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Phir Aayi Hasseen Dillruba: The central performances coupled with the first half makes the movie watchable

A convoluted second half makes the movie a not so Hasseen sequel

  • Starcast: Taapsee Pannu, Vikrant Massey, Sunny Kaushal, Jimmy Shergill and others
  • Director: Jayprad Desai
  • Writer: Kanika Dhillon
  • Producers: Anand L Rai, Himanshu Sharma and others
  • Production Companies: Color Yellow Productions and T- Series Films
  • Music: Sachet- Parampara and Anurag Saikia
  • Cinematography: Vishal Sinha
  • Running time: 2 hours and 12 minutes
  • Streaming site: Netflix

The first part of Haseen Dilruba was a well-made exploration of love and marriage under the guise of a thriller. Director Vinil Mathews did an excellent job in showcasing the various stages of Rishabh Saxena (Vikrant Massey) and Rani Kashyap (Tapsee Pannu’s) marriage. The way the relationship swings between intense dislike and intense love kept the viewers hooked. Haseen Dilruba also worked as an investigative thriller with the viewers constantly guessing about a supposed murder along with the disappearance of Rishabh’s cousin Neel (Harshvardhan Rane). The sequel naturally comes with a certain baggage. Director Jayprad Desai does a good job in carrying forward the craziness of Risabh and Rani. This time around Sunny Kaushal plays the third wheel, and his character is also equally twisted. However, after a promising start the movie starts stagnating for two reasons. One is the unnecessary subplots and two overdose of twists in the second half.

In Phir Aayi Hasseen Dillruba Rani and Rishi have relocated to Agra. However, they live separately. Sometimes they do meet but give the impression of being strangers. Rishi pays a big amount to a travel agent who promises to make fake passports so that the couple can leave India. On the other hand, there is the compounder (Abhimanyu) who falls in deep love with Rani. Monty (Jimmy Shergill) is the uncle of Neel; he wants to see Rani behind the bars for a certain crime, he is also absolutely certain about Rishi being alive. He keeps track of everything Rani does, in the process the travel agent is also arrested. Rani decides to marry Abhimanyu to convince the cops about Rishi’s death. The plan is to escape with Rishi at the right time leaving Abhimanyu stranded but things go awry. This is the story in brief.

The story of Phir Aayi Hasseen Dillruba dwells into the familiar territory of love, obsession and betrayal. But to the credit of Jayprad desai he does keep the viewers tensed about what will happen next more so in the first half. The scenes of Rani and Rishi meeting as strangers is fun to watch. The conversations are filled with some quirky dialogues.

Initially the viewers feel that Abhimanyu is too meek, and things would be very easy for Rani and Rishi however the twist regarding Abhimanyu’s character takes the viewers by complete surprise.

Rani and Rishi give the impression of being strangers
Initially the viewers get the impression of Abhimanyu being too meek

The actions of Jimmy Shergill and his desperation in catching Rani keeps the viewers guessing about her eventual fate. Special must also be made of Dinesh Pandit’s pulp fiction novels. Both Rani and Rishabh quote lines from his works and this adds to the drama on numerous occasions. Here it has to be mentioned that Dinesh Pandit is not based on any real-life author. Writer Kanika Dhillon has just used a fictional name to pay homage to all the pulp fiction writers.

Coming back to the movie the plot becomes very messy in the second half. A major stumbling block is how Monty and his men are not able to catch Rani and Rishi when it is very clear on how they are taking help from these pulp fiction books. There is no denying that some of the second half developments are thoroughly unexpected but at the same time it makes the viewers scratch their heads. The changing dynamics also leaves the viewers bewildered because of the rushed storytelling.

The trio of Taapsee Pannu, Vikrant Massey and Sunny Kaushal leave a strong impact with their performances. As Rani Taapsee looks like a million bucks. The way she seduces Abhimanyu into marriage and sexual undertones have been wonderfully portrayed. She particularly stands out in the movie’s climax while showcasing the emotional turmoil.

As Rani Taapsee looks like a million bucks

Vikrant Massey is also a treat to watch with his striking portrayal of a man torn between love and madness. Sunny Kaushal proves to be a valuable addition in how he handles the different shades of Abhimanyu. He goes from meek to aggressive without any hitch.

