as helpless and very much vulnerable.

On the other hand, in the film Puzhu (2022), he played a caste bigot and a single father with an overbearing nature. The way he treated his son is similar to how he would handle a criminal.

Both these characters are as different as chalk and cheese in terms of how they are written. Mammootty excelled in bringing them to life.

Mammootty as a cop

Mammootty in ‘Kannur Squad’. (X)

Then there are the cop characters like the ones in Unda (2017) and Kannur Squad (2023).

In Unda, Mammootty was seen as SI Manikandan. He leads a group of freshly trained policemen on election duty in a Maoist area. Though Mammootty plays the primary character, there is nothing invincible about him. Mammootty blends with the surroundings and never overpowers the story. Manikandan is a man who is both scared and vulnerable, but there is also a strong inner strength. Mammootty brings these aspects with his trademark gravitas.

The actor also cracks you up on many occasions with his subtle humour.

In Roby Varghese’s directorial Kannur Squad, Mammootty played an ASI leading a special investigative team.

The role of ASI George is not a big stretch for Mammootty but the actor shines bright as the determined squad leader.

He also had some delightful massy moments, including an action stretch in the dark. The physical agility of Mammootty in the mass sequences is praiseworthy.

Many facets of the Malayalam Superstar

Mammootty in ‘Bramayugam’. (X)

In Kaathal-The Core, the Malayalam Superstar plays a homosexual who has not made peace with his sexuality yet.

Mammootty deserves all the accolades for not just accepting this bold role but also doing a brilliant job of portraying the different emotions.

The actor particularly shines in a heartbreaking conversation with his father Devassy played by RS Panicker.

In the 2023 flick Nanpakal Nerathu Mayakkam, Mammootty plays a Malayali man James who starts behaving like a Tamilian farmer named Sundaram upon entering an unknown village. There are many quirks to the role.

In the hands of a lesser actor, the whimsicalness of the entire scenario would have fallen flat. But Mammootty, the legendary actor that he is, transforms James into Sundaram and back to James smoothly.

Rorschach (2022), directed by Nissam Basheer is another film which shows a different facet of Mammootty.

In the movie, he plays the role of a mysterious stranger Luke Anthony. He is a man with secrets and has a mission to accomplish.

Director Basheer did a brilliant job of exploring the psyche of a man whose thirst for vengeance is not fulfilled even after the enemy dies.

Mammootty magnificently embodied Luke Anthony’s endless appetite for revenge.

Bramayugam, directed by Rahul Sadhasivan, showcases another shade of Mammootty’s on-screen villainy.

In the beginning portions, his character Kodumon Potti appears to be a benevolent man. But, as the story progresses, his actual personality is revealed.

Mammootty terrified the viewers with just his body language. It was clear that he had a blast in portraying the wickedness.

Other language films

Mammootty in ‘Swathi Kiranam’. (X)

Regarding the other language films, late K Vishwanath’s directorial Swathi Kiranam (1992) is widely considered one of Mammootty’s best films in Telugu and his overall career and rightly so.

What added to Swathi Kiranam’s brilliance,  apart from the gripping narration, was Mammootty’s stellar act as an egoistic musician.

The actor conveyed the feelings of jealousy, remorse etc in a very impactful manner. Swathi Kiranam introduced Mammootty’s brilliance to the Telugu audiences much before the Yatra films (2019 and 2024).

In Tamil, Thalapathi (1991) is a significant film in the actor’s filmography. Acclaimed director Mani Ratnam pulled off a huge casting coup by casting Rajinikanth and Mammootty together.

Rajinikanth played a character modelled on Karna from Mahabharata in this contemporary take. Mammootty, on the other hand, was the modern Duryodhana.

In spite of Rajinikanth’s star power in the Tamil industry, Mammootty dazzled the viewers with his fabulous act. It is hard to take your eyes off the screen whenever the actor appears.

Mammootty also made a huge impact on the international shores with the English and Hindi bilingual Dr Bahasaheb Ambedkar (2000).

