Tag: Hesham Abdul Wahab

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Made In Korea: A charming tale of resilience and womanhood

Made In Korea perfectly fits the definition of a sunshine movie. A couple of subplots are rushed through, but the emotional core coupled with the performances make this cross-culture worth watching. Priyanka Arul Mohan as Shenba delivers a strong act and her scenes with Kim Young-Oak gives Made In Korea its best moments.

Starcast: Priyanka Arul Mohan, Kim Young-Oak, Park Hye-Jin and others

Genre: Comedy/drama

Director and writer: Ra. Karthik

Music: Hesham Abdul Wahab

Producer: Sreenidhi Sagar

Production Company: Rise East Entertainment

Cinematography: Prasanna Kumar

Running time: 1 hour and 51 minutes

Streaming site: Netflix

Ra. Karthik’s Made in Korea can be easily termed as a spiritual sequel to Vikas Bahl’s Queen. Just like that film here too the heroine gets dumped and has to navigate a foreign country. In both the movies the female protagonists re discover themselves and become stronger individuals. Keeping aside the similarities Made In Korea is very much its own beast. The uniqueness majorly comes from the Korean cast especially Kim Young-Oak a familiar name for those who have seen Squid Games. Through her character and the on-screen friendship with Priyanka Arul Mohan the movie celebrates the theme of womanhood.

Made In Korea primarily focuses on a Tamilian girl Shenba (Priyanka Arul Mohan in an author backed role). Shenba is hugely fascinated with the city of Korea thanks to binge watching K Dramas. Her dream is going to Seoul, and this does come true but not in the happiest of circumstances. How Shenba navigates the different challenges eventually finding acceptance forms the core of this movie. An important subplot connected to Shenba’s journey is Kim Young-Oak’s elderly woman.

A strong aspect of Made In Korea is the depiction of Shenba’s challenges. Her struggles with the language in particular have moments of understated humor. The entry of Park Hye-Jin as a vlogger and a growing bond between the two is filled with warmth. However, the movie’s biggest strength are the scenes between Priyanka and Kim Young Oak.

Initially the viewers are given the impression of Kim Young Oak being a bedridden lady who needs to be fed. However, the movie soon springs a surprise with an important revelation. There is a reason for the character pretending to be bedridden and this is revealed at a crucial juncture.

The theme of womanhood comes out in a striking manner as Shenba also grows into a more confident individual. The scenes between Priyanka and Kim Young have a good balance of emotions and humor. Apart from womanhood theme Made In Korea gives an important life message too. This is explored through the quote “Where you think it ends, it begins”.

The transformation journey of Shenba is a good example of how we should move forward whatever the setbacks. Of course, the movie has a feel-good treatment. This may not work for all nevertheless the importance of message cannot be denied.

The background score by Dharan enhances the emotional scenes. The music of Hesham Abdul Wahab is pleasant going perfectly well with the movie’s tone. Both the upbeat and mellow numbers do a good job in capturing Shenba’s transformation. Prasanna Kumar’s cinematography is of a good order as well. He captures the different shades of Seoul effectively through his camera.

Priyanka Arul Mohan as Shenba springs a very pleasant surprise. She captures the different nuances with an understated but thoroughly effective act. Kim Young Oak makes her presence amply felt especially in an important confrontation scene with the son. Park Hye Jin as the vlogger who becomes an important part of Shenba’s life is good too. He brings in the required warmth making the viewers wish that they come across a friend like him.

As far as the flaws are concerned a subplot of Kim Young oak and Shenba opening a restaurant has a rushed treatment. The same applies to the track of a music band which needed more fleshed out writing.

Final word: Made In Korea is a good watch for fans of feel good/optimistic cinema and the central message.

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Hi Nanna: A Heart Touching Tale Of A Father’s Love For His Daughter

Hi Nanna works a perfect balm for those who had a tough time with the violent father and son dynamics in Animal. Nani pulls of his role with the expected panache but it is Mrunal Thakur who steals the show

Rating 3.5 out of 5
Starcast: Nani, Mrunal Thakur, Baby Kiara, Priyadarshini, Jayaram, Angad Bedi and others
Story, direction and screenplay: Shouryuv
Additional screenplay: Bhanu Deeraj, Rayudu, Vasanth Sameer and Pinnamaraju
Dialogues: Vamshi Bommena and Nagendra Kasi
Producers: Mohan Cherukuri, Murthy K.S and others
Production Company: Vyra Entertainments
Genre: Romantic drama
Running time: 2 hours and 35 minutes

There has been a heavy dose of father oriented stories this year. Whether it is Shah Rukh Khan’s double act of a father and son in Jawan , or Pankaj Tripati’s turn in OMG 2 as a disgruntled parent who slowly becomes a revoluntary for his son. Even Vijay Thalapathy who is generally known for his mass characters delivered an affecting performance in Lokesh Kanagaraj’s Leo as a family man with a dark past.