As Monty Jimmy Shergill has a commanding presence delivering an impressive act. The character starts off with promise but after a point he becomes a mere pawn. Aditya Srivastava gets even less prominence

Sachet- Parampara and Anurag Saikia’s music goes well with the mood of the movie. Haaste Haaste in particular makes for a good number. This takes place during the marriage of Rani and Abhimanyu. Vishal Sinha’s cinematography is also of a fine standard.

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Brinda: A gripping police procedural which examines the side effects of extremism both religious and otherwise

Writer and director Surya Manoj Vangala does an effective job in exploring multiple societal aspects

  • Starcast: Trisha, Ravindra Vijay, Aamani, Indrajith Sukumaran, Anand Sami and others
  • Writer and director: Surya Manoj Vangala
  • Screenplay: Jay Krishna and Padmavathi Malladi
  • Producer: Kolla Ashish
  • Production Company: Adding Advertising LLP
  • Cinematography: Dinesh K Babu
  • Music: Shakti Kanth Karthik
  • No of episodes: 8
  • Streaming site: Sony LIV

Tense investigative dramas are always a treat to watch provided audiences are on tenterhooks. Trisha’s OTT debut not only ticks the required boxes of a suspense thriller/drama, but it also ventures into topics that are tricky in nature. Thankfully Suraj Manoj Vangala along with the screenplay writers do a good job.

Brinda begins with a prologue that is hugely disturbing. A young girl in mid-1990’s becomes a scapegoat in satisfying a goddess, the goddess is said to be very angry with the villagers. This girl wails loudly seeking for help but they fall on deaf ears. No one in the village including the mother and brother question this ritual murder. Brinda web series is peppered with numerous scenes showcasing how even in contemporary society these acts continue in the name of god.

The main plot of Brinda focuses on a newly appointed sub inspector. Trisha’s character is mostly confined to desk related work, she is a victim of casual sexism. Fellow cop Sarathi (Ravindra Vijay) is the only one who treats her with some respect. Later on, they form an unlikely bond that develops into a strong friendship. Brinda is a brooding police officer suffering from anxiety issues, constantly taking pills. Things take a turn when Brinda goes against her superiors when they try to close a murder case as suicide. She starts digging deeper with some help from Sarathi. Soon multiple murders start taking place. The rest of the story is about who is behind these murders while blending the personal and professional lives of Brinda and Sarathi.

Trisha as a newly appointed sub inspector
Ravindra Vijay as Sarathi

A strong aspect of Brinda is its world building. Although Trisha is the central pivot most of the other characters too have been written with lot of care. A very good example of this is the roles played by Anandasami and Ravindra Vijay. Sarathi is someone who is desperately waiting for a better turn in both his professional and personal life. In spite of a brewing inner turmoil Sarathi never loses his humanness. A scene deserving particular mention is Ravindra Vijay’s breakdown, this happens when Sarathi’s personal life takes a crucial turn. The writing coupled with the actor’s performance is simply terrific. Anand Sami as Thakur also chews the scenery with a spine-chilling act. His back story is very touching and in spite of him being an evil person the viewers feel sympathy. In the title role Trisha successfully sheds her glamorous image delivering a nuanced performance. She is successful in portraying both the vulnerabilities and resilience of Brinda.

Indrajith Sukumaran also excels in portraying the charming and calculative nature Dr. Satya/prof. Kabir Anand. The track of sibling’s rivalry though sticks out like a sore thumb. The teenage rebellion of Brinda’s sister Chutki feels like more of an unnecessary add on. Also, the process of an important character stealing someone else’s identity is not so convincing. However, these are just minor blips.

Indrajith Sukumaran excels in portraying the charming and calculative nature

As mentioned previously Brinda is a web series that tackles multiple societal aspects. For example, there is the track of gender discrimination. How Brinda is looked upon in a condescending manner is touched upon in a subtle yet impactful way. The series also highlights the importance of child care in juvenile prisons.

The power of religion in shaping lives and the dangers of blind faith is also an integral aspect of Brinda. These are just some of the numerous themes that the series examines. Surya Manoj Vangala along with the screenplay writers deserve distinction marks for the treatment.

There isn’t much scope for music in a story like Brinda, but Shakthi Kanth Karthick delivers a powerful opening song.

