Panchayat Season 3: A joyous return to the village of Phulera

Director Deepak Kumar Mishra does a wonderful job in mixing humor with emotions. The rural politics add a new dimension to the show

Starcast: Jitendra Kumar, Neena Gupta, Raghubir Yadav, Faisal Malik, Chandan Roy and others
Director: Deepak Kumar Mishra
Writer: Chandan Kumar
Producer: Arunab Kumar
Production Company: The Viral Fever
Music: Anurag Saikia
No of episodes: 8
Streaming site: Amazon Prime

For those who haven’t seen the two seasons of Panchayat the plot is about a young man Abhishek Tripati (Jitendra Kumar). Abhishek takes up the position of a panchayat secretary for lack of better options. In the first two seasons the viewers saw Abhishek getting himself acclimatized to the ways of a remote district situated in Ballia (Utter Pradesh). He forms a bond with the locals particularly the ones played by Raghubir Yadav, Neena Gupta, Faisal Malik and Chandan Roy.

Season 3 begins with Abhishek back in the city. At the end of the second season, he was axed from his job. A new secretary comes to the village to take his place but in a sudden twist of events Abhishek gets reinstated. His friendship with the village head /Pradhan Manju Devi (Neena Gupta) and the husband (Raghubir Yadav) has reached a strong level. There is also the pronounced romance between him and Pradhan’s daughter Rinky (Sanvika). Sure, there is no confession but for viewers it is apparent that they have grown fond of each other. Faisal Malik’s Prahalad is the depressed father who is still grappling with the death of his son. Chandan Roy’s Vikas is juggling between multiple duties job, married life and also being a pillar of support for Prahalad. Things take a turn when the arch army of Pradhan Bhushan (Durgesh Kumar) and co plan to settle old scores with the help of a local MLA. This leads to a major upheaval in the village ahead of the Panchayat elections, Abhishek finds himself in a tangle, he is sandwiched between village politics and aspirations of a higher job.

A strong aspect of Panchayat Season 3 is the director’s integration of the grassroot politics. There is a palpable intensity in the political rivalry that reflects the current times. Director Deepak Kumar Mishra deserves an appreciation for how he has dwelled into village politics and corruption at the grassroot level while maintaining the humor.

The love angle between Abhishek and Rinky is also fun to watch. On certain occasions she is the one who takes the lead. The light scenes between them work as a perfect contrast to the intense politics playing out. Sanvikaa does well in her limited role.

Neena Gupta’s character has come a long way, she has finally come out of her husband’s shadow. in this season Manju Devi participates actively in the council meetings and also voices her opinions without any fear showing a refreshingly different side. But just like the second season this time too the show could have done with more of Neena Gupta.

Apart from the political aspect the director also deserves appreciation for how he has dealt with the themes of mental health, loneliness, financial independence etc. through multiple characters. Both Chandan Roy and Faisal Malik continue to be an important pillar for the show. The character arcs of both is another plus. Jitender Kumar is good as always particularly in the moments of intensity.

Although gripping for most part some of the writing could have been better. For example, the role of MLA’s daughter doesn’t serve much purpose. Also, you have a person who joins a strike out of blue with hardly any build up.

These small niggles aside Panchayat Season 3 is a good follow up to the first two seasons particularly for those who like village-based stories.

Kafeel Khan autobiography: A gripping real-life story that gives a deep insight into the medical crisis

Recently I have read a heart touching autobiography of a doctor who was suspended on the charges of medical negligence and corruption among other things. Dr Kafeel Khan went great lengths in order to procure oxygen cylinders in the year of 2017. He rallied the staff and did an incredible job in controlling the health care crisis. After being hailed as a hero the situation took a drastically different turn for both Kafeel Khan and nine more individuals.

As mentioned above Kafeel Khan’s autobiography is a deep dive into the various problems concerning the health care sector. He has given as many details as possible from his personal experiences, as a result the book comes across as authentic making the readers think and worry about the future of health care. A particular mention must be made of how he describes the shortage of Oxygen. The readers feel that they are watching the situation firsthand.

