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Tiger 3: An Action Spectacle For Fans Of Salman And Spy Movies But This Tiger Doesn’t Pack The Same Punch As War And Pathaan

Emraan Hashmi roars the loudest with his portrayal of the menacing Aatish. Shah Rukh Khan more than makes his presence felt in an extended cameo.

Tiger 3 (Hindi)                 2.5 out of 5            

      • Starcast: Salman Khan, Katrina Kaif, Emraan Hashmi and others; Special appearances (Shah Rukh Khan and Hrithik Roshan)
      • Director: Maneesh Sharma
      • Story: Aditya Chopra
      • Screenplay: Shridhar Raghavan
      • Dialogues: Anckur Chaudhry
      • Music: Pritam
      • Production Company: Yash Raj Films
      • Genre: Action thriller/drama
      • Running time: 2 hours and 36 minutes

    In the year 2012 the spy journey of Aditya Chopra and YRF began with the Kabir Khan directorial EK Tha Tiger. It was a love story between a RAW and an ISI agent. Ek Tha Tiger was appreciated for its action and also the love story.

    The success of Ek Tha Tiger led to the creation of an entire spy universe like Tiger Zinda Hai, War and Pathaan. Tiger 3 is the fifth film of this universe and there are more to follow.

    Maneesh Sharma the director of Tiger 3 had a huge responsibility on his shoulders as all the previous films of this franchise have gone on to become blockbusters. The director’s last film was Fan. Fan had a gripping first half followed by a lackluster and implausible second half. Viewers could clearly see Maneesh Sharma being overwhelmed by the scale of the film and losing focus. Tiger 3 is another example of Maneesh Sharma’s inability to handle stories of large scale. Tiger 3 is not a bad film but in comparison to War and Pathaan it does fall quite short.

    Emraan Hashmi roars the loudest

    The plot of Tiger 3 focuses on one of Bollywood’s most favorite theme. That is India, Pakistan’s love hate relationship. The mission of Avinash Singh Rathore aka Tiger (Salman Khan) is to prevent a military coup and also the assassination of the Pakistani Prime Minister (Simran modeled on Benazir Bhutto). Tiger’s biggest thorn in the back is a Pakistan agent gone rogue Aatish (Emraan Hashmi).  The biggest desire of Aatish is to take over Pakistan and make sure that no kind of peace happens between both the countries.

    Katrina Kaif also reprises her role of Zee Humaimi aka Zoya from the previous two Tiger films. This time around the character of Zoya has a back-story. In this back-story the viewers get to know that Aatish was her former handler. Once upon a time she was a protégée of Aatish but in the present scenario things have changed drastically.

    Salman Khan gets into his shoes with practised ease

    A big strength of Tiger 3 is the galore of twists and turns at regular intervals. For example in the beginning the viewers are led to believe that Zoya is betraying Tiger by hiding certain information. These twists and turns do keep the viewers on their feet.

    Cinematographer Anay Goswamy also does a wonderful job in capturing the many locations of this globe trotter. These include Europe, Russia and Istanbul among others.

    The action sequences have plenty of hand to hand combats and are a definite treat for those who like to see raw action. Two action scenes deserve a particular mention. One is the climax fight between Salman and Emraan Hashmi. The other one is Katrina fighting in a towel inside a Turkish hammam or bath. Both these sequences have been brilliantly shot.

    Katrina Kaif in her towel fight scenes

    As mentioned in the beginning Emraan Hashmi shines the brightest in this cast. His demeanor and the body language are a treat to watch. Emraan plays the ruthless villain without missing a single beat. A special mention must be made of the scenes that Emraan shares with Katrina in the flashback portions.

    One of the most enjoyable portions of Tiger 3 is definitely Shah Rukh Khan’s extended cameo as Pathaan. It is a perfect mixture of action and some very witty dialogues. Viewers can clearly see that Shah Rukh is having a blast. In one of the scenes you have Shah Rukh Khan and Salman in a Sholay inspired motorcycle scene. Pathaan is in the driver’s seat and Tiger makes a joke about how the last time this vehicle was driven only one person came out alive. There is also a post credit scene involving Hrithik Roshan’s Kabir from War. The scene doesn’t last long but Hrithik’s swagger is unmissable.

    A big problem with Tiger 3 is the overtly simplistic treatment of the issues between India and Pakistan. Director Maneesh Sharma doesn’t bring anything particularly new to the Indo-Pak angle. Tiger 3 operates in a fanciful zone of two rival nations hoping to initiate peace talks and end the fear of war. But these noble intentions do not translate effectively on screen.

    Salman Khan and Shah Rukh Khan, a camio scene

    The love story between Tiger and Zoya is in the same space as in the previous two films. There is no substantial character development in spite of Zoya’s back-story.

    Both Salman Khan and Katrina Kaif get into the shoes of their respective characters with practiced ease. As said earlier Katrina shines in the action sequences but her performance in the emotional ones leave a lot to be desired.

    Some of the supporting cast from Tiger 1 and 2 are seen in this film as well. They include Ranvir Shorey and Kumud Mishra among others but they are reduced to side dishes. Revathi as the boss takes over from the late Girish Karnad. Unfortunately the senior actress has been severely underutilized. This is sad because Dimple Kapadia in Pathaan made a terrific boss woman.

    Pritam’s music consists of only one good number and that is Ruaan. Pritam’s tune coupled with Arjit Singh’s voice makes it a good hear and watch.  

    To sum it up Tiger 3 is a step back for the spy universe but here’s hoping that War 2 and others bring it back on track. 

