Shiv Rawail and Uday Chopra succeed in presenting two badass women. The dynamics of estranged siblings is the film’s beating heart. Sharvari matches Alia step to step whether its the hand-to-hand combat or the emotional sequences. Bobby Deol, Anil Kapoor and Dibyendu Bhattacharya also lend gravity to their respective parts. But the father and daughter thread needed stronger writing, also a Dhurandhar like twist feels forced. Yes, the scenarios leading up to the revelation is interesting but in the eventual scheme of things it feels like a hurried addition
Starcast: Alia Bhatt, Sharvari Wagh, Bobby Deol, Anil Kapoor, Dibyendu Bhattacharya and others
Genre: Action thriller/drama
Director: Shiv Rawail
Story: Uday Chopra
Screenplay: Shoumik Shukla and Sridhar Raghavan
Dialogues: Ishita Moitra
Producer: Aditya Chopra
Production House: Yash Raj Films
Songs: Rohansh and Abeer Pandit
Cinematography: Rubais
Running time: 2 hours and 20 minutes
The spy journey of Yash Raj beginning with EK Tha Tiger has seen a roller-coaster of a journey. It has been a mix of massive highs and huge lows. Until Pathaan all the movies were commercial blockbusters but with Tiger 3 everything changed. Tiger 3 was a reasonable success but nowhere close to the blockbuster status of Pathaan and War among others. War 2 was a bigger dud than Tiger 3 with a lot of criticism on similar visual aesthetics, the matters got further compounded with the mega success of Dhurandhar movies. Shiv Rawail’s Alpha’s comes at an extremely crucial moment for the future of spy verse as well as Alia Bhatt. The actor’s previous tryst with action Jigra couldn’t do much at the box office and Alpha is likely to go the same way. The movie has solid action and good performances but the writing tapers off after some solid world building.


The story of Alpha begins with the aftermath off 1999 Kargil War. Bobby Deol is commander Fateh Sing Lakawat. He trains Alia Bhatt’s Sita with a very potent Alpha serum. Sita grows up to be a ruthless assassin following her adopted father’s commands without much questioning. Anil Kapoor plays RAW Cheif Kaul. Kaul was a part of Fateh’s Alpha program, but a particular incident leads to Kaul distancing himself from Fateh Singh. Sharvari Wagh plays the estranged twin sister Durga. Last but not the least Dibyendu Bhattacharya is a scientist cum partner to Fateh. In simple terms the film focuses on how Sita’s life changes after a crucial revelation and how the estranged siblings eventually team up taking down Fateh and save India.
The beating heart of Alpha as already mentioned is the strong sisterhood between Alia and Sharvari. The two have contrasting personalities in terms of how they look at life. Durga like Sita has also grown without mother’s love as Kaul’s wife played by a radiant Dia Mirza, the character dies while giving birth to the twins. However, their lives have shaped up differently due to the contrasting atmospheres. Fateh has trained Sita as a cold-blooded assassin not getting himself emotionally involved. A particular sequence of Sita 18th birthday with Fateh giving the first assignment is a perfect example of this.
The impact of Fateh’s upbringing can be clearly seen in Sita’s initial interactions with both Kaul and Durga. A situation comes where the two have to stick it out together and here Sita’s coldness gradually evaporates and by the end the two have developed a strong bond. This gradual process has come out in a solid manner. It also helps that Sharvari is positioned as an equal and not a mere sidekick. The young actress does a fantastic job in the scenes of physical agility as well as the few poignant moments. Alia Bhatt gets into the skin of a trained assassin with panache; at the same time, she is her usual competent self in the scenes of vulnerability. Alia and Sharvari together lift the movie’s muddled screenplay with their camaraderie. A mention must also be made of a pre interval action block with the two taking on each other unaware of being sisters. The fight has been solidly choreographed with some raw action.

Bobby Deol as the primary antagonist plays the part with the required ruthlessness. While the part is no Bandar in terms of the different shades Bobby still makes for a formidable villain. The deep baritone voice coupled with the overall physical demeanor is a treat to watch. Anil Kapoor continues his golden form with another solid act. In spite of the hurried writing the veteran actor brings in an emotional resonance in his scenes with both Alia and Sharvari. Dibyendu Bhattacharya is also impressive within his limited screen time. His sequence with the adult Sita deserves a specific mention. Hrithik Roshan as Kabir shows too up in an extended cameo. The actor brings his usual swagger and style, his interactions with Alia and Sharvari have some interesting moments.
The action sequences are another highlight of the movie. The pre interval block and the climatic fight deserve a special mention. Yes, the closing fight feels stretched but the raw action with Alia and Bobby combating has been wonderfully staged. As viewers you fear for Sita and the scene of her finally pinning down Fateh serves as a perfect culmination.
A major flaw with Alpha is the loose writing when it comes to the father and daughter dynamics, whether it’s Sita’s equation with her adopted father or the biological one. There is a sense of hurry in the way the interpersonal relationships are introduced and then left hanging only to be revisited later.
This juggling act of action and emotion doesn’t land seamlessly. The second half in particular seems in a rush for Alia taking on Bobby. As a result the emotions don’t stir the viewers the way it should.
Alpha also suffers from a Dhurandhar hangover. A crucial twist related to the actual identity of Bobby’s Fateh Singh feels like a last-minute addition to please the deshbhakts. But this twist though shocking isn’t likely to please even the most patriotic ones.
The music with its mix of Hindi and English lyrics doesn’t work either. Sharvari’s introduction song for example just doesn’t land.
Final word: Alpha deserves marks for trying to something different within the spy verse formula. But the inconsistent writing makes it difficult to root. Having said that it makes for a fun watch especially for those who like seeing strong women saving the day.









