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Jug Jug Jeeyo: A Dramedy That Packs A Punch

In his debut film Good News director Raj Mehta had picked sensitive topics like the complications of IVF along with the difficulty of not being able to conceive. He made sure that the film was accessible to the audiences as he combined entertainment with enough sensitivity. His latest Jug Jug Jeeyo also follows this pattern. In this film the subject is the difficulty of sustaining marriage. Like Good news here too you have two couples, one senior couple and other younger. Another similarity is the Punjabi background. Jug Jug Jeeyo had its share of lapses but it is a dramedy that keeps you involved till the end.

The story of Jug Jug Jeeyo is about two couples. The first one is Bheem and Gita (Anil Kapoor and Neetu Kapoor). They have been married for thirty five years. The other couple is Kukoo and Naina (Varun Dhawan and Kiara Advani). They have been married for five years. Naina and Kukoo had met in fifth grade. In the opening scene you have junior Kukoo screaming at a boy who speaks to Naina because of his possessiveness.  Through a song we get to know their love story and how that leads to marriage. Manish Paul plays Naina’s brother. After the song we move to Canada where the marriage of Kukoo and Naina is falling apart, they decide to separate but before that there is the marriage of Kukoo’s sister Ginny. Kukoo and Naina decide to reveal the news of divorce after marriage but there is a huge shock waiting for Kukoo. The shock is his father is also on the verge of divorce. Bheem is deeply attracted to Kukoo’s Maths teacher played by Tisca Chopra. Bheem is planning to divorce Geeta after the wedding. What follows is a roller coaster that makes you feel various emotions.

The best part of Jug Jug Jeeyo is undoubtedly Anil Kapoor’s Bheem. Bheem is a difficult person to like. He has an extramarital affair, does drama at the top of a hat and tells lies to get out of situations. However Anil Kapoor makes the character work with his brilliant performance. He is too good in both the emotional and also the lighter bits. A scene which deserves a particular mention is when Bheem first tells his son about wanting to have a divorce to the shocked Kukoo. Right after saying that his body language changes, until then he is cheerful but suddenly he goes silent and goes away from there. In the comic bits the actor just leaves you in splits, for example there is a scene In the middle of the road where he cooks up a story about himself rejecting Tisca Chopra’s character where in actuality she has rejected him. Raj Mehta deserves credit for not giving a happy ending to Anil and Neetu’s characters. He makes the wise decision of keeping it open ended. He also deserves credit for not making Neetu come across as loud in spite of playing a Punjabi mother.

Varun Dhawan as Kukoo also stands his own. He is first rate in the scenes showing Kukoo’s insecurities and selfishness. His scenes with Anil are very good to watch. A scene which deserves a particular mention is when Anil Kapoor introduces him to Tisca Chopra in a near empty hall playing Kalank.

The female characters don’t get the same attention as the male counterparts but both Neetu Kapoor and Kiara Advani are immensely watchable. Neetu Kapoor exudes certain warmth in her comeback. Neetu excels big time in the scene where she bares her heart out to Kiara’s Naina. In that scene Geeta opens up about her marriage, and how in the first few days of marriage itself, she wondered whether Bheem is the right person for her. But this scene would have worked better if the director had given an insight into the early days of their marriage.

Manish Paul’s character is mostly one note. Manish does a fair job but he ends up being a mere sidekick.

The Punjabi background plays a spoilsport here. The swelling background score coupled with the typical Punjabi tropes will irritate you. You wish that Tisca Chopra’s character was more developed instead of being just the other woman.

Jug Jug Jeeyo is a wholesome film with the right mix of comedy and seriousness, definitely worth a watch.

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O2: A Strong Cautionary Tale For Humankind

Nayanthara is one of those few actresses who has struck a perfect balance between doing glamorous roles and also strong female parts. She has always experimented with different kinds of genres. The results haven’t always been on point but that hasn’t stopped the actress from taking risks. O2 directed by GS Viknesh is one such film. The director juxtaposes the concept of two maternal figures, one being Mother Nature and other is Nayanthara playing a widowed mother Parvathy.