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    Pippa: An Engrossing War Drama That Throws Light On A Significant Chapter In Indian History

    An impactful war film meant for theatres!

    Pippa (Hindi)

    • Cast: Ishaan Khattar, Priyanshu Painyuli, Mrunal Thakur, and Soni Razdan
    • Director: Raja Krishna Menon
    • Producers: Ronnie Screwvala and Siddarth Roy Kapur
    • Music: AR Rahman
    • Runtime: 2 hours 19 minutes
    • OTT Platform: Amazon Prime Video

    The significance of the 1971 Bangladesh War goes beyond winning the battle against Pakistan. It is more about liberating the large number of refugees who have faced many atrocities.

    In a scene in Pippa, Ishaan Khattar’s character talks about how this is the first military battle fought to free the helpless.

    For those who are not aware, Pippa is based on the book titled “Burning Chaffees“. Ishaan Khattar plays Brigadier Balram Singh Mehta (the author) aka Balli.

    Ram Mehta (Priyanshu Painyuli), an army officer, is the elder brother of Balli. Ram’s personality is different from that of Balli. Not surprisingly, both brothers often find themselves at odds.

    Their sister Radha (Mrunal Thakur) is an expert at cryptography and quite rebellious, too. This comes out well in a scene where we see her participating in a college protest.

    Mrs Mehta (Soni Razdan) is their mother.

    Balli’s family is a refugee family from Rawalpindi, West Pakistan. There is a brilliant scene when Mrs Mehta talks about how people don’t become refugees by choice.

    As the story progresses, all three siblings play a vital role in the Indian victory.

    Analysis

    The first feeling that comes to viewers’ minds after watching Pippa is why it was not released in theatres. The war sequences have been brilliantly shot, and if seen on the big screen, the impact would have been tenfold.

    Pippa has all the elements needed for a big theatrical experience. However, there is no point in dwelling on that now.

    So, let’s go into the analysis. Raja Krishna Menon does not waste any time in setting up the plot.

    There is a graphic representative story at the start that shows many people in East Pakistan being gunned down. This disturbs us, and you will instantly empathise with Bangladeshis.

    After that, the director establishes the relationship dynamics of these siblings, which adds to the human drama when Ram becomes a war prisoner.

    For those who don’t know, Pippa is a nickname given to the army tank PT 76 that Balli operates. The scenes of Ishaan Khattar leading this tank are a sight to behold.

    The camaraderie between the members of Balli’s squadron has some amusing moments, like the scene where the mutton is cooked when the war preparations are going on.

    Ishaan cements his place in Bollywood

    Mrunal Thakur and Ishan Khattar in Pippa
    Mrunal Thakur and Ishan Khattar in ‘Pippa’. (X)

    On the performance front, Ishaan Khattar leads the show with his impeccable act. His character starts as a constantly flirting captain. From there, we see him as an unhappy officer who notes down maintenance reports to finally being a brave commander.

    Ishaan strongly pulls all these shades. With this film, the actor cements his place as a young talent who is versatile with his choices.

    Priyanshu Painyuli is also equally good as the elder brother. His confrontational scenes with Ishaan give some powerful moments.

    Mrunal Thakur does well both as a caring young sister and a cryptographer who helps the nation.

    Soni Razdan has a brief presence, but the actress is impactful in her scenes, particularly the one where she talks about refugees.

    Rahman’s music & BGM do wonders

    Ishan Khattar in Pippa
    Ishan Khattar ‘in Pippa’. (X)

    AR Rahman’s music and background score complement the film.

    The soundtrack is diverse, starting with “Main Parwaana“. This song brings out the playful side of Balram. The choreography and the tune go perfectly well with the setting.

    On the other hand, you have the more intense “Jazbaat” that gives an adrenaline rush.

    The background score is also chilling and enhances many of the war scenes.

    Director Raja Krishna Menon also deserves appreciation for how he gives equal importance to the character arcs of Ram Mehta and Radha. They are blended seamlessly into the narrative.

    An area where the film could have been better is the visual effects. Also, 10 minutes could have been edited.

    Verdict

    Not many stories about the Bangladesh war are made into films. Let’s hope Pippa will rekindle interest in that glorious chapter in Indian history for the new generation.

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    PI Meena web series: A lethargic detective drama with an annoying protagonist

    PI Meena (Hindi)

    • Cast: Tanya Maniktala, Parambrata Chatterjee, Jisshu Sengupta, Vipin Sharma, Harsh Chhaya, and Vinay Pathak
    • Director: Debaloy Bhattacharya
    • Producer: Daniel Varghese
    • Music: Amit Chatterjee
    • No. of episodes: 8
    • OTT platform: Prime Video

    For any detective/investigator story to work, two things are of primary importance, Firstly the audience should feel that the protagonist is having fun in solving the case. Secondly, the dangers that he/she faces should make the viewers anxious about what will happen next.

    Earlier this year, Vishal Bhardwaj delivered a pulpy thriller titled Charlie Chopra & the Mystery of Solang Valley. It was a thoroughly enjoyable web show with an excellent Wamiqa Gabbi.

    The setting of Solang Valley also became a major character itself, thanks to the cinematographer Tassaduq Hussain.

    Unfortunately, PI Meena doesn’t even reach 5 percent of what the Vishal Bhardwaj directorial had achieved or even the Sujoy Ghosh directorial Jaane Jaan where the hill station Kalimpong was a significant part.