He got into the skin of one of the most revered personalities of Indian history with utmost ease. He skillfully portrayed the tenacity of Dr Bahasaheb Ambedkar while at the same time showcasing his vulnerabilities.

This is just a small appreciation of Mammootty’s recent roles. The list is by no means exhaustive given his long journey in films.

Here’s hoping this legendary actor continues enthraling the viewers with many more varied roles.

More Glamour Than Acting: A Critique Of Deepika Padukone’s Recent Choices

It is to the credit of Deepika that she took a big risk with her glamorous image when she produced and acted in ‘Chhapaak’ (2020).
published in southfirst

Deepika Padukone has always been a glamorous star. But earlier, she used to balance glamour with acting.

But of late, it has been more glamour and less acting.

Starting with Gehraiyaan (2022), Pathaan (2023), Jawan (2023) and now, Fighter (2024), all followed the same route — all in two years.

It is not that Deepika did not have her share of good performances.

For instance, in Shoojit Sircar’s Piku (2015), the actor shared the screen space with the legendary Amitabh Bachchan and the late Irrfan Khan. And still, she held her own opposite these stalwarts.

Lost in Bhansali’s grandeur 

Deepika Padukone in Padmaavat
Deepika Padukone in ‘Padmaavat’. (X)

In her first collaboration with Sanjay Leela Bhansali — Ram Leela (2013), Deepika Padukone delivered a performance that had the right mixture of spunk and vulnerability.

In Yeh Jawaani Hai Deewani (2013) and Tamasha (2015), there was both glamour and acting.

In Yeh Jawaani Hai Deewani, her character goes from being a nerd to a more confident woman.

Deepika pulled off the different shades with finesse.

In Tamasha, the actor had less screen time. Nevertheless, she did make her scenes count.

The song sequence “Agar Tum Saath Ho”, in particular, deserves a mention.

But Deepika Padukone was disappointing in two of Bhansali’s big films — Bajirao Mastani (2015) and Padmaavat (2018), where she was central to the plot.

The Bollywood actor could have done so much more but confined herself to looking glamorous.

In both these films, Deepika was overshadowed by Priyanka Chopra and Ranveer Singh respectively.

Her choice of roles

Deepika Padukone in ‘Chhapaak’. (X)

It is to the credit of Deepika Padukone that she took a huge risk with her glamorous image when she produced and acted in Chhapaak (2020). The Bollywood film was based on a real-life acid attack survivor named Lakshmi.

Performance-wise, Deepika was good, and credit has to be given to her for taking a risk like Chhapaak. However, the movie suffered from a documentary-style approach, and the key flashback portion required more heft in terms of writing and acting.

The financial failure of Chhapaak seems to have had an impact on Deepika’s selection of roles. This is visible from Gehraiyaan (2022).

Directed by Shakun Batra, Gehraiyaan was a keenly anticipated film, given the critical and commercial success of his Kapoor and Sons (2016). It was a complicated relationship drama. In the name of performance, Deepika Padukone was mostly seen doing only intimate scenes with Siddanth Chaturvedi’s Zain.

The focus was more on glamour rather than delivering a solid performance. In fact, Ananya Pandey was much better in the few emotional scenes that she got. The characterisation of Alisha also did not help Deepika Padukone. The best example of this is the portion involving the pregnancy drama.

Lost in action

Deepika Padukone in Pathaan
Deepika Padukone in ‘Pathaan’. (X)

In Pathaan, Deepika  Padukone made for a good action heroine. The actor was fluid in her movements as the Pakistani agent named Rubai. But there was no stand-out emotional scene. Even the love story between her and Shah Rukh jumped out of nowhere.

The highlight of Deepika’s presence remained the controversial “Besharam Rang” song. In Atlee’s Jawan, Deepika Padukone comes only in the second half as the wife of father Shah Rukh Khan.

In that extended special appearance, she has only two moods — one is anguish, and the other is sadness. On top of that, Deepika’s portions majorly slowed down the proceedings and brought the screenplay to a grinding halt.