The film begins off with a bird’s sorrow as her chicks are being killed due to deforestation by human beings. From there we go to the home of a seven year old boy called Veera. Veera suffers from a life threatening disease called cystic fibrosis. He is heavily dependent on the oxygen cylinder for breathing. From the very beginning Veera is used to represent the repercussions of tearing down the natural resources. A hope comes for Veera in the form of a corrective surgery. Parvarthy makes a quick decision to go ahead with it. The mother and son are joined by more characters as they travel by bus to Kochi for the surgery. These characters include a corrupt cop, an ex-MLA, inter-caste lovers etc. In a horrible twist of fate they get trapped within the bus, the nature unleashes its anger in the form of a horrific landslide. The rest of the film plays out as a claustrophobic thriller. Nothing more about the plot can be revealed.

It is not easy to make a thriller/drama set mostly in a single location. It needs enormous talent from both the director and also the actors to hold the audience’s attention. But director GS Viknesh does a good job in keeping the audiences engrossed. He makes you feel the wrath of nature.

GS Viknesh is also immensely aided by the acting talent of Nayanathara. The actress is in splendid form. She shoulders the weight of the film effortlessly. There are many shades to her character. She is someone who can be unapologetically selfish, self-serving and also violent too. Nayanathara sinks her teeth into the role and makes the audiences root for her. Just like mother earth Paravathy will also go to any lengths to save her son from danger. The parallel between these two maternal figures has been brought out brilliantly by the director.

Rithivik as Veera holds his own. He is particularly impressive in the high-octane emotional moments. Among the rest Bharath Neelakandan is terrific as a vicious cop.

The cinematography by Tamizh Azhagan is perfectly in sync with the narrative.  He does a commendable job in capturing the claustrophobia. The audiences feel that they themselves are in that situation.

The scenes where we see the fight for oxygen also strikes a chord. The reason being many lives were lost in the second wave of Covid due to the limited supply of oxygen.

The only bits that rankle in the film are those involving the inter-caste couple. They don’t add much to the film.

In a nutshell O2 is a largely gripping thriller that leaves you thinking.

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Virata Parvam: A Tragic Love In The Time Of Revolution

Venu Udulgula’s Virata Parvam has created a lot of buzz for two reasons. Along with the star cast comprising of Sai Pallavi and Rana Dagubbati, the real life story that it is based on has also added to the hype. Earlier also you have had films with the backdrop of naxalism but here you have a love story at its core. The film’s title is taken from a chapter in Mahabharata where the Pandavas had gone into exile.

The story of Virata Parvam is set in the period when the naxalite movement was at its peak. Vennela (Sai Pallavi) belongs to an oppressed caste. Vennela is heavily inspired by the revolutionary poetry written by a famous naxalite Ravanna (Rana Dagubbati). Without even meeting Ravanna Vennela falls in love with him. Vennela is so infatuated with him that she even leaves her home. She makes several attempts to meet him. In a big turn of events her path finally crosses with that of Ravanna. The rest of the story is – whether Ravanna accepts her love? What problems Vennela faced in her journey? And most importantly what happens to her at the end.

DIRECTOR VENU UDUGULA WASTES NO TIME IN SETTING UP THE CHARACTER OF VENNELA AND ALSO HER FASCINATION WITH THE POETRY OF RAVANNA.

Director Venu Udugula wastes no time in setting up the character of Vennela and also her fascination with the poetry of Ravanna in the beginning itself. But the big issue with the first half is it is difficult to buy the love that Vennela has for Ravanna. The director puts a spin of Krishna and Meera bai but it doesn’t make much sense. It is a theory which is difficult to buy in the scenario of this film.

The attempts of Vennela in reaching Ravanna take up most of the first half, as a result the audience start feeling restless. The story becomes stagnant with nothing much happening.

The film finally picks up pace when Vennela and Ravanna have a face to face conversation just before the interval. From here on the drama becomes more engaging.

A scene which deserves particular mention is the conversation between Sai Chand and Sai Pallavi. Sai Chand is once again the eternal father after Kondapolam and Fida. Sai Pallavi’s expression after the dialogue of Sai Chand is something that stays with you.
Another impactful scene worth mentioning is the one between Rana and Zarina Wahab playing Rana’s mother. Ravanna avoided seeing his mother for a long time but he finally gives in because of Vennela. The poem that he recites is sure to make the audiences emotional.