Through his writings Kafeel Khan has also touched upon the dangers of hate campaigns, how this hate campaigns can destroy both families and communities. How the media social and mainstream play a major role in escalating hatred has been elucidated in great detail.

The book also makes you salute the moral strength of Kafeel Khan. In spite of suffering so much his major concern is about the lives that have been lost and how more lives can be saved. He never gets into a communal debate regarding that incident.

Kafeel Khan’s autobiography leaves the readers with many thoughts not just about what Kafeel Khan had to go through, but the system of health care in general which is such an important part of our daily lives.

Alia Poem: March 15th 2024

A very happy 31st birthday to you Alia

Alia you are like a shining star forever sparkling

You have proved to be a smart cookie in adapting to different on-screen characters

You have made the roles of Gangubai, Veera Tripathi, Safeena, Bauria and more your own

In spite of not being a natural dancer there is so much joy in seeing you dance

I can never forget your Kathak dance in the film Kalank, the grace and those expressions were too good

Similarly, the scene in Gangubai where your character goes into a trance like state while dancing was so well enacted

In Rocky Aur Rani ki Prem Kahani you pulled off both What Jumka and Dhindora Bajare Re in an excellent manner

The first song had undertones of mischievousness and the second was a high energy one which required absolute lack of inhibitions

In both the songs Alia your movements were as smooth as butter without a single false step

Both the songs can be watched any number of times particularly for your expressions

As a producer of course it is early days but the subjects you have backed in both Darlings and Poacher are very commendable

Thank you so much for replying to my comment on your Instagram page regarding Poacher

It felt so good when you replied back with emojis and also took my name Prabhatha

Honestly it felt like I had climbed Mount Everest that day

In my mind I was flying with unadulterated happiness. Wish I had wings really like birds

It is a day that I can never forget and will forever cherish

Keep shining like the star you are

All the very best for your new chapter in professional life starting with Jigra where you will do some hardcore action

You have always proved the sceptics wrong by successfully portraying different characters

I am sure that both Jigra and the solo YRF spy film will showcase a vastly different facet of you

Once again wishing you a very happy 31st birthday from one of your biggest fans, you are truly a queen of hearts and absolute Rani

May you continue to flourish as an actor, producer and businesswomen along with other roles in your personal life

‘The Black Orphan’ by Hussain Zaidi

I have recently read Hussain Zaidi’s latest The Black Orphan. The novel goes along two tracks. On one hand you have a serial killer who is after India’s most famous nuclear scientists. Running simultaneously to this is a love story between a DIG Ajay Raj Vardhan who falls head over heels in love with a human rights lawyer Asiya Khan. Ajay Vardhan specializes in catching terrorists. She on the other hand constantly challenges the authorities by fighting for those who have been wrongfully arrested. As the story progresses writer Hussain Zaidi spins a gripping concoction of crime and duplicity with enough intrigue that holds the reader’s interest.

The Black Orphan does not have the depth of a Black Friday or the Mafia Queens of Mumbai, nevertheless it makes for an engaging read particularly for those who like action thrillers. An aspect of the book which I liked the most was it showcased a set of women who are both seductive and cold blooded. They use their charm to lure men and get their work done. The book has some unexpected twists particularly in relation to Asiya Khan. The book also works as a race against time with Ajay Vardhan almost losing his life in order to stop the villains. The book is apparently based on real life incidents and would definitely make for an engaging masala potboiler.

8 AM Metro

Saw the movie 8:AM Metro on Zee 5. The plot revolves around a homemaker Iravati (Saiyami Kher). She suffers from severe panic attacks; a traumatic incident is the reason. Iravati has a massive phobia of trains. All this changes when she has to make a trip to Hyderabad. Her younger sister is about to deliver a baby. Iravati has no other option other than to navigate the new city while dealing with anxiety attacks. She is also a closeted poet. Gulshan Deviah’s Pritam is a banker who bumps into Iravati at the Metro station.