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Paruvu: An engrossing social thriller encompassing different elements

Siddarth Naidu and Rajasekhar Vadlapati do a wonderful job in merging the various tracks keeping the viewers thoroughly intrigued

  • Starcast: Naresh Agastya, Nivetha Pethuraj, Naga Babu, Praneetha Patnaik and others
  • Directors: Siddarth Naidu and Rajasekhar Vadlapati
  • Writer: Siddarth Naidu
  • Music: Shravan Bhardwaj
  • Cinematography: Vidya Sagar Chinta
  • Producers: L.S Vishnu Prasad and Sushmita Konidela
  • Production Company: Gold Box Entertainment
  • Streaming site: Zee5
  • No of episodes: 8

The topic of honor killing is something that has seen many onscreen depictions. But it never gets old, the hierarchy between upper and lower caste will always remain in some form or other however much the society evolves. The core of Paruvu is honor killing but what makes the show gripping is the intermingling of caste, greed and communal harmony in a thriller format. The world of Paruvu takes a little while getting used to but soon enough the audiences become engrossed.

The world of Paruvu takes a little while getting used to but soon enough the audiences become engrossed

Paruvu begins off with Dolly aka Pallavi (Nivetha Pethuraj) and her husband Sudheer (Naresh Agastya). Dolly had married Sudheer against her family wishes, they still haven’t forgiven her. Dolly and Sudheer are headed to Guntur to pay last respects for the dead uncle. Driving them home is Dolly’s cousin Chandrasekhar aka Chandu (Sunil Komisetty). There is an exchange of heated words. Dolly is pregnant but that in no way softens Chandu. As the journey progresses Dolly becomes extremely suspicious and firmly believes that Chandu has come to bump them off. Things take a huge turn with an unexpected death; further complications arise upon reaching Guntur. Naga Babu plays Ramayya; he represents the caste-based politics. This is the story in brief

Naga babu as Ramayya; He represents the caste-based politics

A major plus of Paruvu are the strongly written characters. All of them come with shades of grey. For example, there is a scene where a major character laments about coming up the hard way but at the same time, he is responsible for another man’s death. In her fight for survival a woman resorts to kidnapping. On certain occasions both Sudheer and Pallavi come across as opportunists who would do anything to save their skin.

What also makes Paruvu engrossing is the funeral background. Key characters are introduced, there is an underlying tension keeping the viewers hooked. The scenes at the funeral also work as a social satire. For example, relatives insult each other in the process of settling old scores. The viewers have the impression of nobody caring for the departed soul.

Among the supporting characters Naga Babu and Praneetha Patnaik deserve a special mention. Naga Babu’s Ramayya wants to become a major politician and uses others as pawns. Praneetha Patnaik’s Swathi on the other hand is the fiancé of a dead man. Swathi is desperate to find where her fiancé has disappeared. She does her own investigation irking Ramayya with her stubbornness. These two subplots give the show some of its best moments.

The role of caste-based politics and how they impact the intertiors of Andhra has also been showcased in a gripping manner. The political set up and the various mechanisams involved have an earthy feel.

Shravan Bardhwaj’s background music is impactful enhancing the drama. Chinta Vidya Sagar’s cinematography is also of a good standard particularly in the scenes which have tension.

Paruvu also benefits from its super talented cast headed by Nivetha Thomas and Naresh Agastya. Nivetha Pethuraj as the pregnant woman is simply splendid. She does a wonderful job in portraying the various moods of Dolly. Naresh Agastya delivers a performance which is subtle yet very impactful. Naga Babu as MLA Ramayya surprises big time with his wonderful performance. He portrays the negative shades with finesse never resorting to over-the-top theatrics. Praneetha Patnaik nails the desperation of Swathi delivering an intense act.

Paruvu is a binge worthy web show for fans of multi layered storytelling. The first-rate performances are an icing on the cake.

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Modern Masters SS Rajamouli: Self adulatory in nature, still an engaging watch

The insights of V Vijayendra Prasad, MM Keeravani, Rama Rajamouli etc. give the documentary some of its best moments

Modern Masters directed by Raghav Khanna and Tanvi Ajinkya is an absolute treat for the fans of the celebrated director. Right from the beginning it is clear that both of them are in awe of SS Rajamouli and how the documentary has been designed as a tribute. Just like his on-screen heroes the tonality is that of reverence and awe. This method does come with its drawbacks as there isn’t much of a critical analysis however there is never a dull moment

A strong aspect of Modern Masters is the narration of the family members. Through the various anecdotes the viewers understand the passionate nature of Rajamouli and his eccentricities while filming a movie. The documentary also successfully sheds light on Rajamouli’s modest beginnings. Seeing the struggles of his father and how that influenced the creative choices.