    The protagonist in PI Meena comes across as too brooding with no sense of fun and the city of Kolkata fails to become a major character.

    Synopsis

    PI Meena web series Amazon Prime Video
    ‘PI Meena’ is streaming on Amazon Prime Video. (X)

    As the title suggests, Tanya Maniktala plays a private investigator named Meena. She is haunted by a tragic past involving her brother Joy who is in a coma.

    On many occasions, we see Meena pouring out her angst to him.

    Though Meena works as a private investigator, the cases only involve unfaithful spouses and rotten fiancés!

    Pritam Sen (Harsh Chhaya) is her boss. He has a swanky office and powerful connections as well with higher levels of power. However, this doesn’t make any sense given the kind of cases they get.

    Parambrata’s Chatterjee’s Subho Roy is Meena’s partner in crime and also a romantic interest who is very concerned about her. Subho Roy also has aspirations of getting into politics, though his interest in politics isn’t exactly about serving the nation.

    The story takes an unexpected turn when Meena witnesses a bike rider named Partho Dey (Sawon Chakrobarthy) being knocked down by a truck. Surprisingly it doesn’t occur to Meena that she should take a picture of the departing truck.

    Anyway, she takes the wounded Partho to the hospital and also files a police complaint.

    Partho’s mother (Zarina Wahab) believes that her son has been murdered and this isn’t a simple case of hit and run.

    Meena decides to dig deeper into the case and the investigation takes her to Littnong where she meets Dr Andre Rakshaw (Jisshu Sengupta).

    There is also the track of the virus outbreak running simultaneously. Revealing anything more wouldn’t be appropriate.

    Parambrata and Jisshu Sengupta shine

    Parambrata Chatterjee and Jisshu Sengupta are solid in their performances.

    Parambrata’s charming act is a major relief, particularly in comparison to Tanya’s constant brooding.

    Subho Roy isn’t a complete saint or a sinner and Parambrata does a good job in bringing out these nuances.

    Not a lot can be revealed about the character that Jisshu Sengupta plays. But it is a role which has many secrets.

    At one point, he advises Meena to seek something more when she is in a big web of confusion. Jisshu Sengupta is brilliant in keeping the audience guessing about his actual intentions.

    Drawbacks

    Tanya Maniktala as PI Meena
    Tanya Maniktala as PI Meena. (X)

    There is no denying the gravity of Meena’s past, but on many occasions, she comes across as an unreasonable schoolchild who is annoyed with everything and everyone.

    At no point do the viewers feel that Meena is having fun in solving the case. The constant frown on her face irritates the viewers.

    Projecting intensity is different from coming across as bad-tempered and this is where director Debloy Bhattarchya and Tanya falter big time.

    Actors like Vinay Pathak and Zarina Wahab are hardly there. They have been utterly wasted.

    Another big problem with the series is its depiction of Kolkata. The city never feels like a major character. As a result, the viewers feel that the plot could have been set anywhere and didn’t particularly need this place.

    The loose editing also plays a major spoilsport. The episodes could have much crisper and eight episodes feel too long for this story.

    After a decent beginning, the web series goes in many directions like the journalist girlfriend of Joy among other things. But these tracks only add to dragging down the proceedings.

    Final take

    To sum it up, PI Meena is a good cure for insomnia.

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    Aarya Season 3 Part 1: A binge-worthy web show propelled by Sushmita Sen’s roaring performance

    Leaves you wanting more!

    Aarya Season 3 (Hindi)

    • Cast: Sushmita Sen, Vikas Kumar, Indraneil Sengupta, Ila Arun, and Viren Vazirani
    • Director: Kapil Sharma, Shraddha Pasi Jairath, and Ram Madhvani
    • Producer: Endemol Shine India and Ram Madhvani Films
    • Music: Vishal Khurana
    • No. of episodes: 4
    • OTT platform: Disney+ Hotstar

    Aarya web series is a significant part of Sushmita Sen’s career.

    In the web show, Ram Madhvani brought out a very different side of the actress that the audiences weren’t used to. Her performance and the show were widely appreciated.

    The second season turned out to be a worthy follow-up. Yes, the initial portions were a little sketchy, but the web series became more gripping as it went along.

    Season 2 was mostly about how Aarya’s children dealt with the untimely death of their father Tej (Chachundur Singh).

    An important subplot in the second season was depression and substance abuse through the character of Aarya’s daughter Aaru (Virti Vaghani).

    Her son Veer (Viren Vazirani) had matured beyond his years and became a strong pillar of support for his mother and siblings. This also includes the youngest one Adi (Pratyakash Panwar).

    Sushmita Sen played a grieving wife, a scared mother and also a tough woman dealing with the crime lords. The actress did a solid job of portraying all these shades.

    Now you have Aarya Season 3 in two parts.

    Season 2 ended with Aarya (Sushmita Sen) becoming a don. The first person that she had gunned down was her biological father.

    He had a hand in the death of her husband Tej. The first episode of Season 3 has a slight recap set to the song “Bade Acche Lagte Hain“. It was a song that Tej was hugely fond of.

    Aarya Season 3 begins with her getting shot. From there, the story moves into a flashback mode and tells what happened four weeks earlier.

    In the flashback, it is revealed that Aarya is planning to expand the drug business. She has become a complete lady don.

    Her chief enemy is Sooraj (Indraneil Sengupta), whose biggest mission in life is to destroy Aarya.

    Aarya Season 3 isn’t just about her struggle with the mafia gangs. It is also about the inner battle that Aarya is going through.

