Bhima’s Wife: Kavita Kane does it again

Just like her previous books Kavita Kane brings to life a neglected character. This time around its Hidimbi. The novel takes the readers through a roller coaster of a journey whether its the fairy tale like love story and then the separation. By the end you appreciate Hidimbi’s strong inner strength. Kavita Kane gives a powerful feminist streak in terms of how Hidimbi is never reduced to a helpless victim.

Both our epics Ramayana and Mahabharata give solid scope for constant reinterpretation. The reason being the huge canvas with a diverse set of people. The most minor characters give scope for solid drama. Over the years Kavita Kane has emerged as a wonderful storyteller. The way she picks up forgotten women from the epics and gives voice to them makes for a delightful read.

Bhima’s Wife is another solid addition. The novel in brief focuses on the different facets of Hidimbi’s life whether it’s her marriage with Bhima in spite of the massive cultural divide and then the Pandavas abandoning her once she gives birth to a boy among other things. How Hidimbi status is often ignored as the first Pandavas’s daughter in law forms an important part of the novel as well.

A theme which strongly resonates in Bhima’s wife is challenging the traditional stereotypes attached with rakshasas. There is often a tendency to slot them as cannibalistic figures. But Kavita Kane shows how the so called uncivilized has higher moral standards than Pandavas. This especially comes out in the kinds of questions raised by Hidimbi on acceptance, identity and dignity.

She doesn’t spare Bhima as well in spite of the deep love. For example, there is a part where Hidimbi questions him on how an innocent family became a collateral damage for the Pandavas to survive in the burning of a Lacquer house. Chapters like these bring out the fiery spirit of Hidimbi as well as challenging traditional perceptions.

Mention must also be made of how the novel presents Bhima. Bhima is often associated with brute strength. But here Kavita Kane showcases him as a flawed and vulnerable human being. There is a visible romantic side to Bhima in the chapters post Hidimbi’s pregnancy. How he takes care of her like a small child is adorable. The readers wish that he listened to his heart rather than trying to be an ideal son.

The novel also dwells into superior attitude showed by the Pandavas. A sense of supremacy in how they view the clan of Hidimbi isn’t spell out loud but it comes out effectively. By the end the readers feel that Hidimbi was used by Kunti and co for their selfish plans and then later abandoned.

However, the biggest strength of Bhima’s wife is how Kavita Kane brings alive the different shades of Hidimbi in her characteristic style. Yes, a sense of repetitiveness can be felt for those familiar with her work, still there is a lot to admire. The book starts off with Hidimbi being scared of her brother but as the novel progresses, she emerges as a strong woman. This can be especially seen in Hidimbi bringing together the warring tribes. How she maintains peace and harmony with her powerful presence is a perfect example of the novel’s feminist streak.

Final word: Bhima’s Wife is a solid read for those who enjoy mythological retelling as well as fans of Kavita Kane’s earlier works.

The Fisher Queen’s Dynasty: Another winner from Kavita Kane

This Kavita Kane’s novel is a must read for those who like reinterpretation of mythological characters. Like her previous ones here too the author has chosen a neglected female character, this time Satyavati

Starting from The Karna’s Wife: The Outcast Queen in 2013 Kavit Kane has written eight books so far. She has made a significant place herself by reinterpreting epics from the perspective of women who have been mostly neglected, case in point being Ravana’s sister Surpankha. As far as I know no other work has come on Surpankha keeping her as the main protagonist. Same applies to Menaka Apsara. Of course, like other writers who reinterpret epics Kavita Kane is also famous for adding her imagination like in the case of her first one. Nevertheless, she has engaged the viewers thoroughly with her writings.

Starting from Karna’s wife Kavita Kane has written eight books so far

As far I know no one else has written a book with Surpankha as the main protagonist

Coming to The Fisher Queen’s Dynasty the story traces the journey off Satyavati, from toiling away as a fisherwoman to becoming the wife of Shantanu. For those who don’t know Satyavati was the stepmother of Bhisma Pitamah. The story focuses on her ambitious nature and how her actions lead to a complex chain of events.

The characterization of Satyavati is in a way similar to Surpankha. Both the woman aren’t very likeable in terms of their actions but the readers don’t hate them completely either because of the psychological insight.

There is no denying that Satyavati is shrewd and cunning. In the process of securing the throne both for herself and the sons many lives are destroyed. However, beneath the shrewd demeanor there is also a broken woman. Due to the hardships faced from childhood she firmly believes that only power will get her respect. In order to maintain that power she keeps on making mistakes.

The equation between Bhisma and Satyavati also keeps the readers hooked. Bhism is the only person that Satyavati thrusts wholeheartedly, she constantly seeks him out. There are also hints of her having more than motherly affection when she gets jealous of Amba. There is an underlying animosity in the way Bhisma taunts Satyavati on certain occasions, but you also seen him admiring her inner strength.

Although The Fisher Queen’s Dynasty is primarily about Satyavati and Bhisma other characters also have their moments. Particularly mention must be of Amba a woman who desperately wants to marry Bhisma.

Overall, The Fisher Queen’s Dynasty is a wonderful exploration of Mahabharata from Satyavati’s perspective. As far as I know in simple English no other book has come on Satyavati as the main protagonist. Of course, the debate on what part of the book is imagination and how much is taken from the original text is never ending. But for those who like a mixture of both this is a must read.