Although Rajamouli’s debut movie Student No 1 was a commercial success it is very clear that Rajamouli looks at Simhadri as his breakthrough movie. It was Simhadri that set the tone for Rajamouli’s future films. There is also an intriguing insight given by MM Keeravani about the use of a Tamil rustic song to showcase the transformation of Junior NTR. The producers weren’t very sure about its placement, but he was very clear about audiences enjoying it which turned out to be true. The courtship of SS Rajamouli and how he convinced Rama for marriage is charming. Just like his movies here too his persistent nature comes forth strikingly.

The anecdotes regarding the Baahubali films are also engaging. Initially the movie had a slow start with the talk being not so positive. One of the producers Shobu Yarlagadda went into a panic mode and there was major anxiety about Baahubali 2’s future however things changed with the movie growing on the audiences and eventually becoming a blockbuster. Karan Johar is the only one from the Hindi fraternity to appear in the documentary. The movie could have done with few more Hindi and Telugu personalities, keeping that aside Karan Johar makes an interesting analogy by comparing Ramesh Sippy’s Sholay with this. Upon its release Sholay also had a slow start with many people dismissing it but subsequently the film made a major splash and has now become a commercial benchmark.

Prominent film Journalist and reviewer Anupama Chopra is also a part of this documentary. She asks questions regarding the criticism of Bahubali and RRR being sexist and casteist. The answers aren’t completely satisfactory nevertheless there is an interesting bit where he talks about being an atheist while still being a believer of Sanatana dharma. According to him a person can be both. Talking about the controversial love scene in Bahubali 1 he says that Tamannaah’s Avanthika is much more than just a hard warrior, adding that there is also a woman looking for love beneath the tough exterior.

Rajamouli’s creation of strong villains particularly Rana Daggubati’s Bhallaladeva and how he likes Ravana more than Rama adds an interesting dimension to the documentary. To sum it up Modern Masters could have done with more depth particularly the questions about Bahubali and RRR, still it is entertaining enough.

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The Girl with the Seven Lives: Vikas Swarup delivers another engrossing page turner

The concoction of thrills and emotions make it a riveting read

Former Indian diplomat Vikas Swarup has had a fantastic start to his writing career. Both of his novels, Q&A, which was adapted into the movie Slumdog Millionaire, and Six Suspects, have been showered with praise. Six Suspects was made into a web series by Paan Singh Tomar director Tigmanshu Dhulia. A major reason for Vikas Swarup’s success is his ability in choosing plots that reflect different aspects of Indian society. The stories are thoroughly rooted in the Indian milieu making it relatable for the readers. 

With his latest The Girl With the Seven Lives the writer has again picked up a subject that effortlessly blends edge of seat thrills with a solid emotional graph. The central character of this novel Devi is a morally complex protagonist. She isn’t always likeable, some of her actions don’t fit the traditional compass of morality. However, we do not completely despise her because Vikas Swarup gives a psychological insight into her wretched past. The novel begins with a young woman Devi being held hostage by a dangerous man. He threatens to shoot her if she doesn’t talk about the 25 years of her life so far. Adding to Devi’s horror is an online auction, in this auction the person who bids the highest will determine her fate. Thus begins a long odyssey taking the readers on a rollercoaster ride. There are some shocking revelations keeping the readers thoroughly engrossed.

The Girl With the Seven Lives wastes no time in setting up the story. The very first chapter begins with the gruesome kidnap. The readers go through a lot of tension on the reasons behind the kidnap and  her eventual fate.

The plot thickens further with various attention-grabbing developments. Vikas Swarup’s writing of the various cities like Mumbai and Goa became a character in themselves. The dark underbelly beneath the shining glitter covers some important societal aspects. Whether it is the horrendous treatment of girls in observation homes, racket of fake degrees etc.

The bond between Devi and her dog Sheru also adds an emotional touch even if you aren’t a pet lover. As mentioned above Devi doesn’t fit into the traditional compass of morality but the readers also understand where she is coming from. Her childhood and teenage years are anything but happy. For example, her younger brother Sonu faces a brutal death due to a speedy BMW. A private hospital refused to treat him and a crooked cop showed zero empathy. Additionally, the elder brother is also unlawfully detained and the readers are given the impression of him being dead too. At one point a wealthy woman Devika takes an interest in Devi for her own selfish needs. She offers the comforts of a home pretending to be a kind person, but in actuality Devika just wants to use Devi as a subject to write an authentic novel about the poor. All these experiences shape up the person Devi grows up to be.