Now, in her latest outing Fighter, Deepika Padukone’s character is supposed to represent women’s empowerment. She goes against her father’s wishes to become a fighter pilot.

However, for most of the flick, she is required to flirt and look at Hrithik Roshan’s Patty with adoration. She is supposed to heal him. Even the strained relationship with her father ends only because of Hrithik’s character. There is a glazed look that Deepika Padukone carries, throughout Fighter, which is painful to watch.

Even the scenes of her operating the fighter plane resemble a man driving an auto. Glamorous characters can also have substance, a case in point being Deepika’s Cocktail (2016). In the film, she plays an angst-ridden rich girl. The actor looked stunning as always and was impressive performance-wise.

Deepika Padukone and the power position

Deepika Padukone is in a position where she can pick and choose roles that showcase both her beauty and acting. The actor need not settle with the likes of Pathaan and Fighter. It is high time that the Bollywood actor gives more importance to the role she plays rather than acting with big male stars.

For example, when Vicky Kaushal acted with Alia Bhatt in Raazi (2018), he was not such a prominent name as he is now. Similarly, Shantanu Maheshwari was a rank newcomer when he worked with Alia in Gangubai Kathiawadi (2022).

In both films, Alia Bhatt gave more importance to the part and the story rather than focusing on the commercial viability of her male actors.

Ranbir Kapoor And His On-Screen Universe Of Daddy Issues

From ‘Wake Up Sid’ to ‘Animal’, an overview of the different kinds of daddy issues that Ranbir Kapoor’s films have covered so far.

One of the most depicted relationships in cinema is that of a parent and child. Irrespective of the number of times we have seen it — whether it is father and son or mother and daughter, there is something universal about these relationships.

For example, a reason for the success of Jawan (2023) is the double role played by Shah Rukh Khan. The scenes featuring the Bollywood Badshah as father and son were an absolute treat for his fans and movie buffs.

The interval bang when the father saves the son and the subsequent dialogue drew cheers in the cinema halls.

Another example of the father-son bond this year is OMG 2. In the movie, Pankaj Tripathi plays a diehard devotee of Shiva who also runs a pooja shop. Things take a turn when his son gets admitted to a hospital due to exhaustion caused by excessive masturbation.

Things get even more problematic when the youngster’s video of masturbation in the toilet is secretly filmed and circulated on the internet.

For the sake of his son, Pankaj Tripathi’s character slowly changes from a distraught father to a revolutionary.

Coming to Ranbir Kapoor’s relationships with his on-screen fathers, there has always been certain unease in his movies — be it in Animal (2023), Sanju (2018), Yeh Jaawani Hai Deewani (2013), Tamasha (2015), or Wake Up Sid (2009), they all have daddy issues.

It is a well-known fact that Ranbir’s real-life relationship with his father, the late Rishi Kapoor, was not smooth. This might be a factor for the directors to choose him for the roles or Ranbir Kapoor getting attracted to such characters.

Well, let us take a quick look at some of Ranbir’s on-screen father-son problematic relationships:

Animal

In Animal, Ranbir Kapoor’s Ranvijay is the son of a successful industrialist Balbir Singh (Anil Kapoor). Balbir Singh is a typical old-time patriarch obsessed with his factory and has little time for anything else, including his children.

The relationship between Ranvijay and Balbir is strained and goes into a toxic territory as life goes on. The parody here is that Ranvijay loves his father too much but makes him angry at every step.

When a murder attempt is made on his father, Ranvijay gets so obsessed about finding his father’s enemies that he soon becomes a wild animal himself. He doesn’t listen to anyone, including his father.

The most engaging part of Animal is easily these twisted dynamics coupled with how Ranbir throws himself into this dark territory. There is no denying that in most households, there is a certain distance between the father and the son.

However, in this case, director Sandeep Reddy Vanga takes it to an extreme level with little or no care for social repercussions.

