Laxmii: Good Message, But A Little Too Loud

Over the years Akshay Kumar has taken subjects outside the commercial arena and made them accessible within the commercial zone. For example, there is Padman where Akshay played a man who creates a machine that can make affordable sanitary pads. There is also Toilet Ek Prem Katha in which Akshay’s character has to go against the entire village and also his father in order to build a toilet for his wife. In short he has been playing the social reformer in commercial films. 

Laxmii directed by Raghava Lawrence is no different. In this film Akshay’s character is possessed by a transgender ghost who is looking for revenge. For those who do not know Laxmii is a remake of the Tamil film Kanchana directed by the same man. Just like the original it is loud and takes time to come together, but it has its heart at the right place particularly in the flashback portion. 

The basic plot in both the films is about a transgender spirit taking over an unsuspecting man to settle her scores. In the remake Akshay (Asif) and Kiara Advani play a married couple. Asif is an outsider for her family because he is a Muslim and Rajesh Sharma who plays Kiara’s father doesn’t approve of his daughter’s choice. But things take a good turn after a long time when the mother invites her daughter and son in law for a special occasion. What follows is a horror comedy, at the heart of which is societal discrimination of transgenders. 

The film takes its time to kick in and it honestly starts engaging you after Akshay’s character starts behaving as a transgender person. These portions have been well executed and here we see a totally different Akshay Kumar. It also helps that Akshay plays this part with gay abandon and embraces the character whole heartedly. Earlier also we have had actors playing transgender roles like Paresh Rawal in Tamanna but it makes a huge difference when you have an A list actor playing this role as it reaches a wider audience. 

However the film’s biggest strength is its flashback episodes where we see Sharad Kelkar playing Laxmii. Sharad is extraordinary. Even if he is not there for a long time he does complete justice to it. Through his role Raghava Lawrence effectively portrays the message that he wants to deliver. 

The climax although loud is still satisfying. The entire dance sequence of Bambole has been done with lot of enthusiasm and the different dance steps are interesting to watch. The one thing that is particularly admirable is the energy of Akshay Kumar. You feel happy when Laxmii gets her revenge with many transgender people cheering on. 

The comedy track of Ayesha Raza and Ashwini Kaleskar (mother and sister in law of Kiara Advani’s character) belongs to the loud category but it still works better than the romantic angle of Akshay and Kiara. 

What would have made the film better are the initial portions. The conflict point of why Rajesh Sharma doesn’t accept Akshay has not been explored and after a point it is pushed to the background. In fact the entire track of Rajesh Sharma is disappointing. But Kiara’s character is more so. She is the biggest weak link in Laxmii. She doesn’t have a lot to do but even in the scenes where she could have done something she disappoints. It looks like she is still stuck in the Kabir Singh zone. 

For a film like this suspension of belief is very necessary particularly if you have not seen the original. There will be scenes where you will think about the lack of rationality.  In totality, Laxmii is one of those commercial entertainers which has its heart in the right place. It delivers an important message about respecting transgenders and treating them as fellow human beings.

Miss India: Tea Served Cold

It is not an easy task to make a good female centric film, the reason being you need a lot more than just a strong protagonist. When done well it gives good results like Keerthy Suresh’s ‘Mahanati’ which was a satisfying cinematic experience, or other films like ‘Kahaani,’ ‘Fashion,’ ‘Dear Zindagi’ and others. However when not directed well the results are like Miss India starring the national award winner Keerthy Suresh. 

Miss India narrates the story of Samyuktha who is convinced that she is born to do business and this is established very clearly early on. The problem is that her mother and brother are horrified with her decision. They tell her in no uncertain terms good girls only need education in order to get a good groom while only bad girls step out. The rest of the journey is about how Samyuktha achieves her dreams by going against her mother and brother. Nadia plays the mother and Naresh plays the father. The father is pretty inconsequential in the scheme of the things as he has Alzheimer’s. Rajendra Prasad plays the grandfather who dies very early on in the film. 

The biggest problem with Miss India is its treatment. All achiever stories have a predictable arc but as a director you can make it interesting with the treatment. But here the director squanders the opportunity in spite of having a national award winning actress and also Nadia and Naresh who were very successful together in ‘Drishyam’ and AA. The silliness of the film can be seen in every frame. For example Samakyukta gets an MBA degree from a San Francisco college without attending any class. The way she wants to spread the benefits of Indian Chai is very comical to say the least. 

It also doesn’t help that her encounters with men aren’t executed with much flair. If done well they could have been interesting but the flair and wit are completely missing. Also the male characters are too one-dimensional, whether that is Naveen Chandra in the beginning or Sumanth Shailendra in the later portions. 

A strong antagonist is a very important thing in a film like this but here again the director Narendra Nath misses the mark in spite of having Jagapati Babu who has built a strong reputation for himself with negative characters in ‘Legend’ and ‘Aravinda Sametha.’ It is a track which starts decently but soon dissolves into something which is utterly stupid. 

The schemes of Jagapati Babu are hair brained to say the least and each plan is sillier than the other. His redemption at the end is also done for the sake of it more than anything else. The movie was released on Wednesday on Netflix.

While it wouldn’t be entirely right to blame Keerthy Suresh she also doesn’t help her cause with her rather dull acting. Honestly none of the acting performances register which tells a lot given that even bad films have at least one redeeming quality. 

In totality Miss India has a decent storyline where it wants to show a strong woman but it misses the mark by miles. Best avoided even if you like Keerthy Suresh’s acting in Mahanati.