The readers root for Devi to come out safe from this ordeal. her journey through multiple identities and overcoming many obstacles give an important message on resilience.

(PS: Recently Vikas Swarup has talked about wanting Alia Bhatt to play central role of Devi if the book was made into a movie. Here’s hoping that his wish comes true.)

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Bollywood actors through the lens of South Indian directors

A rundown into some of the Telugu and Tamil directors who have successfully presented Bollywood actors in a different light and gave major hits       

As the wave of pan India has caught in a huge way, the crossover between Hindi film actors and South Indian directors, particularly those belonging to Telugu and Tamil cinema (also known as Tollywood and Kollywood) has resulted in some successful collaborations. One of the earlier examples is Aamir Khan’s Ghajini (2008). Director AR Murugadoss made a significant impact with this Tamil remake.

Ghajini

Ghajini opened the 100-crore club in Bollywood; it was a major money spinner in those times. For Aamir Khan Ghajini was altogether a different film from what he was doing till then, it presented him in a massy avatar. In spite of the obvious comparisons to Suriya’s stellar acting, Aamir also left his own imprint particularly the physical part of it. He looked like a wounded tiger out on an avenging spree.

In spite of the obvious comparisons to Suriya’s stellar acting Aamir also left his own imprint particularly the physical part of it.

Kabir Singh

Before Kabir Singh, again a remake of a south (Telugu) movie Arjun Singh, Shahid Kapoor did not have a major solo hit. The likes of Jab We Met, Udta Punjab and Haider were hit movies no doubt but not commercial blockbusters. Though Padmaavat did more than 300 crores Ranveer Singh walked away with all the accolades and rightly so. But Sandeep Reddy Vanga gave Shahid a big spectrum to play with in Kabir Singh and the actor didn’t disappoint. Whether it is portraying the highly toxic and passionate love of Kabir or in the breakdown scenes Shahid did his best. Although the movie was pretty much a carbon copy of the original Shahid brought his own intensity to the role. Much like Ghajini this remake also did far bigger numbers than the original. It is a separate matter that Shahid could not capitalize on this blockbuster success later in his career.  

Kabir Singh gave Shahid Kapoor a big spectrum to play with and the actor didn’t disappoint

Jawan

It is a well-known fact that Shah Rukh Khan was going through a very rough patch both professionally and personally before the release of Siddarth Anand’s Pathaan and Atlee’s Jawan. For Atlee Jawan was a huge leap given that he had mostly collaborated with Vijay Thalapathy till then. For someone like him directing a megastar like Shah Rukh Khan is not a piece of cake.

But Atlee more than rose up to the challenge, he passed with flying colours. Atlee’s presentation of SRK particularly the father character of Vikram Rathore erupted huge cheers among the moviegoers. Shah Rukh also effortlessly slipped into the universe of Atlee having a lot of fun in a movie that has essentially 50 shades of SRK.

For SRK too it was a very profitable film both in terms of expanding his fan base and box office numbers. It was almost like a king size comeback with more than 700 crores.

Shah Rukh Khan also effortlessly slipped into the universe of Atlee

Animal

Animal directed by Sandeep Reddy Vanga is easily the most polarizing movie of Ranbir’s career, more than even Sanju. Ranbir’s previous movies have also featured strained father and son relationships, but Animal took it to a whole new level. Animal showcased Ranbir in his darkest avatar till date, as Ranbir himself confessed that he was scared when he heard the script and had severe doubts about doing the role. However, to Ranbir’s credit he went full throttle and delivered a power packed performance though the story itself was highly controversial.   

Ranbir Kapoor’s darkest avatar till date

Kalki

Lastly there is this year’s Kalki directed by Nag Ashwin, a Telugu language epic science fiction film. The last few outings of Amitabh Bachchan have varied from just average to good. While he had solid roles in Jhund and Uunchai, in Bramhastra and Ganapath he didn’t have much to do. He was particularly wasted in Bramhastra as just a mere guru. But his fans and neutral audiences got the opportunity to see vintage Amitabh Bachchan with Kalki 2989 AD.