Baby Kiara and Nanni in a song sequence

Hi Nanna directed by debutant director Shouryuv is an emotional rollercoaster that makes the viewers feel many things. Sure the pacing is slow and the story does take a little time to get going however the end results are mostly satisfying. But it has to be said that the movie isn’t for fans of high octane entertainers.

Viraj (Nani) is a professional photographer and a single father. Mahi (Baby Kiara) is the 6 year old daughter. Viraj has always kept the story of Mahi’s mother in the dark. Whenever she asks about where her mother is Viraj simply skips the matter. Things take a turn when Viraj promises Mahi that he would tell about her mother provided she scores first rank. Mahi does score first rank but Viraj doesn’t adhere to his promise. Expectedly Mahi gets very angry and leaves the home. She almost faces an accident but is saved in the nick of time by Yashna (Mrunal Thakur). The rest of the story is about what had happened between Viraj and his wife along with how Yashna changes the lives of Viraj and Mahi.

Nani and Mrunal Thakur

As mentioned above the pacing of Hi Nanna is slow. Director Shouryuv takes his own sweet time in setting up the plot. The initial minutes are devoted to the bond of Viraj and Mahi. The story gathers momentum with the entry of Yashna. Viraj narrates his past in a fairy tale format. In these flashback portions Mahi imagines Yashna as her mother. Viraj’s love at first sight is slightly clichéd but it doesn’t get too bothersome thanks to the chemistry between Nani and Mrunal Thakur. The characters of Viraj and the wife are contrastingly different from each other. Viraj is someone who is eternally hopeful irrespective of what the situation is. The wife on the other hand has anxiety issues that primarily stem from growing up in a broken home.

She is someone who is very clear about not getting into the complications of a marriage having seen her parents constantly argue with each other. However she does end up marrying Viraj much to the annoyance of her mother. There is a lovely scene between Viraj and his prospective mother- in- law where the economical differences are highlighted. What makes this scene special is how he deals with the situation in the most empathetic way. The viewers instantly root for Viraj. Viraj initially says that they need not have children but that changes later on. There is a huge argument between Viraj and the wife followed by a heartwarming moment. This scene is a major highlight of the film and a perfect example of the sizzling chemistry between Nani and Mrunal.

Angad Bedi makes his debut with Hi Nanna

Towards the end of the first half director Shouryuv gives a major twist to the character of Yashna. The second half is heavier. In spite of some predictable scenarios the viewers are still invested in how the tale will end. This is majorly because of the strong emotional cord. A drunken banter between Nani and Mrunal Thakur does come across as a respite from the otherwise heavy drama.

What doesn’t work though is a party song featuring Shruti Haasan. It looks completely out of sync with the overall tone of the film. The extended special appearance of Sruthi Haasan could have been easily scrapped. Angad Bedi plays a character modeled on Salman Khan’s Amar in Kuch Kuch Hota Hai. He is pretty good but lacks the charm of what Salman Khan brought to the table as the third wheel.

Priyadarshi plays the friend cum colleague part with his usual effervescence. His comic timing is spot on as always and his camaraderie with Nani is fun to watch. Another member who stands out in the supporting cast is Jayaram. The actor delivers a nuanced performance as Mahi’s grandfather. He particularly shines in an emotionally charged sequence at a critical juncture.

Debutant director Shouryuv makes the viewers feel many things

Apart from Nani and Mrunal’s sizzling chemistry another strong point of Hi Nanna are the father and daughter scenes between Nani and Baby Kiara. They simply melt your heart on many occasions. Baby Kiara performs like an absolute pro with the right amount of innocence and vulnerability.

Hesham Abdul Wahab’s music and background score another big strength of Hi Nanna. Except for the Sruthi Haasan number the rest are a delight to watch and listen. My favorite numbers are Gaaju Bomma, Ammaadi and Samayama.

Priyadarshi’s comic timing is spot on as always and his camaraderie with Nani is fun to watch.

The cinematography of Sanu John Varghese is a visual delight particularly the flashback portions in Connor.

For Nani the role of Viraj is a cake in the park but nevertheless the actor is a delight to watch. He does a splendid job in portraying the different shades of Viraj whether it is the boyishness of a young lover or as a father later on who will do anything for his daughter. However it is Mrunal Thakur who steals the show with an outstanding performance. She plays a complicated character with ease. Mrunal conveys the various feelings with just her expressive eyes showing once again the bundle of talent she is. It is a performance that is a step ahead of last year’s Sita Ramam in many ways. Chinmayi’s dubbing adds to the impact.

Hi Nanna is a heartwarming story of a father and daughter along with a mother battling her own inner demons, a definite breadth of fresh air which needs to be seen.