    In the previous seasons, it was clearly shown that Aarya had no interest in being part of this world, but now, she is a don herself.

    Aarya constantly justifies her actions by saying that whatever she is doing is a part of protecting her family.

    Season 3 is essentially about the challenges that Aarya faces both as a lady don and also as a mother who is dealing with her rebellious children, particularly the elder son.

    Taut writing

    One of the strong aspects of season 3 is how the directors portray the struggles of Aarya. On one hand, she tries hard to be a successful businesswoman; on the other, she faces difficulties in being a good mother — the conflicts arising from these situations give the show some of its best moments.

    Aarya raises her children amidst all this blood and gory. The loose morals and ethics around them inevitably have a psychological impact.

    For example, a situation comes when the elder son picks a gun to avenge the death of a woman whom he dearly loves. This woman was pregnant with his child when she died.

    The youngest of the lot gets involved in a brawl.

    Directors Ram Madhavani, Kapil Sharma, and Shraddha Pasi Jararth have done a brilliant job in designing their characters.

    Another strong point of Aarya Season 3 is its antagonist.

    Indraneil Sengupta’s Sooraj is not an inherently bad man. There are times when we see him being vulnerable, and there are a couple of tender moments too.

    Indraneil Sengupta does a fantastic job of portraying both the ruthlessness and the ache of a husband who has lost his wife.

    Ila Arun as Nalini Sahiba has a brief role, but the senior actress packs a strong punch whenever she is on screen.

    Nalini Sahiba is a mini antagonist who will have a bigger space in Part 2 of Seasons 3.

    Sushmita Sen is spellbinding

    The scenes between Sushmita and the elder son (Viren Vazirani) have also been written with much depth. Viren particularly stands out in the confrontation scenes.

    Sushmita Sen once again shows why she deserves meatier roles in films with this roaring performance. The actress makes the transformation from a scared mother to a lioness in a seamless manner.

    Sushmita not only brings in the required authority with her body language but is equally effective in showcasing the vulnerable side of Aarya.

    In the technical department, Vishal Khurana’s background score stands out the most. His background score plays a big part in elevating both dramatic and action bits.

    There are a couple of areas where the directors could have done a better job. One of them is the characterisation of Sikander Kher, who gets minimal screen time this time.

    Also, Vikas Kumar as ACP Yonous Khan doesn’t offer anything new with his portrayal.

    Verdict

    Part 1 of Aarya Season 3 ends with a thrilling cliffhanger, which increases the expectations of the audience.

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    Kangana Ranaut: The Rise And Decline Of The National Award-Winning Actress

    Kangana Ranaut made her acting debut with Anurag Basu’s directorial Gangster in the year 2006.  The film co-starred Shiney Ahuja and Emraan Hashmi.

    In this movie, she played a young woman with a traumatic past. This included falling in love with a wanted gangster and running away with him.

    Gangster opened to mostly positive reviews and Kangana was praised for her performance.

    On the flip side, the success of Gangster led the actress to play similar roles (troubled women) in her subsequent films — Woh Lamhe (2006), Raaz: The Mystery Continues (2009), and Fashion (2008).

    35 films to date

    With Chandramukhi 2 (2023) and Tejas (2023), Kangana Ranaut has done 35 films so far.

    Some of her most notable performances are: Tanu weds Manu films (2011 and 2015), Queen (2013), Fashion, Rangoon (2017), Manikarnika (2019), and Panga (2020).

    Vikas Bahl’s Queen is a significant film in the Bollywood actor’s career as her role of Rani Mehra is quite a departure from the likes of Gangster and Fashion. And, the actress rightfully won her first National Award for Best Actress for this film.

    The Tanu Weds Manu films are another major landmark in Kangana’s career, particularly the sequel. In Tanu Weds Manu Returns, Kangana Ranaut played a double role and was hugely successful in carrying the film on her shoulders.

    Tanu Weds Manu Returns did much more business than the prequel. The actress also got her second National Award for Best Actress for this film.  The other National Awards came for Manikarnika and Panga respectively.

    A downward graph

    After Tanu weds Manu Returns, Kangana Ranaut became a bankable star actress considered on par with heroes. But unfortunately, after that, the graph has been going downwards with every new release.

    It is a combination of bad script choices coupled with her excessive rants on social media which haven’t done her any favour even with her fans.

    For example, she labelled both Swara Bhasker and Taapsee Pannu as needy outsiders.

    She even called Vikrant Massey a cockroach.

    Her continuous attacks on Karan Johar and Alia Bhatt are something that everyone is familiar with.

    Before the release of Gangubai Kathiawadi (2022), the actress went on record that crores of money would bite the dust along with the film.

    She also attacked Gunjan Saxena: The Kargil Girl (2020) before its release.

    All this has come back to haunt the actress with her latest release Tejas (2023). Fittingly, Vikrant Massey’s 12th Fail, released on the same day, has emerged as a big success.

    Now, let’s focus on Kangana’s non-performing films and give an overview of why they have fared the way they have starting from Tejas.

    Tejas

    Tejas, debutant director Sarvesh Mewara’s Air Force thriller/drama, was a mix of patriotism coupled with women empowerment. But the filmmaker failed to succeed on both counts.

    Sarvesh Mewara’s direction was dull, but having said that, Kangana Ranaut’s single-tone act made the film even more unbearable.

    Irrespective of the scene that the actress was performing, there was a robotic quality to the way she was delivering her dialogues.

    Ideally, the big speech about the Indian soldiers should have an emotional connection. But viewers don’t feel any connection because it comes across as more of a real-life rant that the actress is known for.