Bachchan had the best written role by a long margin and the senior actor just chewed the scenery with a stellar performance. The way he takes on the character of Prabhas was a sheer delight to watch. On many occasions he overshadowed the other cast members with just his towering screen presence. With his performance of Ashwatthama Bachchan showed that he can give any young actor a run for their money even at the age of 81.

For someone like Nag Ashwin too handling a film of this scale and directing someone like Amitabh Bachchan is a major achievement.

The fans and neutral audiences got the opportunity to see vintage Amitabh Bachchan in Kalki 2989 AD

Not so lucky ones

At the same time, it has to be said that working with south directors or in remakes of south films hasn’t proved to be so lucky for other Bollywood actors. Case in point is Akshay Kumar’s Sarfira, a remake of the Tamil hit Soorarai Pottru directed by Sudha Kongara. She also helmed the remake. Soorarai Pottru got both rave reviews and major awards. Suriya got the best actor award in the prestigious national awards; the movie also won an award for best film. Later Soorarai Pottru was also dubbed into Hindi with the name of Uddan. Hence it makes no business sense to remake it and not surprisingly Sarfira got added to the long list of commercial failures of Akshay post pandemic. Before Sarfira there was Bachchan Pandey, a remake of Jigarthanda. That was also a major commercial failure. Hrithik Roshan and Saif Ali Khan’s Vikram Vedha also turned out to be a box office turkey. Though Hrithik Roshan got good reviews for bringing his own touch to the role of Vedha, but it wasn’t enough for the movie to sail through.

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Paradise: A gripping insight into Srilanka’s economic crisis coupled with Ramayana and patriarchy

Recently I have seen a movie called Paradise streaming on Amazon Prime directed by Prasanna Vithanage. The film is set during the period of Srilanka’s economic crisis (2022). Paradise begins like one of those Mani Ratnam ones along the lines of Bombay or Roja but soon switches gears moving into an entirely different territory. Roshan Mathew and Darshana Rajendran play a married couple, they are in Srilanka to celebrate their fifth wedding anniversary fully aware of the political turmoil. They chose this place as they thought it would be less expensive.

The place of their home stay fits the title of Paradise perfectly given the coziness of their surroundings. Initially the viewers are given the impression of them being the perfect couple however a theft changes everything. Cell phones and laptops have been stolen. Roshan Mathew’s Keshav is terribly upset understandably too as the laptop contained all the material of his new project. He files a police complaint and also threatens Seargent Bandara (Mahendra Perera) that he would report to the Indian High Commissioner if the thieves aren’t caught along with getting back the stolen items. The police bring in the possible suspects acting very fast, but this only adds fuel to the already volatile situation in that area. Everything goes out of control for both the police and the couple. This is the story in brief.

Through the runtime of 1 hour and 34 minutes Prasanna Vithanage touches upon some important aspects without big speeches. For example, he makes viewers understand the socio-political happenings of Srilanka through dialogues about shortage of essential items along with the conversations of the supporting characters like Shyam Fernando who plays the tour guide. The movie also makes a strong statement on police brutality without any explicit scenes. In the movie some poor workers are accused of theft leading to severe beatings. One of them die in police custody.

Finally, the director also talks about how tourists should be more sensitive to the socio-political environment of the country they are in. The initial frustration of Keshav is definitely understandable but at some point, realization should have been there about how he is putting the lives of both himself and the wife at stake. Keshav shouldn’t have let himself get carried away in the wave of arrogance. Although Darshana Rajendran’s Amritha is more sensitive than Keshav she should have been firmer in making the husband understand what he is doing isn’t right.

Performances wise both Roshan Mathew and Darshana do justice to their respective parts. Darshana adds a lot of vibrancy with her charming nature. Sure, there are times where Amritha’s empathetic nature just seems to be an add on to compensate for Keshav’s insensitive behavior. However, Darshana does do a wonderful job as the movie’s conscience. Roshan Mathew also does a splendid job in portraying the desperation of Keshav particularly the mood swings. Keshav is someone who gives the impression of being all powerful when he is actually just another visitor, and the actor does a swell job in bringing out that. Throughs his lens cinematographer Rajeev Ravi expertly captures both the vibrant landscape and the looming dread.