TECHNICALLY THE DIRECTOR DOES A GOOD JOB IN RECREATING THAT PERIOD. THE CINEMATOGRAPHY AND THE ART DESIGN DESERVE PARTICULAR MENTION.

Technically the director does a good job in recreating that period. The cinematography and the art design deserve particular mention. But the editing definitely needed to be far tighter. Instead of two and half hours the film could have easily been just two hours.
Needless to say that Sai Pallavi is the star of Virata Parvam, as Vennela she perfectly captures the innocence and also the adamant nature. It is a role which is very much up her ally and the actress doesn’t disappoint.

RANA’S RAVANNA WORKS AS A PERFECT COUNTERPART TO VENNELA. HE INITIALLY COMES ACROSS AS A VERY STOIC PERSON BUT AS YOU GO ALONG DIFFERENT LAYERS COME OUT.

Rana’s Ravanna works as a perfect counterpart to Vennela. He initially comes across as a very stoic person but as you go along different layers come out. The actor lets Sai Pallavi hog the limelight but he also makes his presence amply felt.

Nandita Das, Priyamani and Naveen Chandra are impressive in their parts but no one is very memorable.

In a nutshell Virata Parvam doesn’t quite turn out to be the epic love story that it promised, but nevertheless the emotional second half makes it worth watching.

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Ante Sundaraniki: An Entertaining Love Story Across Religions

Romantic comedies are one of the most sought genres in cinema worldwide. They fill you with a certain warmth and make you forgot about the troubles in everyday life. It is a genre which has lost some of its sheen given that you know what will happen at the end. The challenge therefore is what you bring to the table within the familiarity. Vivek Athreya takes a simple story line and peppers it with certain social topics. His non-linear style of narration works big time. The director is also helped by his in form leads Nani and Nazriya.

The film begins with an elongated background of both its lead characters. Sundar comes from a highly conservative Hindu family. You can gauge their nature from the fact that Sundar is not allowed to travel to the US. The reason being that they believe it is a sin to allow a man to cross the sea. This kind of superficial thinking makes Sundar’s growing up years very painful. Naresh plays the father of Nani (Sastri Garu). The mother is played by Rohini. In fact Sastri Garu gets his son a girl’s bike. The reason is he is worried that the horizontal crossbar would make him infertile. Sundar is also subjected to many rituals since his childhood; this makes the astrologer very rich. Like the rest of the family Sundar also comes with his own quirks. For example he stops watching movies for a silly reason. He also has a problem posing for photos.

Nazriya’s Leela on the other also comes from a very conservative family. The only difference is that they pray to a different god; Christ. Both families have a problem of mixing with people from other religious backgrounds. But that doesn’t stop the growing friendship between these two within the premises of the school. Their friendship soon grows into love. But the hitch is that neither have the courage to say it directly. What follows is a web of lies that leads to many complicated situations.

THERE IS A WONDERFUL BALANCE OF COMEDY AND EMOTIONS. THE FILM ALSO MAKES OTHER PERTINENT POINTS ON PREGNANCY AND FERTILITY AMONG OTHER ASPECTS.

A basic perquisite for any romantic comedy is that the lead characters should share a wonderful chemistry. The comfort level between Nani and Nazariya is visible throughout. As audiences you believe that their love would move heaven and earth through their barrage of almost never ending lies.

Vivek Athreya uses humor to address many of our religious biases, the jokes not only land but they make you introspect.

There is a wonderful balance of comedy and emotions. The film also makes other pertinent points on pregnancy and fertility among other aspects.

Out of the comic scenes, my most favorite ones are the interactions between Nani and Harshvardhan. They just bring the house down. Special mention must also be made of the scenes of Sundar and Leela tapping into their inner child whenever they make outlandish plans. It raises many chuckles.

THE ROLE OF SUNDAR IS PRETTY MUCH A CAKEWALK FOR NANI. THE ACTOR IS VERY MUCH IN HIS ELEMENT.