    Chandramukhi 2

    Rajinikanth and Jyotika-starrer Chandramukhi (2005, Tamil) is a movie that enjoys a special place in the hearts of the viewers.

    It is widely considered as Jyotika’s best. Her performance as a married woman suffering from a split personality was a treat to watch.

    Jyotika’s act was always going to be a tough one to match, but the extent to which Kangana Ranaut failed in Chandramukhi 2 (2023) was unimaginable.

    A lot of the blame for this fiasco lied with the sketchy characterisation. But the fact that Kangana didn’t match even 5 percent of what Jyotika did in the prequel was also to be blamed.

    Adding to viewers’ woes were Kangana Ranaut’s Bharatanatyam dances that generated unintentional comedy.

    Thalaivi

    The real-life story of Jayalalithaa is an inspiring one in many ways. She was a woman of steel with many highs and lows.

    Before Thalaivi (2021), there was a web series called Queen (2019) directed by Gautham Menon and Prasanth Murugesan.

    Both directors did a good job of portraying Jayalalithaa’s life. Ramya Krishna who played the title role was also solid in her performance.

    But AL Vijay’s Thalaivi did not match Queen.

    Vijay did a good job in the first half exploring the relationship between Jayalalithaa and MGR (Kangana Ranaut and Aravind Swamy respectively).

    But in the second half, the director slipped badly and from then on it was all downhill.

    The political side of Jayalalithaa was shown in a rushed manner. At certain points, it looked like AL Vijay was more interested in playing to Kangana’s real-life image rather than the story.

    Another problem with the film was the characterisation of Nassar’s Karunanidhi; it was more of a caricature.

    Panga

    Ashwiny Iyer Tiwari’s Panga (2020) was a sports drama that revolved around a former kabaddi player who gave up her dreams just before a major tournament.

    The movie did receive glowing reviews with Kangana receiving critical acclaim.

    Kangana Ranaut’s role of Jaya was easily one of the best characters in her filmography. But, in spite of all the positive reviews, Panga was a non-starter at the box office.

    A reason that could be attributed to its failure was a certain fatigue that had set in with this genre.

    Manikarnika

    Manikarnika co-directed by Kangana Ranaut and Krish Jagarlamudi was not an absolute disaster in comparison to the above-mentioned films.

    The movie did reasonable business but wasn’t a blockbuster hit as the actress claimed.

    Kangana Ranaut made for a perfect Jhansi ki rani. The ferociousness and swagger required of a Queen was very much there.

    Neetu Lulla’s costumes also came in for much praise particularly the ones worn by Kangana Ranaut.

    However, the big problem with Manikarnika was that it became all about Kangana alone with not much space for anyone else.

    The cardboard British characters were another eyesore.

    Judgemental Hai Kya

    Actor-director Prakash Kovelamudi tried to do many things with Judgemental Hai Kya (2019).

    On one hand, it was a dark comedy. In the second half, the film turned into a whodunit combined with commentary on mental health.

    However, this khichdi of genres didn’t amalgamate into something truly memorable.

    The film had solid performances from both Kangana Ranaut and Rajkumar Rao.

    Of course, the actress is no stranger to playing mentally unhinged characters and she did do a good job. Rajkumar Rao also did a wonderful job in his negative role.

    Just like Thalaivi, this movie too suffered from the curse of the second half. It could have been so much more but it ended up neither here nor there.

    The multiplex audiences didn’t completely get it and the masses were simply not interested in it.

    Katti Batti

    Nikhil Advani’s Katti Batti (2015) is a concoction of many films. There was clear inspiration from Hollywood romantic movies coupled with his directorial debut Kal Ho Na Ho.

    For reasons best known to Nikhil, he placed the weight of Katti Batti on the shoulders of a struggling Imran Khan.

    Kangana Ranaut enters and exists as per the convenience of the screenplay, though she rated her performance in this movie on par with Tanu Weds Manu Returns.

    Not surprisingly, the audiences preferred to do “Katti” with the flick!

    Well, it is sad to see a good actress losing both on- and off-screen and getting embroiled in unnecessary controversies.

    Wish Kangana Ranaut would refocus on her craft and deliver many more Queens and Tanus!

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    Killers Of The Flower Moon: A Hugely Disturbing Story Of American Colonialism

    This Martin Scorsese’s directorial might look too long but the end results are hugely satisfying

    Killers of The Flower Moon (English)                4 out of 5

    Starcast: Leonardo Di Caprio, Robert De Niro, Lilly Gladstone and others

    Direction and screenplay: Martin Scorsese

    Additional screenplay: Eric Roth

    Based on: Killers of The Flower Moon by David Grann

    Producers: Martin Scorsese, Bradley Thomas and others

    Production Companies: Appain Way Productions, Apple Studios Imperative Entertainment and others

    Running time: 3 hours and 26 minutes

    Genre: Crime drama

    For those who are not aware Killers of The Flower Moon is based on a 2017 novel written by David Grann. The book and the movie is a recreation of the real life killings of Osage community who were in peaceful co-existence with white people. What drove these murders was immense greed of the white Americans. These crimes began after oil was discovered in their lands and Osages began to live a life of wealth.

    Director Martin Scorsese and his technical team transports us to the 1920’s so much so that we feel we are actually living with Osages and their experiences.