Sanju

In Sanju — a biopic on Sanjay Dutt, Ranbir Kapoor played a son who feels immense pressure to live up to the lineage of his illustrious parents — Paresh Rawal (Sunil Dutt) and Manisha Koirala (Nargis). This pressure leads Sanjay to take drugs, among other things.

There is no denying that Rajkumar Hirani did go soft on the transgressions of Sanjay Dutt. But having said that, the emotional upheaval of Sanjay Dutt cannot be denied.

One of the best moments in Sanju is when Ranbir Kapoor writes an apology letter and plans to surprise his dad by reading it publicly.

However, things don’t go according to the plan, and that very night, Paresh Rawal’s Sunil Dutt dies. Ranbir’s Sanjay Dutt ends up reading the letter to his dead body.

In this letter, he talks about how bad a son he has been and the troubles he has caused.

Tamasha

In Tamasha, Ranbir Kapoor plays a son who feels suffocated due to his demanding father. His character (Ved) gets stuck in a typical corporate job while his passion lies somewhere.

There is a certain bipolar nature to Ved, and there are scenes in the second half that focus on the issues of mental health.

In pre-climax, there is a powerful scene between Ranbir’s Ved and Javed Sheikh, who plays the father. It is a confrontation scene that most Indian sons can identify with.

Ranbir Kapoor and Anil Kapoor in ‘Animal’. (X)

In Yeh Jawaani Hai Deewani, Ranbir Kapoor played a free-spirited youngster who constantly seeks thrill.

Late Farooq Sheikh played the father.

Ranbir’s Bunny has an awkward relationship with his father. There are two main reasons for this; one is personality differences between them, and the other is his father’s second marriage.

There are only a few scenes of the father-son relationship, but still, they are impactful.

Wake Up Sid

In Wake Up Sid, Ranbir Kapoor plays a carefree young man who lacks clarity about what he wants to become. There is a laid-back nature to Sid.

Like most fathers, this does not go down well with his father, played by Anupam Kher. Naturally, this leads to a certain amount of friction. These moments are few but still very powerful.

A special mention must be made of the showdown scene that leads to Sid leaving the house and staying for some time with Konkana Sen Sharma’s Aisha Banerjee.

There, he discovers his passion for photography and goes back to his family.

Ranbir Kapoor and Farooq Sheikh in ‘Yeh Jawaani Hai Deewani’. (X)

Apart from these films, in Ajab Prem ki Ghazab Kahani (2009), the discord between the son and father was used to generate moments of slapstick comedy.

Well, these are some shades of Ranbir Kapoor’s relationships with on-screen fathers. Maybe it is time for the Bollywood actor to take a break from these daddy issues and move on to other subjects!

Aditya Chopra and his penchant for giving second chances

One of the major characteristics of Yash Raj Films (YRF) is how it nurtures talent and gives several chances to directors and artistes in spite of their initial failures.

For example, Kabir Khan’s directorial debut Kabul Express (2006) wasn’t a commercial success but the director still got an opportunity to direct two more major Yash Raj Films — New York (2009) and Ek Tha Tiger (2012).

Both did well at the box office, especially Ek Tha Tiger, which laid the foundation for the flourishing spy universe.

Here’s the list of Bollywood celebrities who won multiple opportunities from the YRF chief Aditya Chopra despite their failures:

Maneesh Sharma

Maneesh Sharma has directed five films — all for YRF.

The first is the romantic comedy Band Baaja Baaraat (2010) starring Ranveer Singh and Anushka Sharma. The movie had low expectations, but Maneesh and Ranveer surprised the audiences.

A poster of the film Tiger 3

A poster of the film ‘Tiger 3’. (X)

Maneesh’s second film too was a Ranveer-starrer: Ladies vs Ricky Bahl (2011). Though it didn’t replicate the success of his debut, the Bollywood movie didn’t break Aditya Chopra’s trust in the director.

A third film, Shuddh Desi Romance (2013), was offered to him again. It was an engaging romantic comedy dealing with how the younger generation looked at marriage commitment in small-town India. The movie also dwelt on live-in relationships.