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Raayan: Solid performances along with the technical department elevate a familiar saga of gangster wars and a protective brother

Dhanush does a good job in establishing the emotional bond of the siblings particularly the strong characterizations of Sundeep Kishan and Dushara Vijayan

  • Starcast: Dhanush, Sundeep Kishan, Kalidas Jayaram, Dushara Vijayan, S.J. Suryah, Prakash Raj, Aparna Balamurali and others
  • Director and writer: Dhanush
  • Music: A. R. Rahman
  • Production Company: Sun Pictures
  • Cinematography: Om Prakash
  • Running time: 2 hours and 25 minutes

Dhanush is one of those few actors who is both a bankable star along with being a fantastic performer. His name comes with a certain weightage. Raayan is Dhanush’s 50th movie, naturally there are some expectations of it being a solid one. Raayan is also the second movie directed by Dhanush after Pa. Pandi.

For his second venture Dhanush has chosen an emotional story of four siblings who flee from their village and come to the city of North Chennai. Raayan (Dhanush) is the elder one. The youngest one is Manickam (Kalidas Jayaram). The second youngest is Muthu (Sundeep Kishan). Durga (Dushara Vijayan) is the sister, she is the binding factor. All the four have their own distinct qualities. Their lives undergo a drastic change when Raayan finds himself sandwiched in a power struggle between two gangsters Sethu (SJ Suryah) and Durai (Saravanan). There is also a new cop in town played by Prakash Raj. Prakash Raj wants to turn the two gangsters against each other so that the city will become clean. This is the story in brief

Dhanush has chosen a strong emotional story of four siblings

There is no denying that Raayan gives a major deja vu of some previous movies set in the gangster milieu. Even the stoic nature of Raayan is far from novel. The viewers can predict the violent persona of Raayan that will eventually come through. However, what makes the movie somewhat engaging are sibling dynamics that come with a few unexpected twists and turns. Dhanush has made sure that the movie doesn’t become a one- man show.

Sundeep Kishan as Muthu gets a chance to display a wide spectrum of emotions and the actor doesn’t disappoint. The way he portrays the emotional turmoil of Muthu during a key sequence of the second half in particular deserves a lot of praise. Dushara Vijayan has a very meaty part never reduced to a doormat sister. Dushara Vijayan portrays her fiery character in an excellent manner. She even upstages Dhanush in some sequences.

Sundeep Kishan as Muthu gets a chance to display a wide spectrum of emotions

As Raayan Dhanush is mostly seen in a brooding manner, he emotes through his eyes and overall body language. Dhanush’s role of a protector is similar to the one already done in Asuran, nevertheless the actor impresses with his trademark intensity. Selvaraghavan also makes for a perfect guardian with his calm demanor.

Dushara Vijayan has a very meaty part and not reduced to a doormat sister

Om Prakash’s cinematography goes perfectly well with the mood of the movie. His frames perfectly capture the dangers lurking around. A. R Rahman’s music and background score also elevate the movie in many places. My favorite song of the album is “Uusure Nee Thaane,” this comes in the first half and perfectly captures the emotional bond among the siblings.

A major drawback for Raayan is the lack of development in Prakash Raj’s role. He gets a grand entry but ends up being a mere puppeteer in the larger scheme of things. His mind games are thoroughly uninspiring to say the least. He never comes across as an authoritative figure which was the need of the role. The film’s action while thrilling to watch also feels overdone after a point. The constant slashing and bone crunching makes the movie look like an assemblage of violent scenes. However, an action sequence in hospital where Dushara Vijayan takes on the bodies deserves distinction marks for the way it has been choreographed.

The story’s basic arc is of betrayal and revenge, something done to death. As a result, the viewers feel no major high at the end of the movie.

To sum it up Raayan doesn’t completely match the high standards that Dhanush has set for himself.

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Bahishkarana: A gripping rural drama which successfully transports the viewers back to the period of feudalistic landlords

Director Mukesh Prajapathi takes a leaf out of Sukumar’s Rangasthalam and also other village based social dramas however he does show his individual stamp

  • Starcast: Anjali, Ravindra Vijay, Sritej, Ananya Nagalla etc
  • Direction and screenplay: Mukesh Prajapathi
  • Dialogues: Shaymu Chennu
  • Music: Siddharth Sadasivuni
  • Cinematography: Prasanna Kumar
  • Production Company: Pixel Pictures Pvt LTD
  • No of episodes: 6
  • OTT platform: Zee 5

Mukesh Prajapathi takes the viewers back to the times of caste discrimination and landlords exploiting young girls of lower social strata. The strange thing is that these upper-class men do not want them in their houses but have no qualms about enjoying them in bed. The story of Bahishkarana isn’t particularly new. The village president Shivaya (Ravindra Vijay) is revered by the villagers of Peddapalli and also the surrounding ones. Darshi (Sritej) is Shivaya’s right-hand man; he reveres Shivaya like the rest. However not surprisingly Shivaya is not what he appears to be, there is an unknown dark side.