The beginning portions of 8 AM Metro give the feeling that this is going to be another story of a married woman who will find a companion outside marriage. However as the story progresses the movie moves into an altogether different zone. Director Raj Rachakonda raises some relevant points on the society’s attitude towards mental health along with how they are just asked to be strong. There is a brilliantly executed scene of role reversal where Iravati becomes society and Pritam her. The movie also effectively uses the medium of poetry and literature to give life lessons. An important twist regarding the personal life of Pritam also catches the viewers by suprise. It is one of those twists that the viewers definitely don’t see coming.

Although the movie is engrossing for most part, there are a few logical loopholes which the director should have taken care of. One of them is Iravati spending more time with Pritam than her younger sister who is on the verge of delivering a baby. Also Iravati living in a place which is some distance from the hospital comes across as absurd. Performances wise both Saiyami Kher and Gulshan Devaih are stellar, they also share a wonderful chemistry.

Murder in Mahim: A gripping drama that explores homophobia in depth

Throughout the series, Raj Acharya sheds light on the challenges facing the LGBTQIA+ community and how societal acceptance still lags.
Murder in Mahim, 12-05-2024, Crime drama/Thriller, 8 Episodes, 16+, OTT
  • Main Cast: Ashutosh Rana, Vijay Raaz, Shivani Raghuvanshi, Rajesh Khattar
  • Director: Raj Acharya
  • Producer: Tipping Point Films, Jigsaw Pictures Productions
  • Music Director: Not known
  • Cinematography: Not known
  • Rating: 3.5/5
  • Published in: Southfirst

Undoubtedly, as a culture, we have made significant progress in our understanding of homosexuality, but there is still a considerable distance to traverse.

While the removal of Article 377 was undoubtedly a significant victory, there is still a great deal of societal discrimination.

Based on Jerry Pinto’s novel of the same name, Murder In Mahim, focuses on a spat of murders, targeting young boys from the LGBTQIA+ community.

These murders send shock waves through the locality of Mahim, and the police team led by Shivajirao Jende (Vijay Raaz) has a huge task.

Synopsis

In his quest to find the criminal, Shivajirao finds support from a long-lost friend. This friend is Peter Fernandes (Ashutosh Rana).

Peter Fernandes is a retired crime journalist and shares a troubled history with Jende’s father.

As the inquiry continues, Peter struggles with conflicting emotions over his son’s sexual orientation.

Peter believes his son is homosexual.

Analysis

Shivani Raghuvanshi plays Firadus Rabbani, a member of Shivajirao’s force. She is a closeted homosexual herself.

The plot of the story alternates between a murder mystery and a social critique of homophobia as it goes along.

A strong aspect of Murder In Mahim is the father and son dynamics, whether it is the one between Peter and his son Sunil, or Shivajirao with his father.

The diametrically different views of Fernandes and his son regarding homosexuality give the show, some of its best moments.

Because of the resentment in Shivajirao’s connection with his father, he feels uneasy all the time.

They both have a distinct temperament. In certain situations, Shivajirao treats his son more like a father would.

A stellar cast

Murder In Mahim also does a good job of revealing society’s murky side.

For instance, the Mumbai local station has a sombre restroom that is meant to be a place of safety for this community; yet, instead of providing comfort, this increases worries about how acceptable they are in society.

The character of Shivani Raghuvanshi is another highlight of the show.

Firdaus Rabbani has been in a secret relationship with a girl for a long time. She finds it difficult to reveal her relationship to the public.

Performances

The filmmaker has done a good job of highlighting the inner struggle that coexists with her professional responsibilities but some pointless digressions cause the audiences to twitch.

Murder in Mahim is a compelling series that not only keeps you interested in learning who the murderer is but also features some powerful dialogues about acceptance.

A case in point is the subplot of a knife, which belongs to a character who has nothing to do with the murders. The middle episodes do suffer from convoluted plotting, though.

Regarding performances, Ashutosh Rana and Vijay Raaz are seasoned performers who don’t require an introduction.