Its success led to Maneesh Sharma getting his fourth opportunity with the YRF — to direct Shah Rukh Khan in a double role. As the title Fan (2016) suggested, the film was about an obsessive fan who gets heartbroken with his idol.

Maneesh Sharma did a decent job in the first half, but the young director lost his grip in the second half, and everything went topsy-turvy.

In spite of the failure of Fan, Maneesh got yet another opportunity to direct a large-scale action film — Tiger 3 (2023).

Maneesh Sharma aimed to make a geo-political film with a lot of action. However, his inability to handle big scale once again came to the fore.

The hand-to-hand combats, Emraan Hashmi’s characterisation, and Shah Rukh’s extended cameo were all brilliant in Tiger 3. But the film never rose above the sum of its parts.

There is no denying that Tiger 3 is doing good business, but having said that, it is also a setback for the spy universe, particularly in comparison to the previous two films War (2019) and Pathaan (2023).

Vijay Krishna Acharya

Vijay Krishna Acharya made his directorial debut with the action drama Tashan (2008). The film had a galaxy of stars — Kareena Kapoor, Saif Ali Khan, Akshay Kumar, and Anil Kapoor.

It was an old-fashioned revenge drama in Hollywood style. True to the title, the film had plenty of style, particularly the characterisation of Akshay Kumar’s Bachchan Pandey.

A still from the film Thugs of Hindostan

A still from the film ‘Thugs of Hindostan’. (X)

But, just gloss can never substitute for a gripping story. And, that was what happened with Tashan too.

Kareena definitely found her soul mate in Saif Ali Khan and vice-versa, but for Aditya Chopra, the movie was a big loss.

However, Tashan‘s failure did not stop the producer from trusting Vijay Krishna Acharya again with the third instalment of the Dhoom franchise.

Vijay Krishna Acharya was only a story writer for the first two Dhoom films (2004, 2006) but for Dhoom 3 (2013), he was both writer and director.

Dhoom 3 did bring in profits for its producers, but at the same time, it was a step back as it paled in comparison to the fun and thrills provided by Dhoom 2.

Only Aamir Khan’s star power coupled with a more engaging second half made Dhoom 3 a hit at the box office.

Aditya Chopra was even more generous when he allowed Vijay Krishna Acharya to direct Bollywood “Shahenshah” Amitabh Bachchan and Mr Perfectionist Aamir Khan together in Thugs of Hindostan (2018).

Unfortunately, for the fans and the production house, the experience was far from memorable. The film brought huge losses to everyone concerned.

Vijay Krishna Acharya’s last directorial is a religious comedy/drama titled The Great Indian Family (2023) also produced by YRF.

Despite being a much better product than Thugs of Hindostan, The Great Indian Family didn’t do much at the box office. Now, we have to wait and see if Aditya Chopra will give him another chance.

Shaad Ali

Shaad Ali was an assistant director to Mani Ratnam for Dil Se (1998).

Later on, he helmed seven films as a director. Of these seven projects, four were produced by YRF.

A poster of the film Kill Dil

A poster of the film ‘Kill Dil’. (X)

The first is the romantic comedy/drama Saathiya (2002), a remake of Mani Ratnam’s Tamil blockbuster hit Alaipayuthey (2000). Saathiya was a moderate success and was well-received by the critics.

Before Saathiya, Rani Mukherjee had only seen limited success. With the film, her career saw a resurgence. For Vivek Oberoi, it was the third success of that year.

Shaad Ali’s second outing, Bunty Aur Babli (2005), also did well at the box office.

It gave Abhishek Bachchan a much-needed hit as the leading man. His sizzling chemistry with Rani Mukherjee also helped the movie become a blockbuster.

Later, Shaad Ali faced massive roadblocks in the form of Jhoom Barabar Jhoom (2007) and Kill Dil (2014).