Naresh has the best role among the supporting players. The role of Sastri garu has a very good arc. He starts off as someone who is highly traditional but as we go along we see him slowly and gradually changing. Naresh does a splendid job in bringing out all these nuances. Rohini gets her one big moment in the pre-climax where she questions her husband and mother-in-law. The actress aces this scene.

The role of Sundar is pretty much a cakewalk for Nani. The actor is very much in his element. A special mention must be made of his comic timing which leaves you in splits. Malayalam actress Nazriya makes an impressive Tollywood debut. She fits perfectly into the skin of leela. Her screen presence combined with the performance stays with you.

In a nutshell Ante Sundaraniki is entertaining and emotional. It is a love story across religions without any bloodshed which is rare in these times.

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Vikram: A Masala Treat For The Fans Of Kamal, Fahadh And Vijay

The biggest victory of Lokesh Kangaraj’s Vikram is how he balances the three immensely talented actors. The script has been written in such a way that all three get their moments to shine. In essence, Vikram is a stylish action drama. The first twenty-to thirty minutes of the film are a bit of slog with the overload of the information but as you go along the film starts getting better. Vikram is not as engaging as Karthik’s Kaithi which also belonged to the same genre, but it definitely fares better than the director’s last film Master.

The films begins off the supposed death of Karnan (Kamal Hassan).  Karnan is the father of the martyred cop Prapachan (Kalidas Jayaram) We learn that a series of such killings has been happening, the people responsible for this are a group of masked men. This group calls it their war against the system. To stop these killings, the police chief brings in a black cops team. The head of this team is Amar (Fahadh Fasil). Amar starts digging into the past of Karnan. Vijay Sethupati plays a fearsome drug lord called Santhanam. Santhanam is searching for a shipment that would make him a king pin. Meanwhile, Amar is getting more and more puzzled by the many versions that he hears about Karnan. Was Karnan an alcoholic father grieving over the loss of his son, a womanizer or something more than that? But the bigger question is whether he is really dead.

The most intriguing part of Vikram is the investigation scenes of Amar and his team. These portions keep you hooked as you yourself are also trying to figure out who the actual Karnan is. There isn’t a lot of Kamal Hassan in this part but his presence can still be amply felt, both as an actor and also as a character.

The action part before the interval has a solid twist that makes you look forward for the second half. Post interval the plot becomes more straight faced. Just like Kaithi here too you have a bunch of cops holding against an army of gangsters.

The subplot of Karnan and Prapanchan’s baby gives the second half some emotional undercurrent. These portions are pretty good. Kalidas Jayaram has a small role but the actor does a good job nevertheless.

As I earlier said all the three actors get their moments to shine. Kamal Hassan packs a punch in both the action and the emotional bits. His scenes with the little grandson give some heat touching moments. Fahadh Faasil sails through his role with his usual aplomb. He shines the brightest in the first half. Vijay Sethupati’s Santhanam is an extension of what he did in Master but the actor still makes an impact with his villainous turn. His interactions with the family members raise some chuckle worthy moments.

What pulls down Vikram significantly are the overdose of action. There is no denying that they have been solidly choreographed, but these scenes come too frequently from the middle of the second half.

Also the suspense factor is no longer there once the identity of Karanan is revealed. The film becomes more generic after this in terms of treatment. As a result the film starts feeling very prolonged. The editing department is another minus for Vikram. At least thirty minutes of the film could have been easily chopped off. Because of the excessive length the impact of Surya’s cameo lessens down.

It also doesn’t help that the supporting characters with the exception of Kalidas are mostly gap fillers.  

In a nutshell, watch Vikram if you are a fan of the three actors. But be prepared for all the bloodshed.

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Major: Adavi Sesh Anchors This Heart Touching Saga

The attack of 26/11 is a subject that has found a prominent place in both movies and also web series. A good example of this is the Anupam Kher and Dev Patel’s Hotel Mumbai and also the web series Mumbai Dairies. Major directed by Sashi Kiran focuses on the real life major Sandeep Unnikrishnan. Sandeep Unnikrishnan was an NSG Major who sacrificed his life in fighting the terrorists on that fateful day. The beats of the story isn’t unfamiliar in any way. Most of us know how the attacks of 26/11 had played out and as an audience you also know that Sandeep is going to end up as a martyr. So the tricky thing is how you engage the audiences. But director Sashi Kiran keeps the audiences hooked. He is also helped by the mostly tight writing of Adavi Sesh, apart from acting, Adavi Sesh has also written the story and screenplay of this film.