They both deliver strong performances and fully embody their respective roles.

Furthermore, Shivani Raghuvanshi contributes significantly to her ability to compete with Vijay Raaz.

Verdict

Murder in Mahim is definitely for those who enjoy whodunits and have empathy for the LGBTQIA+ community.

(Views expressed here are personal)

Undekhi Season 3: Watch it for the performances and the visuals

Despite its flaws, ‘Undekhi Season 3’ has some strong performances and interesting twists that make it worth watching.
Undekhi: Season 3 (Hindi), 11-05-2024, Crime drama/Thriller, 8 Episodes, 18+, OTT
  • Main Cast: Surya Sharma, Harsh Chhaya, Dibyendu Bhattacharya, Ankur Rathee, Shivangi Shah, Varun Badola
  • Director: Ashish R Shukla
  • Producer: Applause Entertainment, Banijay Asia and Edgestorm Ventures
  • Music Director: Anuj Danait
  • Cinematography: Murzy Pagdiwala
  • Rating: 3/5

For those who missed the first two seasons of Undekhi, the murder of a young girl, who loved dancing was at the center of the show’s premise, which was based on a true story.

A dancer was shot and killed after turning down an influential man’s advances during a marriage.

Considering how well-connected the family patriarch is, nobody speaks forward to reveal the truth.

Intermingled with this story was the track of the DSP in search of a tribal girl.

Previous seasons

It was widely appreciated that the first two seasons of Undekhi exposed how easily corruption sneaks into our society and how powerful and wealthy people can get away with crimes by abusing their power.

The series equally addressed women’s difficulties, especially underprivileged ones, by using the character of a runaway tribal girl.

The performances of the actors; Harsh Chhaya and Surya Sharma as the utterly despicable father and son Jodi also worked wonders.

There are definite expectations for the third season for fans of socially conscious crime series.

There are a little too many new characters and subplots in the third season. However, there are some excellent moments in the show.

Synopsis

The third season begins with the reopening of the dancer’s death case. DCP Ghosh (Dibyendu Bhattacharya) has found an important video. He is hopeful about getting justice for the deceased girl, along with putting an end to the crimes of the Atwal family headed by Papaji (Harsh Chhaya) and Rinku (Surya Sharma).

On the other hand, Rinku is hell-bent on reviving the illegal drug business. He, along with the cronies, is searching big time for Samrat (Nandish Singh Sandu) to take revenge.

Papaji’s younger son Daman (Ankur Rathee) and daughter-in-law Teji (Aanchal Singh) are searching for a buyer for the resort at the same time, intending to move there. The plot takes numerous unexpected turns as it goes along, with certain secrets coming to light.

An aspect that works strongly for Undekhi Season 3 is the characterization of Rinku.

Unlike the previous seasons, the viewers see an emotional side of Rinku beneath the toughness.

This comes out well in the husband and wife-related scenes. Surya Sharma’s scenes with Muskaan (Shivanghi Singh) bring out a delicate side, that is refreshing to watch.

A scene depicting Muskaan’s death during her pregnancy follows. It’s heartwarming to see Rinku remember the good times he had with her before breaking down.

Engaging moments

The face-off between Rinku and DCP Ghosh also gives the show some of its best moments. The banter between them and the constant tussle keep the viewers engaged.

Dibyendu Bhattacharya adds a lot of colour to the show with his quirky one-liners.

He does a wonderful job of showcasing the determination of a man who wants to bring justice.

Harsh Chhaya as Papaji continues to ace his role. He takes off from the first two seasons without any hiccups. Yes; the antics are repetitive, but the swag with which he plays, is remarkable.

The juxtaposition of Manali’s scenic beauty with the darkness of the character’s deeds also enhances the atmosphere.

Cinematographer Murzy Pagdiwala does a first-rate job of capturing this distinction through the lens of his camera.

Undekhi Season 3 comes with twists that catch the viewers unaware.

The best example of this is a key revelation about Rinku’s actual father.

Despite Rinku being a horrible person, it is hard to not feel for him emotionally.