Jhoom Barabar Jhoom was an expensive musical that brought no profits. It had a hit soundtrack composed by Shankar Ehsaan Loy. But good music and glossy cinematography couldn’t compensate for the lacklustre direction.

Shaad Ali was clearly not comfortable dealing with a story of this scale.

Despite Jhoom Barabar Jhoom‘s failure, the director helmed another YRF film — Ranveer Singh’s Kill Dil (2014). It was an action comedy film about two assassins raised by a local gangster. Here too, there was ample style but little substance.

Shaad Ali’s journey with YRF has come to a stop for now.

Siddarth P Malhotra

Siddarth P Malhotra’s debut directorial was We Are Family (2010). It is an official adaption of Stepmom (English, 1998).

Rani Mukherjee in Hichki

Rani Mukherjee in ‘Hichki’.(X)

The film was produced by Karan Johar and had the likes of Kajol and Kareena Kapoor.

It had all the elements required to be a solid emotional drama, but Siddarth P Malhotra couldn’t do complete justice to it.

Despite We Are Family’s failure, the young director got an opportunity to helm a YRF film starring Aditya Chopra’s life partner, Rani Mukherjee.

Hichki (2018) was about a teacher with a passion for teaching in spite of suffering from Tourette syndrome and the impact she has on students of class 9F.

These students come from a nearby slum and are not interested in studies. Rani Mukherjee, as Naina Mathur, transforms their lives with patience and perseverance. Hichki was a classic underdog story that resonated well with the audience.

Siddarth P Malhotra showed that Aditya Chopra’s trust in him wasn’t misplaced.

Karan Malhotra

Just like Siddarth P Malhotra, Karan Malhotra, too, started his career with Dharma Productions.

He directed the action drama Agneepath (2012), a remake of the 1990 film of the same name.

A poster of the film Shamshera

A poster of the film ‘Shamshera’. (X)

While the original film had Amitabh Bachchan in the lead role, the remake had Hrithik Roshan and two terrifying villains, Rishi Kapoor’s Rauf Lala and Sanjay Dutt’s Kancha Cheena

Agneepath was a well-made masala film that registered good numbers at the box office.

Later, Karan Malhotra directed Brothers (2015), also a remake. However, the source material this time was an English film titled Warrior (2011). He tried to replicate the success of Agneepath with the same treatment, but this time, the results were far from satisfying.

The failure of Brothers led to Karan Malhotra stepping out of Dharma Productions.

After a gap of seven years, Karan Malhotra directed Shamshera (2022) produced by Aditya Chopra.

The film was a period-action drama about an oppressed tribe with a double dose of Ranbir Kapoor. Ranbir gave it his all, but the movie ended up being a poor clone of the Baahubali (2015 and 2017) films.

Unlike the other Malhotra, this Malhotra couldn’t live up to the expectations of the YRF Chairman.

Pradeep Sarkar

Late Pradeep Sarkar directed five films. Of them, three were produced by YRF.

These include Laaga Chunari Mein Daag (2007), Lafangey Parindey (2010) and Mardaani (2014). Among these, only Mardaani did good business.

Not many would have trusted the Parineeta (2005) director with a subject like Mardaani, but the late Pradeep Sarkar ensured that Aditya Chopra’s trust in him was not misplaced.

Mardaani is a significant film in the career of Rani Mukherjee. 

Rani Mukherjee in ‘Mardaani’. (X)

Vani Kapoor

Vani Kapoor has acted in seven films so far. Out of seven, five were produced by YRF.

The Bollywood diva started her career promisingly with Shuddh Desi Romance. But her next outing, Aaha Kalyanam (2014), a Tamil-telugu remake of Band Baaja Baaraat produced by YRF (the only South film bankrolled by YRF) was a dud.

Despite Aaha Kalyanam’s failure, Vani Kapoor was paired opposite Ranveer Singh in Befikre (2016). Unfortunately, neither the film nor Vani could create any impact.

Still, she was cast in another YRF film – War (2019). But there wasn’t much heavy lifting for her, as the focus was primarily on Hrithik Roshan and Tiger Shroff.