    Killers of The Flower Moon is mostly narrated from the perspective of two white men Ernest Buckhart (Leonardo Di Caprio) and William ‘Billy’ Hale (Robert De Niro). It is a story of how this uncle and nephew duo along with their extended kith and Klan plan to usurp the wealth of the Osages. They do this by marrying the daughter of the head of the Osage community and plotting the murders of her family members.

    Robert De Niro, the veteran actor as expected delivers a master class in acting.

    Killers of The Flower Moon is a film that grips you from the start. Martin Scorsese along with his technical team transports us to the 1920’s so much so that we feel we are actually living with Osages and their experiences. We feel immense pain to know how a particular community was targeted just because they had mineral rights over their land and became rich with the oil found there. 

    Rodrigo Prieto’s cinematography is a major plus for the film. He does a brilliant job in capturing the visual tapestry and also the horror of the events through his lens.

    Lily Gladstone more than holds her own opposite both Leonardo and Robert De Niro

    The film is essentially dark in nature but having said that there are also moments which bring a smile to the viewers face. Most of these can be seen in the track between Leonardo Di Caprio and Mollie (Lily Gladstone) the woman he falls in love with. The way he flirts with her and their interactions in some parts of the first half are genuinely fun to watch.

    There is no denying that Ernest (Leonardo) is a major accomplice to his uncle in this horror but his love for Mollie is also genuine and we do see flashes of regret from him.

    Leonardo Di Caprio delivers a fantastic performance

    Leonardo Di Caprio delivers a fantastic performance in portraying the complexities of his character. Lily Gladstone more than holds her own opposite both Leonardo and Robert De Niro. The actress does an exceptional job in essaying the inner strength of Mollie. There are scenes where we see Mollie fighting to get justice for her killed family members while suffering with ill health.

    Robert De Niro’s character looks like he is doing a lot for the Osage community but deep down is a loathsome monster. The veteran actor as expected delivers a master class in acting; whether it is the scenes of showing mock concern for the killings or the ones where he terrorises Ernest with just a slight shift in his voice.

    Of course in the end both of them are caught and put in jail for some years. Millie divorces him and marries another man from her community.

    The film is an important reminder of American Colonisation at its worst and what the insanity of greed can do to fellow human beings.

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    Aspirants Season 2: A Relatable Tale Of Friendship, But Falls Short In Exploring Social Issues

    Season 2 is about the lives of three friends outside Old Rajinder Nagar in Delhi as adults. But it doesn’t match its predecessor.

    Not as gripping as Season 1!

    2.5

    Aspirants Season 2 (Hindi)

    • Cast: Sunny Hinduja, Naveen Kasturia, and Namita Dubey
    • Director: Apoorv Singh Karki
    • Producer: Vijay Koshy, Shreyansh Pandey
    • Music: Sangeet Haldipur, Siddharth Haldipur
    • No of episodes: 5
    • OTT platform: Prime Video

    For those who haven’t seen Aspirants Season 1 (2021), the story revolves around the past and present of three friends — Abhilash Sharma (Naveen Kasturia), Gurupreet aka Guri (Shivankit Singh Parihar), and Shwetketu aka SK (Abhilash Thapiyal).

    The past dealt with their aspirations of cracking UPSC and the various struggles that came their way.

    The first season of Aspirants was a big success. An important reason for the show’s success was the realistic portrayal of the UPSC aspirants.

    The distinct characterisations also made the show a big winner. For example, Abhilash is a serious person.

    Guri, on the other hand, is more carefree. Finally, SK is an introvert who struggles on the account of low self-esteem and confidence.

    Now the makers are back with Aspirants Season 2, which also moves between two timelines.

    The setting of Season 1 is Old Rajinder Nagar, Delhi. The present portions are about their lives outside Rajinder Nagar as adults.

    Synopsis

    In Aspirants Season 2, Abhilash is posted as a DM in Rampur. Guri makes constant attempts to get government contracts. SK works as a teacher.

    Aspirants Season 2 on Prime Video
    ‘Aspirants Season 2’ is streaming on Prime Video. (X)

    The story in this series primarily focuses on how these three navigate the challenges of their respective professional careers along with friendship dynamics.

    One of the things that Apoorv Singh Karki gets right is the problems that arise in maintaining friendships when priorities shift in life. This has been portrayed realistically and will definitely find an echo with many men and women.

    The director also does a good job of showcasing Abhilash’s journey as a district magistrate. The day-to-day challenges of an administrative job have been portrayed with authenticity.

    Abhilash finds himself at odds with Sandeep Bhaiya (Sunny Hinduja), his senior in the coaching institute. There was a time when Abhilash idolised Sandeep. But now, they are at a crossroads because of their different ideologies.

    Sunny Hinduja plays an assistant Labour commissioner. This war of ideologies plays a major part in Aspirants Season 2 and gives the show some of its best moments.

    A major area where Apoorv Singh Karki fails is his depiction of the political problems. One of the subplots involves protesting villagers. This has been dealt with in a very haphazard way, making them come across as semi-villains.

    Characterisation and performances

    Sunny Hinduja in Aspirants Season 2
    Sunny Hinduja in ‘Aspirants Season 2’. (X)

    A character from Northeast India is introduced in Aspirants Season 2, but it doesn’t have any particular significance to the story.

    The depiction of women’s characters is another major problem.

    Namit Dubey, as Guri’s wife, is impressive. But the character doesn’t go beyond a traditional housewife. Her compromises don’t make any sense.

    The performances across the board are good, particularly Naveen Kasturia and Sunny Hinduja.

    Naveen Kasturia is successful in carrying the intensity from the first season. His character arc is designed well, and the actor does complete justice to it.