To this the director has added the angle of a mysterious woman who pops up in Peddapalli. Pushpa (Anjali) is the personal mistress of Shivaya and is kept far away from the village. Darshi is given the responsibility of looking after Pushpa instead he ends up falling in love with her and she too reciprocates his feelings. But Shivaya obviously isn’t pleased with this development and gets Darshi married to someone else in a cunning manner. As the plot thickens the story takes many turns and deals with different threads. For example, how the villagers come to know about the reality of Shivaya among others.

Darshi and Pushpa falling in love

An aspect which captures the viewer’s attention while watching the show is the period set up. The production design and the cinematography deserve a particular mention. Prasanna Kumar needs to be praised for how he has captured the rustic terrain of Peddapalli through his lens. His cinematography adds immensely in creating the right atmosphere.

Siddarth Sadasivuni’s songs perfectly gel with the nature of the story. My favorite song of the album is Kalaa Nijam, a melodious tune that establishes Darshi and Pushpa falling for each other. He has also delivered an impactful background score particularly in the scenes of tension.

The love story between Darshi and Pushpa has also been well developed. The process of them falling in love is filled with some adorable moments. As viewers you wish they had a happy ending.

Darshi as Shivaya’s right-hand man

Dialogues by Shayam are another asset. His dialogues are power packed with some impactful social commentary on the exploitation of the poor. There are also some powerful scenes showcasing how the society looks at the likes of Pushpa.

What hampers the series somewhat though is the hangover of some village based social dramas particularly those that have featured the legendary actor Rao Gopal Rao. Apart from this the show could have also done with more attention-grabbing twists. The plot mostly runs on a single thread, and this does get monotonous at places.

The performances of the three principal actors elevate the drawbacks in a significant way. Anjali shines bright with her bold performance. Her portrayal of Shivaya’s concubine and also Darshi’s lover deserves distinction marks. Ravindra Vijay also does a splendid job in portraying a quiet menace. Shivaya is someone who portrays himself as a do- gooder from outside but he is actually a womanizer. The actor brings out the subtle variations in a wonderful manner. Sritej also gets into the skin of Darshi. The rugged look coupled with his performance in the emotional scenes deserves distinction marks. Ananya Nagalla is pretty good in her limited screen time.

Anjali shines with her bold performance

Bahishkarana is a must watch for those who like gritty dramas with village background.

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Me Before You: A must read for those who like intense love stories

Jojo Moye’s novel shares more than one similarity with Sanjay Leela Bhansali’s Guzaarish but it is hard to say who was influenced by whom given that the movie came first.

The central subject of Jojo Moyes novel for those who haven’t read is Euthanasia, a person deliberately wanting to end his life with the permission of the law. This happens when an individual is no longer able to bear the suffering from a disease that cannot be cured. What makes the book more than just a love story is how the writer has given an insight into the condition of Quadriplegia (a form of paralysis that affects all four limbs) Yes, the ending of the book is definitely debatable much like the movie Guzaarish. Both the book and movie do seem to suggest that those suffering from Quadriplegia have no other alternative than ending their own life. However, there is no denying that Me Before You is an emotional roller coaster

The storyline of Me Before You is about the journey of two polar opposites. On one hand you have Lousia Clark a common girl leading a normal life. She hasn’t seen much of a life beyond her tiny village. On the other hand, there is Will Traynor a rich guy who once led a very active life. He had travelled worldwide and participated in extreme sports. An accident leads to him being wheelchair bound for life. In a twist of events Lousia becomes a caretaker of Will Traynor and from here begins a roller coaster of a journey.

A strong aspect of the book for me was the gradual progress in the relationship between Lousia and Will. In the beginning Will is mostly cranky with Lousia which isn’t surprising given that his once active life has gone for a toss, however as the story progresses the readers get to see a different side of Will too. The light repartee and the way he teases her are fun to read. Both of them have an influence on each other with Lousia learning self-love, Will meanwhile learns to enjoy life’s little moments. While entertaining the readers Jojo Moyes has also a done good in addressing some heavy topics, for instance the discrimination faced by disabled individuals and quality of life among others.