Verdict

One big problem with Undekhi Season 3 is some of the underdeveloped characters.

Key characters from the previous seasons, Ankur Rathee and Aanchal Singh, have been largely wasted.

In a similar vein, there are times when it gets hard for the audience to follow the plot.

Lesser subplots would have contributed to making the show more cohesive.

Undekhi Season 3 has its problems, but there is enough intrigue that will hold your attention.

Srikanth: Rajkummar Rao leads a gripping tale of self-determination that feels like a warm hug

Director Tushar Hiranandani deserves huge appreciation for not using the blindness of Srikanth Bolla as a tool of self-pity.
Srikanth (Hindi), 10-05-2024, Biography , Drama, 2 hours 14 minutes, U, Theatre
  • Main Cast: Rajkummar Rao, Alaya F, Jyothika and Sharad Kelkar
  • Director: Tushar Hiranandani
  • Producer: Bhushan Kumar and Krishan Kumar
  • Music Director: Anand Milind, Tanishk Bagchi, Sachet Parampara, Ved Sharma
  • Cinematography: Pratham Mehta
  • Rating: 3.5/5
  • Published in: Southfirst

There was a time when biopics on different personalities used to sell like hotcakes. Cases in point are Farhan Akhtar’s Bhaag Milkha Bhaag (2013), Vidya Balan’s The Dirty Picture (2012), and Sonam Kapoor’s Neerja  (2015).

These movies raked up both critical acclaim and commercial success.

However, the genre has somewhere lost its sheen in the last few years, particularly the ones related to sports like Taapsee Pannu’s Shabhaash Mithu (2023) or even this year Maidaan (2024). The box office numbers of the Ajay Devgn-starrer are still far away from the producer’s investment.

A major reason for Indian biopics losing its sheen is the overt melodrama along with the predictable beats.

Nevertheless, director Tushar Hiranandani’s Srikanth, based on the visually impaired businessman named Srikanth Bolla, is a welcome change in more ways than one.

Sure, there is a fairytale-like structure in how Srikanth overcomes his obstacles. But, at the same time, the movie does throw light on some important things.

How we should not view differently-abled persons through the lens of pity, instead we should engage with him or her as equals.

Synopsis

‘Srikanth’ is a biography. (X)

The movie begins with the birth of a boy. The father is initially ecstatic about a son being born and rushes home.

He names him Srikanth after the famous batsman Krishnama Chari Srikanth. However, all this changes once the fact of his son being blind comes out.

In the beginning, both parents have a hard time worrying constantly about the child. Things are further compounded by neighbours and relatives who think that Srikanth has no future.

At one point, the father almost buries him alive. But better sense prevails with the wife stopping him.

The rest of the plot looks at the journey of Srikanth from just another village boy to an inspiration for many people like him.

Analysis

Generally, Indian biopics do shy away from showcasing the grey areas of their protagonists. Here too, Tushar Hiranandi surprises big time.

In the second half of the movie, Srikanth has a downfall in business because of his overconfidence and also a bitter attitude towards his business partner-cum-friend Ravi (Sharad Kelkar).

There is a scene where a media person talks about how Srikanth wouldn’t be successful if Ravi hadn’t backed him up.

This does not go down too well with Srikanth; he believes he is wholly and solely responsible for his victory.

Writers Jagadeep Siddhu and Sumit Purohit have written some crackling dialogues that stay with the viewers long after the movie has ended.

A good example of this is the sequence where Srikanth is not allowed to board the plane on account of being visually challenged. The officials insist on someone accompanying him.

How Srikanth turns the situation around with some crackling dialogues not only brings a wide smile but the lines also provide a reality check on how persons with disabilities are not treated as equals.

The monologue at the end also deserves a big thumbs up.

There are scathing remarks on how some people think that the best way to help the blind is only by making them cross the road.

Takeaways

Jyothika at ‘Srikanth’ press meet. (X)

A strong aspect of Srikanth is how the director has projected the stark contrast between India and the West regarding the education facilities for the differently abled.