The story of Sandeep is narrated through the parents played by Prakash Raj and Revathy respectively. Sandeep’s fascination with the uniform is established early on by the director. From a young age itself Sandeep is someone who doesn’t think twice before putting himself in harm’s way in order to save someone’s life. His parents aren’t exactly too pleased with his decision of joining the army. But there is nothing that they can do given the firmness of Sandeep’s decision; through the course of the film,  Sandeep is confronted with what it means to be a soldier. Is it putting oneself first on the battlefield, or forgoing being a good husband etc. On that fateful day he had the option of staying back but he instead decided to fight the terrorists.

The biggest triumph of Major is way the character of Sandeep has been etched. The focus is on Sandeep as a complete human being and not just as a martyr. When the inevitable happens you not just mourn for a soldier who has lost his life, but you also think about the life that he could have lived.

Major, starring Adivi Sesh, showcases the fascinating saga of a braveheart | Filmfare.com
Fascinating story of a braveheart

There is a deep emotional connect that the director brings. Sandeep’s interactions with his parents in particular are good. There aren’t many of those scenes but whatever what you get is heart touching. The film also works as a coming- of- age tale and not just as a soldier’s story.

Sandeep’s love story with his childhood sweetheart Isha (Saiee Manjrekar) is also fairly well etched out. Saiee gets a pretty solid role and she delivers a decent performance, but there are times where you feel that a more solid actress would have uplifted the love story.

A majority of Major’s second half plays out as a combat drama. The action set pieces by Naba are very good. You can clearly see that a lot of hard work has gone into it. The dialogues by Abburi Ravi are another standout feature of this film. Lastly, Patchipulusu also deserves credit for his cinematography. He ably captures the different moods of the film through his lens.

Adavi Sesh gets a role of a lifetime and the actor grabs the opportunity with both hands. It is a part which is demanding in both physical and emotional sense, and Adavi Sesh nails it with a terrific performance. He is convincing in all the stages of his character.

Major Opts For Early Premiere Shows All Over The Country - Movie News
It is a film that is going to stay with you for a long time

Prakash Raj and Revati are experienced actors who don’t need any particular validation, as expected both of them bring in their immense experience to the parts. Their performances in the closing moments would move audiences to tears. Murali Sharma and Shobhita Dhulipala are effective in their brief roles.

In a nutshell, Major more than lives up to the promise made by the impactful trailer. It is a film that is going to stay with you for a long time even if the subject of army isn’t your cup of tea.

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F3: Keeps You Entertained

Among the younger crop of Tollywood directors Anil Ravipudi is someone who has quickly climbed up the ladder of success. From his first film Patas onwards the director has been successful in catering to the masses. His latest F3 is no different from the earlier ones. The film comes with a solo agenda of making the audiences forget the stress of real life. While F2 focused on the trials of frustrated husbands, this one talks about money and people’s greed for it. Much like F2 there isn’t much of a plot but it still keeps you entertained. There are two reasons for this; one is the conviction of the actors and two there is a method to the madness.

Venketash and Varun Tej reprise their roles of Venky and Varun respectively, but this time they are playing two individuals who are always after money. After failing to make it big they come across a video of a rich businessman played by Murali Sharma. He is looking for his lost son. So both Venky and Varun decide to go in as the lost son and inherit the crores of property. But they are not the only ones who are in desperate need of money.