    Sunny Hinduja also does a wonderful job of showcasing the pain of Sandeep.

    Apoorv Singh Karki is good at portraying the difficulties of sustaining friendship. But the series doesn’t completely match its predecessor.

    Final take

    The best way to enjoy Aspirants Season 2 is by watching it with low expectations.

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    Ganapath: A Show Reel For Tiger Shroff’s Somersaults

    The film begins off as a dystopian drama with some promise but soon becomes a generic Tiger Shroff vehicle with no head or tail 

    Ganapath (Hindi)             1 out of 5

    Starcast: Tiger Shroff, Kriti Sanon, Amitabh Bachchan, Rahman and others

    Writer and director: Vikas Bahl

    Producers: Vikas Bahl, JackkyBhagnani, Vashu Bhagnani and others

    Production Companies: Good Co and Pooja Entertainment

    Runtime: 2 hours and 30 minutes

    Genre: Action/dystopian

    Vikas Bahl’s Ganapath starts off with a voice over of Dalapathi (Amitabh Bachchan with his trademark baritone). He talks about how a destructive war has led to a world divided in two parts. On the one hand you have the ‘Silver City’ where the rich and mighty are ruling the roost. Their leader is the cold hearted Dalani. On the other hand you have the ‘Garibon Ki basti’. The people living here don’t have sufficient food, water or money. However they are living in a certain hope that a saviour called Ganapath will get them out of this hell. This was prophesied by Dalapathi before he dies. Ironically their saviour Guddu aka Ganapath (Tiger Shroff) is living a super rich life in the Silver City.

    Tiger Shroff’s introduction shot shows him waking up with many skimpily clad women swooning over him. This has to be one of the worst hero introduction scenes ever. Guddu works for John English (Ziad Bakari). John English is an aid of Dalani. Things take a turn when John’s girlfriend (Elli AvRam) tries to seduce Guddu and both of them are caught red handed. The rest of the story is about what Guddu’s actual identity is and how he ends up being a messiah for the ‘Garibon Ki basti’.

    There is no denying that the story of Ganapath had the potential to be an impactful action drama with some social commentary. However the problem is that director Vikas Bahl had given more focus on Tiger Shroff’s physical agility rather than a well structured film.

    Tiger Shroff’s action and swag is very much on point but we have seen Tiger do all these in his previous films so there is nothing new for the audiences. A primary reason why Siddarth Anand’s War remains Tiger Shroff’s best performance so far is that his action in that film was backed by a strong emotional undercurrent. Here it is mostly missing except for a heartfelt speech in the climax. But by that time audiences are well past caring for what is happening on the screen.

    Further adding to the woes is the unnecessary Mumbaiya slang which doesn’t make any sense. Kriti Sanon plays an underground rebel warrior called Jassi. Her introduction scene is filled with a few  impressive stunts but soon she ends up being a mere girlfriend with little agency.

    The love story between Guddu and Jassi is another sore point. Guddu’s flirting with Jassi is cringe worthy to say the least.

    Amitabh Bachchan’s extended cameo is powerful and we wish that he had more screen time. Tamil actor Rahman makes a good Bollywood debut. He brings in much needed intensity to the story.

    Another sore point is the shoddy graphics. They make Ganapath look like more of a video game than an actual film.

    The fight sequences have been choreographed well but there is no novelty particularly for those who have seen Tiger do action before.

    Characters from the ‘Garibon Ki basti’ feel like extras from the sets of Bahubali and KGF films. Their only job is to wait for the saviour to arrive.

    To sum it up Ganapath is Vikas Bahl’s worst film till date. This movie makes Shaandar look like a masterpiece.

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    Mansion 24: An Unimaginative Horror Flick With Clichéd Jump Scares

    Mansion 24 (Telugu)

    • Cast: Varalakshmi Sarathkumar, Satya Raj, Rao Ramesh, Tulasi, Nandu, and Avika Gor
    • Director: Ohmkar
    • Producer: Ashwin Babu and Kalyan Chakravarthy
    • Music: Vikas Badisha
    • No. of episodes: 6
    • OTT platform: Disney+ Hotstar

    After carving a niche for himself in television, Ohmkar made his directorial debut with the film Genius (2012) which didn’t live up to the title and ended up being a dud.

    But the filmmaker found success with Raju Gari Gadhi released in 2015. It was a mix of comedy, horror, and family emotions culminating with a message.

    The movie was a success at the box office and this led to two more films made with the same title.

    However, the subsequent films Raju Gari Gadhi 2 (2017) and Raju Gari Gadhi 3 (2019) weren’t financially successful.

    Now, the director has made his web series debut with Mansion 24 where the story is heavily reminiscent of his previous work. The only difference in Mansion 24 is that you don’t have any comedy track to ease the tension-filled atmosphere.

    Synopsis

    Kalidas (Satya Raj) is one of the most revered archaeologists in this country. In the middle of a particular excavation, he disappears without any trace. Not surprisingly, he is labelled as a traitor.

    Amrutha (Varalakshmi Sarathkumar) is an investigative journalist and daughter of Kalidas. She takes it upon herself to trace his whereabouts and clear her father’s name.

    In this quest, she heads to a mansion that is both abandoned and haunted.

    Seetharam (Rao Ramesh), the supposed watchman, tells Amrutha about the various paranormal activities that have happened in the mansion.

    In a nutshell, the story is about the various challenges that Amrutha faces in her journey to find out about the alleged betrayal of her father.