There are scenes where Srikanth faces rejection for wanting to choose science, though he tops the 12th board exams. The challenges of the protagonist with the Indian educational system have been presented poignantly.

Tushar Hiranandani also does a wonderful job of showcasing the bond between Rajkummar Rao’s Srikanth and Jyothika’s Devika.

Devika was a teacher of businessman Srikanth when he studied at a special school for the visually impaired in Hyderabad.

However, her association with Srikanth goes much beyond school. She is his friend, philosopher and guide.

Devika supports him in every step that he takes but at the same time, she also gives him a reality check when needed.

The best example of this is the portion where she lambasts him for becoming insecure and bitter in the second half.

A speedbump

Rajkummar Rao in ‘Srikanth’. (X)

The love story between Rajkummar and Alaya F though comes across as a major speedbump.

Alaya F has a charming presence but her character of Swathi appears and disappears at the whim of the writers.

The blossoming of love between the two feels rather hurried. Also, there are times when the all-round abilities of Srikanth become a little difficult to digest; like the scenes where he plays basketball and cricket without any hiccups.

The romantic songs of Sachet Parampara “Tu Mil Gaya” and “Tumhe Hi Apna Maana Hai” are soothing in nature. However, the recreation of “Papa Kehte Hain” from Qayamat Se Qayamat Tak  (1988) is the major highlight of the soundtrack.

Rajkummar and Jyothika excel

In the title role, Rajkummar Rao delivers an exceptional performance. The actor just disappears into the role starting from the mannerisms.

He particularly shines in the scenes of Srikanth grappling with insecurities. There is also a goofiness to Srikanth which Rajkummar brings out expertly.

Jyothika also makes a big impact bringing the right mixture of warmth and fierceness.

Sharad Kelkar plays the business partner-cum-friend with a lot of empathy.

Final take

Srikanth makes you think about how differently-abled persons should be treated as mainstream and deserve equal opportunities, just like anyone.

Emerging stars: Telugu cinema’s new wave of actors takes center stage

An overview of how a handful of Telugu actors broke through the dynastic ‘herodom’ and carved a niche for themselves.
Published in: Southfirst

Many new-age actors from outside the film industry have made their mark as heroes in Telugu cinema in the last few years. Their success augurs well for the industry.

They might not be ‘mass’ heroes but they played roles that resonated with different types of audiences. They also endeared themselves to the audiences with their multiple skills.

Actors like Naveen Polishetty and Siddhu Jonnalagadda would never enjoy the mass patronage of an Allu Arjun or a Jr NTR.

The reason is the market dynamics coupled with their backgrounds. So, they have chosen a different path for themselves by playing underdog characters in the case of Suhas. Or doing movies where both comedy and thrills are intermingled.

There is also a certain sense of self-depreciation in the roles. Let’s go one by one:

Naveen Polishetty

Naveen Polishetty’s ‘Miss Shetty Mr Polishetty’ won audiences’ hearts. (X)

Naveen Polishetty started his career with Shekar Kammula’s film Life is Beautiful (2012), where he played a negative role.

This was followed by D for Dopidi (2013) and Sukumar’s 1: Nenokkadine (2014).

However, Agent Sai Srinivasa Athreya (2019) gave him a much-needed break in his career. Naveen was the leading man in the film and also the co-writer.

The movie minted money at the box office and also won critical acclaim; a promising new talent was born.

Naveen further consolidated his status as a hero with the nonsensical comedy Jathi Ratnalu (2021).

The flick also featured Rahul Ramakrishna and Priyadarshi, but Naveen was the star of the show. He embraced the tonality of the film with zero inhibitions.

What additionally made Jathi Ratnalu special was the backing of Nag Ashwin, the director of Yevade Subramanyam (2015) and Mahanati (2018). It was a big promotion for Naveen.

Though the film was released at a tricky time, right after COVID-19, it became a huge success.