Tammanha’s character also shows up at the place disguised as a male. In addition there is also the character of Vennala Kishore. He is brought there by Rajendra Prasad who has his own motive. The rest of the story is about who the actual son is and what happens to these characters.

https://youtube.com/watch?v=3pelriJ6Acs%3Ffeature%3Doembed

A major strength of F3 is the entertainment quotient. Venky suffers from night blindness and Varun has stammering issues. A lot of the film’s humor comes from these two aspects (though it is incorrect to draw fun of these disabilities) Comedy is not something new to Venkatesh. It is something that he has always been good at. Here too the actor brings the house down with his comic timing. There are many inside jokes that make you chuckle. A particular reference must be made to the scene where he talks about his problems to a raging bull. Tears come out from the eyes of the bull after hearing his story. Raghubabu playing the sidekick comments that you can make not just the families but also animals emotional. This is in reference to the family man image of Venkatesh.

F3 IS NOT FOR THOSE WHO ARE LOOKING FOR A PROPER STORY AND LOGIC. IT IS FOR THOSE WHO WANT A FULL ON MASALA FILM WITH ENTERTAINMENT PACKED AT REGULAR INTERVALS.

In the climax there is an instance where Venkatesh dresses up as Narappa. When Varun asks him about this get up. The actor says that this is for my fans as Narappa didn’t release in theatres.

Varun Tej also gets his share of funny moments. The mannerism that he uses to cover up his stammer raises some chuckle worthy moments.

There is a moment in the climax where Varun Tej dresses up as Vakeel sab and beats the villains. It is one of those inside jokes that bring a smile on your face. Much like F2 here too the chemistry between Venkatesh and Varun Tej is on point. The supporting cast has many players and most of them make their screen time count. Sunil and Ali in particular stand out. Murali Sharma’s serious avatar is in complete contrast to the other characters. In the pre- climax you have an unexpected twist and also an important moral lesson on people’s greed for money, and the things that it makes people do.

One of the things that stick out in F3 is the character of Sonal Chauhan. Her character falls in love with Tammanh thinking he is a male. These portions weren’t at all needed. Also the characters in Tammanh’s family are unnecessarily vilanised. Their greed for money is portrayed with a judgmental tone unlike Venketash and Varun Tej’s

In a nutshell F3 is not for those who are looking for a proper story and logic. It is for those who want a full on masala film with entertainment packed at regular intervals.

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Panchayat Season 2: A Worthy Follow Up To Season 1

Sequels are always a tricky business whether it is movies or web shows. The audiences have a certain set of expectations which are not easy to meet. But director Deepak Kumar Mishra does a very good job in exceeding those expectations with Panchayat season 2. Panchayat season 2 not only delivers laughs, but it also makes you introspect. Tight writing combined with solid performances makes this web series one of the better shows of this year.

For those who don’t know Panchayat season 1 followed the journey of Abhishek Tripati (Jitendra Kumar). Abhishek Tripati unwillingly accepts the job of a Panchayat secretary in Phulera. Phulera is a remote village in Ballia, Uttar Pradesh. The first season was essentially about how he acclimatizes himself to the village. An important part of the show was his bond with the locals, particularly Pradhan (Raghubir Yadav), his wife and the actual Pradhan (Neena Gupta) and finally the two office bearers played by Faisal Malik and Chandan Roy, Season 1 also covered some important issues, but without any melodrama.

Season 2 takes off from where season 1 ended. Abhishek Tripati’s bond with the Pradhan and the others has become strong. There is also a hint of romance between Abhishek and the daughter of Pradhan. This season covers local politics, rivalries and also relatable issues like standing up for your friends.

 It is easy to get repetitive with a premise like Panchayat. But director Deepak shows growth both in the characters and the story. We see new dimensions to the village of Phulera and also the residents living in it. The director smartly avoids the typical tropes of films set in rural India. He presents Phulera as a real place with real people. Most of the humor comes from the situations that people find themselves in. The director also nicely sets up Season 3 with a smart twist at the end.

Apart from delivering laughs, the series is also successful in dwelling into issues with simplicity. There are no lengthy monologues here. But Deepak Kumar Mishra gets the point across successfully.

The subtlety of the show also extends to the performances. Jitender Kumar shows once again why he is perfect actor to play Abhishek Tripati. Jitender has grown leaps and bounds; this is evident in the way he holds his own against the likes of Raghubir Yadav and Neena Gupta. Raghubir Yadav and Neena Gupta are actors who don’t need any particular validation. Both of them are in terrific form as always.