The actress was last seen in another YRF dud Shamshera (2022).

Vani Kapoor will next be seen in the web show Mandala Murders, co-produced by Aditya Chopra.

Here’s hoping that the actress will finally be able to repay the trust of her mentor.

Manushi Chillar

Manushi Chhillar has acted in two movies so far. Both were bankrolled by Aditya Chopra.

In spite of the failure of Samrat Prithviraj (2022), YRF gave her another chance in The Great Indian Family, which again was a failure.

The actress is a good looker, but she hasn’t proved her acting credentials until now!

She will be next seen in Operation Valentine alongside Varun Tej. The Telugu actor is making his debut in Bollywood with this Telugu-Hindi bilingual. It is hitting the screens on 8 December.

Kangana Ranaut: The Rise And Decline Of The National Award-Winning Actress

Kangana Ranaut made her acting debut with Anurag Basu’s directorial Gangster in the year 2006.  The film co-starred Shiney Ahuja and Emraan Hashmi.

In this movie, she played a young woman with a traumatic past. This included falling in love with a wanted gangster and running away with him.

Gangster opened to mostly positive reviews and Kangana was praised for her performance.

On the flip side, the success of Gangster led the actress to play similar roles (troubled women) in her subsequent films — Woh Lamhe (2006), Raaz: The Mystery Continues (2009), and Fashion (2008).

35 films to date

With Chandramukhi 2 (2023) and Tejas (2023), Kangana Ranaut has done 35 films so far.

Some of her most notable performances are: Tanu weds Manu films (2011 and 2015), Queen (2013), FashionRangoon (2017), Manikarnika (2019), and Panga (2020).

Vikas Bahl’s Queen is a significant film in the Bollywood actor’s career as her role of Rani Mehra is quite a departure from the likes of Gangster and Fashion. And, the actress rightfully won her first National Award for Best Actress for this film.

The Tanu Weds Manu films are another major landmark in Kangana’s career, particularly the sequel. In Tanu Weds Manu Returns, Kangana Ranaut played a double role and was hugely successful in carrying the film on her shoulders.

Tanu Weds Manu Returns did much more business than the prequel. The actress also got her second National Award for Best Actress for this film.  The other National Awards came for Manikarnika and Panga respectively.

A downward graph

After Tanu weds Manu Returns, Kangana Ranaut became a bankable star actress considered on par with heroes. But unfortunately, after that, the graph has been going downwards with every new release.

It is a combination of bad script choices coupled with her excessive rants on social media which haven’t done her any favour even with her fans.

For example, she labelled both Swara Bhasker and Taapsee Pannu as needy outsiders.

She even called Vikrant Massey a cockroach.

Her continuous attacks on Karan Johar and Alia Bhatt are something that everyone is familiar with.

Before the release of Gangubai Kathiawadi (2022), the actress went on record that crores of money would bite the dust along with the film.

She also attacked Gunjan Saxena: The Kargil Girl (2020) before its release.

All this has come back to haunt the actress with her latest release Tejas (2023). Fittingly, Vikrant Massey’s 12th Fail, released on the same day, has emerged as a big success.

Now, let’s focus on Kangana’s non-performing films and give an overview of why they have fared the way they have starting from Tejas.

Tejas

Tejas, debutant director Sarvesh Mewara’s Air Force thriller/drama, was a mix of patriotism coupled with women empowerment. But the filmmaker failed to succeed on both counts.

Sarvesh Mewara’s direction was dull, but having said that, Kangana Ranaut’s single-tone act made the film even more unbearable.

Irrespective of the scene that the actress was performing, there was a robotic quality to the way she was delivering her dialogues.

Ideally, the big speech about the Indian soldiers should have an emotional connection. But viewers don’t feel any connection because it comes across as more of a real-life rant that the actress is known for.

Chandramukhi 2

Rajinikanth and Jyotika-starrer Chandramukhi (2005, Tamil) is a movie that enjoys a special place in the hearts of the viewers.