Naveen Polishetty scored a third consecutive hit with the romedy drama Miss Shetty Mr Polishetty (2023), directed by Mahesh Babu P. His role demonstrated that he was also an emotionally intelligent actor.

Naveen has a striking screen presence and an energy that makes him endearing. He has impeccable comic timing that can lift the most bizarre of situations, as we already witnessed in Jathi Ratnalu.

Siddhu Jonnalagadda

Siddhu Jonnalagadda delivered a blockbuster with ‘Tillu Square’. (X)

Siddhu Jonnalagadda is another new-age Telugu actor who proved himself as a writer and a hero, too.

He wrote both DJ Tillu (2022) and the superhit sequel Tillu Square (2024).

Siddhu thoroughly entertained the viewers with his antics. His comic punches often left the viewers in splits.

But what made DJ Tillu and the sequel a big success was how the actor-writer integrated the elements of comedy and thriller.

Apart from the above-mentioned film, Siddhu Konnalagadda was also the co-writer of Krishna and his Leela (2020). It was a breezy romantic film that dealt with contemporary relationships.

Siddu’s strength as an actor majorly comes from his ease in front of the camera and a certain style with which he delivers his dialogues.

Sure, his dramatic skills have not been tested yet, but characters like Tillu are a perfect fit for him.

Adivi Sesh

Adivi Sesh will next be seen in ‘Goodachari 2’. (X)

Unlike Naveen and Siddhu, Adivi Sesh is someone who comes with the looks of a dashing mainstream hero.

He also has a literary family background. His grand-uncle Adivi Bapiraju is a famous novelist and a playwright. However, that does not mean he had it easy in the industry.

It has taken a while for him to establish his space after playing small roles in big films; a case in point is SS Rajamouli’s Baahubali: The Beginning (2015).

Sesh’s good looks and strong physicality helped him gain a strong base. But, apart from his looks, the actor impressed everyone with his acting and writing skills.

He became a thriller specialist with the likes of Kshanam (2016) and Goodachari (2018).

The actor‘s speciality is strong characterisations. For example, Anasuya Bhardhwaj and Satyam Rajesh in Kshanam or Vennela Kishore in Goodachari.

Adivi Sesh made the well-known story of Sandeep Unnikrishnan a hugely engrossing film both with his acting and writing abilities in Major (2022).

As a director, he has done only one movie — Karma (2010), which unfortunately was a big dud.

Hope he proves himself a good director, too, one day!

Suhas

Suhas is on a film signing spree and has become a bankable actor. (X)

The physical structure of Colour Photo (2020) and Ambajipeta Marriage Band (2024) actor Suhas is very similar to Tamil actor Dhanush.

Of course, the young Telugu actor does not have the mass image of the latter, but still, there are certain similarities in the underdog roles he has chosen.

Suhas also started with supporting roles in Agent Sai Srinivas Athreya and Prathi Roju Pandage (2019), among others.

However, he got his first break as a leading man in Colour Photo.

In the National Award-winning film, he played the role of a milkman’s son and won appreciation for his awe-inspiring performance.

This was followed by Writer Padmabhushan (2023) and Ambajipeta Marriage Band. Both these movies also had Suhas as an underdog.

But, in Ambajipeta Marriage Band, his character is fierier in comparison to Colour Photo, which belongs to the same terrain. In the second half, the actor pulled off scenes of aggression proficiently.

Priyadarshi Pulikonda

Priyadarshi is coming up with ‘Save The Tigers 3’ web series. (X)

Priyadarshi Pulikonda is another bright talent in Telugu cinema who has proved himself beyond comedy.

His performances in Mallesham (2019) and Venu’s Balagam (2022) are solid examples.

The actor also proved his mettle in the digital space with both seasons of Save the Tigers (2023 & 2024). The makers are soon coming up with the third season.

Priyadarshi was seen in the role of a dairy farm owner Ghanta Ravi in this web series. He was spot-on in capturing the nuances of the Telangana dialect.

The second season of Save the Tigers had some good father-and-daughter scenes.