Faisal Malik and Chandan roy are more than just comic reliefs in Season 2. Towards the end there is a scene where Faisal Malik will get you close to tears.

One minor complaint about the series is the track of the foul-mouthed politician. It doesn’t serve any major purpose. Also you wish there was a little more of Neena Gupta.

In a nutshell, Panchayat Season 2 is going to make the audience impatient for Season 3.

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Bhool Bhulaiyaa 2: A Wholesome Commercial Entertainer

Priyadarshan’s Bhool Bhulaiyaa was a remake of the Tamil film Chandramukhi which starred Rajinikanth and Jyotika. Chandramukhi itself was a remake of the Malayalam film Manichitrathazhu. Bhool Bhulaiyaa wasn’t as good as Chandramukhi but it was still highly watchable thanks to the comic timing of Akshay Kumar and also the performance of Vidya Balan in the post interval portions. It was also the time when Priyadarshan was in good form. Bhool Bhulaiyaa was a psychological thriller with ample doses of comedy.

Anees Bazmee’s Bhool Bhulaiyaa 2 is an extension of that universe. This one plays out like a horror comedy, a genre which has brought good box office numbers. Karthik Aryan steps into the shoes of Akshay Kumar, Tabu on the other hand steps into the shoes of Vidya Balan. Tabu plays a double role in this one. The only cast member who is common between both the films is Rajpal Yadav. He returns back as Chota Pandit. Bhool Bhulaiyaa 2 is one of those wholesome entertainers that have something for everyone.

Strangers Ruhan Randhawa (Karthik Aryan) and Reet Thakur (Kiara Advani) meet at a hill station. Just like most Bollywood love stories there is an instant connection followed by a song and dance sequence. Things take a turn when Ruhan and Reet land up in an abandoned haveli where the spirit of Manjulika is believed to held captive for 18 years. Ruhan turns into Rooh Baba in no time and convinces people that he can talk to ghosts. Things are going well for Ruhan, but he invites self trouble when he accidently unleashes the spirit that has been locked for 18 years. The rest of the story is about why the spirit of Manjulika is so angry and will Rooh baba be able to handle the situation. The back story of Manjulika and the connection of the twin sisters form an integral part of the second half.

The best thing about Bhool Bhulaiyaa 2 is how the director combines the elements of horror and comedy. The scares aren’t particularly new but still they do spoke you. The scenes of Karthik Aryan as Rooh Baba are an absolute laugh riot. His interactions with the family of Kiara Advani bring the house down. The subplot of Rajpal Yadav, Sanjay Mishra and Ashwini Kaleskar also raise some chuckles, even if the nature of the humor is somewhat questionable. The dialogues by Aakash Kaushik deserve praise for the way punch lines have been written.

Karthik Aryan gets ample scope to display his comic timing and the actor doesn’t disappoint one bit. Karthik is also very impressive in pre-climax scene where you have a big reveal.

Another thing that Anees Bazmee gets right is the track of twin sisters. After Karthik Aryan, Tabu has the meatiest role among the rest. She serves as the catalyst of the plot. The parts of the twin sister are as different as chalk and cheese. Tabu effortlessly switches between Anjulika and Manjulika. She gets her big moment in the climax and as usual Tabu kills it with her performance. The big twist here is quite satisfying as you don’t really see it coming. Special mention must also be given to the makeup of Tabu in the flashback portions. Tabu looks effortlessly young. Performances wise it is Karthik Aryan and Tabu who shoulder the film on their shoulders.

There are two areas where the film falters. One is the romance between Karthik and Kiara. There is a lot of flirting and also one kiss. But the chemistry is nowhere visible. In fact the romantic portions come across as speed breakers. The songs of Bhool Bhulaiyaa 2 are another major sore point. The only song that makes any impression is the reworked version of Hare Ram from the original. Karthik’s dance moves in that are quite fluid.

In a nutshell, Bhool Bhulaiyaa 2 is a wholesome entertainer that is going to keep its target audiences engaged. It is a film which is sure to break the dry run that Bollywood has been having since the success of Gangubai and Kashmir Files.