    Mini-stories fall flat

    To give credit where it is due, director Ohmkar is initially successful in creating a strong emotional foundation, the viewers do want Amrutha to succeed.

    Also, through the mini-stories, Ohmkar touches upon some societal issues by talking about the ghosts within us.

    However, the problem with these mini-stories is the lazy writing. Most of the characters have been poorly etched. As a result, the viewers don’t enjoy these mini-stories as much as they should.

    The only segment which has some meat is the one involving Nandu and Bindu Madhavi. Nandu plays a ruthless conman with the right amount of scariness.

    The viewers feel afraid of Nandu whenever he appears on the screen.

    Bindu Madhavi brings an emotional gravitas to her part of a woman, who has a personal score to settle with Nandu’s character.

    Another big problem with Mansion 24 is the characterisations of Satya Raj and Tulasi. Tulasi plays the mother of Amrutha. Neither of them has been fleshed out sufficiently.

    Adding to the woes is a melodramatic scene where the mother suddenly recovers from a severe health issue.

    Varalaxmi Sarathkumar is effective in portraying the different nuances of Amrutha. The actress manages to rise above the sketchy writing, the viewers wish that she had chosen a much better story.

    Characters hear strange sounds, there is a man with a long beard who mouths Sanskrit slokas, and all the ghosts wear white clothes among others. The bankruptcy of ideas is clearly visible.

    The cinematography and the production design are in tune with the show’s nature, but there is no element that particularly stands out. The tried and tested horror elements are all there.

    Final take

    To sum it up, it is high time that Ohmkar let go of the horror genre and did something different.

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    Sultan Of Delhi: A Clichéd Gangster Saga With All Style And Little Substance

    Milan Luthria’s OTT debut ‘Sultan of Delhi’ is an extension of his film ‘Once Upon A Time in Mumbai’, but not in a good way.

    admin
    No coherence!
    Sultan of Delhi (Hindi)
    • Cast: Tahir Raj Bhasin, Anjumm Ssharma, Vinay Pathak, Nishant Dahiya, Anupriya Goenka, and Mouni Roy
    • Director: Milan Luthria and Suparn Verma
    • Producer: Namit Sharma
    • Music: Ammal Malik and Anu Malik
    • No. of episodes: 9
    • OTT platform: Disney+ Hotstar

    There was a time when Milan Luthria was a hugely successful filmmaker.

    Both The Dirty Picture (2011) and Once Upon A Time in Mumbai (2010) found acceptance by critics as well as audiences. A common feature between both these films was the dialogue-baazi that appealed to the masses.

    However, in the last few years, Milan Luthria became all about style with little to no focus on the content.

    The best examples of these are Baadshaho (2017) and Once Upon A Time in Mumbai Dobaara (2013).

    Unfortunately, the director’s OTT debut — Sultan of Delhi — is another major misfire. It is also directed by Suparn S Varma.

    Synopsis

    The web series starts with the story of Arjun (Tahir Raj Bhasin).

    Arjun is a descendant of a generation that migrated to the capital region after partition. His experiences at the refugee camp make him more courageous with an attitude of taking life head-on.

    Arjun’s determination to overcome the scars of his past leads him to the criminal world. In the beginning, it is the arms trade.

    Bangali (Anjumm Ssharma) is an accomplice-cum-friend. Soon enough, they fall under the tutelage of Jagan Seth (Vinay Pathak).

    Arjun’s chief adversary is Rajendra (Nishant Dahiya), an entitled brat who constantly looks down upon Arjun. He doesn’t shy away from flaunting his privilege.

    Like Arjun, Rajendra too has big dreams. Aiding Rajendra in his quest is his late father’s mistress Shankari  Devi (Anupriya Goenka).

    The rest of the story moves along with different tangents. There is a bromance between Arjun and Bangali, their romantic relationships, and the equation with Jagan Seth, etc.

    Bromance is the only saving grace

    To give credit where it’s due, director duo Milan Luthria-Suparn Varam does a good job of establishing the bromance between Arjun and Bangali.

    The scenes featuring Tahir and Anjum Sharma are easily the saving grace of this web series. The friendship feels organic and when things take a dark turn the viewers feel sorry for them.

    The romantic angles fall flat though. This is a combination of poor writing coupled with uninspiring performances from most of the women characters.

    The only female actress who makes an impression is Anupriya Goenka. She portrays the negative shades with absolute relish.

    Mouni Roy suffers the most on account of weak characterisation.

    Nishant Dahiya plays the brat with the right amount of snootiness.

    Vinay Pathak also does well in his grey-shaded role.

    Fails to evoke emotions

    A big problem with the Sultan of Delhi is how it deals with the portions featuring the refugee camp. They are staged with indifference and feel more like a checklist that needs to be done away with.

    In the web series Jubliee and also the first Gadar, there is a sense of heartbreak that the viewers feel. But here, the audience doesn’t develop the required empathy.

    Sultan of Delhi also suffers on account of many outlandish sequences. For example, there is a sequence involving ammunition trade. For no rhyme or reason, you have unnecessary murders of policemen.

    Milan Luthria and Suparn Varma do an equally pathetic job of showcasing the politics of that period. The best example of this is a segment involving a Bengali filmmaker by the name of Roy Babu.

    There is no denying that these sequences have been stylishly mounted but there is a visible hollowness that irritates the viewers.

    Final take

    To sum it up, Sultan of Delhi is all about empty posturing. The genre of gangster drama seriously needs a reinvention as it has become all about style with no focus on coherence.

    (Views expressed here are personal.)