What made the new-age Telugu actor successful is his imbibing the body language of the roles he portrays — in Mallesham or Save the Tigers web series.

Well, this is a brief account of some of the new-age Telugu actors who found success despite not having a filmy background.

There are also the likes of Raj Tarun, who started promisingly but could not sustain due to poor choice of roles.

Let’s hope many more actors outside the dynasties will try their luck in the Telugu film industry!

Goat Days: Novel and movie complement each other

Goat Days written by Benyamin and the movie based on that Adujeevitham (The Goat Life) directed by Blessey complement well with each other. There are definitely more details and nuances in the book but at the same time the movie brings both the protagonist’s family life in Kerala and the drudgery of the desert in Saudi Arabia visually more alive.   

One of the best aspects of the book for me was the crisp writing of Benyamin. The life of Najeeb in the desert is narrated in a racy manner making it a very easy read. Even slow readers can finish the book very fast. Najeeb’s struggles with rearing the goats and how he formed a bond is sketched in greater detail here in comparison with the movie.

For example in the novel there is a portion where a goat gives birth to its child right in the hands of Najeeb. Najeeb considers the baby goat as his son and names it Nabeel. Nabeel was the name he considered for his actual child if his wife had given birth to a male. She was pregnant when he left. Now he doesn’t know whom his wife delivered boy or girl. Still he believes it is a boy and proceeds to look after the baby goat as his own offspring.

He pampers the animal a lot. He even allows Nabeel to drink milk from his mother now and then which is a taboo in that place. If the owner of the goats comes to know of it Najeeb will have to face his wrath in the form of lashings and deprivation of food.  

There is also a hugely disturbing portion in the book where Nabeel’s genitals are cut off. In the place Najeeb worked only a few male goats are allowed to have their genitals intact. It might be a universal practice with all goat rearers in the world but Najeeb finds it hard to accept it for his little one.  

He tries his level best to save Nabeel by picking up some other goat for castration. But the Arab, his master, is a shrewd man with a great memory. He loses his patience and gives a tight kick to Najeeb. Najeeb begs the Arab not to cause any harm to that goat but in vain. The heartbreak of Najeeb is palpable.

The movie Aadujeevitham would have been even more engaging if director Blessey had included these scenes. However one area where the movie scores over the book is the Juxtaposition of Nabeel’s past life in Kerala backwaters and his present status of a wretched life. This juxtaposition added a lot to the movie because we get a thorough idea of how happy his earlier life was. In the book we do not see Najeeb remembering his wife so much.

The book also gives more clarity on why preservation of water is considered so important in that desert area. In the movie there is a scene where Prithviraj’s character uses water to clean himself after going to the toilet but his master kicks him for doing it, telling him to use stones instead of water. We feel it is so inhuman.

But while watching the movie we don’t initially understand why the Arab objected for the use of water for such a basic need. Book gives more clarity on this. Similarly we also don’t understand why the goats are taken for a walk every day in that scorching heat in spite of no grassland anywhere nearby. Actually this goat walking is meant to keep the animals active and healthy. If they are lazy their meat doesn’t taste good is something we come to know only after reading the book.   

The escape scenes of Najeeb, Hakim and his co worker Ibrahim Khadiri in the desert come much later in the book unlike the movie where it occupies almost the entire second half. Though this journey of theirs is heartbreaking it felt a little dragged in the movie. The space given to it in the book seemed right because after a point it gets repetitive.

Both the film and the book have their own advantages and disadvantages. Keeping aside the stretched second half in the movie, director Blessey and actor Prithviraj Sukumaran deserve a huge appreciation for a gritty survival drama that makes you think about the plight of so many not so educated men and women who become easy target in those unknown lands.

If no other man or woman is fooled to slavery in this way ever again, the purpose of both the book and the movie will be served. Hope the Governments of both lands take notice. The movie should have come much earlier considering the huge success of the novel (more than 100 reprints in the Malayalam original). Thanks Najeeb, Thanks Benyamin, Thanks Blessey and Thanks Prithviraj Sukumaran.