It is widely considered as Jyotika’s best. Her performance as a married woman suffering from a split personality was a treat to watch.

Jyotika’s act was always going to be a tough one to match, but the extent to which Kangana Ranaut failed in Chandramukhi 2 (2023) was unimaginable.

A lot of the blame for this fiasco lied with the sketchy characterisation. But the fact that Kangana didn’t match even 5 percent of what Jyotika did in the prequel was also to be blamed.

Adding to viewers’ woes were Kangana Ranaut’s Bharatanatyam dances that generated unintentional comedy.

Thalaivi

The real-life story of Jayalalithaa is an inspiring one in many ways. She was a woman of steel with many highs and lows.

Before Thalaivi (2021), there was a web series called Queen (2019) directed by Gautham Menon and Prasanth Murugesan.

Both directors did a good job of portraying Jayalalithaa’s life. Ramya Krishna who played the title role was also solid in her performance.

But AL Vijay’s Thalaivi did not match Queen.

Vijay did a good job in the first half exploring the relationship between Jayalalithaa and MGR (Kangana Ranaut and Aravind Swamy respectively).

But in the second half, the director slipped badly and from then on it was all downhill.

The political side of Jayalalithaa was shown in a rushed manner. At certain points, it looked like AL Vijay was more interested in playing to Kangana’s real-life image rather than the story.

Another problem with the film was the characterisation of Nassar’s Karunanidhi; it was more of a caricature.

Panga

Ashwiny Iyer Tiwari’s Panga (2020) was a sports drama that revolved around a former kabaddi player who gave up her dreams just before a major tournament.

The movie did receive glowing reviews with Kangana receiving critical acclaim.

Kangana Ranaut’s role of Jaya was easily one of the best characters in her filmography. But, in spite of all the positive reviews, Panga was a non-starter at the box office.

A reason that could be attributed to its failure was a certain fatigue that had set in with this genre.

Manikarnika

Manikarnika co-directed by Kangana Ranaut and Krish Jagarlamudi was not an absolute disaster in comparison to the above-mentioned films.

The movie did reasonable business but wasn’t a blockbuster hit as the actress claimed.

Kangana Ranaut made for a perfect Jhansi ki rani. The ferociousness and swagger required of a Queen was very much there.

Neetu Lulla’s costumes also came in for much praise particularly the ones worn by Kangana Ranaut.

However, the big problem with Manikarnika was that it became all about Kangana alone with not much space for anyone else.

The cardboard British characters were another eyesore.

Judgemental Hai Kya

Actor-director Prakash Kovelamudi tried to do many things with Judgemental Hai Kya (2019).

On one hand, it was a dark comedy. In the second half, the film turned into a whodunit combined with commentary on mental health.

However, this khichdi of genres didn’t amalgamate into something truly memorable.

The film had solid performances from both Kangana Ranaut and Rajkumar Rao.

Of course, the actress is no stranger to playing mentally unhinged characters and she did do a good job. Rajkumar Rao also did a wonderful job in his negative role.

Just like Thalaivi, this movie too suffered from the curse of the second half. It could have been so much more but it ended up neither here nor there.

The multiplex audiences didn’t completely get it and the masses were simply not interested in it.

Katti Batti

Nikhil Advani’s Katti Batti (2015) is a concoction of many films. There was clear inspiration from Hollywood romantic movies coupled with his directorial debut Kal Ho Na Ho.

For reasons best known to Nikhil, he placed the weight of Katti Batti on the shoulders of a struggling Imran Khan.

Kangana Ranaut enters and exists as per the convenience of the screenplay, though she rated her performance in this movie on par with Tanu Weds Manu Returns.

Not surprisingly, the audiences preferred to do “Katti” with the flick!

Well, it is sad to see a good actress losing both on- and off-screen and getting embroiled in unnecessary controversies.

Wish Kangana Ranaut would refocus on her craft and deliver many more Queens and Tanus!